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Phil Mcminn and Lashings of Festive Gigs, Previews, Reviews and Releases
[email protected] nightshift.oxfordmusic.net Free every month NIGHTSHIFT Issue 209 December Oxford’s Music Magazine 2012 All aboard for photo: Jamie Beeden Raving, not drowning, with Oxford’s brightest electro-pop stars plus The Top 25 Oxford songs of the year Introducing Phil McMinn and lashings of festive gigs, previews, reviews and releases. NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 DHP Concerts Presents TUE 27 NOV JUAN ZELADA £8 ADV | 18+ WED 06 FEB NEWS THE JERICHO LEDDRA CHAPMAN Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] TUE 29 NOV £7 ADV | 18+ O2 Academy2 MICHELE STODART THE JERICHO Oxford Online: nightshift.oxfordmusic.net £8 ADV | 18+ THU 14 (AVAILABLE) & FRI 15 FEB (SOLD OUT) SPRING OFFENSIVE were ALCOPOP! RECORDS release a THE JERICHO Friday 22nd named BBC Oxford’s Band Of new compilation album this month. STORNOWAY The Year for 2012 last month. `Alcopopular 5: A Hit Hiker’s Guide February Previous winners of the award To The UK’ is out on December FRI 30 NOV £15 ADV | ALL AGES th OXFORD TOWN HALL include Stornoway, Fixers and Little 10 and features 20 acts, including Fish. The award was announced Oxford’s Cellar Family. In typically THE MILK on the same night the band played inventive style the local label ALL AGES • £10 ADV £10 ADV | ALL AGES THU 21 FEB a sold-out show at East Oxford releases the album as a CD with an O 2 ACADEMY2 OXFORD ALT-TICKETS.CO.UK • 0844 871 8819 Conservative Club on James Street, ordnance survey map of Britain, so the location of the show having JAKE BUGG 'ALL OUR FAVOURITE STORIES' Debut album out now on iTunes & in all good record shops listeners can follow the tracklisting been made known to ticket-holders geographically, from Glasgow to FRI 30 NOV SOLD OUT | ALL AGES the day before. -
Seven Column to Work From.Indd
Advertise instantly via www.dailyinfo.co.uk [email protected] QR CODES Scan these Oxford’s 01865 241133 (Mon-Fri, 9am-6pm) with your phone’s QR code 1st floor of 121 Cowley Road, Oxford OX4 1HU app to go straight to these DAILY Line ads @ 50p/word. (min. 10) + VAT ads on dailyinfo.co.uk PROPERTY Box ads @ £10-£12/cm. (min. 3cm) + VAT JOBS INFO COLLEGE CURATOR OF ART (P/T) HOUSES & FLATS TO LET www.dailyinfo.co.uk Pembroke College is looking to appoint a part- Issue No. 8417 Next issue: Tue 18th Jun. Deadline: 10am, Mon 17th Jun TEACHER OF FRENCH time (12 hrs/wk) professional Curator of Art Part-time for its art collections and new, purpose-built Fri 14th - Mon 17th Jun 2013 (Oxford Uni 8th - 9th week) from September 2013 Art Gallery. We are seeking a talented teacher to join a strong For more details go to http://www.pmb.ox.ac.uk/Fellows_ and lively department. The successful applicant will Staff/Staff/Vacancies/college-curator-of-art.php be required to teach French to GCSE. WHAT’S ON Details and application form are available on the Closing date 1 July College website: www.doverbroecks.com/posts Carducci String Quartet Ker�� Ellis & Brian May Please submit applications as soon as possible, Acoustic by Candlelight EFL Teachers with Chris Windass (viola) but no later than Sunday 16th June 2013 Letsco Residential Lettings Online Required at Regent Oxford Programme to include: 17th June, 8.00pm (doors 7.00pm) OX14 - 4 bed furn. house. £2000pcm Dvorak String Quintet St John the Evangelist Church Deputy Manager Regent Oxford delivers rigorous OX2 - 2 bed unfurn. -
PROFESSOR GREEN Looking Ahead to Another Oxford Visit
@omsmagazine AUGUST 2011 Oxford's clubbing and electronic magazine FREE PROFESSOR GREEN looking ahead to another Oxford visit ALSO GOTTWOOD FESTIVAL, FIESTA IN THE PARK LIVE KID FURY DJ MIX – SAMPLER EXCLUSIVE / LEE ‘SCRATCH’ PERRY ANDsee back ROOTS issues at www.oxfordmusicscene.co.uk MANUVA / TOOTS & THE MAYTALS PREVIEW WELCOME Welcome to Issue 2 of the Sampler. There’s lots been happening since the first one hit the streets back in May – lots of @omsmagazine new people got in touch wanting to AUGUST 2011 Oxford's clubbing and electronic magazine write for us, and we got a pile of great FREE feedback from people who said how much they liked it and how much it was needed to bring the Oxford dance scene together. All great to hear. Please PROFESSOR GREEN looking ahead to another Oxford visit ALSO GOTTWOOD FESTIVAL, FIESTA IN KID FURY DJ MIX – SAMPLERLIVE do keep the feedback coming… THE PARK AND ROOTS MANUVA / TOOT see back issues at www. EXCLUSIVE / LEE ‘SCRATCH’ PERRY oxfordmusicscene.co.uk S & THE MAYTALS PREVIEW Next issue of the Sampler in October… Much love Stewart and the Sampler team xx Thanks to all the contributors for their help with this issue: Leo Bowder, Holly Davis, Claire Williams, Tom McKibbin, Andrew Fletcher, Will Gilgrass, Sam Saywood, Josh Lake, Dudley Prince, Will Attwooll, Oliver Sheerin, Robin Lomax, Sam King, Mark Grafton Publisher: Back & To The Left [email protected] Design: Obergine / www.obergine.com The Sampler is the sister publication of Oxfordshire Music Scene magazine www.oxfordmusicscene.co.uk Proud -
