Personal Archives of David Renton (MS-3-23)
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ANNUAL REPORT 2017/18 the Royal Manitoba Theatre Centre’S John Hirsch Mainstage
ANNUAL REPORT 2017/18 The Royal Manitoba Theatre Centre’s John Hirsch Mainstage. PHOTO BY JERRY GRAJEWSKI Inset: John Hirsch and Tom Hendry. Mandate It is the aim of the Royal Manitoba Theatre Centre to study, practice and promote all aspects of the dramatic art, with particular emphasis on professional production. Mission The Royal Manitoba Theatre Centre exists to celebrate the widest spectrum of theatre art. Deeply rooted in the province of Manitoba, which gave it life and provides for its growth, Royal MTC aspires to both ABOUT ROYAL MTC reflect and engage the community it serves. When the Winnipeg Little Theatre and Theatre 77 merged to form Vision the Manitoba Theatre Centre in 1958, the goal was to produce great Royal MTC’s theatres and our province will theatre with mass appeal. Artistic Director John Hirsch and General teem with artists and audiences sharing in the act of imagining, enriching lives Manager Tom Hendry staged professional productions of an eclectic and communities. array of plays – classics, Broadway hits and new Canadian work. With the establishment of a second stage for experimental work in 1960, Values and an annual provincial tour that began in 1961, MTC fully realized Quality the original vision of a centre for theatre in Manitoba. Inspired by the A commitment to quality is reflected in the breadth and quality of MTC’s programming, a whole network of what writing of each play, in the actors, directors became known as “regional theatres” emerged across North America. and designers who create each production, and in the volunteers, staff, funders and Since its founding, MTC has produced more than 600 plays with audiences who support it. -
Artsnews SERVING the ARTS in the FREDERICTON REGION April 19, 2018 Volume 19, Issue 16
ARTSnews April 19, 2018 Volume 19, Issue 16 ARTSnews SERVING THE ARTS IN THE FREDERICTON REGION April 19, 2018 Volume 19, Issue 16 In this issue *Click the “Back to top” link after each notice to return to “In This Issue”. Upcoming Events 1. Upcoming Events at Grimross Brewing Co. Apr 21- 2. Music Runs Though It presents Morgan Davis at Corked Wine Bar Apr 19 3. Early History of Fredericton Police Force Subject of Lecture 4. The Shoe Project presents In Our Shoes Apr 20 5. Screening of The Capital Project Documentary Apr 20 6. Self-Portrait Exhibition opens at Gallery 78 Apr 20 7. NBCS presents NB Country Showcase at The Playhouse Apr 21 8. The Fredericton North Heritage Association hosts Heritage Fair Apr 21 9. Upcoming Events at the Beaverbrook Art Gallery Apr 22 & 29 10. Fredericton Ukulele Club Apr 22 11. Gospel Side of Elvis at Wilmot United Church Apr 22 12. The Combine & Black Moor at The Capital Apr 23 13. Monday Night Film Series presents C’est La Vie! (Arp 23) & Death of Stalin (Apr 30) 14. Stephen Lewis & Friends Tour Kick Off at Wilser’s Room Apr 25 15. Poetry Month Celebration hosted by Cultural Laureate Ian LeTourneau Apr 26 16. Disney’s Beauty and the Beast at the Playhouse Apr 26-28 17. Bel Canto Singers East CoastCoach Kitchen Party Apr 28 18. House Concert with Adyn Townes Apr 28 19. Fredericton Finds Films Apr 28 20. Marx in Soho at the Black Box Theatre Apr 28 & 29 21. Heather Rankin Forges Her Own Musical Legacy while Honouring Her Roots Apr 29 22. -
A N N U a L Report 2015/16
