1995 University of Washington, Seattle, Washington
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1 2019 Maryrose Cobarrubias Mendoza
MARYROSE COBARRUBIAS MENDOZA www.maryrosecmendoza.com SOLO EXHIBITIONS 2019 Maryrose Cobarrubias Mendoza, Solo Show, COOP, Seoul, Korea 2018 red, white & brown, HudsonJones Gallery, Cincinnati 2015 This must be the place, Commonwealth & Council, Los Angeles 2010 omitted, S1F Gallery, Los Angeles 2006 Yield, SolwayJones Gallery, Los Angeles 2004 HAUS Gallery, Pasadena 1999 truth, YYZ gallery, Toronto, Canada 1991 MFA Exhibition, The Claremont Graduate University, Claremont GROUP EXHIBITIONS 2019 – Walking in the Sun, Human Resources LA, Los Angeles Made in Asian America, Art Salon Chinatown, Los Angeles Celebrating the Power of Women, Pinta*Dos Philippine Art Gallery, San Pedro Year of the Boar, Art Salon Chinatown, Los Angeles Somewhere in Between, Kellogg Art Gallery, Cal Poly Pomona University, Pomona 2018 – Atras Abante: Filipinotown History Reimagined, Regis House Community Center, Los Angeles, CA D.I.Filipinx, 643 Project Space, Ventura, CA I think therefore I Art, Boone Art Gallery, Pasadena City College, Pasadena, CA Origin, Baik Art, Los Angeles, CA (upcoming) 2017 – Brand 45: Works on Paper National Juried Exhibition, Brand Library, Glendale (Curated by Leslie Jones) Arquivovivo Living Archive, Armory Center for the Arts, Pasadena, CA (De)Centered, WAS Gallery, Washington D.C. COLA20, Los Angeles County Municipal Art Gallery, Los Angeles, CA Artworks for Healing, Arena 1 Gallery, Santa Monica, CA 2016 - Apple Sauce, Pasadena City College Art Gallery, Pasadena, CA 2015 - Inside the White Cube: the gallery as context, Arena 1 Gallery, Santa Monica Brand 43: Works on Paper National Juried Exhibition, Brand Library, Glendale Incognito, Santa Monica Museum of Art, Santa Monica Between Two Worlds, Fine Arts Gallery, CSULA, Los Angeles 2014 - Face, DOC.U.MENT Coffee Bar, Los Angeles Conference Center, Pasadena City College Art Gallery, Pasadena, CA Incognito, Santa Monica Museum of Art, Santa Monica, CA 2013 - In Two Places at Once, Pasadena City College Art Gallery, Pasadena, CA SEENOTSEEN, Pasadena City College Art Gallery, Pasadena, CA 1 2012 - C.O.L.A. -
On the Edge Nceca Seattle 2012 Exhibition Guide
ON THE EDGE NCECA SEATTLE 2012 EXHIBITION GUIDE There are over 190 exhibitions in the region mounted to coincide with the NCECA conference. We offer excursions, shuttles, and coordinated openings by neighborhood, where possible. Read this document on line or print it out. It is dense with information and we hope it will make your experience in Seattle fulfilling. Questions: [email protected] NCECA Shuttles and Excursions Consider booking excursions or shuttles to explore 2012 NCECA Exhibitions throughout the Seattle region. Excursions are guided and participants ride one bus with a group and leader and make many short stops. Day Dep. Ret. Time Destination/ Route Departure Point Price Time Tue, Mar 27 8:30 am 5:30 pm Tacoma Sheraton Seattle (Union Street side) $99 Tue, Mar 27 8:30 am 5:30 pm Bellingham Sheraton Seattle (Union Street side) $99 Tue, Mar 27 2:00 pm 7:00 pm Bellevue & Kirkland Convention Center $59 Wed, Mar 28 9:00 am 12:45 pm Northwest Seattle Convention Center $39 Wed, Mar 28 1:30 pm 6:15 pm Northeast Seattle Convention Center $39 Wed, Mar 28 9:00 am 6:15 pm Northwest/Northeast Seattle Convention Center $69 combo ticket *All* excursion tickets must be purchased in advance by Tuesday, March 13. Excursions with fewer than 15 riders booked may be cancelled. If cancelled, those holding reservations will be offered their choice of a refund or transfer to another excursion. Overview of shuttles to NCECA exhibitions and CIE openings Shuttles drive planned routes stopping at individual venues or central points in gallery dense areas. -
Portraits of Metro Artists Whose Work Enriches the Rider's Journey
