DOCSLIB.ORG

International Ladies. Garment Workers Union of Canada

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
International Ladies. Garment Workers Union of Canada THE ISRAELITE PRESS Friday. May 15, 1959 HEAJrn7.sT n:ucrrA~XS O.~ !SBtn "'I Wh Bl'.BIBDAY AREYIEW By MONA RICH KAPLAN ~ thlnp JOU did wffll • -• WE REJOICE WITH ALL JEWRY ON THIS GREAT t'- _, SGPPflesan-1•w from GLOW'S PHARMACY 11th Independenc~ Day of the ENGLISH _JONE CHINA Audience Warmly _Applauds -''Of Mice And Men'' A COMPLETE LINE OF DRUG NEEDS 1.errnle and Gmrp md the Sal- -lhip with -&he big fellow'" and hb the slick, despicable tµrley, John than three cmtaiD,ca1ls. ~ped State 'Of Israel = 161 Osbo.-Tie St. Phone GL 5-6451 Winnipeg inas River Valley cf Northern call- adfgrg thrott&hout are a steady, lkGinnis seemed out ht his depth. their feet and shouted out their Uff oua POST O,:P'ICll-ff'S YOUU fomia came to life apln this =k lOfical development of dwacter. From John Hirsch we have come praise. 'lbi5 llilU the warmest first -----------------------' ln thf'! \fa:nltoba Theatre Centre'• Gordon Piment b apparemly plm- to expect the best and his direction night reception accorded any play dosing producticm..1or the eunent nlDg to aeek his fortunes in Toronto doubtless e<fah)isbed the mood and this season. Mr. and Mrs. FRANK MARANTZ season. an ablartm:lg .re-a-eatian o! and eompui.ng hl.l· perf<"'IDanl"t! 5ell5e of impending tragedy that Since "Of .Wee and lien" Is the ,---------------------- John stein~• drama, "Of Mice lull.all in -The Glall Menagerie" never left the acene even up to a final Theatre Centre production of and FAMILY and Hen." · witli bis he has made· full minute aftet' the final curtain. the current in reprise it is Infrequent.11' re-nieues of the real p:cCJgh::,11current.role-. in stagecraft md in- All season Ted Korol has de- worth notingsea.son. that the majority of ~::::::::::::::::::::::::::::::::::::::::::=_ ll01P elm~ motiOJ1 pinwe Yffldon sight into eharactermtioD. We will signed first-rate, workable sets an.d the Centre's proc!uctions this year ----------------------Ml of the· novel md p~ have kept m probaI>Jy be bearing much more· this week he captured the mood of have been a blend of fine acting, Insist on our memori~ atr,,.7 of about 111m from down Steillbeck and translated it into ap- dlret:tmg, production and setting. GREETINGS TO THE STATE OF ISRAEL ON THIS / th1s tmielea East. · a frlendabip, Between. the bJ& ill- Th1s SteJnbed: drama is ao occu, propriately sombre, coarse and It is ~ting to think that ~ey will GLORIOUS ELEVENTH ANNIVERSARY DAY ' fated simpleton, Lennie, and Jdl pied with its two central characters, earthy settings. As usual. the pro- doubtless keep 1>ll imJll"l.vmg each Jdnd·heartn Jl")tector, (Je(n'ge, that.without uception, every othef ductt011 left very little t? be d_esired season for then ~ wil_l, indeed, there existed companionship and a part is a secondary one. and Tom Hendry and his assistan!s be able ~ point with pnde to the RED SEAL WIRING dream. From the f.inlt curtain iheir A standout at the Dominion are . to be commended on their contn'bution •of our local the;atre WIN.NIPEG LEATHER GOODS best laid schemes are 1een to be re- theatre this week wa!J William Sel· smoo~. teamwork. to ~e national and even p0SS1bly, D.LEVtNE A.YUKELIS lor your home lentles.sly and inevitably doomed. len iii one of the lesser rolea as the _This is a_good production, spo~ In time, the International scene. ALL KINDS OF LEATHER. CAPE, SUEDE Jobn Pierce and Gordon Piment old-timer Candy. Tom Ashmore with a fe'f weaker m?ments,which Those wbo have regularly attend· AND LEATHER JACKETS are well cast and carry the burden portrayed Slim, who · Js about the may possibly· be eliminated by the ed the Do~niop have been well of the 'two heavy principal roles ooly normal character on•stage and weekend perfo~ces, It draws awarded with good theatre. For with mature performances. 'for th1s reason provided an eff~ a picture of the dismal and. pathetic next. season an ambiti_ous program 303 Plymouth Bldg., Winnipeg Phomt WH S.0122 When building or remodelling a home see that your Joltn Pierce, a CKY ·announcer tivecontruttotheothers. Hr.Ash- ::~'!rsof w:es~;:18!' :01::;:-ti:! :~ ~;~~oodan"J~ :!al: ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ electrical wiring meets the "RED SEAL" standard. It and a ':"'iJia• Theatre Centre per- more has !113tured eonslderably as dream but they have neither the sele1:ted. provides for adequate "service" capacity; adequate cir• former m past •eUOllll, is mO?e than an actor 61Dce he took the part _of wit, the luck, no• the courage to · We have been undergoing a mod