Vadivelu Dialogues an Anyone's Colloquialism and Idiolect
Total Page：16
File Type：pdf, Size：1020Kb
Turkish Journal of Computer and Mathematics Education Vol.12 No.11 (2021), 1615-1626 Research Article VADIVELU DIALOGUES AN ANYONE'S COLLOQUIALISM AND IDIOLECT 1, 2 Broskhan. P Dr. Nelsonmandela. S 1Research Scholar, Department of Visual Communication, Faculty of Science and Humanities, SRM Institute of Science and Technology, Kattankulathur, Tamilnadu – 603 203 [email protected] 2Assistant Professor, Department of Visual Communication, Faculty of Science and Humanities, SRM Institute of Science and Technology, Kattankulathur, Tamilnadu – 603 203 [email protected] Article History: Received: 10 January 2021; Revised: 12 February 2021; Accepted: 27 March 2021; Published online: 10 May 2021 Abstract The importance of humor can be understood by looking at the meaning of the Tamil proverb, "If you smile, you will get rid of the disease". The most interesting in cinema can also be the most desirable and always-seen scene comedy. Everyone from the youngest to the oldest loves comedy. Any idea is easily reached when told through humor. As far as Tamil cinema is concerned, a lot of comedians make people laugh and think. Vadivelu in particular has a very important place in the personality. Vadivelu may be a reaction of the common people. This study explores the linguistics that Vadivelu used in the verse he used in his comedy scenes. Tamil languages use a wide variety of Colloquialism and Idiolect. We use many language strategies in our daily lives. For example, proverbs and stories are popular among the Tamil people. Vadivelu used this linguistic technique extensively in films. Five films released in different eras were Manathai Thirudi Vittai(2001), Arya(2007), Chandramuki(2005), Pokkiri(2007) and Talanagaram (2006). The comedy of these films is still widely talked about among the people today as these films were released a while back. The reason for examining these films may be the character of Vadivelu in these films and the verses used in them. We seek to examine how Vadivelu's verses are inspired and used in the normal life of the people. The purpose of this study is to determine how characterization in language takes place in the individual and the basic biology of a group. And how this linguistic characteristic takes place in films. In particular we explore the connection between the success of Vadivelu’s comedy scenes and social use. Keyword: Comedy, Colloquialism, Idiolect, Proverb, Film Introduction "If I had no sense of humour, I would long ago have committed suicide." – Mahatma Gandhi. Comedy in Cinema Humour is an inherent virtue of human beings. No matter how big the problematic situation, it can be easily overcome by humour. In particular, comedy has been used extensively in modern art media, such as stage drama and cinema, to react to modern products such as government, nation, politics, and society. The comedy scene will feature between scenes from the full-length film. That is the importance given to comedy in the early days. After that, full-length comedy films came on screen to increase the demand for comedy. A comedy film is a category of film in which the main emphasis is on Humour. These films are desi to make the audience laugh through amusement and most often work by exaggerating Humorous effect characteristics. Films in this style traditionally have a happy ending (black comedy being an exception). One of the oldest genres in film and derived from the classic comedy in theatre. The personality of Comedy Characters in Cinema A prime example of this is Charlie Chaplin, the unparalleled artist of the last century. Tamil cinema plays a significant role in the comedy. Tamil cinema comedy has developed in many dimensions over different periods. If there is one parallel to Chaplin in Tamil cinema, it is MR Radha. He was the one who presented criticisms against institutions like God, caste, religion, the state through his verses and dramas. There is still no one to fill the place of the actress in Tamil cinema. During that time, many comedians such as artists "NSK", Chandrababu, Surulirajan, and Thengai Srinivasan came to 1615 BROSKHAN. P1, Dr. NELSONMANDELA. S 2 prominence. However, it has not become a spontaneous, proper political art form, except to stand on the level of 'imitation.' Truth be told, Goundamani is closer to MR Radha than Vivek. A few decades ago, Vivek presented his style by copying MR Radha's verse accents and body language. Goundamani was the one who teased in his comedy everything from off-screen cultural pride, meaningless rituals, power institutions to the on-screen hero image. However, it is ironic that Countess Mani's joke, which presented the opposition to power, also had a tone of authority in itself. His Humour is that he approaches