The Makers Portraits of Metro artists whose work enriches the rider’s journey The Makers Portraits of Metro artists whose work enriches the rider’s journey Summer 2016 to Winter 2017 Union Station Passageway This exhibition is presented by Metro Art in collaboration with artist Todd Gray. Cover: Portrait of Michael Massenburg by Todd Gray. Opposite: Detail of MacArthur Park, Urban Oasis (2010) by Sonia Romero, Westlake/MacArthur Park Station. Metro Art is Artworks at Stations Art and artists transform the public transit experience. & Facilities Artworks animate the transitional moments between destinations, elevating the mood, punctuating the Photography Installations transit landscape and transporting the imagination Art Posters of Metro riders. They express the texture, little known narratives and aspirations of our region. Poetry Cards & Readings By integrating artworks into Metro’s myriad transit Music & Dance environments, we enrich the journeys of millions of Participatory Art people each day. & Performance metro.net/art Film Screenings Art Banners Community Engagement Meet-the-Artist Events Artist Workshops Art Tours Creative Placemaking Cultural Partnerships Metro Art is Detail of Long Beach poster (2013) by Christine Nguyen, Through the Eyes of Artists series. The Makers The Makers is an ongoing series of photographic portraits by Todd Gray, featuring the artists behind the artworks in the Metro system. In this initial installation at Union Station, the 30 featured artists span multiple generations, come from a variety of backgrounds, and work in a remarkable range of mediums and styles. Some are emerging artists, while others are more established. The breadth of the group is a testament to the high concentration of creative talent living and working in the Los Angeles region. -
Fire + Earth Catalogue
Table of Contents Artists Robert Archambeau ................................................1 Ann Mortimer.....................................................112 Loraine Basque........................................................4 Diane Nasr..........................................................115 Alain Bernard..........................................................7 Ingrid Nicolai......................................................118 Robert Bozak ........................................................10 Agnes Olive.........................................................121 John Chalke ..........................................................13 Walter Ostrom ....................................................124 Ruth Chambers.....................................................16 Kayo O’Young.....................................................127 Victor Cicansky.....................................................19 Greg Payce ..........................................................130 Jennifer Clark........................................................22 Andrea Piller .......................................................133 Bonita Bocanegra Collins ......................................25 Ann Roberts........................................................136 Karen Dahl ...........................................................28 Ron Roy..............................................................139 Roseline Delise......................................................31 Rebecca Rupp .....................................................142 -
2010 Catalog