cuits for e,resent and future use; adequate outlets and visually ~ery effective u l=.ie. ~e Gentleman caller lit the hegm- turn it Into reality. welcome renaissance in local switches. RED SEAL" gives greater appliance efficiency He crept mto the heart of the char- mng of th! season In "The <f,Iass It is worthy of mention that the theatre and while they may say it and safety; protect.! the resale value of your home. acte• and his voice, gestures and Menagerie. audience was so overwhelmed by of another medium, tcio Winnipeg A PROUD AND HAPPY DAY facial apres!lion ~e those· of As the only feminine member of the play and its presentation that theatre is unquestionably better I~e. alow, dnll-witted and child the east, Jane Heff~er opened they accorded the actors no less than ever. For complete information eall an approved electrical · Israel, the miracle state, is celebritting th.e eleventh , like, unaware of the results of his gauchely but came to life suddeoly ---------------------­ contractor or the Electric Service League of Manitoba:. actiom and unable even to .-:mern, in the final ac& and proved tha'l Jter Anniversary of its Independence. ber the things he had done. earlier BUcce.ss as Blllle Dawn was Gordon Pinsent wu a fortunate no aci:ldent. Conversely, Murray · To Elect. Bond Officers We gt'8{!t the people and the Governlllent of Israel choice u George. The COl!..tt'ast of Senens and Paul Verden started on this proud and joyous occasion and wish them size and mentality-between l.enr.d,i 11trc;ngly In• mi.Do• roles . but faded and George was well-thought out awa, along with their lines. George peace and continued achievement as a nation. not only In easting but also in Mr. Werfer. did a fair job with the part At Annual Meet May 24 We are·bappy to have had some small part in the Pinsent'11 creation of George Iii! a be- of the Negro, Crooks, while Olie A highly significant and b~artwarming gesture of friendship lil!".Table, dimensional person. It ii Alto was a relaxed but unimpres­ for the State of Israel was shown this week by Kendall Weisiger, greal and noble work of building a land and a easy to understand hil odd friend- Bive bystander in the bunkhouse. AB of Atlanta, Geor,:ia, a member of the national council of the •Young.Men's Christian Association and treasurer of the southern nation. We pledge our help in Uie hJ¼avy tasks area council of the 8§~ociation, by purchasing a $1.000 Israeli which lie ahead. • · bond with funds of the_J.M.C.A. This act of an outstanding Chris· . •· tfan layman, community leader and iatton for Winnipeg, will make bm WE SALUTE ISRAEL INDEPENDENCE DAY Industrialist, serves 1111 an lnspira• first, appear~ce and report on lut 1959 - 5719 tion for the Jewish community In year~ activ1ti_es and the plans for effecting a · durable. partnershii, the future drive. with the people of Israel In the Mr. Moranti and his associate upbuilding and development of the chairmen, Alex and Leon Cham, Win~ipeg · Chapter, Canadian May this 11th Independence Day country. urgently request the presidents Israel bonds have been instru,• and the bond representatives of all Friencis of the Hebrew U~iversity bring the State of 'Israel closer mental in changing the appearance Jewish organizations to attend this Mr. Justice Samuel Freedman, Chairman. of the country and making it pos• meeting and demonstrate their de­ . sible for the Israelis to envision temlination to become partners to lull peac~ and prosperity the goal of economic independence with the people of Israel and its II~_-_-_-_-__-_-_-_:._-_-_-_-_-_-_-_•_-_•_•_-_-_•_-_•_-_•_-_-_--,.•=~·~·=====::====-= in ihe foreseeable future. , government ,,jn. the · rebuilding of ,.-----------------------, The . Second Development Issue Eretz IsroeL ~ friends and well of the State of Israel Bonda has wishers of ·Israel · are asked to been . authorh:ed by the Israel attend this affair and belp In the WE TAKE PLEASURE IN SALUTING Knesseth last November and it b~ plan'nlng of a successful bond drive. came effective on March ls( 1959. ' ·. This issue, which pays 4% interest MEDINAT YISROEL. on the 15-year coupon bond an'd a Mr. and Mrs. H. ADELMAN 150% return on the purchasing ON THE ELEVENTH ANNIVERSARY price on the 10-year savings bond, is being offered to Jewish and non• OF STATEHOOD Mr. and Mrs. I. D. OIRING Jewish investors throughout the . world. · · · May she continue to inspire JeV[f'1 throughout The $300,000,000 bond i11sue will provide funds for agriculture and the world, and may they stand ever ready to Mr. and Mrs. .A. ADELMAN ~l~a~ion, expansion. of industry., ·sustain· her in her every. need. · ::.:. and· electric poWl!r, low-cost • 0,:s: ·::,; .
