Jazzweek Awards Recipients
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Jazzweek with Airplay Data Powered by Jazzweek.Com • July 2, 2007 Volume 3, Number 32 • $7.95
JazzWeek with airplay data powered by jazzweek.com • July 2, 2007 Volume 3, Number 32 • $7.95 Jazz Genre No. 1: Michael Brecker, Smooth Album No. 1: Boney James, Shine Pilgrimage (Heads Up) (Concord) World Music No. 1: Angelique Kidjo, Djin Smooth Single No. 1: Paul Brown, “The Djin (Starbucks/Razor & Tie) Rhythm Method” (Peak) Jazz Genre Chart . 3 Jazz Add Dates. 7 Smooth Jazz Album Chart . 4 Jazz Radio Currents . 8 Smooth Singles Chart . 5 Smooth Jazz Current Tracks. 11 World Music Album Chart. 6 Smooth Jazz Station Panel. 12 Jazz Birthdays July 2 July 12 July 20 Herbie Harper (1920) Will Bradley (1912) Ernie Wilkins (1922) Richard Wyands (1928) Paul Gonsalves (1920) Charles Tyler (1941) Ahmad Jamal (1930) Conte Candoli (1927) July 21 July 3 John Patton (1935) Omer Simeon (1902) Johnny Hartman (1923) July 13 Billy Taylor (1921) Johnny Coles (1926) Leroy Vinnegar (1928) Helen Merrill (1930) Pete Fountain (1930) Pete Escovedo (1935) Sonny Clark (1931) John Klemmer (1946) Albert Ayler (1936) Plas Johnson (1931) John Blake (1947) July 15 July 22 July 5 Philly Joe Jones (1923) Al Haig (1924) Arthur Blythe (1940) Joe Harriott (1928) Bill Perkins (1924) July 7 July 16 Junior Cook (1934) Tiny Grimes (1916) Cal Tjader (1925) Don Patterson (1936) Doc Severinsen (1927) Bobby Previte (1957) Al Di Meola (1954) Joshua Breakstone (1955) Hank Mobley (1930) July 17 Joe Zawinul (1932) George Barnes (1921) July 23 July 8 Ray Copeland (1926) Richie Kamuca (1930) Louis Jordan (1908) Joe Morello (1928) Steve Lacy (1934) Billy Eckstine (1914) Ben Riley (1933) Khan Jamal (1946) July 9 Nick Brignola (1936) L Subramaniam (1947) Frank Wright (1935) Norman W. -
«An Evening with Pat Metheny» Feat. Antonio Sánchez, Linda May Han Oh & Gwilym Simcock
2017 20:00 24.10.Grand Auditorium Mardi / Dienstag / Tuesday Jazz & beyond «An evening with Pat Metheny» feat. Antonio Sánchez, Linda May Han Oh & Gwilym Simcock Pat Metheny guitar Antonio Sánchez drums Linda May Han Oh bass Gwilym Simcock piano Pat Metheny photo: Jimmy Katz Pat Metheny, au-delà de la guitare Vincent Cotro « J’ai atteint un point où j’ai tant composé que tout n’est qu’une grande composition. Avec Antonio, Lina et Gwilym, nous allons explorer cette composition pour en faire, je l’espère, quelque chose de vraiment grandiose ». Pat Metheny, présentation du concert lors du festival Jazz sous les Pommiers, mai 2017 Né en 1954 dans le Missouri, Patrick Bruce Metheny découvre à onze ans Miles Davis puis Ornette Coleman et commence la guitare à douze ans, après s’être essayé à la trompette et au cor. Il écoutera et décortiquera les solos de Wes Montgomery, Kenny Burrell ou Jim Hall et se produira dès quinze ans avec les meilleurs musiciens dans les clubs de Kansas City. Alors qu’il se passionne pour John Coltrane et Clifford Brown, il rencontre Gary Burton en 1974, année de son explosion sur la scène internationale. Aux côtés du vibraphoniste, il développe ce qui deviendra sa caractéristique : une articulation plutôt relâchée et flexible habituellement observée chez les « souffleurs », combinée à une sensibilité harmonique et rythmique très développée. Son premier disque avec Jaco Pastorius et Bob Moses en 1976, « Bright Size Life », réinvente en quelque sorte la tradition sous des apparences de modernité, pour une nouvelle génération de guitaristes. On voit apparaître sa passion pour la musique d’Ornette Coleman qui se manifestera largement ensuite et jusqu’à aujourd’hui. -
Windward Passenger
MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums. -
BIO TIGRAN HAMASYAN in Its Ever-Evolving State, Jazz Invites Into