2 0 1 5 / 1 a 6 n n u a l R e t p r o The Royal Manitoba Theatre Centre’s John Hirsch Mainstage. PHOTO BY JERRY GRAJEWSKI Inset: John Hirsch and Tom Hendry. Mandate It is the aim of the Royal Manitoba Theatre Centre to study, practice and promote all aspects of the dramatic art, with particular emphasis on professional production. Mission The Royal Manitoba Theatre Centre exists to celebrate the widest spectrum of theatre art. Deeply rooted in the province of Manitoba, which gave it life and provides for its growth, Royal MTC aspires to both ABOUT ROYAL MTC reflect and engage the community it serves. When the Winnipeg Little Theatre and Theatre 77 merged to form Vision the Manitoba Theatre Centre in 1958, the goal was to produce great Royal MTC’s theatres and our province will theatre with mass appeal. Artistic Director John Hirsch and General teem with artists and audiences sharing in the act of imagining, enriching lives Manager Tom Hendry staged professional productions of an eclectic and communities. array of plays – classics, Broadway hits and new Canadian work. With the establishment of a second stage for experimental work in 1960, Values and an annual provincial tour that began in 1961, MTC fully realized Quality the original vision of a centre for theatre in Manitoba. Inspired by the A commitment to quality is reflected in the breadth and quality of MTC’s programming, a whole network of what writing of each play, in the actors, directors became known as “regional theatres” emerged across North America. -
William B. Davis-Where There's Smoke
3/695 WHERE THERE’S SMOKE . Musings of a Cigarette Smoking Man A Memoir by WILLIAM B. DAVIS ECW Press Copyright © William B. Davis, 2011 Published by ECW Press 2120 Queen Street East, Suite 200, Toronto, Ontario, Canada M4E 1E2 416-694-3348 / [email protected] All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmit- ted in any form by any process — electronic, mechanical, photocopying, recording, or otherwise — without the prior written permission of the copyright owners and ECW Press. The scanning, uploading, and distribu- tion of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions, and do not participate in or en- courage electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated. Library and Archives Canada Cataloguing in Publication Davis, William B., 1938– Where there’s smoke : musings of a cigarette smoking man : a memoir / William B. Davis. ISBN 978-1-77041-052-7 Also issued as: 978-1-77090-047-9 (pdf); 978-1-77090-046-2 (epub) 1. Davis, William B., 1938-. 2. Actors—United States—Biography. 3. Actors—Canada—Biography. i. Title. PN2287.D323A3 2011 791.4302’8092 C2011-902825-5 Editor: Jennifer Hale 6/695 Cover, text design, and photo section: Tania Craan Cover photo: © Fox Broadcasting/Photofest Photo insert: page 6: photo by Kevin Clark; page 7 (bottom): © Fox Broadcasting/Photofest; page 8: © Fox Broadcasting (Photographer: Carin Baer)/Photofest. All other images courtesy William B. -
The Cbc Radio Drama Project and Its Background
THE CBC RADIO DRAMA PROJECT AND ITS BACKGROUND by Howard Fink Radio drama for me, as for many people who were growing up just after the War, was, quite simply, my introduction to theatre: the classics, Renaissance drama, and modern and contemporary plays, including European and Canadian. It is rare that one gets the opportunity to re-examine a major formative influence later in one's life, rarer still to find that in this objective light its value holds up. I have had that happy experience with CBC radio drama. I have also had an experience of a completely different kind, in attempting to trace the materials of this influ- ential phenomenon: one which, as regards the history of Canadian theatre in general, has been shared in some measure by many: it was almost impossible to study the achievement of CBC radio drama as a whole, or even at first to locate the vast majority of the plays created and produced. Of course this is partly owing to the particular nature of theatre, the original form of which, unlike a novel or a book of verse, is a live performance, which remains rather in the memories than in the bookcases of its audience. More particularly, the CBC has always considered itself a production organization rather than a repository of culture, and quite rightly so. It has, in fact, been discouraged from archival activities by the government, which considers the Public Archives of Canada as a more appropriate institution for that role. 3f course such well-known figures as Robertson Davies, George Ryga and James Reaney are well represented in print. -
