Jewish Press Are Not Necessarily Those of the Jewish Federation of Greater Station in Kansas City

Total Page:16

File Type:pdf, Size:1020Kb

Jewish Press Are Not Necessarily Those of the Jewish Federation of Greater Station in Kansas City Jewish Federation of Greater Des Moines Non-Profit 33158 Ute Avenue Organization Waukee, IA 50263-7538 U.S. Postage PAID Address Service Requested Des Moines, IA Permit No. 2506 Community. Des Moines Jewish Jewish Moines Des and support from our our from support and to show solidarity solidarity show to Galilee in early June June early in Galilee region of the Western Western the of region visited our Partnership Partnership our visited community members members community A small delegation of of delegation small A אלול | אב | תמוז | אב | אלול Vol. 37, No. 6 | July/August 2021 |Tammuz, Av, Elul 5781 | 5781 Elul Av, |Tammuz, 2021 July/August | 6 No. 37, Vol. Jewish Community Report Engman Camp Shalom Press • June 7 kicked off camp for the 2021 season • ECS is excited to offer more regular camp activities such as swim The Caspe Terrace 33158 Ute Avenue lessons, Menace soccer camp and a few local, outdoor field trips Waukee, IA 50263 • ECS has welcomed over 10 new families to camp this summer 515-987-0899 [email protected] • There are spots available for the remaining weeks of camp. Visit •••••••••••• engmancampshalom.com for more information and to register Published six times a year by the Jewish Federation of Greater Des Moines under Gan Shalom the auspices of the Jewish Community Relations Council • Students enjoyed special classes with Robin Karney for Judaics, •••••••••••• Jennifer Wagner for yoga, and Benjamin Brodkey for music and Giovanna Zavell Shabbat Editor & Production • We welcomed parents and grandparents back to Caspe Terrace for class picnic lunches In Memory Of • Mazel tov to the 12 graduates who are heading to kindergarten in Mark S. Finkelstein (z”l) the fall •••••••••••• • We spent more time than ever before learning in our outdoor Jewish Federation Executive Committee: space. We found that any learning that can be done inside can Bob Goldberg, Executive Director just as easily be replicated outside Hannah Rogers, Federation President Michael Wolnerman, Past President Beit Sefer Shalom David Adelman, Foundation President Elena Greenberg, Treasurer Jarad Bernstein, Secretary • Beit Sefer Shalom students had the choice to learn virtually or in person at Caspe Terrace during the 2020-21 school year MEMBERS-AT-LARGE: Jeff Lipman • More than a dozen teenagers participated in the Madrichim Maggie Matijevich Program this year Josh Mandelbaum Steve Schoenbaum • Students had weekly music and prayer classes AGENCY CHAIRS: • Registration for the 2021-22 school year is open online Beit Sefer Shalom Board Maggie Matijivech, President Jewish Family Services Iowa Jewish Senior Life Center • Jewish Family Services provides care and assistance to our seniors Krista Pearl, President and other members of the community. We are available to assist Ron Osby, Director with meal delivery, referrals to other resources in the Des Moines Iowa Jewish Historical Society area (housing, transportation, senior living options), and financial Linda Bremen, President assistance. For more information, please connect with Jody Melanie Sandler, Vice President Ingersoll, Jewish Family Services, at 515-987-0899 ext. 210 Jewish Family Services Deirdre Farr, Chair Iowa Jewish Historical Society •••••••••••• • This fall, the Iowa Jewish Historical Society will sponsor a trip Opinions expressed in The Greater Des to the Auschwitz Not Long Ago Not Far Away exhibit at Union Moines Jewish Press are not necessarily those of the Jewish Federation of Greater Station in Kansas City. More information to come Des Moines, its committees, or its staff. • If you have photos, videos and other artifacts related to personal Inserts to the Jewish Press may not necessarily bear endorsement of the and community life during the pandemic, social justice protests, Jewish Federation. the 2020 election and other events, consider donating them to We are always happy to consider articles and information for publication. IJHS. Email [email protected] to learn how We reserve the right to edit submissions. The Jewish Press will not accept paid • IJHS continues to participate in a nationwide effort led by the advertisements for electoral candidates or Council of American Jewish Museums to collect and preserve the their causes. stories of what it means to be Jewish in the era of Covid-19 and the •••••••••••• protests and struggles for justice. IJHS is collecting oral histories Volume 37, No. 6 to tell the Iowa stories Summer Edition July/August 2021 Tammuz/Av/Elul 5781 DISCOVER GOLDFISH SWIM SCHOOL Goldfish Swim School is the premier learn-to-swim facility for kids ages 4 months to 12 years. We use our holistic philosophy, The Science of SwimPlay®, to build life skills both in and out of the water using