O2 and Live Nation/Academy Music Group (Amg) Announce Strategic Alliance
O2 AND LIVE NATION/ACADEMY MUSIC GROUP (AMG) ANNOUNCE STRATEGIC ALLIANCE Telefónica O2 UK Joins Forces With World’s Largest Live Music Company To Launch O2 Academy Venues Reaching More Than 3.5 Million Music Fans Annually LONDON and LOS ANGELES November 6, 2008 O2 and Live Nation/AMG today announced a strategic alliance to launch O2 Academy venues across the UK, which are majority owned by Live Nation alongside fellow shareholders, leading UK concert promoters, Metropolis Music and SJM Concerts. The alliance will boost support for future music talent and enhance the music experience for fans visiting the venues as well as allow O2 to offer a number of benefits for its customers. From the 1st January 2009, the 11 AMG venues will be renamed O2 Academy. O2 customers will gain priority access to tickets to all gigs at the venues, as well as other Live Nation events across the country. In total, O2 customers will gain special access to as many as 4,000 Live Nation produced shows a year in the UK up to 48 hours before they go on general sale. “Our customers tell us that they really value having priority access to tickets at The O2, so we want to bring this benefit to even more customers,” said Ronan Dunne, Chief Executive at Telefónica O2 UK. “The O2 Academy venues are a hugely important part of the UK’s music scene and we admire their role in musical heritage. Through this partnership we are not only looking to benefit O2 customers, but to also enhance the live experience for all artists and music fans.” Simon Lewis, President, Music Marketing Partnerships, International, added: “O2’s credentials in supporting live music are unparalleled and we are very enthusiastic about working with a partner with such integrity and understanding of the fan/artist relationship. -
View Annual Report
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ⌧ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2012, OR TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-32601 LIVE NATION ENTERTAINMENT, INC. (Exact name of registrant as specified in its charter) Delaware 20-3247759 (State of Incorporation) (I.R.S. Employer Identification No.) 9348 Civic Center Drive Beverly Hills, CA 90210 (Address of principal executive offices, including zip code) (310) 867-7000 (Registrant’s telephone number, including area code) Securities registered pursuant to Section 12(b) of the Act: Title of Each Class Name of Each Exchange on which Registered Common Stock, $.01 Par Value per Share; New York Stock Exchange Preferred Stock Purchase Rights Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. ⌧ Yes No Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes ⌧ No Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and 2) has been subject to such filing requirements for the past 90 days. -
Derogation 28 October 2015
Consent to certain actions for the purposes of the Initial Enforcement Order made by the Competition and Markets Authority (‘CMA’) on 22 October 2015 Completed acquisition by LN-Gaiety Holdings Limited of MAMA & Company Limited We refer to the telephone conversation with the case team on 20 October 2015, in which you requested that the CMA consents to derogations to the Initial Enforcement Order of 22 October 2015 (the ‘Initial Order’). The terms defined in the Initial Order have the same meaning in this letter. Under the Initial Order, save for written consent by the CMA, Live Nation and Gaiety are required to hold separate the MAMA business from the Live Nation and Gaiety businesses and refrain from taking any action which might prejudice a reference under section 22 of the Act or impede the taking of any remedial action following such a reference. After due consideration of your request for derogations from the Initial Order, based on the information received from you and in the particular circumstances of this case, Live Nation and Gaiety may carry out the following actions: 1. Paragraphs 1 to 11 of the Initial Order After careful consideration of your request the CMA hereby consents that the following Live Nation and MAMA venues will not be subject to the Initial Order: 1. O2 Academy Islington; 2. King Tut’s Wah Wah Hut; 3. The Arts Club; 4. The Garage; 5. Hoxton Square Bar and Kitchen; 6. The Jazz Café; 7. The Borderline; 8. The Barfly; 1 9. Sheffield Arena; 10. Cardiff Arena; 11. O2 Academy Brixton; 12. -
