Old Greek Stories
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ON the ORACLE GIVEN to AEGEUS (Eur
ON THE ORACLE GIVEN TO AEGEUS (Eur. Med. 679, 681) Aegeus, according to Euripides the childless king of Athens, consulted the oracle at Delphi on the matter of his childlessness, and was given a puzzling answer. He decided, therefore, to seek an explanation from Pittheus/ king of Troezen, who had the reputation of being a prophetic expert and a wise interpreter. On his way from Delphi to Troezen Aegeus passes through Corinth,1 meets with Medea, and repeats to her the Pythia’s advice: ἀσκοΰ με τὸν προυχοντα μὴ λῦσαι πόδα ... (679) πρὶν ἄν πατρῷαν αΰθις ἐστίαν μόλω. (681) Ί am not to loosen the hanging foot of the wineskin ... until I return again to the hearth of my fathers.’ Medea does not attempt to interpret the oracle, but offers instead to cure Aegeus’ childlessness with drugs when she arrives at his court, and the Athenian king having promised to grant her asylum proceeds to Troezen and to the begetting of Theseus. Ἀ hexametric version of the oracle, which somewhat differs from that of Euripides, appears in Apollod. Bibl. 3, 15, 6 (and in Plut. Thes. 3, 5): ἀσκοΰ τὸν προυχοντα πόδα, μεγα, φερτατε λαῶν, μὴ λυσῃς πρὶν ἐς ἄκρον Ά·θηναίων ἀφίκηνοα. ‘The bulging mouth of the wineskin, Ο best of men, loose not until thou hast reached the height of Athens.’2 1 Cf. T.B.L. Webster, The Tragedies of Euripides (London 1967) 54: ‘It is reasonable that he should pass through Corinth on his way from Delphi to Troezen,’ but cf. Α. Rivier, Essai sur le tragique dEuripide (Lausanne 1944) 55, and the literature cited by him. -
Pelops Hippodamia Pelops Pelops Hippodamia Zeus
Tantalus = X Œnomaüs = Y Niobe Pelops = Hippodamia Chrysippus Lydia Pisa Mycenæ & Argos Peloponnese Hippodamia Pelops Hippodamia Pelops Pelops Hippodamia Zeus Œnomaüs Temple of Zeus, Olympia Tantalus = X Œnomaüs = Y Niobe Pelops = Hippodamia Pittheus Chysippus Atreus Thyestes Thebes Pisa Mycenæ & Argos Peloponnese Atreus vs Thyestes Sign 1: Golden Fleece Aëropē Sign 2: The Sun Delphic Oracle: Must beget child by own daughter, Pelopia Atreus = Aëropē Thyestes = X Pelopia Agamemnon Menelaus Ægisthus Mycenæ & Argos Sparta Recognition token: sword Leda wife of Tyndareus Leda Icarius Tyndareus = Leda Zeus Penelope Clytemnestra Castor Helen Polydeuces Clytemnestra = Agamemnon Helen = Menelaus Clytemnestra = Agamemnon Helen = Menelaus Iphigenia Orestes Electra Hermione Mycenæ / Argos Sparta Castor and Polydeuces Helen’s Suitors Oath of Tyndareus devised by Odysseus Winner: Menelaus Æacus = X (Ægina) Thetis = Peleus Telamon Phocus Achilles Telamonian Ajax (“The Greater”) (Phthia) (Salamis) Myrmidons = ant-men Phthia Salamis Ægina Peleus Thetis Eris Wedding of Peleus and Thetis Judgment of Paris Judgment of Paris Etruscan mirror Uni = Juno = Hera Menrfa = Minerva = Athena Turan = Venus = Aphrodite Georges Dumézil idéologie tripartite (three-part ideology) Sovereignty Kings Sanctity Hera Priests Law Warriors Military Power Athena Economy Peasants Fertility Aphrodite Production Priam = Hecuba Paris Hector many many (Alexander) (50+) (10+) other daughters sons Heinrich Schliemann discovered Troy (Wilusa) 1871 wife in “Helen’s Jewels” Where’s Odysseus? Odysseus = Penelope Telemachus Prophecy: Troy will not fall until/unless Achilles fights for the Greeks. Peleus = Thetis Achilles Achilles and Chiron Prophecy: Troy will not fall until/unless Achilles fights for the Greeks. Achilles on Scyros If I remain here, attacking city of the mighty Trojans, I lose my nostos, but I will have undying kleos. -
Durham E-Theses
Durham E-Theses Rethinking mythology in Greek museums through contemporary culture Antonopoulou, Marina How to cite: Antonopoulou, Marina (2010) Rethinking mythology in Greek museums through contemporary culture, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2511/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk lml'Hlm:ING MYTHOLOGY IN <mEEK »KUSE{]Ml$ THROUGH CONTEMPORARY ClJL1UllB MARINAANTONOPOULOU Appendices The copyright of this thesis rests with the author or the university to which it was submitted. No quotation from it, or information derived from it may be published without the prior written consent of the author or university, and any information derived from it should be acknowledged. 2 6 MAY 2010 Appendix 1 Socratis Malamas Date: 15/01/2005 Venue: Hotel'Olympia', Thessaloniki. Q: Could you tell me what is the first thing that comes to mind when you hear the words 'Greek mythology'? A: The usual, what we learned in school. -
Theseus Aegeus = Aethra