1 2 Honoring 15 Years of Neddy Artist Fellows 1996–2010 Michael Spafford Juan Alonso Lauri Chambers Benjamin Wilkins Jeffry Mitchell Doug Keyes Mary Ann Peters Claudia Fitch Mark Takamichi Miller Cris Bruch Donnabelle Casis Dionne Haroutunian Susan Dory Claire Cowie Joseph Park Brian Murphy Barbara Robertson Whiting Tennis Charles Krafft Randy Hayes Akio Takamori Eric Elliott April Surgent Margie Livingston Richard Marquis 3 All photographs of artwork are by Richard Nicol with the following exceptions: Page 2: Detailed installation view of Akio Takamori’s Female Dwarf from Honoring 15 Years of Neddy Artist Fellows by Steve Davis Page 8: Installation view of A Decade of Excellence by Alice Wheeler Page 9: Installation view of A Decade of Excellence by Alice Wheeler Page 20: Photo of Marsha Burns’s Ned by John Hubbard Page 21: Photo of Ned Behnke’s untitled work, courtesy of the Behnke Foundation Page 24: Installation view of A Decade of Excellence by Alice Wheeler Page 30: Photo of Doug Keyes’ Evergreen-Washelli #4 courtesy of G. Gibson Gallery, Seattle Page 32: Photo of Claudia Fitch’s Two Chandeliers with Milk Drops by Steve Davis Page 34: Photo of Cris Bruch’s Shortest Distance #2 courtesy of the artist Page 36: Photo of Dionne Haroutunian’s Taking A Stand courtesy of the artist Page 38: Photo of Claire Cowie’s Sky Village courtesy of the artist Page 40: Photo of Brian Murphy’s Invisible Self-portrait by Steven Miller Page 43: Photo of Charles Krafft’s Sal Mineo Bunny courtesy of the artist Page 46: Photo of Eric Elliott’s Photinia -
Contemporary American Ceramics: from the Dean Thompson Collection
Contemporary American Ceramics: From the Dean Thompson Collection July 24 - Aug. 31, 1994 Johnson County Community College • Gallery ofArt Contempora1y American Ceramics: that he was '·fascinated by Takamori's From th e Dean Th omp so n Collec tion sensual, graphi c images and sculptural forms." Thomp son's initial pur chases , On my first visit to Dean Thompson's combined with his involvement at the London apartment in 1981, I was struck Art Institute, ignited his interest in by the range and quality of the ceramic formin g a collection of co ntemporary and glass works that he had collected. American ceramics. By 1986, as a col His apartment was filled with art. Floor lector for more than 20 yea rs, he was to ceiling glass shelves displayed brightly kee nly awa re of the compl exity of col colored and ecce ntrically shaped works by Clarice Cliff Equally arresting were lecting contemporary art. Undaunted, severely reductive vessels by Keith he began to pur sue major wo rks by Murray, stylized Rene Lalique vases, artists such as Betty Woodman, Ken richly enameled Faure pieces , Geo rg Price, Richard DeVore, Beatrice Wood, Jensen silver and delicately colored Toshiko Takaez u, Kenneth Ferguson pate-de-verre works by G. Argy-Roussea u and Adrian Saxe. Thompson was once and Almeric Walter. I quickly realized again immersed in a transformation of that Thompson was utterly obsessed his collection and home. Belove d pieces with art. After accompanying him to from the first half of the 20th centur y various galleries, antique markets and we re sent to auction. -
Squarespace-Resume.Pdf
PHYLLIS GREEN www.phyllisgreen.net 310-586-9756 Born 1950, Minneapolis, MN Lives and works in Santa Monica, CA EDUCATION 1981 Master of Fine Arts, University of California, Los Angeles 1977-78 Graduate Study, California State University, Fullerton 1972 Bachelor of Arts, University of Manitoba, Winnipeg, Canada AWARDS 2016 Senior Artist Fellowship, City of Santa Monica 2015 Artist Honoree, Craft Affair 15, Craft and Folk Art Museum, Los Angeles 2014 Fellow (Fine Arts), John Simon Guggenheim Memorial Foundation 2010 Project Completion Grant, Durfee Foundation 2010 Artists Project Fellowship, City of Santa Monica 1996 Artist Fellowship, Pollock-Krasner Foundation, New York 1996 Individual Artist Grant, Cultural Affairs Department, City of Los Angeles 1990 California Arts Council Artists Fellowship (Sculpture) 1986 Special Merit Award, "All California On A Small Scale," Howard Fox, Juror 1984-85 National Endowment for the Arts Fellowship (Sculpture) 1981 Canada Council Project Grant 1977-80 Senior Tuition Scholarship, British Columbia Cultural Fund PUBLIC APPOINTMENTS 2004-2006 Chair, Santa Monica Arts Commission 2000-08 Commissioner, Arts Commission, City of Santa Monica, California 2002-2004 Chair, Public Art Committee, City of Santa Monica 1994-95 Artist Advisory Committee, Los Angeles Municipal Art Gallery PUBLIC ART COMMISSIONS 1995-97 Hollywood Fences Project, MTA A-R-T Program 1994 Montebello/Commerce Metrolink Station 1993 Hope Street Promenade Intersection Design Competition EMPLOYMENT 2011-2018 Deputy Director, Christopher Isherwood -