ordinary people with a formal tone, just as he approaches power with a formal tone. Goundamani developed a variety of rhetoric to tease his colleague Senthil's black and bald head. The colour of the Countess is also black; another irony is that he is a bald head. Humour and violence have become inseparable from Countess's time. Vadivelu's personality in Tamil Cinema Goundamani and Senthil, two great heroes, entered Tamil cinema as minor characters during the reign of Tamil cinema. With great difficulty, he identified himself to the people. Though not much noticed in the early days, his new strategist spoke to the people throughout the day. He especially set his style in comedy. Vadivelu's Humour is an important aspect that differs from Countess Mani's Humour. If Countess Mani's jokes teased power and others, Vadivelu's jokes teased himself. Vadivelu turned Kamal Haasan's famous verse "Courage is acting without fear" into art. Vadivelu's Humour is essential in that he must oppose the power on the outside and the power within himself. Tamil audiences celebrate Vadivelu's comedy, which mocks 'Udhar' heroism as a form of self-criticism. Vadivelu Contribution of Tamil Cinema Vadivelu's jokes are, in a sense, a play on language that dissolves meanings, while in another; they are part of the language. It ends when someone says, "I'm not angry." However, when one pulls "I do not get angry ..." it takes on a different meaning. "I do not normally get angry." However, if anyone gets angry, anyone will say yes or no. However, Vadivelu's Humour combines the two and dissolves the differences in meanings. 'Vadaa naaye' is a comedy about how words can be created by changing words, inverting meanings, creating new meanings, and pronouncing and silencing words in any tone. Vadivelu would use the opportunity to beg the borrower and intimidate his colleagues. He has been coming round many rounds with his body language while simply making jokes and talking dialogues. Likewise, not all comedians can shine as character actors. Massive comedians like Goundamani failed at it. Nagesh, Manorama, Vadivelu, who is e-comedians in character acting only a few, can be referred to as MS Bhaskar. Vadivelu is a comedian who suddenly becomes a character in a single scene. The scene where he speaks after losing his hand in the film 'My Son,' 'Son of God', everywhere you look for a groom for your gold; did I ask if I was black? There are many examples of Murali has been asked in the film "Porkalam." If an actor's strength is that the audience is ready to laugh as soon as they see a comedian on-screen, so is the character's weakness. However, it was Vadivelu who successfully overcame this. Vadivelu can play a full-fledged character in a film without any comedy scenes. 'ImsaiArasan' is an excellent example of that. He would have acted as the king of the 23rd king and the warrior of the revolutionary group. If we, the audience, who fell and laughed at Pulicaci, took the role of the militant Vadivelu seriously, that was Vadivelu's victory. Vadivelu Dialogue with Movie Scene In this study, vadivelu's five most famous verses are select for the analysis. The purpose of selecting these verses for the study is to find the most used verses in the community. The visual settings in the background of the scene also reflect the everyday lifestyle. Vadivelu's character structure is also a significant factor in the scenes. Movie 1: ManathaiThirudiVittai: In the film, Vadivelu plays a wealthy college student who speaks English incorrectly and becomes an "Uthar". However, the director would have described Vadivelu's 1616 VADIVELU DIALOGUES AN ANYONE'S COLLOQUIALISM AND IDIOLECT actual family situation in Deva's Mind Voice. Many hide their actual family situation and present themselves in the community as a big day. That is why this character and the scenes associated with it will remain in people's memory forever. Movie 2:Aarya: Vadivelu, a beggar in the film, suddenly becomes a councillor. Councillor Vadivelu is coming full circle to the screen as a prominent politician. Vadivelu's character has been created by some politicians who are all accused of new corruption and bribery. That is why there are so many scenes where people seem to be dissolving contemporary politics. Movie 3:Chandramukhi: Vadivelu proved it to be a lie when many wondered how much space there would be for comedy in the superstar Rajinikanth starrer "Chandramukhi." Murugesan would have played a family member who did not go to work in the big rich house. He would have shown before our eyes a dummy husband who would suspect his wife all the time. Many people who pretend not to be afraid when talking in public about ghosts like ghosts will be scared when they go out in solitude. The character of Vadivelu from this film is adopted in real-life incidents too.