The Athenians Cecrops • Born of the soil – Autochthonous • Man with the body of a serpent • First king of Attica • Married Agraulus, daughter of Actaeus Competition for the City • Gods to assign cities to themselves • Poseidon and Athena both want Attica • Poseidon: – Offers a salt water spring • Athena: – Offers Cecrops an olive tree – Athena wins, and the city is called Athens Cranaus • Cecrops died without a male heir • Cranaus succeeded – At the time of the flood of Deucalion – He was the most powerful Athenian – Also autochthonous – Deposed by his son-in-law, Amphictyon Deucalion = Pyrrha Cranaus Amphictyon = Cranae • Amphictyon ruled 12 years • ‘Amphictyon’ means “neighbour” – Amphictyonic Councils • Overthrown by Erichthonius Erichthonius • Athena wanted new armour • Hephaestus fell in love with Athena – Tried to force himself on her but she repelled him – He ejaculated and the semen fell to the Acropolis • Erichthonius sprung from the soil Athena Scorning the Advances of Hephaestus Paris Bordon ca. 1550 Erichthonius • Overthrew Amphictyon • Established the Panathenaea • Placed the wooden Athena on the Acropolis. – The Palladium of Athens – Athena Polias (Protector of the City) Erichthonius = Praxithea Pandion = Zeuxippe Erechtheus Philomela Butes Procne • This lineage, presented by Apollodorus, starts the debate. • Are Erichthonius and Erechtheus the same? • Does this version represent two myths combined? • Under Erechtheus, Athens conquered Eleusis • Butes was priest of Athena and founder of the Eteobutadae Family The Polias Priestess -
CHARACTERS of the PLAY Medea, Daughter of Aiêtês, King of Colchis. Jason, Chief of the Argonauts
MEDEA CHARACTERS OF THE PLAY Medea, daughter of Aiêtês, King of Colchis. Jason, chief of the Argonauts; nephew of Pelias, King of Iôlcos in Thessaly. Creon, ruler of Corinth. Aegeus, King of Athens. Nurse of Medea. Two Children of Jason and Medea. Attendant on the children. A Messenger. Chorus of Corinthian Women, with their Leader. Soldiers and Attendants. The scene is laid in Corinth. The play was first acted when Pythodôrus was Archon, Olympiad 87, year 1 (B.C. 431). Euphorion was first, Sophocles second, Euripides third, with Medea, Philoctêtes, Dictys, and the Harvesters, a Satyr-play. The Scene represents the front of Medea's House in Corinth. A road to the right leads towards the royal castle, one on the left to the harbor. The Nurse is discovered alone. Nurse. If only the gods barred the Argo from winning the golden fleece. Then my princess, Medea, would have never traveled to Iolcus with her love Jason. Then she wouldn’t have deceived the daughters of King Pelias to kill their father. Causing her and her family to flee to Corinth. But now, Jason and Medea’s love is poisoned. Jason has spurned my princess and his own sons, for a crown. He has married the daughter of Creon. And Creon is the king of Corinth. Medea cries for her family and her home that she destroyed in Colohis. What scares me the most is that she looks at her children with hate. I know that woman. She has some scheme. (Children playing noises) Here come her children, happy and free from their mother’s pain. -
Divine Riddles: a Sourcebook for Greek and Roman Mythology March, 2014
Divine Riddles: A Sourcebook for Greek and Roman Mythology March, 2014 E. Edward Garvin, Editor What follows is a collection of excerpts from Greek literary sources in translation. The intent is to give students an overview of Greek mythology as expressed by the Greeks themselves. But any such collection is inherently flawed: the process of selection and abridgement produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source information. I have tried to keep my voice out of it as much as possible and will intervene as editor (in this Times New Roman font) only to give background or exegesis to the text. All of the texts in Goudy Old Style are excerpts from Greek or Latin texts (primary sources) that have been translated into English. Ancient Texts In the field of Classics, we refer to texts by Author, name of the book, book number, chapter number and line number.1 Every text, regardless of language, uses the same numbering system. Homer’s Iliad, for example, is divided into 24 books and the lines in each book are numbered. Hesiod’s Theogony is much shorter so no book divisions are necessary but the lines are numbered. Below is an example from Homer’s Iliad, Book One, showing the English translation on the left and the Greek original on the right. When citing this text we might say that Achilles is first mentioned by Homer in Iliad 1.7 (i.7 is also acceptable). -
Greek Mythology Link (Complete Collection)