AKIO TAKAMORI Represented by Frank Lloyd Gallery
AKIO TAKAMORI Represented by Frank Lloyd Gallery Born in 1950, Nobeoka, Miyazaki, Japan Studio in Seattle, WA Professor University of Washington, Seattle EDUCATION 1976-78 MFA, New York State College of Ceramics, Alfred University 1974-76 BFA, Kansas City Art Institute, Kansas City, Missouri 1972-74 Apprentice, Traditional Domestic Production Pottery, Koshiwara, Japan 1969-71 Musashino Art College, Tokyo, Japan HONORS AND AWARDS 2011 The USA Ford Fellowship 2008 Neddy Artist Fellowship for Painting and Ceramics, Seattle, Washington 2006 Joan Mitchell Foundation 2003 Flintridge Foundation Awards for Visual Artists 2001 Virginia A. Groot Award 1996 Fellowship at Keramisch Werkcentrum, s’Hertogenbosch, The Netherlands 1993 Fellowship at Keramisch Werkcentrum, s’Hertogenbosch, The Netherlands EXHIBITIONS One Person 2014 New Work, Frank Lloyd Gallery, Santa Monica, California 2013 Portraits Ordinaires, Ariana Museum, Geneva, Switzerland Akio Takamori, Collection Ateliers d’Art de France, Paris, France Lust, Red Star Studios, Kansas City, Missouri Ground, James Harris Gallery, Seattle, Washington 2012 Equivalents, Kunstforum Solothurn, Solothurn, Switzerland People/Alphabet, Barry Friedman Ltd, New York 2011 Boys, James Harris Gallery, Seattle, Washington 2010 A Recent Survey, Harvey/Meadows Gallery, Aspen, Colorado 2009 Europeans, James Harris Gallery, Seattle, Washington Alice/Venus, Barry Friedman, Ltd, New York Figures, Witte Zaal, Sint-Lucas Beeldende Kunst, Gent, Belgium Akio Takamori, Page 2 2007 New Work, Frank Lloyd Gallery, Santa -
Kim Schoenstadt 1973 Born in Chicago, IL 1995 B.F.A Pitzer
Kim Schoenstadt 1973 Born in Chicago, IL 1995 B.F.A Pitzer College, California Selected Solo and Two Person Exhibitions: 2021 - 2022 Kim Schoenstadt: Enter Slowly, The Legacy of an Idea, Peter and Merle Mullin Gallery, Pasadena, CA 2020 Enter Slowly/ Walls to Kill, Art Center College of Design, Mullin Gallery, Pasadena, CA 2019 Kim Schoenstadt, Nassau Contour, SLS Bahamar, The Bahamas Global Tango: Warm & Cool, Private Collection, Washington DC 2018 Kim Schoenstadt, Context v. Perspective, Chimento Contemporary, Los Angeles, CA 2017 Now Be Here #4, DMV, National Museum of Women in the Arts, Washington DC Kim Schoenstadt, Sightline Series, Lapis Press, Los Angeles, CA Kim Schoenstadt The Problem of Perspective #1, Sam Francis Gallery, Santa Monica, CA Kim Schoenstadt, The Tasting Kitchen, Los Angeles, CA 2016 Now Be Here #3, Miami, Perez Art Museum, Miami, FL Kim Schoenstadt, Chimento Contemporary, Los Angeles, CA Now Be Here #2, NY, Brooklyn Museum, Brooklyn, NY Kim Schoenstadt, University of Maryland Art Museum & The Clarice Performing Arts Center, College Park, MD Now Be Here #1, LA , Hauser, Wirth & Schimmel, Los Angeles, CA 2015 Metro Station Award: Fairview Heights Station, Inglewood, CA, Metro, Los Angeles,CA 2014 Kim Schoenstadt: Block Plan Series (Provo, UT), BYU Museum of Art, Provo, UT Mid-Valley Recreational Project, Department of Cultural Affairs, Los Angeles, CA 2012 Kim Schoenstadt: The Prop Series: Munich/Brazil, Galerie Sabine Knust, Munich, Germany Kim Schoenstadt: Sight Lines, M29 Richter&Bruckner, Cologne, Germany 2011 -
Oral History Interview with Akio Takamori