Artsnews SERVING the ARTS in the FREDERICTON REGION April 14, 2016 Volume 17, Issue 15
ARTSnews SERVING THE ARTS IN THE FREDERICTON REGION April 14, 2016 Volume 17, Issue 15 In this issue *Click the “Back to top” link after each notice to return to “In This Issue”. Upcoming Events 1. Fredericton Mayoral Candidates to Debate the Arts at the FAA’s Public Forum Apr 19 2. Tickets on Sale Now: The Capital Complex presents Radio Radio Live Jun 3 3. UNB Art Centre presents Supplemental Events related to Pieces of the Past Exhibition Apr 7 – May 7 4. NBCCD’s Annual Jewellery & Metal Arts Exhibition: Sterling Apr 8-May 27 5. Final Qwerty Reads Event at Wilser’s Room Apr 14 6. Music Runs Through It presents Jared Lutes at Corked Wine Bar Apr 14 7. The George Fry Gallery opens GeneratioN Apr 14 8. Out of Bounds Opening Reception in The Charlotte Glencross Gallery Apr 15 9. Silk Perception Opening Reception in the Penny Gallery at the CSAC Apr 15 10. World premiere Tour of Sleeping Beauty Ballet visits The Playhouse Apr 15 11. NBCCD 18th Annual Fashion Show at the Fredericton Convention Centre Apr 16 12. The Fredericton Concert & Marching Band presents Spring Concert: Spirit of the Olympics Apr 16 13. Cineplex’s Met Opera Live presents Donizetti's Roberto Devereux Apr 16 14. Clip!: A Clown Show for the Entire Family at the CCSA Apr 17 15. Music on the Hill Children’s Series presents Bedtime Stories Apr 17 16. odd sundays at Corked Wine Bar featuring Corrine Wasilewski & Chuck Bowie Apr 17 17. 69th Annual Fredericton Music Festival Apr 18-28 18. -
Uvic Thesis Template
Serious Play: Alden Nowlan, Leo Ferrari, Gwendolyn MacEwen, and their Flat Earth Society by David Eso B.A., University of British Columbia, 2004 M.A., University of Calgary, 2015 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of English © David Eso, 2021 University of Victoria All rights reserved. This Dissertation may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee Serious Play: Alden Nowlan, Leo Ferrari, Gwendolyn MacEwen, and their Flat Earth Society by David Eso B.A., University of British Columbia, 2004 M.A., University of Calgary, 2015 Supervisory Committee Iain Higgins, English Supervisor Eric Miller, English Departmental Member Heather Dean, UVic Libraries Outside Member Neil Besner, University of Winnipeg Additional Member iii Abstract This dissertation concerns the satirical Flat Earth Society (FES) founded at Fredericton, New Brunswick in November 1970. The essay’s successive chapters examine the lives and literary works of three understudied authors who held leadership positions in this critically unserious, fringe society: FES Symposiarch Alden Nowlan; the Society’s President Leo Ferrari; and its First Vice-President Gwendolyn MacEwen. Therefore, my project constitutes an act of recovery and reconstruction, bringing to light cultural work and literary connections that have largely faded from view. Chapters show how certain literary writings by Nowlan, Ferrari, or MacEwen directly or indirectly relate to their involvement with FES, making the Society an important part of their cultural work rather than a mere entertainment, distraction, or hoax. -
Young People's Theatre 66/67
YPT Production History 1966 to 2018 ALLEN MACINNIS, Artistic Director (2002-present) 2017-2018 Playwright Director 52nd season YPT BELLO Vern Thiessen Mieko Ouchi (Concrete Theatre and L’Unithéâtre) translated by Brian Dooley BEAUTY AND THE BEAST Music by Alan Menken, Lyrics by Allen MacInnis Howard and Tim Rice, Book by Linda Woolverton THE SECRET GARDEN Paul Ledoux Allen MacInnis adapted from the novel by Frances Hodgson Burnett RISKY PHIL Paula Wing Stewart Arnott SALMON GIRL Created by Michelle Olson and Quelemia Sparrow (Raven Spirit Dance) Quelemia Sparrow YPT (Studio) UNAPOLOGETICALLY ME: Sharron