play-based learning in a fun and Call TODAY safe environment. to schedule a FREE trial lesson! • CONFIDENCE-BUILDING CURRICULUM • SMALL CLASS SIZES • SHIVER-FREE, 90-DEGREE POOL • FLEXIBLE CLASS TIMES URBANDALE | 3771 86th Street | Urbandale, IA 50322 515.612.9500 | goldfishswimschool.com | We Were Built for This Our Jewish Federation is the for our Jewish Federation. Hannah is one entity in our community built hands on and hardworking and will to support the various needs of all be an exceptional President for our members of our diverse Jewish Federation. We are blessed with a long community and to unite us around history of strong leadership and that important issues. Throughout our will continue with Hannah at the helm. history, we have always had diversity The work provided by our team this of religious practices, diversity of year simply cannot be overstated. JFS interests, diversity of aims, diversity Director Jody Ingersoll continues to of political views, and diversity in the provide exemplary care through Jewish pathways that brought us here to Des Family Services for our isolated seniors. Moines and Central Iowa. And yet, The Iowa Jewish Historical Society we have always had leaders who were and Director Sandi Yoder, along with able to prioritize working together, as the IJHS staff, continue the important Bob Goldberg a collective, to address the most urgent work of preserving our personal stories Executive Director needs of our people. We have so many through the Oral History Project. Our examples of this. educational programs of Gan Shalom, This past year, our community faced At the start of World War I in 1914, Beit Sefer Shalom and Engman Camp a multitude of unexpected challenges this community raised and dedicated Shalom continue to provide meaningful and our Jewish Federation rose to the $1,000 per month for war sufferers’ Jewish experiences for our youth under occasion, because facing challenges is relief. the guidance of Education Director what we were built for. In 1917, we raised $70,600 and Sophie Homonoff and her teams. In my first weeks here in Des $57,500 of that total was sent to care Again, these are just a few Moines this past December, while the for those in need overseas. important examples of our work that temperature dropped below zero and In 1948, 1967, and 1973, we raised has continued during the past year. I the blizzards buried us inside, I read amazing sums of money to support could write pages upon pages about Frank Rosenthal’s 1957 book The Jews Jews in need and the State of Israel. the exceptional work of our team. We of Des Moines The First Century and In the 1980s and 1990s, we continue to build connections with our the magnificent thin book, Jewish dedicated ourselves to the resettlement local high school and college students, Federation of Greater Des Moines of Soviet Jews with the same ambition. tell our stories through this Jewish 100th Anniversary (1914-2014), And 20 years ago, through Press, work to improve and protect Celebrating a Century of Benevolence. determination and the generosity of Caspe Terrace, and build resources for These two books filled me with a many, Caspe Terrace was brought to the future. great sense of place, purpose and pride life, so that we would have a space to be And we need your help. This Jewish from the stories of the individuals who Jewish together and dream big dreams. community belongs to each and have contributed to our collective local We are always ready to help because every one of us. We have to commit Jewish history and culture, and have we were built for this. to working together to build the partaken in that most basic act of being We are Jews caring for Jews. community that we want. kind. That’s what we do at the Jewish Consider this your invitation to join I am grateful to the thousands of Federation of Greater Des Moines. in this special work. We need you. We community members, over the last 107 I am proud of the leadership of want to engage with you and empower years, whose generosity has given us our board and the work of our team. you to ignite Jewish life and to elevate the ability to impact so many Jewish Their dedication to you, our members, Jewish values in a time of growing lives both here in Central Iowa and is unquestionable. And in case you antisemitism and hate, but also a time those at risk in vulnerable populations weren’t aware, top volunteer leadership filled with hope and possibilities. around the world. Our collective impact roles across our Jewish community We are built on a solid foundation is truly immeasurable. are major commitments by dedicated that has been constructed over 107 As we close out the fiscal year on people who give tons of time and effort years, brick by brick, piece by piece, June 30, 2021, and begin a new fiscal to support us, while also pursuing their over decades by you and yours, and year on July 1, I am confident that our own jobs and family responsibilities.