Oral history interview with Akio Takamori Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 General............................................................................................................................. 2 Scope and Contents........................................................................................................ 1 Scope and Contents........................................................................................................ 1 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Oral history interview with Akio Takamori AAA.takamo09 -
Interviews and Oral Histories
APA Interviews & Oral Histories at the Smithsonian Institution The Smithsonian Institution is a repository for a wealth of oral histories that document the vibrant cultures and histories of Asian Americans and Pacific Islanders. Oral histories can be found at the National Museum of American History and other Smithsonian museums and affiliates. This list presents selected oral histories relating to APA history across the Smithsonian units, representing the breadth and depth of materials available. To view additional APA holdings, please browse the respective webpages and search for keywords such as “Asian Pacific American.” National Museum of American History The Philanthropy Initiative: Oral History Project The National Philanthropy Collection includes an oral history project that explores the experiences of a wide range of people involved in philanthropy. Stories from these oral histories will be shared. In the coming months, these oral histories and their transcriptions will be shared through the National Museum of American History’s Archives Center. During the first phase of the oral history project, Dr. Amanda Moniz conducted oral histories with people from diverse backgrounds who have been engaged in philanthropy. Look for: Irene Hirano Inouye, U.S.-Japan Council; board chair, Ford and Kresge Foundations (link to come) Morgan Marcel, original cast of Hamilton: An American Musical (Marcel is her stage name; her given last name is Matayoshi) (link to come) Regina Lee, Charles B. Wang Community Health Center, NYC) Marie Lam (Charles B. Wang Community Health Center, NYC) Page 1 Archives of American Art Oral History interview of Akio Takamori, 2009 An interview of Akio Takamori conducted 2009 March 20-21, by Mija Riedel, for the Archives of American Art's Nanette L. -
Akio Takamori – (1950 - )
AKIO TAKAMORI – (1950 - ) Growing up in post-war Japan, Akio Takamori was exposed to a wide range of humanity through the medical clinic operated by his father; these individuals would later reappear in his work. He studied ceramics at the Musashino Art University in Tokyo but was not inspired by the rigid, functional approach. An exhibition of contemporary Western art in 1971 opened his eyes to the ceramic works of such artists as Richard Shaw and Peter Voulkos; subsequently an invitation from Ken Ferguson to come to the United States to continue his education shaped the direction his art would take. While Takamori returned to Japan for a time, he ultimately settled permanently in the United States, living and working in Seattle, WA. His most recognized works include the envelope vessels which depict figures – one forming the front of the piece, the other the back, with the space between an integral part of the whole, and his freestanding figures - recreations of the people from his native village made specifically to interact with each other and the viewer. ARTIST’S STATEMENT – AKIO TAKAMORI “I create my figures from memories. I examine and visualize the meaning of scale, space, material and dimension of my memories. I refer my work to the historical drawings of Eastern Asia and turn great focus towards the grouping of figures, as well as the relationship between the oriental paper and ink, and how it compares to the clay and underglaze of my work.”1 1. Akio Takamori. “Artist‟s Statement.” in Peterson, Susan. Contemporary Ceramics. New York: Watson-Guptill Publications, 2000, 174.