Matthews Sharron Matthews SHARON`S CABARET FOR KIDS INSTANT Erin Shields Dean Patrick Fleming (Geordie Productions) ONE THING LEADS TO ANOTHER A Collective Collaboration by Maja Ardal, Mary Francis Moore Audrey Dwyer, Mary Francis Moore & Julia Tribe SELFIE Christine Quintana Stephen Collela 2016-2017 Playwright Director 51st season YPT SPIRIT HORSE Adaptation by Drew Talor Greg Banks (Roseneath Theatre) from the Irish play ‘Tir Na N’Og’ by Greg Banks SEUSSICAL Stephen Flaherty and Lynn Ahrens Thom Allison based on the works of Dr. Seuss JAMES AND THE GIANT PEACH Words and Music: Benj Pasek & Justin Nina Lee Aquino Paul , Book: Timothy Allen Macdonald based on the book by Roald Dahl BOYS WITH CARS Anita Majumdar Brian Quirt (Nightswimming, with additional development support from YPT and The Banff Centre) MUNSCHTIME! Adapted by Stephen Collela Herbie Barnes and Allen MacInnis based on the stories by Robert Munsch YPT (Studio) STILL/FALLING -
Theatre and Transformation in Contemporary Canada
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by YorkSpace Theatre and Transformation in Contemporary Canada Robert Wallace The John P. Robarts Professor of Canadian Studies THIRTEENTH ANNUAL ROBARTS LECTURE 15 MARCH 1999 York University, Toronto, Ontario Robert Wallace is Professor of English and Coordinator of Drama Studies at Glendon College, York University in Toronto, where he has taught for over 30 years. During the 1970s, Prof. Wallace wrote five stage plays, one of which, No Deposit, No Return, was produced off- Broadway in 1975. During this time, he began writing theatre criticism and commentary for a range of newspapers, magazines and academic journals, which he continues to do today. During the 1980s, Prof. Wallace simultaneously edited Canadian Theatre Review and developed an ambitious programme of play publishing for Coach House Press. During the 1980s, Prof. Wallace also contributed commentary and reviews to CBC radio programs including Stereo Morning, State of the Arts, The Arts Tonight and Two New Hours; for CBC-Ideas, he wrote and produced 10 feature documentaries about 20th century performance. Robert Wallace is a recipient of numerous grants and awards including a Canada Council Aid to Artists Grant and a MacLean-Hunter Fellowship in arts journalism. His books include The Work: Conversations with English-Canadian Playwrights (1982, co-written with Cynthia Zimmerman), Quebec Voices (1986), Producing Marginality: Theatre 7 and Criticism in Canada (1990) and Making, Out: Plays by Gay Men (1992). As the Robarts Chair in Canadian Studies at York (1998-99), Prof. Wallace organized and hosted a series of public events titled “Theatre and Trans/formation in Canadian Culture(s)” that united theatre artists, academics and students in lively discussions that informed his ongoing research in the cultural formations of theatre in Canada. -
CHES Newsletter – Fall 2017
Centre for Holocaust Education and Scholarship Words from the Director cational projects. We were also delighted at Bad Orelson, Germany, will guarantee to partner with the National Holocaust more exposure for our films, and more Monument Council on a special event to educational opportunities. Thus, CHES honour the launch of the monument. The survivors’ testimonials will be available to National Holocaust Monument’s inaugu- millions more people. ration on September 27 was a momentous CHES committee members have also occasion for Canada and especially for been busy developing stimulating and Ottawa; we congratulate everyone who meaningful programs for Holocaust was involved in making it a reality! To Education Month (HEM). I invite you all further emphasize this milestone, CHES to check out the upcoming events and join believed it was fitting to hold a special us in November. evening program with speakers from the As we turn our thoughts to HEM, we Monument’s Council. You can read more are reminded of the sad passing this past Mina Cohn about it in this newsletter. spring of a dear friend, Holocaust survi- We are also very excited that our vor and educator, David Shentow. David ur spring and summer turned out to Survivors’ Testimonial Project videos, devoted a great deal of his time sharing Obe very productive, full of activities which were completed last fall, were added his painful memories with the young gen- in pursuit of new ideas, new contacts, and in August to the online main collection eration. His gentle humanity touched us a vision for the future. There is so much catalog of the U.S. -