Load more

Recommended publications
  • ANNUAL REPORT 2017/18 the Royal Manitoba Theatre Centre’S John Hirsch Mainstage
    ANNUAL REPORT 2017/18 The Royal Manitoba Theatre Centre’s John Hirsch Mainstage. PHOTO BY JERRY GRAJEWSKI Inset: John Hirsch and Tom Hendry. Mandate It is the aim of the Royal Manitoba Theatre Centre to study, practice and promote all aspects of the dramatic art, with particular emphasis on professional production. Mission The Royal Manitoba Theatre Centre exists to celebrate the widest spectrum of theatre art. Deeply rooted in the province of Manitoba, which gave it life and provides for its growth, Royal MTC aspires to both ABOUT ROYAL MTC reflect and engage the community it serves. When the Winnipeg Little Theatre and Theatre 77 merged to form Vision the Manitoba Theatre Centre in 1958, the goal was to produce great Royal MTC’s theatres and our province will theatre with mass appeal. Artistic Director John Hirsch and General teem with artists and audiences sharing in the act of imagining, enriching lives Manager Tom Hendry staged professional productions of an eclectic and communities. array of plays – classics, Broadway hits and new Canadian work. With the establishment of a second stage for experimental work in 1960, Values and an annual provincial tour that began in 1961, MTC fully realized Quality the original vision of a centre for theatre in Manitoba. Inspired by the A commitment to quality is reflected in the breadth and quality of MTC’s programming, a whole network of what writing of each play, in the actors, directors became known as “regional theatres” emerged across North America. and designers who create each production, and in the volunteers, staff, funders and Since its founding, MTC has produced more than 600 plays with audiences who support it.
    [Show full text]
  • A N N U a L Report 2015/16
    2 0 1 5 / 1 a 6 n n u a l R e t p r o The Royal Manitoba Theatre Centre’s John Hirsch Mainstage. PHOTO BY JERRY GRAJEWSKI Inset: John Hirsch and Tom Hendry. Mandate It is the aim of the Royal Manitoba Theatre Centre to study, practice and promote all aspects of the dramatic art, with particular emphasis on professional production. Mission The Royal Manitoba Theatre Centre exists to celebrate the widest spectrum of theatre art. Deeply rooted in the province of Manitoba, which gave it life and provides for its growth, Royal MTC aspires to both ABOUT ROYAL MTC reflect and engage the community it serves. When the Winnipeg Little Theatre and Theatre 77 merged to form Vision the Manitoba Theatre Centre in 1958, the goal was to produce great Royal MTC’s theatres and our province will theatre with mass appeal. Artistic Director John Hirsch and General teem with artists and audiences sharing in the act of imagining, enriching lives Manager Tom Hendry staged professional productions of an eclectic and communities. array of plays – classics, Broadway hits and new Canadian work. With the establishment of a second stage for experimental work in 1960, Values and an annual provincial tour that began in 1961, MTC fully realized Quality the original vision of a centre for theatre in Manitoba. Inspired by the A commitment to quality is reflected in the breadth and quality of MTC’s programming, a whole network of what writing of each play, in the actors, directors became known as “regional theatres” emerged across North America.