Oxford's Music Magazine
[email protected] nightshift.oxfordmusic.net Free every month NIGHTSHIFT Issue 206 September Oxford’s Music Magazine 2012 SHHHHHHHHH! it’s and they’re SecretSecret RivalsRivalshere to save indie pop! Also in this issue: Introducing ToLIESEL WILDERNESS and SUPERNORMAL FESTIVALS reviewed plus Local music news, reviews and four pages of gigs photo: Izzy East NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net AUDIOSCOPE release a 40-track Oxjam has been running events compilation album in aid of across the UK since 2006, raising homeless charity Shelter this money for Oxfam in its campaign month. `Music For A Good Home to eradicate global poverty. A 2’ features exclusive contributions limited number of early bird tickets, from Ride (a Portishead remix priced £7, are on sale now from of `Moonlight Medicine’), Wire, Wegottickets.com. Visit Four Tet, Karma To Burn, Beak>, www.oxjamoxford.co.uk for more Deso Child, SJ Esau, Warm Digits, news and line-up details. MR SHAODOW releases his new album this month having recently Boxcutter and Spectrum, as well celebrated selling his 10,000th CD, almost entirely while rapping on the as a strong local contingent that WILDERNESS FESTIVAL has streets of towns and cities around the UK. includes The Rock Of Travolta, launched early bird ticket sales for ShaoDow, who made his name on the Oxford music scene while studying Richard Walters, Kill Murray, its 2013 event already after this for a law degree at the University, releases `Cut The Bullspit’ on his Listing Ships, Gunning For Tamar, year’s festival sold out. -
Venue Demand Analysis Report
Venue Demand Analysis Report 19 March 2019 Gloucester Culture Trust Venue Demand Analysis Report Table of Contents Executive summary ............................................................................................................................................................ 2 1 Introduction ................................................................................................................................................... 5 2 Key findings ................................................................................................................................................. 10 3 Case studies ............................................................................................................................................... 31 4 Recommendations and implementation roadmap .............................................................. 41 Appendix 1: Data sources .......................................................................................................................................... 53 Appendix 2: Stakeholders consulted .................................................................................................................... 54 Appendix 3: Gloucester performing arts organisations ............................................................................. 55 Appendix 4: Gloucester performing arts festivals and events ................................................................ 56 Appendix 5: Benchmark cities and venues ....................................................................................................... -
The Bullingdon
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 291 October Oxford’s Music Magazine 2019 “The idea that however much society progresses, we haven’t really become morally better people was a fun thing to use for ideas. We tried not to make it a good or bad thing; music that has a moral standpoint is rarely effective” YOUNGYOUNG KNIVESKNIVES Oxford’s musical strange ones bring the barbarity to Ritual Union Also in this issue: SUPERGRASS reform! CATWEAZLE hits 25 Introducing MAX BLANSJAAR IF NOT NOW, WHEN? reviewed plus All your Oxford music news, previews and reviews, plus seven pages of local gigs for October. NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk to Buckinghamshire from 2020 due to uncertainty over the future of its current home at Thame Showground. The festival, best SUPERGRASS HAVE REFORMED. th known as a folk event but which