New Taxidermy Method Applied to Cassowary Preserves Life Colors
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0 0 0 0 Acasa Program Final For
PROGRAM ABSTRACTS FOR THE 15TH TRIENNIAL SYMPOSIUM ON AFRICAN ART Africa and Its Diasporas in the Market Place: Cultural Resources and the Global Economy The core theme of the 2011 ACASA symposium, proposed by Pamela Allara, examines the current status of Africa’s cultural resources and the influence—for good or ill—of market forces both inside and outside the continent. As nation states decline in influence and power, and corporations, private patrons and foundations increasingly determine the kinds of cultural production that will be supported, how is African art being reinterpreted and by whom? Are artists and scholars able to successfully articulate their own intellectual and cultural values in this climate? Is there anything we can do to address the situation? WEDNESDAY, MARCH 23, 2O11, MUSEUM PROGRAM All Museum Program panels are in the Lenart Auditorium, Fowler Museum at UCLA Welcoming Remarks (8:30). Jean Borgatti, Steven Nelson, and Marla C. Berns PANEL I (8:45–10:45) Contemporary Art Sans Frontières. Chairs: Barbara Thompson, Stanford University, and Gemma Rodrigues, Fowler Museum at UCLA Contemporary African art is a phenomenon that transcends and complicates traditional curatorial categories and disciplinary boundaries. These overlaps have at times excluded contemporary African art from exhibitions and collections and, at other times, transformed its research and display into a contested terrain. At a moment when many museums with so‐called ethnographic collections are expanding their chronological reach by teasing out connections between traditional and contemporary artistic production, many museums of Euro‐American contemporary art are extending their geographic reach by globalizing their curatorial vision. -
In the George Eastman Museum
NARRATOR 1 Hear You Are: In the George Eastman Museum. SFX: sounds of the museum begin Once the home of the founder of Kodak,it’s interior drips with wealth. Lime washed wooden panels, marble floors, crystal glassware and exotic plants furnish every inch of the multi-million dollar mansion. Lining the halls are richly colored fabrics and priceless rugs, glistening chandeliers and sizeable paintings. NARRATOR 2 Windows adorn every corridor and fill the space with natural light, giving visitors the chance to view Eastman’s personal courtyard. Complete with a terrace garden, ivy embroidered arches, and a quaint frog pond in the center, the eight and a half acre property feels open, yet serene at the same time. SFX: Sounds of the museum end NARRATOR 1 The museum has done its best to preserve the wonder of the estate, guiding visitors through Eastman’s many rooms with purple velvet ropes and mementos of his own personal collections. But no matter how impressive the mansion itself may be, one feature catches your eye unlike anything else: a giant elephant head. NARRATOR 2 As visitors are guided into Eastman’s conservatory, the elephant in the room is quite clear. Not a painting, not a statue, and certainly not your typical house decoration, George Eastman mounted an adult 1 bull elephant head high above the first floor. Shot by Eastman, taxidermied locally, and displayed proudly in the largest room of the estate, the elephant head is George Eastman’s proud reminder to all that enter his home: “I bested that animal.” NARRATOR 1 As the centerpiece of the living room, the elephant is a reminder. -
BULLETIN FIELD MUSEUM of NATURAL HISTORY Volume 41, Number 1 January 1970 EDEN REVISITED
BULLETIN FIELD MUSEUM OF NATURAL HISTORY Volume 41, Number 1 January 1970 EDEN REVISITED A Tour of Britain and its Gardens A few places still remain on Field Museum's tour, "Eden Revisited: A Tour of Britain and Its Gardens," according to Tours Chief Phil Clark, former editor of Horticulture magazine, who will lead the tour. Historic places, such as the Cawdor Castle of Macbeth fame, above, in northern Scotland will be among (All photos by Phil Clark) those featured. Price of the May 30-July 4 tour, including a $600 tax deductible donation to Field Museum, is $2,445. Reservations may be made by sending a $600 deposit check to: Natural History Tours, Field Museum, Roosevelt Road at Lake Shore Drive, Chicago, III. 60605. Mr. David Hunt, of the Royal Society for the Protection of Birds in Cornwall, will lead the tour on a boat trip in the Scilly Islands area, to see puffins and other birds. The group will also visit Tresco Isle and its semi-tropical Abbey Gardens. During the 5-week tour, a variety of British specialists will address the group or spend from one to four days with it, including Mr. Roy Hay, garden editor of the London Times and author of the recently published "The Color Dictionary of Flowers and Plants;" H. F. W. Cory, a bird watcher of the Wiltshire Trust for Nature Frances author of An ancient Rhododendron of historic Conservation; Perry, gardening books; Will Ingwersen, garden writer and nurseryman; Mrs. Poppy Davenport importance is proudly pointed out by of the Scottish Garden G. -
Twentieth-Century American Women on the Edges of Exploration
University of North Dakota UND Scholarly Commons Theses and Dissertations Theses, Dissertations, and Senior Projects January 2017 Mimic-Women: Twentieth-Century American Women On The dE ges Of Exploration Michele R. Willman Follow this and additional works at: https://commons.und.edu/theses Recommended Citation Willman, Michele R., "Mimic-Women: Twentieth-Century American Women On The dE ges Of Exploration" (2017). Theses and Dissertations. 2381. https://commons.und.edu/theses/2381 This Dissertation is brought to you for free and open access by the Theses, Dissertations, and Senior Projects at UND Scholarly Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UND Scholarly Commons. For more information, please contact [email protected]. MIMIC-WOMEN: TWENTIETH-CENTURY AMERICAN WOMEN ON THE EDGES OF EXPLORATION by Michele Rae Willman Bachelor of Arts, Concordia College, Moorhead, MN, 1993 Master of Arts, North Dakota State University, 2008 A Dissertation Submitted to the Graduate Faculty of the University of North Dakota in partial fulfillment of the requirements for the degree of Doctor of Philosophy Grand Forks, North Dakota August 2017 Copyright 2017 Michele R. Willman ii PERMISSION Title Mimic-Women: Twentieth-Century American Women on the Edges of Exploration Department English Degree Doctor of Philosophy In presenting this dissertation in partial fulfillment of the requirements for a graduate degree from the University of North Dakota, I agree that the library of this University shall make it freely available for inspection. I further agree that permission for extensive copying for scholarly purposes may be granted by the professor who supervised my dissertation work or, in her absence, by the Chairperson of the department or the dean of the School of Graduate Studies.