    [Show full text]
  • The Cbc Radio Drama Project and Its Background
    THE CBC RADIO DRAMA PROJECT AND ITS BACKGROUND by Howard Fink Radio drama for me, as for many people who were growing up just after the War, was, quite simply, my introduction to theatre: the classics, Renaissance drama, and modern and contemporary plays, including European and Canadian. It is rare that one gets the opportunity to re-examine a major formative influence later in one's life, rarer still to find that in this objective light its value holds up. I have had that happy experience with CBC radio drama. I have also had an experience of a completely different kind, in attempting to trace the materials of this influ- ential phenomenon: one which, as regards the history of Canadian theatre in general, has been shared in some measure by many: it was almost impossible to study the achievement of CBC radio drama as a whole, or even at first to locate the vast majority of the plays created and produced. Of course this is partly owing to the particular nature of theatre, the original form of which, unlike a novel or a book of verse, is a live performance, which remains rather in the memories than in the bookcases of its audience. More particularly, the CBC has always considered itself a production organization rather than a repository of culture, and quite rightly so. It has, in fact, been discouraged from archival activities by the government, which considers the Public Archives of Canada as a more appropriate institution for that role. 3f course such well-known figures as Robertson Davies, George Ryga and James Reaney are well represented in print.
    [Show full text]
  • Young People's Theatre 66/67
    YPT Production History 1966 to 2018 ALLEN MACINNIS, Artistic Director (2002-present) 2017-2018 Playwright Director 52nd season YPT BELLO Vern Thiessen Mieko Ouchi (Concrete Theatre and L’Unithéâtre) translated by Brian Dooley BEAUTY AND THE BEAST Music by Alan Menken, Lyrics by Allen MacInnis Howard and Tim Rice, Book by Linda Woolverton THE SECRET GARDEN Paul Ledoux Allen MacInnis adapted from the novel by Frances Hodgson Burnett RISKY PHIL Paula Wing Stewart Arnott SALMON GIRL Created by Michelle Olson and Quelemia Sparrow (Raven Spirit Dance) Quelemia Sparrow YPT (Studio) UNAPOLOGETICALLY ME: Sharron Matthews Sharron Matthews SHARON`S CABARET FOR KIDS INSTANT Erin Shields Dean Patrick Fleming (Geordie Productions) ONE THING LEADS TO ANOTHER A Collective Collaboration by Maja Ardal, Mary Francis Moore Audrey Dwyer, Mary Francis Moore & Julia Tribe SELFIE Christine Quintana Stephen Collela 2016-2017 Playwright Director 51st season YPT SPIRIT HORSE Adaptation by Drew Talor Greg Banks (Roseneath Theatre) from the Irish play ‘Tir Na N’Og’ by Greg Banks SEUSSICAL Stephen Flaherty and Lynn Ahrens Thom Allison based on the works of Dr. Seuss JAMES AND THE GIANT PEACH Words and Music: Benj Pasek & Justin Nina Lee Aquino Paul , Book: Timothy Allen Macdonald based on the book by Roald Dahl BOYS WITH CARS Anita Majumdar Brian Quirt (Nightswimming, with additional development support from YPT and The Banff Centre) MUNSCHTIME! Adapted by Stephen Collela Herbie Barnes and Allen MacInnis based on the stories by Robert Munsch YPT (Studio) STILL/FALLING
    [Show full text]
  • Theatre and Transformation in Contemporary Canada
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by YorkSpace Theatre and Transformation in Contemporary Canada Robert Wallace The John P. Robarts Professor of Canadian Studies THIRTEENTH ANNUAL ROBARTS LECTURE 15 MARCH 1999 York University, Toronto, Ontario Robert Wallace is Professor of English and Coordinator of Drama Studies at Glendon College, York University in Toronto, where he has taught for over 30 years. During the 1970s, Prof. Wallace wrote five stage plays, one of which, No Deposit, No Return, was produced off- Broadway in 1975. During this time, he began writing theatre criticism and commentary for a range of newspapers, magazines and academic journals, which he continues to do today. During the 1980s, Prof. Wallace simultaneously edited Canadian Theatre Review and developed an ambitious programme of play publishing for Coach House Press. During the 1980s, Prof. Wallace also contributed commentary and reviews to CBC radio programs including Stereo Morning, State of the Arts, The Arts Tonight and Two New Hours; for CBC-Ideas, he wrote and produced 10 feature documentaries about 20th century performance. Robert Wallace is a recipient of numerous grants and awards including a Canada Council Aid to Artists Grant and a MacLean-Hunter Fellowship in arts journalism. His books include The Work: Conversations with English-Canadian Playwrights (1982, co-written with Cynthia Zimmerman), Quebec Voices (1986), Producing Marginality: Theatre 7 and Criticism in Canada (1990) and Making, Out: Plays by Gay Men (1992). As the Robarts Chair in Canadian Studies at York (1998-99), Prof. Wallace organized and hosted a series of public events titled “Theatre and Trans/formation in Canadian Culture(s)” that united theatre artists, academics and students in lively discussions that informed his ongoing research in the cultural formations of theatre in Canada.