Document belonging to the Greek Mythology Link, a web site created by Carlos Parada, author of Genealogical Guide to Greek Mythology Characters • Places • Topics • Images • Bibliography • Español • PDF Editions About • Copyright © 1997 Carlos Parada and Maicar Förlag. This PDF contains portions of the Greek Mythology Link COMPLETE COLLECTION, version 0906. In this sample most links will not work. THE COMPLETE GREEK MYTHOLOGY LINK COLLECTION (digital edition) includes: 1. Two fully linked, bookmarked, and easy to print PDF files (1809 A4 pages), including: a. The full version of the Genealogical Guide (not on line) and every page-numbered docu- ment detailed in the Contents. b. 119 Charts (genealogical and contextual) and 5 Maps. 2. Thousands of images organized in albums are included in this package. The contents of this sample is copyright © 1997 Carlos Parada and Maicar Förlag. To buy this collection, visit Editions. Greek Mythology Link Contents The Greek Mythology Link is a collection of myths retold by Carlos Parada, author of Genealogical Guide to Greek Mythology, published in 1993 (available at Amazon). The mythical accounts are based exclusively on ancient sources. Address: www.maicar.com About, Email. Copyright © 1997 Carlos Parada and Maicar Förlag. ISBN 978-91-976473-9-7 Contents VIII Divinities 1476 Major Divinities 1477 Page Immortals 1480 I Abbreviations 2 Other deities 1486 II Dictionaries 4 IX Miscellanea Genealogical Guide (6520 entries) 5 Three Main Ancestors 1489 Geographical Reference (1184) 500 Robe & Necklace of -
The Logic of Hellenic Mythology Jin-Zhong Gong
International Journal of Research in Social Sciences Vol. 9 Issue 6, June 2019, ISSN: 2249-2496 Impact Factor: 7.081 Journal Homepage: http://www.ijmra.us, Email: [email protected] Double-Blind Peer Reviewed Refereed Open Access International Journal - Included in the International Serial Directories Indexed & Listed at: Ulrich's Periodicals Directory ©, U.S.A., Open J-Gage as well as in Cabell‘s Directories of Publishing Opportunities, U.S.A The Logic of Hellenic Mythology Jin-zhong Gong* Abstract Cassirer believed, myth is a priori human subconscious structure, it is the tortuous expression of life pattern and the specific carrier of human nature. Derrida think, metaphysics logos voice centrism is a mark of the history of Western civilization. Historical materials show, in ancient Greece and Rome, homophonic interchangeable is a very common phenomenon of language. This paper starting from the language voice centrism, using the proper name of the mythical characters and story place homophonic substitution method, research on the life philosophy connotation hidden Greek mythology behind. Author set up that, every mythology tale is the result of logical deduction that inside mythical figures according to concept connotation and denotation that they themselves represent. Maternal gods to produce new offspring of gods, representative further divided of certain property or concept. After careful analysis of the text, the author thinks, Hellenic mythology pedigrees - poetic universe life philosophy, Prometheus - the fable of relationship -
Euripides, Medea
Euripides Medea 431 BC This translation by Ian Johnston of Malaspina University-College, Nanaimo, BC, has certain copyright restrictions. For information please use the following link: Copyright. For comments or question please contact Ian Johnston. This translation is available as a paperback book from Richer Resources Publications. Euripides Medea Dramatis Personae Nurse: a servant of Medea. Tutor: a servant assigned to Jason's children. Medea: wife of Jason. Chorus: a group of Corinthian women. Creon: king of Corinth. Jason: husband of Medea. Aegeus: king of Athens. Messenger: a servant of Jason's. Children: Medea's and Jason's two young sons. Attendants on Creon and Jason. [Outside the home of Jason and Medea in Corinth. The Nurse, a slave who serves Medea, is standing by herself] NURSE Oh how I wish that ship the Argo had never sailed off to the land of Colchis, past the Symplegades, those dark dancing rocks which smash boats sailing through the Hellespont. I wish they'd never chopped the pine trees down in those mountain forests up on Pelion, to make oars for the hands of those great men who set off, on Pelias' orders, to fetch the golden fleece. Then my mistress, Medea, never would've sailed away 10 to the towers in the land of Iolcus, her heart passionately in love with Jason. She'd never have convinced those women, Pelias' daughters, to kill their father. She'd not have come to live in Corinth here, [10] with her husband and her children—well loved in exile by those whose land she'd moved to. -
[PDF]The Myths and Legends of Ancient Greece and Rome