BIO TIGRAN HAMASYAN In its ever-evolving state, jazz invites into its fold imaginative artists who freely and courageously pursue their own vision, not only built on tradition but also infused with their own personality and passion. In the case of pianist/keyboardist Tigran Hamasyan, potent jazz improvisation fuses with the rich folkloric music of his native Armenia. Tigran is one of the most remarkable and distinctive jazz-meets-rock pianists of his generation. Tigran’s fresh sound is marked by an exploration of time signatures, charged dynamics, the shifting between acoustic and electric modes of expression, all undergirded by an affinity to the grind of heavy metal. Born in Gyumri, Armenia, in 1987, Tigran grew up in a household that was full of music—his father more of a rock fan while his uncle was a huge jazz buff. When he was just a toddler, Tigran gravitated to tape players and the piano instead of regular childhood toys, and by the time he was 3, he was working his way through figuring out songs on piano by the Beatles, Louis Armstrong, Led Zeppelin, Deep Purple, Black Sabbath and Queen. His jazz tastes early on were informed by Miles Davis’s fusion period, and then around the age of 10 when his family moved to Yerevan, he came to discover the classic jazz songbook under the aegis of his teacher Vahag Hayrapetyan, who had studied with Barry Harris. Tigran chose to study music. While he studied classical music at an Armenian high school geared toward music studies, Tigran continued to grow on his own as a jazz pianist. -
Le Jazz Et L'orient
Classe de Terminale Option Facultative Baccalauréats 2015 et 2016 Le Jazz et l’Orient Programme officiel : Les cinq pièces présentées ci-dessous forment un des trois ensembles du programme limitatif du baccalauréat. Chacune évoque de façon singulière le dialogue des cultures, celles de l’Orient et du bassin méditerranéen et celles du jazz occidental, lui-même issu d’une histoire partant de l’Afrique noire et passant par l’Amérique du nord avant d’investir la globalité du monde occidental. La durée cumulée exceptionnellement longue de ces cinq pièces s’explique par l’esthétique même des cultures dont elles sont issues. Si les formes sont le plus souvent simples, le discours mélodique, le travail du phrasé ou encore l’ornementation exigent quant à eux un temps important pour se développer et permettre à l’auditeur d’en prendre la mesure. Les quatre problématiques du programme de terminale (l’œuvre et son organisation, l’œuvre et ses pratiques, l’œuvre et l’histoire, l’œuvre, la musique et les autres arts) pourront aisément être mobilisées pour réfléchir ces musiques, mesurer leur originalité et développer des pratiques musicales originales. Les œuvres : • Ibrahim Maalouf, They don’t care about us, in album Diagnostic • Rabih Abou-Khalil, Mourir pour ton décolleté, in album Songs for Sad Women • Avishai Cohen, Aurora, in album Aurora • Jasser Haj Youssef, Friggya, in album Sira • Marcel Khalifé, Caress, in album Caress Plan du cours : Cours 1 : Le Jazz et ses caractéristiques musicales Cours 2 : L’Art de l’Orient Cours 3 : L’Orient et la Musique Cours 4 : Ibrahim Maalouf, They don’t care about us Cours 5 : Rabih Abou-Khalil, Mourir pour ton décolleté Cours 6 : Avishai Cohen, Aurora Cours 7 : Jasser Haj Youssef, Friggya Cours 8 : Marcel Khalifé, Caress Le Jazz et l’Orient Page !1 sur !26 Mathias Charton Classe de Terminale Option Facultative Cours 2 : L’Art de l’Orient 1. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
For Immediate Release
FOR IMMEDIATE RELEASE June 15, 2010 Contact: Joyce Evans San Jose Jazz Office: 408-288-7557 x2310 [email protected] SAN JOSE JAZZ ANNOUNCES ARTISTS FOR 21ST AT&T SAN JOSE JAZZ FESTIVAL Silicon Valley's Premier Summer Event Brings All-Star International Lineup to Downtown San Jose, August 13-15, 2010 San Jose, CA – San Jose Jazz today announced the artist roster for the upcoming AT&T San Jose Jazz Festival. Held the second weekend in August, this year's line up has an international flavor coupled with a diverse lineup that will please lovers of all genres of music. Past festivals have drawn over 100,000 people from Silicon Valley, California, and across the United