    [Show full text]
  • CHES Newsletter – Fall 2017
    Centre for Holocaust Education and Scholarship Words from the Director cational projects. We were also delighted at Bad Orelson, Germany, will guarantee to partner with the National Holocaust more exposure for our films, and more Monument Council on a special event to educational opportunities. Thus, CHES honour the launch of the monument. The survivors’ testimonials will be available to National Holocaust Monument’s inaugu- millions more people. ration on September 27 was a momentous CHES committee members have also occasion for Canada and especially for been busy developing stimulating and Ottawa; we congratulate everyone who meaningful programs for Holocaust was involved in making it a reality! To Education Month (HEM). I invite you all further emphasize this milestone, CHES to check out the upcoming events and join believed it was fitting to hold a special us in November. evening program with speakers from the As we turn our thoughts to HEM, we Monument’s Council. You can read more are reminded of the sad passing this past Mina Cohn about it in this newsletter. spring of a dear friend, Holocaust survi- We are also very excited that our vor and educator, David Shentow. David ur spring and summer turned out to Survivors’ Testimonial Project videos, devoted a great deal of his time sharing Obe very productive, full of activities which were completed last fall, were added his painful memories with the young gen- in pursuit of new ideas, new contacts, and in August to the online main collection eration. His gentle humanity touched us a vision for the future. There is so much catalog of the U.S.
    [Show full text]
  • 8798 – 2016 Stratford Festival Gala Packages.Indd
    CORPORATE / INDIVIDUAL CDN PHOTO BY DON DIXON BY PHOTO 2016 Stratford Festival Gala HONOURING GORDON PINSENT MONDAY, SEPTEMBER 26, 2016 FOUR SEASONS HOTEL, TORONTO Antoni Cimolino, Artistic Director GALA CO-CHAIRS: BARRY AVRICH, ROBERT BADUN, WENDY PITBLADO Anita Gaff ney, Executive Director CORPORATE / INDIVIDUAL CDN presents a gala evening in honour of GORDON PINSENT MONDAY, SEPTEMBER 26, 2016 GORDON PINSENT Born in Grand Falls, Newfoundland, Gordon Pinsent began his stage career in Winnipeg under the direction of John Hirsch. His fi rst appearances at the Stratford Festival were in 1962 when he performed in Macbeth (with Christopher Plummer and Kate Reid), The Taming of the Shrew and Cyrano de Bergerac (also with Christopher Plummer). He returned to the Festival in 1975 as the lead in Brecht’s Trumpets and Drums with Tom Kneebone and Jackie Burroughs. His television career began in the early 1960s and includes the series A Gift to Last (which he created), The Red Green Show, Quentin Durgens, M.P., Due South, Wind at My Back and Power Play. Gordon’s fi lm credits include Sarah Polley’s acclaimed Away from Her (Genie and ACTRA awards for Best Actor), The Rowdyman, Who Has Seen the Wind, John and the Missus, The Grand Seduction (Canadian Screen Award) and The Shipping News. In addition to writing the screenplays for both The Rowdyman and John and the Missus, Gordon has published a two-volume memoir, By the Way and Next. In 2007, he received a star on Canada’s Walk of Fame. Other awards include the Earle Grey Award for lifetime achievement in television and a Governor General’s Performing Arts Award.