Recommended publications
  • 177 Mental Toughness Secrets of the World Class
    177 MENTAL TOUGHNESS SECRETS OF THE WORLD CLASS 177 MENTAL TOUGHNESS SECRETS OF THE WORLD CLASS The Thought Processes, Habits And Philosophies Of The Great Ones Steve Siebold 177 MENTAL TOUGHNESS SECRETS OF THE WORLD CLASS 177 MENTAL TOUGHNESS SECRETS OF THE WORLD CLASS The Thought Processes, Habits And Philosophies Of The Great Ones Steve Siebold Published by London House www.londonhousepress.com © 2005 by Steve Siebold All Rights Reserved. Printed in Hong Kong. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the prior written permission of the copyright owner. Ordering Information To order additional copies please visit www.mentaltoughnesssecrets.com or visit the Gove Siebold Group, Inc. at www.govesiebold.com. ISBN: 0-9755003-0-9 Credits Editor: Gina Carroll www.inkwithimpact.com Jacket and Book design by Sheila Laughlin 177 MENTAL TOUGHNESS SECRETS OF THE WORLD CLASS DEDICATION This book is dedicated to the three most important people in my life, for their never-ending love, support and encouragement in the realization of my goals and dreams. Dawn Andrews Siebold, my beautiful, loving wife of almost 20 years. You are my soul mate and best friend. I feel best about me when I’m with you. We’ve come a long way since sub-man. I love you. Walter and Dolores Siebold, my parents, for being the most loving and supporting parents any kid could ask for. Thanks for everything you’ve done for me.
    [Show full text]
  • «An Evening with Pat Metheny» Feat. Antonio Sánchez, Linda May Han Oh & Gwilym Simcock
    2017 20:00 24.10.Grand Auditorium Mardi / Dienstag / Tuesday Jazz & beyond «An evening with Pat Metheny» feat. Antonio Sánchez, Linda May Han Oh & Gwilym Simcock Pat Metheny guitar Antonio Sánchez drums Linda May Han Oh bass Gwilym Simcock piano Pat Metheny photo: Jimmy Katz Pat Metheny, au-delà de la guitare Vincent Cotro « J’ai atteint un point où j’ai tant composé que tout n’est qu’une grande composition. Avec Antonio, Lina et Gwilym, nous allons explorer cette composition pour en faire, je l’espère, quelque chose de vraiment grandiose ». Pat Metheny, présentation du concert lors du festival Jazz sous les Pommiers, mai 2017 Né en 1954 dans le Missouri, Patrick Bruce Metheny découvre à onze ans Miles Davis puis Ornette Coleman et commence la guitare à douze ans, après s’être essayé à la trompette et au cor. Il écoutera et décortiquera les solos de Wes Montgomery, Kenny Burrell ou Jim Hall et se produira dès quinze ans avec les meilleurs musiciens dans les clubs de Kansas City. Alors qu’il se passionne pour John Coltrane et Clifford Brown, il rencontre Gary Burton en 1974, année de son explosion sur la scène internationale. Aux côtés du vibraphoniste, il développe ce qui deviendra sa caractéristique : une articulation plutôt relâchée et flexible habituellement observée chez les « souffleurs », combinée à une sensibilité harmonique et rythmique très développée. Son premier disque avec Jaco Pastorius et Bob Moses en 1976, « Bright Size Life », réinvente en quelque sorte la tradition sous des apparences de modernité, pour une nouvelle génération de guitaristes. On voit apparaître sa passion pour la musique d’Ornette Coleman qui se manifestera largement ensuite et jusqu’à aujourd’hui.