The local legends announced their reunion on the 6 September when has regularly expanded its remit they played at Glastonbury’s annual Pilton Party. Rumours of a reunion to include blues, rock and ska had been circulating since the start of this year as the band worked acts – including The Selecter, one to prepare a career-spanning box set, ‘Strange Ones 1994-2008’, due th of this year’s headline acts – will for release on the 24 January next year, but official confirmation move to the Claydon Estate, near came when Gaz Coombes tweeted: “Hi everyone, as you may have Buckingham, with next year’s line- heard I’m taking a break between albums to join my @SupergrassHQ up already announced, including brothers on stage again for the first time in 10 years! It’s going to be a Kate Rusby, Show of Hands and pretty special feeling playing all those songs again after so long. -
The 'Toilet Circuit'
This is a repository copy of The ‘Toilet Circuit’ : Cultural Production, Fandom and Heritage in England’s Small Music Venues. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/142946/ Version: Accepted Version Article: Schofield, Arthur John orcid.org/0000-0001-6903-7395 and Miller, Dan (2017) The ‘Toilet Circuit’ : Cultural Production, Fandom and Heritage in England’s Small Music Venues. Heritage & Society. pp. 137-167. ISSN 2159-032X https://doi.org/10.1080/2159032X.2017.1330936 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ The ‘Toilet Circuit’: Cultural Production, Fandom and Heritage in England’s Small Music Venues Dan Miller and John Schofield Department of Archaeology, University of York, UK YO17EP ABSTRACT In its broadest sense, the Toilet Circuit comprises smaller and independent music venues in the UK that launched many now famous artists and bands, alongside supporting many that are locally known, igniting or sustaining all-important local music scenes and their cultural production. -
The 'Toilet Circuit' : Cultural Production, Fandom and Heritage
This is a repository copy of The ‘Toilet Circuit’ : Cultural Production, Fandom and Heritage in England’s Small Music Venues. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/142946/ Version: Accepted Version Article: Schofield, Arthur John orcid.org/0000-0001-6903-7395 and Miller, Dan (2017) The ‘Toilet Circuit’ : Cultural Production, Fandom and Heritage in England’s Small Music Venues. Heritage & Society. pp. 137-167. ISSN 2159-032X https://doi.org/10.1080/2159032X.2017.1330936 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ The ‘Toilet Circuit’: Cultural Production, Fandom and Heritage in England’s Small Music Venues Dan Miller and John Schofield Department of Archaeology, University of York, UK YO17EP ABSTRACT In its broadest sense, the Toilet Circuit comprises smaller and independent music venues in the UK that launched many now famous artists and bands, alongside supporting many that are locally known, igniting or sustaining all-important local music scenes and their cultural production. -
O2 and Live Nation/Academy Music Group (AMG) Announce Strategic Alliance
November 6, 2008 O2 and Live Nation/Academy Music Group (AMG) Announce Strategic Alliance Telefonica O2 UK Joins Forces With World's Largest Live Music Company To LaunchO 2 Academy Venues Reaching More Than 3.5 Million Music Fans Annually LONDON and LOS ANGELES, Nov. 6 /PRNewswire-FirstCall/ -- O2 and Live Nation (NYSE: LYV)/AMG today announced a strategic alliance to launch O2 Academy venues across the UK, which are majority owned by Live Nation alongside fellow shareholders, leading UK concert promoters, Metropolis Music and SJM Concerts. The alliance will boost support for future music talent and enhance the music experience for fans visiting the venues as well as allow O2 to offer a number of benefits for its customers. (Logo: http://www.newscom.com/cgi-bin/prnh/20070220/LATU096LOGO) From the 1st January 2009, the 11 AMG venues will be renamed O2 Academy. O2 customers will gain priority access to tickets to all gigs at the venues, as well as other Live Nation events across the country. In total, O2 customers will gain special access to as many as 4,000 Live Nation produced shows a year in the UK up to 48 hours before they go on general sale. "Our customers tell us that they really value having priority access to tickets at The O2, so we want to bring this benefit to even more customers," said Ronan Dunne, Chief Executive at Telefonica O2 UK. "The O2 Academy venues are a hugely important part of the UK's music scene and we admire their role in musical heritage.