States. "San Jose is becoming a world-class, international city and this edition of the jazz festival mirrors that growth from a regional event to one that is gaining recognition and fame across the globe," said Geoff Roach, CEO of San Jose Jazz. "As jazz continues to evolve into many different formats and forms, the goal of the festival is to embrace and showcase the artists driving the art form. We seek to present music not only from internationally known artists but also from the world-class talent that exists here in the Bay Area." Festival highlights include: Standards Updated - Modern takes on the classic jazz repertoire John Handy John is a consummate world musician and teacher who’s devoted his life to using music to elevate the human spirit. His soulful and fiery saxophone style is instantly recognizable to generations of jazz fans world-wide. -
It's All Good
SEPTEMBER 2014—ISSUE 149 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JASON MORAN IT’S ALL GOOD... CHARLIE IN MEMORIAMHADEN 1937-2014 JOE • SYLVIE • BOBBY • MATT • EVENT TEMPERLEY COURVOISIER NAUGHTON DENNIS CALENDAR SEPTEMBER 2014 BILLY COBHAM SPECTRUM 40 ODEAN POPE, PHAROAH SANDERS, YOUN SUN NAH TALIB KWELI LIVE W/ BAND SEPT 2 - 7 JAMES CARTER, GERI ALLEN, REGGIE & ULF WAKENIUS DUO SEPT 18 - 19 WORKMAN, JEFF “TAIN” WATTS - LIVE ALBUM RECORDING SEPT 15 - 16 SEPT 9 - 14 ROY HARGROVE QUINTET THE COOKERS: DONALD HARRISON, KENNY WERNER: COALITION w/ CHICK COREA & THE VIGIL SEPT 20 - 21 BILLY HARPER, EDDIE HENDERSON, DAVID SÁNCHEZ, MIGUEL ZENÓN & SEPT 30 - OCT 5 DAVID WEISS, GEORGE CABLES, MORE - ALBUM RELEASE CECIL MCBEE, BILLY HART ALBUM RELEASE SEPT 23 - 24 SEPT 26 - 28 TY STEPHENS (8PM) / REBEL TUMBAO (10:30PM) SEPT 1 • MARK GUILIANA’S BEAT MUSIC - LABEL LAUNCH/RECORD RELEASE SHOW SEPT 8 GATO BARBIERI SEPT 17 • JANE BUNNETT & MAQUEQUE SEPT 22 • LOU DONALDSON QUARTET SEPT 25 LIL JOHN ROBERTS CD RELEASE SHOW (8PM) / THE REVELATIONS SALUTE BOBBY WOMACK (10:30PM) SEPT 29 SUNDAY BRUNCH MORDY FERBER TRIO SEPT 7 • THE DIZZY GILLESPIE™ ALL STARS SEPT 14 LATE NIGHT GROOVE SERIES THE FLOWDOWN SEPT 5 • EAST GIPSY BAND w/ TIM RIES SEPT 6 • LEE HOGANS SEPT 12 • JOSH DAVID & JUDAH TRIBE SEPT 13 RABBI DARKSIDE SEPT 19 • LEX SADLER SEPT 20 • SUGABUSH SEPT 26 • BROWN RICE FAMILY SEPT 27 Facebook “f” Logo CMYK / .eps Facebook “f” Logo CMYK / .eps with Hutch or different things like that. like things different or Hutch with sometimes. -
System of a Down Molds Metal Like Silly Putty, Bending and Shaping Its Parame- 12 Slayer's First Amendment Ters to Fit the Band's Twisted Vision
NEW: LOUD ROCK CRUCIAL SPINS CHART LOW TORTOISE 1111 NEW MUSIC REPORT Uà NORTEC JACK COSTANZO February 12, 20011 www.cmj.com COLLECTIVE The Twisted Art-Metal Of SYSTEM OF ADOWN 444****************444WALL FOR ADC 90138 24438 2/28/388 KUOR - REDLAHDS FREDERICK SUER S2V3HOD AUE unr G ATASCADER0 CA 88422-3428 IIii II i ti iii it iii titi, III IlitlIlli lilt ti It III ti ER THEIR SELF TITLED DEBUT AT RADIO NOW • FOR COLLEGE CONTACT PHIL KASO: [email protected] 212-274-7544 FOR METAL CONTACT JEN MEULA: [email protected] 212-274-7545 Management: Bryan Coleman for Union Entertainment Produced & Mixed by Bob Marlette Production & Engineering of bass and drum tracks by Bill Kennedy a OADRUNNEll ACME MCCOWN« ROADRUNNER www.downermusic.com www.roadrunnerrecords.com 0 2001 Roadrunner Records. Inc. " " " • Issue 701 • Vol 66 • No 7 FEATURES 8 Bucking The System member, the band is out to prove it still has Citing Jane's Addiction as a primary influ- the juice with its new release, Nation. ence, System Of A Down molds metal like Silly Putty, bending and shaping its parame- 12 Slayer's First Amendment ters to fit the band's twisted vision. Loud Follies Rock Editor Amy Sciarretto taps SOAD for Free speech is fodder for the courts once the scoop on its upcoming summer release. again. This time the principals involved are a headbanger institution and the parents of 10 It Takes A Nation daughter who was brutally murdered by three Some question whether Sepultura will ever of its supposed fans. be same without larger-than-life frontman 15 CM/A: Staincl Max Cavalera. -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Miles Davis, Tutu