    [Show full text]
  • Celebrating 60 Years: the ACTRA STORY This Special Issue Of
    SPECIAL 60TH EDITION 01 C Celebrating 60 years: THE ACTRA STORY This special issue of InterACTRA celebrates ACTRA’s 60th Anniversary – 60 years of great performances, 60 years of fighting for Canadian culture, 4.67 and 60 years of advances in protecting performers. From a handful of brave and determined $ 0256698 58036 radio performers in the ‘40s to a strong 21,000-member union today, this is our story. ALLIANCE ATLANTIS PROUDLY CONGRATULATES ON 60 YEARS OF AWARD-WINNING PERFORMANCES “Alliance Atlantis” and the stylized “A” design are trademarks of Alliance Atlantis Communications Inc.AllAtlantis Communications Alliance Rights Reserved. trademarks of “A” design are Atlantis” and the stylized “Alliance 1943-2003 • actra • celebrating 60 years 1 Celebrating 60 years of working together to protect and promote Canadian talent 401-366 Adelaide St.W., Toronto, ON M5V 1R9 Ph: 416.979.7907 / 1.800.567.9974 • F: 416.979.9273 E: [email protected] • W: www.wgc.ca 2 celebrating 60 years • actra • 1943-2003 SPECIAL 60th ANNIVERSARY ISSUE 2003 VOLUME 9, ISSUE 3 InterACTRA is the official publication of ACTRA (Alliance of Canadian Cinema, Television and Radio Artists), a Canadian union of performers affiliated to the Canadian Labour Congress and the International Federation of Actors. ACTRA is a member of CALM (Canadian Association of Labour Media). InterACTRA is free of charge to all ACTRA Members. EDITOR: Dan MacDonald EDITORIAL ADVISORY COMMITTEE: Thor Bishopric, Stephen Waddell, Brian Gromoff, David Macniven, Kim Hume, Joanne Deer CONTRIBUTERS: Steve
    [Show full text]
  • Long Day's Journey Into Night, to Kill a Mockingbird and Julius Caesar
    SUPPORT FOR THE 2018 SEASON OF THE STUDIO THEATRE IS GENEROUSLY PROVIDED BY SANDRA & JIM PITBLADO PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY ALICE & TIM THORNTON 2 CLASSICLASSIC FILMS OscarWildeCinema.com TM CINEPLEX EVENTS OPERA | DANCE | STAGE | GALLERY | CLASSIC FILMS For more information, visit Cineplex.com/Events @CineplexEvents EVENTS ™/® Cineplex Entertainment LP or used under license. CE_0226_EVCN_CPX_Events_Print_AD_5.375x8.375_v4.indd 1 2018-03-08 7:41 AM THE WILL TO BE FREE We all want to be free. But finding true freedom within our communities, within our families and within ourselves is no easy task. Nor is it easy to reconcile our own freedom with the political, religious and cultural freedoms of others. Happily, the conflict created by our search for freedom makes for great theatre... Shakespeare’s The Tempest, in which I’m delighted to direct Martha Henry, is a play about the yearning to be released from CLASSICCLASSI FILMS imprisonment, as revenge and forgiveness vie OscarWildeCinema.com TM for the upper hand in Prospero’s heart. Erin Shields’s exciting new interpretation of Milton’s Paradise Lost takes an ultra- contemporary look at humanity’s age-old desire for free will – and the consequences of acting on it. I’m very proud that we have the internationally renowned Robert Lepage with us directing Shakespeare’s Coriolanus, a play about early Roman democracy. It is as important to understanding the current state of our democratic institutions as is Shakespeare’s play about the end of the Roman Republic, Julius Caesar. Recent events have underlined the need for the iconic story To Kill a Mockingbird to be told, as a powerful reminder that there can be no freedom without justice.