    [Show full text]
  • Organizing Books and Did This Process, I Discovered That Two of Them Had a Really Yucky Feeling to Them
    Jennifer Hofmann Inspired Home Office © 2014 This graphic is intentionally small to save your printer ink.:) 1 Inspired Home Office: The Book First edition Copyright 2014 Jennifer E. Hofmann, Inspired Home Office All rights reserved. No part of this book may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recorded, or otherwise without written permission by the author. This publication contains the opinion and ideas of the author. It is intended to provide helpful and informative material on the subject matter covered, and is offered with the understanding that the author is not engaged in rendering professional services in this publication. If the reader requires legal, financial or other professional assistance or advice, a qualified professional should be consulted. No liability is assumed with respect to the use of the information contained herein. Although every precaution has been taken to produce a high quality, informative, and helpful book, the author makes no representation or warranties of any kind with regard to the completeness or accuracy of the contents of the book. The author specifically disclaims any responsibility for any liability, loss or risk, personal or otherwise, which is incurred as a consequence, directly or indirectly, from the use and application of any of the contents of this publication. Jennifer Hofmann Inspired Home Office 3705 Quinaby Rd NE Salem, OR 97303 www.inspiredhomeoffice.com 2 Table of Contents Introduction..................................................................................................................
    [Show full text]
  • BIO TIGRAN HAMASYAN in Its Ever-Evolving State, Jazz Invites Into
    BIO TIGRAN HAMASYAN In its ever-evolving state, jazz invites into its fold imaginative artists who freely and courageously pursue their own vision, not only built on tradition but also infused with their own personality and passion. In the case of pianist/keyboardist Tigran Hamasyan, potent jazz improvisation fuses with the rich folkloric music of his native Armenia. Tigran is one of the most remarkable and distinctive jazz-meets-rock pianists of his generation. Tigran’s fresh sound is marked by an exploration of time signatures, charged dynamics, the shifting between acoustic and electric modes of expression, all undergirded by an affinity to the grind of heavy metal. Born in Gyumri, Armenia, in 1987, Tigran grew up in a household that was full of music—his father more of a rock fan while his uncle was a huge jazz buff. When he was just a toddler, Tigran gravitated to tape players and the piano instead of regular childhood toys, and by the time he was 3, he was working his way through figuring out songs on piano by the Beatles, Louis Armstrong, Led Zeppelin, Deep Purple, Black Sabbath and Queen. His jazz tastes early on were informed by Miles Davis’s fusion period, and then around the age of 10 when his family moved to Yerevan, he came to discover the classic jazz songbook under the aegis of his teacher Vahag Hayrapetyan, who had studied with Barry Harris. Tigran chose to study music. While he studied classical music at an Armenian high school geared toward music studies, Tigran continued to grow on his own as a jazz pianist.