Gilbert DUPUIS Guitariste, titulaire du D.E.de jazz, professeur certifié d’éducation musicale Miles Davis, Tutu Inscrire Miles Davis au programme du baccalauréat est une façon officielle de rendre enfin hommage à une figure légendaire du jazz, peut-être la plus haute, et, de surcroît, à l’une des plus grandes stars de la musique afro-américaine. Avec cet album, il s’impose également d’évoquer les nouvelles technologies et la musique programmée, singularité dans l’œuvre du trompettiste. Cet article propose une vaste étude de la musique de Miles Davis et de ses contemporains. Les principaux courants sont présentés depuis le be-bop jusqu’au doo-bop, via la période électrique. Suit un avant-propos de l’ensemble de l’album Tutu, avant de se concentrer dans le détail à l’analyse musicale des trois morceaux imposés (Tutu, Tomaas, Portia). Préambule peintre (au sens propre comme au sens figuré), « coloriste », « architecte » des sons, « sculpteur », e « L’histoire du jazz au 20 siècle est aussi variée, « conteur », « poète » de la trompette, « Miles » s’est complexe, voire profuse, que la musique dite essayé, on ne peut dire à tous les courants, mais à sérieuse ; des liens qui les unissent existent pourtant, la plupart des styles ouvrant à la modernité qu’il souvent plus resserrés, intenses et intimes qu’on a très fréquemment impulsés. C’est en ce sens, 1 pourrait le suspecter . » probablement, le musicien le plus évolutif, celui Cette phrase semble vraie. Mais, comme d’autres qui ne regarde pas derrière lui et ne s’arrête pas en sur ce sujet, elle n’est pas ou plus tout à fait chemin, sauf pour laisser place au silence, oubliant juste. -
Liste Der in Primo Central Aktivierten Datenquellen
Liste der in Primo Central aktivierten Datenquellen Datenquelle Beschreibung The ABC-CLIO eBook Collection This collection offers encyclopedias, dictionaries, handbooks, and guides from ABC-CLIO, Greenwood Press, Libraries Unlimited, and Praeger on many subjects: American History; Business; Current Events & Issues; Economics; Health & Medicine; Literature; Military History; Politics, Law & Government; Psychology; Religion & Mythology; Science, Technology & Environment; Women’s Studies; and more. For more information: http://ebooks.abc-clio.com/main.aspx ACM Digital Library This collection includes the publications of the Association for Computing Machinery except for Computing Reviews and The ACM Guide to Computing Literature. Bibligraphic citations to material from other publishers offered on the ACM Digital Library website are not included in this collection. For more information: http://dl.acm.org/ ASTM International - Books & STPs The ASTM Standards and Engineering Digital Library (SEDL) covers a broad range of Engineering disciplines, including Aerospace, Biomedical, Chemical, Civil, Environmental, Geological, Health and Safety, Industrial, Materials Science, Mechanical, Nuclear, Petroleum, Soil Science, and Solar Engineering. ASTM's standards cover Metals, Petroleum, Construction, the Environment, and other topics . This collection contains e-books, manuals, monographs, and special technical publications (STPs). Symposia papers are not indexed in Primo Central. For more information about SEDL: http://www.astm.org/DIGITAL_LIBRARY/index.shtml, STPs: http://www.astm.org/DIGITAL_LIBRARY/STP/stp_toclist.htm, Manuals: http://www.astm.org/DIGITAL_LIBRARY/MNL/mnl_toclist.htm, E-books: http://www.astm.org/DIGITAL_LIBRARY/EBOOK/ ASTM Standards The ASTM Standards and Engineering Digital Library (SEDL) covers a broad range of Engineering disciplines, including Aerospace, Biomedical, Chemical, Civil, Environmental, Geological, Health and Safety, Industrial, Materials Science, Mechanical, Nuclear, Petroleum, Soil Science, and Solar Engineering.