The Myths & Legends of Ancient Greece and Rome E. M. Berens p q xMetaLibriy Copyright c 2009 MetaLibri Text in public domain. Some rights reserved. Please note that although the text of this ebook is in the public domain, this pdf edition is a copyrighted publication. Downloading of this book for private use and official government purposes is permitted and encouraged. Commercial use is protected by international copyright. Reprinting and electronic or other means of reproduction of this ebook or any part thereof requires the authorization of the publisher. Please cite as: Berens, E.M. The Myths and Legends of Ancient Greece and Rome. (Ed. S.M.Soares). MetaLibri, October 13, 2009, v1.0p. MetaLibri http://metalibri.wikidot.com [email protected] Amsterdam October 13, 2009 Contents List of Figures .................................... viii Preface .......................................... xi Part I. — MYTHS Introduction ....................................... 2 FIRST DYNASTY — ORIGIN OF THE WORLD Uranus and G (Clus and Terra)........................ 5 SECOND DYNASTY Cronus (Saturn).................................... 8 Rhea (Ops)....................................... 11 Division of the World ................................ 12 Theories as to the Origin of Man ......................... 13 THIRD DYNASTY — OLYMPIAN DIVINITIES ZEUS (Jupiter).................................... 17 Hera (Juno)...................................... 27 Pallas-Athene (Minerva).............................. 32 Themis .......................................... 37 Hestia -
Medea Student Sample
CONTENTS How to Use This Study Guide With the Text ...... 4 HERACLES Notes & Instructions to Student ............................ 5 Pre-Grammar | Preparation ................................. 74 Taking With Us What Matters ............................... 6 Grammar | Presentation ....................................... 75 Four Stages to the Central One Idea ...................... 8 Logic | Dialectic ..................................................... 84 How to Mark a Book ............................................. 10 Rhetoric | Expression ............................................ 87 Introduction ............................................................ 11 Basic Features & Background ............................... 12 APPENDIX Memorization & Recitation .................................. 94 MEDEA Final Memorized Poem ........................................ 96 Pre-Grammar | Preparation ................................. 16 Master Words-to-Be-Defined List ........................ 97 Grammar | Presentation ....................................... 17 Logic | Dialectic ..................................................... 24 Rhetoric | Expression ............................................ 27 HECABE Pre-Grammar | Preparation ................................. 34 Grammar | Presentation ....................................... 35 Logic | Dialectic ..................................................... 42 Rhetoric | Expression ............................................ 45 ELECTRA Pre-Grammar | Preparation ................................ -
An Online Textbook for Classical Mythology
Utah State University DigitalCommons@USU Textbooks Open Texts 2017 Mythology Unbound: An Online Textbook for Classical Mythology Jessica Mellenthin Utah State University Susan O. Shapiro Utah State University, [email protected] Follow this and additional works at: https://digitalcommons.usu.edu/oer_textbooks Recommended Citation Mellenthin, Jessica and Shapiro, Susan O., "Mythology Unbound: An Online Textbook for Classical Mythology" (2017). Textbooks. 5. https://digitalcommons.usu.edu/oer_textbooks/5 This Book is brought to you for free and open access by the Open Texts at DigitalCommons@USU. It has been accepted for inclusion in Textbooks by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Mythology Unbound: An Online Textbook for Classical Mythology JESSICA MELLENTHIN AND SUSAN O. SHAPIRO Mythology Unbound by Susan Shapiro is licensed under CC-BY-NC-SA 4.0 Contents Map vii Aegis 1 Agamemnon and Iphigenia 5 Aphrodite 9 Apollo 15 Ares 25 The Argonauts 31 Artemis 41 Athena 49 Caduceus 61 Centaurs 63 Chthonian Deities 65 The Delphic Oracle 67 Demeter 77 Dionysus/Bacchus 85 Hades 97 Hephaestus 101 Hera 105 Heracles 111 Hermes 121 Hestia 133 Historical Myths 135 The Iliad - An Introduction 137 Jason 151 Miasma 155 The Minotaur 157 The Odyssey - An Introduction 159 The Oresteia - An Introduction 169 Origins 173 Orpheus 183 Persephone 187 Perseus 193 Poseidon 205 Prometheus 213 Psychological Myths 217 Sphinx 219 Story Pattern of the Greek Hero 225 Theseus 227 The Three Types of Myth 239 The Twelve Labors of Heracles 243 What is a myth? 257 Why are there so many versions of Greek 259 myths? Xenia 261 Zeus 263 Image Attributions 275 Map viii MAP Aegis The aegis was a goat skin (the name comes from the word for goat, αἴξ/aix) that was fringed with snakes and often had the head of Medusa fixed to it.