    [Show full text]
  • Le Jazz Et L'orient
    Classe de Terminale Option Facultative Baccalauréats 2015 et 2016 Le Jazz et l’Orient Programme officiel : Les cinq pièces présentées ci-dessous forment un des trois ensembles du programme limitatif du baccalauréat. Chacune évoque de façon singulière le dialogue des cultures, celles de l’Orient et du bassin méditerranéen et celles du jazz occidental, lui-même issu d’une histoire partant de l’Afrique noire et passant par l’Amérique du nord avant d’investir la globalité du monde occidental. La durée cumulée exceptionnellement longue de ces cinq pièces s’explique par l’esthétique même des cultures dont elles sont issues. Si les formes sont le plus souvent simples, le discours mélodique, le travail du phrasé ou encore l’ornementation exigent quant à eux un temps important pour se développer et permettre à l’auditeur d’en prendre la mesure. Les quatre problématiques du programme de terminale (l’œuvre et son organisation, l’œuvre et ses pratiques, l’œuvre et l’histoire, l’œuvre, la musique et les autres arts) pourront aisément être mobilisées pour réfléchir ces musiques, mesurer leur originalité et développer des pratiques musicales originales. Les œuvres : • Ibrahim Maalouf, They don’t care about us, in album Diagnostic • Rabih Abou-Khalil, Mourir pour ton décolleté, in album Songs for Sad Women • Avishai Cohen, Aurora, in album Aurora • Jasser Haj Youssef, Friggya, in album Sira • Marcel Khalifé, Caress, in album Caress Plan du cours : Cours 1 : Le Jazz et ses caractéristiques musicales Cours 2 : L’Art de l’Orient Cours 3 : L’Orient et la Musique Cours 4 : Ibrahim Maalouf, They don’t care about us Cours 5 : Rabih Abou-Khalil, Mourir pour ton décolleté Cours 6 : Avishai Cohen, Aurora Cours 7 : Jasser Haj Youssef, Friggya Cours 8 : Marcel Khalifé, Caress Le Jazz et l’Orient Page !1 sur !26 Mathias Charton Classe de Terminale Option Facultative Cours 2 : L’Art de l’Orient 1.
    [Show full text]
  • PROGRAM NOTES Guided Tour
    13/14 Season SEP-DEC Ted Kurland Associates Kurland Ted The New Gary Burton Quartet 70th Birthday Concert with Gary Burton Vibraphone Julian Lage Guitar Scott Colley Bass Antonio Sanchez Percussion PROGRAM There will be no intermission. Set list will be announced from stage. Sunday, October 6 at 7 PM Zellerbach Theatre The Annenberg Center's Jazz Series is funded in part by the Brownstein Jazz Fund and the Philadelphia Fund For Jazz Legacy & Innovation of The Philadelphia Foundation and Philadelphia Jazz Project: a project of the Painted Bride Art Center. Media support for the 13/14 Jazz Series provided by WRTI and City Paper. 10 | ABOUT THE ARTISTS Gary Burton (Vibraphone) Born in 1943 and raised in Indiana, Gary Burton taught himself to play the vibraphone. At the age of 17, Burton made his recording debut in Nashville with guitarists Hank Garland and Chet Atkins. Two years later, Burton left his studies at Berklee College of Music to join George Shearing and Stan Getz, with whom he worked from 1964 to 1966. As a member of Getz's quartet, Burton won Down Beat Magazine's “Talent Deserving of Wider Recognition” award in 1965. By the time he left Getz to form his own quartet in 1967, Burton had recorded three solo albums. Borrowing rhythms and sonorities from rock music, while maintaining jazz's emphasis on improvisation and harmonic complexity, Burton's first quartet attracted large audiences from both sides of the jazz-rock spectrum. Such albums as Duster and Lofty Fake Anagram established Burton and his band as progenitors of the jazz fusion phenomenon.
    [Show full text]
  • Desperate Housewives a Lot Goes on in the Strange Neighborhood of Wisteria Lane
    Desperate Housewives A lot goes on in the strange neighborhood of Wisteria Lane. Sneak into the lives of five women: Susan, a single mother; Lynette, a woman desperately trying to b alance family and career; Gabrielle, an exmodel who has everything but a good m arriage; Bree, a perfect housewife with an imperfect relationship and Edie Britt , a real estate agent with a rocking love life. These are the famous five of Des perate Housewives, a primetime TV show. Get an insight into these popular charac ters with these Desperate Housewives quotes. Susan Yeah, well, my heart wants to hurt you, but I'm able to control myself! How would you feel if I used your child support payments for plastic surgery? Every time we went out for pizza you could have said, "Hey, I once killed a man. " Okay, yes I am closer to your father than I have been in the past, the bitter ha tred has now settled to a respectful disgust. Lynette Please hear me out this is important. Today I have a chance to join the human rac e for a few hours there are actual adults waiting for me with margaritas. Loo k, I'm in a dress, I have makeup on. We didn't exactly forget. It's just usually when the hostess dies, the party is off. And I love you because you find ways to compliment me when you could just say, " I told you so." Gabrielle I want a sexy little convertible! And I want to buy one, right now! Why are all rich men such jerks? The way I see it is that good friends support each other after something bad has happened, great friends act as if nothing has happened.