SEASON 2018/19 It’S with Great Pleasure That I Welcome You to Theatre New Brunswick’S 50Th Anniversary Season
THEATRE NEW BRUNSWICK’S 50TH ANNIVERSARY SEASON 2018/19 It’s with great pleasure that I welcome you to Theatre New Brunswick’s 50th anniversary season. As we look towards the season to come and all the incredible productions we have in store, I thought we should take a minute to reflect on just how far we’ve come over the past five decades spent producing professional theatre for audiences throughout the province as well as outside of our own borders. A lot has happened since Walter Learning first laid the foundation to create a regional touring theatre company Artistic Director Theatre New Brunswick is one of Canada’s oldest back in 1968. Through the years we’ve welcomed some Thomas Morgan Jones and longest running regional theatre companies. of Canada’s best actors and designers to our province General Manager Our mission is to create extraordinary theatre that to create breathtaking productions that have inspired Susan Ready inspires and entertains our audience while celebrating audiences from Campbellton to Grand Manan. We’ve New Brunswick’s best theatre content and artists; and also championed the work of many New Brunswick to provide outstanding theatre training and performance 55 Whiting Road Fredericton, NB E3B 5Y5 playwrights and have helped ignite the careers of some that educates and awakens the imaginations of our of our country’s most cherished theatre talent. youth and emerging artists. (506) 460-1381 [email protected] Through the work of TNB Young Company and the tnb.nb.ca TNB Theatre School, we’ve not only helped introduce Photo Credit the magic of live theatre into the lives of countless The front cover of our season brochure features a few images from last young New Brunswickers, but have also helped foster season. -
1560-EQ Fall 10 MAG.Indd
EQUITY QUARTERLY FALL 2010 HOW WE GOT TO HERE BLACK THEATRE WORKSHOP TURNS 40 EQ CANADIAN THEATRE TIMELINE Cool Canadiana We’ve come a long way, baby! IT STARTED AS A WAY TO BOLSTER THE SPIRITS OF THE FIRST EUROPEAN SETTLERS - AND SINCE THEN CANADIAN LIVE PERFORMANCE HAS EVOLVED TO TACKLE THE ISSUES OF THE DAY AND PUT CANADIAN PRODUCTIONS ON THE MAP. WE’VE COME A LONG WAY FROM WHEN FOREIGN TOURING COMPANIES DOMINATED OUR STAGES, BUT WE HAVE A WAY TO GO YET TO ENSURE THE VOICES OF ABORIGINAL AND OTHER DIVERSE COMMUNITIES ARE HEARD ON OUR STAGES. Early Colonial Period 1500-1700 Late Colonial Period 1700-1900 1583 1606-1607 1694 1780 Sir Humphrey Gilbert’s company of Under the direction of Samuel de Bishop Saint-Vallier bans a production Les Jeunes Messieurs Canadiens is mummers comes to the New World Champlain, Marc Lescarbot creates of Molière’s Tartuffe in New France and founded in Montreal Le Théâtre de Neptune en la Nouvelle- the lead actor is excommunicated for France blasphemy EQUITY QUARTERLY FALL 2010 EQ VOLUME 4 NUMBER 3 2 PRESIDENT’S MESSAGE Showcasing the 6 3 NOTES FROM ARDEN R. RYSHPAN African-Canadian 4 LETTERS TO THE EDITOR experience 5 EQ MOVES 16 EQ&A 8 A brief history of 17 EQ BACKSTAGE Canadian theatre 18 FONDLY REMEMBERED 20 EQ CLASSIFIEDS 12 Cool Canadiana 21 EQ FLASHBACK Equity members are encouraged to submit ideas for articles, memorial notices and letters to the editor Coming issue: WINTER 2011 via email ([email protected]) or on disk with accompanying hard copy.