    [Show full text]
  • Rmtc Production History
    RMTC PRODUCTION HISTORY Historical research for this project was funded by Manitoba Culture, Heritage and Tourism. 1958-1959 SEASON Theatre 77 Series A Hatful of Rain Michael V. Gazzo October 20, 1958 - October 25, 1958 Dominion Theatre The Glass Menagerie Tennessee Williams January 19, 1959 - January 24, 1959 Dominion Theatre Ring Around the Moon Jean Anouilh and Christopher Fry March 23, 1959 - March 28, 1959 Dominion Theatre Of Mice and Men John Steinbeck May 11, 1959 - May 16, 1959 Dominion Theatre Little Theatre Series Blithe Spirit Noël Coward November 10, 1958 - November 15, 1958 Dominion Theatre Teach Me How to Cry Patricia Joudry December 8, 1958 - December 13, 1958 Dominion Theatre Born Yesterday Garson Kanin February 23, 1959 - February 28, 1959 Dominion Theatre The Diary of Anne Frank Dramatized by Frances Goodrich and Albert Hackett (Based Upon the Book, Anne Frank: Diary of a Young Girl) April 13, 1959 - April 18, 1959 Dominion Theatre Theatre for Young Audiences Cinderella Book by John Hirsch; Music & Lyrics by Neil Harris December 23, 1958 - December 30, 1958 Dominion Theatre World Premiere MTC production presented by the Children’s Theatre of Winnipeg Other Productions Fumed Oak Noël Coward February 9, 1959 - February 10, 1959 Dominion Theatre The Answer Phoebe Rees February 9, 1959 - February 10, 1959 Dominion Theatre No Exit Jean-Paul Sartre February 9, 1959 - February 10, 1959 Dominion Theatre The Bald Soprano Eugene Ionesco April 27, 1959 - April 28, 1959 Dominion Theatre Member’s Night Program The Man in the Bowler Hat A.A. Milne April 27, 1959 - April 28, 1959 Dominion Theatre Sunday Costs Five Pesos Josephina Niggli April 27, 1959 - April 28, 1959 Dominion Theatre 1959-1960 SEASON Mainstage Solid Gold Cadillac Howard Teichmann and George S.
    [Show full text]
  • Royal MTC Production History
    PRODUCTION HISTORY Historical research for this project was funded by Manitoba Culture, Heritage and Tourism. 1958-1959 SEASON Theatre 77 Series A Hatful of Rain Michael V. Gazzo October 20, 1958 - October 25, 1958 Dominion Theatre The Glass Menagerie Tennessee Williams January 19, 1959 - January 24, 1959 Dominion Theatre Ring Around the Moon Jean Anouilh and Christopher Fry March 23, 1959 - March 28, 1959 Dominion Theatre Of Mice and Men John Steinbeck May 11, 1959 - May 16, 1959 Dominion Theatre Little Theatre Series Blithe Spirit Noël Coward November 10, 1958 - November 15, 1958 Dominion Theatre Teach Me How to Cry Patricia Joudry December 8, 1958 - December 13, 1958 Dominion Theatre Born Yesterday Garson Kanin February 23, 1959 - February 28, 1959 Dominion Theatre The Diary of Anne Frank Dramatized by Frances Goodrich and Albert Hackett (Based Upon the Book, Anne Frank: Diary of a Young Girl) April 13, 1959 - April 18, 1959 Dominion Theatre Theatre for Young Audiences Cinderella Book by John Hirsch; Music & Lyrics by Neil Harris December 23, 1958 - December 30, 1958 Dominion Theatre World Premiere MTC production presented by the Children’s Theatre of Winnipeg Members’ Night Program Fumed Oak Noël Coward February 9, 1959 - February 10, 1959 Dominion Theatre Triple-billed with The Answer and No Exit The Answer Phoebe Rees February 9, 1959 - February 10, 1959 Dominion Theatre Triple-billed with Fumed Oak and No Exit No Exit Jean-Paul Sartre February 9, 1959 - February 10, 1959 Dominion Theatre Triple-billed with Fumed Oak and The Answer The Bald Soprano Eugene Ionesco April 27, 1959 - April 28, 1959 Dominion Theatre Triple-billed with The Man in the Bowler Hat and Sunday Costs Five Pesos The Man in the Bowler Hat A.A.
    [Show full text]
  • Personal Archives of David Renton (MS-3-23)
    Dalhousie University Archives Finding Aid - Personal archives of David Renton (MS-3-23) Generated by the Archives Catalogue and Online Collections on January 24, 2017 Dalhousie University Archives 6225 University Avenue, 5th Floor, Killam Memorial Library Halifax Nova Scotia Canada B3H 4R2 Telephone: 902-494-3615 Email: [email protected] http://dal.ca/archives http://findingaids.library.dal.ca/personal-archives-of-david-renton-1 Personal archives of David Renton Table of contents Summary information ...................................................................................................................................... 3 Administrative history / Biographical sketch .................................................................................................. 3 Scope and content ........................................................................................................................................... 4 Notes ................................................................................................................................................................ 4 Access points ................................................................................................................................................... 5 Collection holdings .......................................................................................................................................... 5 Correspondence of David Renton (1951, 1965-1975, 1981-1997) .............................................................
    [Show full text]