    [Show full text]
  • Playbill March 1 - 31 Center Series/Asian Arts and Culture Program 2 3 4 5 6 7 8 9 Skill.Smarts.Hardwork
    UNIVERSITY OF MASSACHUSETTS AMHERST FINE ARTS CENTER 2012 Playbill March 1 - 31 Center Series/Asian Arts and Culture Program 2 3 4 5 6 7 8 9 Skill.Smarts.Hardwork. That’s how you built your wealth. And that’s how we’ll manage it. T­he United Wealth Management Group is an independent team of skilled professionals with a single mission: to help their clients fulfill their financial goals. They understand the issues you face – and they can provide tailored solutions to meet your needs. To arrange a confidential discussion, contact Steven Daury, CerTifieD fiNANCiAl PlANNer™ Professional, today at 413-585-5100. 140 Main Street, Suite 400 • Northampton, MA 01060 413-585-5100 unitedwealthmanagementgroup.com tSecurities and Investment Advisory Services offered through NFP Securities, Inc., Member FINRA/SIPC. NFP Securities, Inc. is not affiliated with United Wealth Management Group. NOT FDIC INSURED • MAY LOSE VALUE • NOT A DEPOSIT• NO BANK GUARANTEE NO FEDERAL GOVERNMENT AGENCY GUARANTEES 10 4.875" x 3.75" UMASS FAC Playbill Skill.Smarts.Hardwork. That’s how you built your wealth. And that’s how we’ll manage it. T­he United Wealth Management Group is an independent team of skilled professionals with a single mission: to help their clients fulfill their financial goals. They understand the issues you face – and they can provide tailored solutions to meet your needs. To arrange a confidential discussion, contact Steven Daury, CerTifieD fiNANCiAl PlANNer™ Professional, today at 413-585-5100. 140 Main Street, Suite 400 • Northampton, MA 01060 413-585-5100 unitedwealthmanagementgroup.com tSecurities and Investment Advisory Services offered through NFP Securities, Inc., Member FINRA/SIPC.
    [Show full text]
  • Lettheriverrun Ebook.Pdf
    How God Used Ordinary People to Do Extraordinary Things Dan Scott, with Austin & Tiffany Cagle This book is lovingly dedicated to the first generation of Christ Church, who, under the leadership of L.H. and Montelle Hardwick, took the time to build a life-giving community that has changed the world. Their vision lives. © All contents of this manuscript are protected by copyrights owned by Epiclesis, Inc., 1717 Park Terrace Lane, Nolensville, TN 37135 and may not be reproduced in any manner without the express written consent of the publisher 3 Table of Contents .............................................................. 4 Introduction ...................................................................... 5 A Visitor Blows Up Our Dam ........................................... 9 The River Starts Flowing ............................................... 26 Telling Money Where to Flow ........................................ 33 Currency Really Is a Current ......................................... 43 A Russian River Flows Through .................................... 57 Going With the Flow ....................................................... 74 A River Has Banks ........................................................ 87 Dancing with the River ................................................ 104 Keepers of the Spring ................................................... 117 Finding the Source ....................................................... 125 Three Streams Converge .............................................. 133 The River Keeps
    [Show full text]
  • August 2002 Readers’ Platform
    • APEX THEORY • YAMAHA OAK CUSTOM KIT • GGOOOO GGOOOO DDOLLSOLLS’’ MIKEMIKE MALININ MALININ MMAXIMUMAXIMUM PPOPOP JJEFFEFF PPORCAROORCARO TTRIBUTERIBUTE TTOO AA SSTUDIOTUDIO GGIANTIANT MMATTATT WWILSONILSON’’SS IIMPROVMPROV PPLAYHOUSELAYHOUSE HHOTOT LLATINATIN JJAZZAZZ:: MMETHENYETHENY’’SS AANTONIONTONIO SSANCHEZANCHEZ TTHREADGILLHREADGILL’’SS DDAFNISAFNIS PPRIETORIETO BBRAZILRAZIL’’SS VVERAERA FFIGUEIREDOIGUEIREDO $4.99US $6.99CAN 08 SSHOPHOP TTALKALK:: BBUILDINGUILDING YYOUROUR OOWNWN DDRUMSETRUMSET!! 0 74808 01203 9 Redefining “Drum Machine” Ever wonder why Evans heads are so consistent and easy to tune? Designed and built in-house by our staff of engineers, this robotic “Drum Machine,” called the Gluing Gantry, ensures that every Evans head has a true collar. A series of vacuum fixtures holds the film in place for each head while the robotic gluing arm circles above the hoop and dispenses epoxy. The result is a drumhead that tunes both easily and consistently. At Evans, we do it right the first time. And every time. Check out what Peter Erskine has to say about Evans drumheads at www.evansdrumheads.com PO Box 290 • Farmingdale, NY 11735 We’ve been making the world’s finest sticks for years. And experience tells us that there are no shortcuts when it comes to making a stick. There is, however a very good short- cut when choosing one. The journey from wooden dowel to finished drumstick is a tough one. Each stick makes its way through the hands of several craftsmen before it leaves us. And at every test, there’s always the chance of getting turned into firewood. But it does get easier when our sticks reach the store. Because once you feel a pair in your hands, you’ll appreciate the time it spent in ours.
    [Show full text]
  • A Wealth of Talents: Reflections on the Meaning of Service
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work Spring 5-2004 A Wealth of Talents: Reflections on the Meaning of Service Michele Kay Gourley University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Recommended Citation Gourley, Michele Kay, "A Wealth of Talents: Reflections on the Meaning of Service" (2004). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/543 This is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. .~~ --...._---------- A Wealth of Talents Reflections on the Meaning of Service Michele Gourley Senior Honors Project February 17, 2004 UNIVERSITY HONORS PROGRA1VI SENIOR PROJECT - APPROVAL Name rDiC}jfM ~'~ College: At-tzz LUlU ~exlG2~ Department: ('ntUbb\u\Cx::r-{ . (J Faculty Mentor: tx· k ('Of! \"C)<- (I-{UWlClY'l ~V((Q.~) ) PROJECT TITLE: A- W eo.. \ \-~ o~ Tate/) ~:: Settee hons on l-\tu fYl eCLllt0g o~ ~\iI'CSL I have reviewed this completed senior honors thesis with this student and certify that it is a ~_surate with honors ~u dergraduate research in this field. ..--- ------ --+::'.",4fF~~+--....:..r.~~""""::"'-+--------' Faculty Mentor Date: ~~~-f+¥-~-- 1 Introduction "Tell them. Let them know about the needs of the people here. Let them know how blessed they are, and let them know that they can help." We were sitting in the back of a hot, crowded bus on our way from the capital to the border of Honduras when a Baxter student spoke those words to me.
    [Show full text]
  • Death in the Comedy of Molière
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 8-2003 Dying for a laugh : death in the comedy of Molière Clara Noëlle Wynne Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Recommended Citation Wynne, Clara Noëlle, "Dying for a laugh : death in the comedy of Molière. " PhD diss., University of Tennessee, 2003. https://trace.tennessee.edu/utk_graddiss/5211 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Clara Noëlle Wynne entitled "Dying for a laugh : death in the comedy of Molière." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in Modern Foreign Languages. Sal DiMaria, Major Professor We have read this dissertation and recommend its acceptance: Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Clara Noelle Wynne entitled "Dying for a Laugh: Death in the Comedy of Moliere". I have examined the final paper copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in Modern Foreign Languages.
    [Show full text]