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On the Edge Nceca Seattle 2012 Exhibition Guide
ON THE EDGE NCECA SEATTLE 2012 EXHIBITION GUIDE There are over 190 exhibitions in the region mounted to coincide with the NCECA conference. We offer excursions, shuttles, and coordinated openings by neighborhood, where possible. Read this document on line or print it out. It is dense with information and we hope it will make your experience in Seattle fulfilling. Questions: [email protected] NCECA Shuttles and Excursions Consider booking excursions or shuttles to explore 2012 NCECA Exhibitions throughout the Seattle region. Excursions are guided and participants ride one bus with a group and leader and make many short stops. Day Dep. Ret. Time Destination/ Route Departure Point Price Time Tue, Mar 27 8:30 am 5:30 pm Tacoma Sheraton Seattle (Union Street side) $99 Tue, Mar 27 8:30 am 5:30 pm Bellingham Sheraton Seattle (Union Street side) $99 Tue, Mar 27 2:00 pm 7:00 pm Bellevue & Kirkland Convention Center $59 Wed, Mar 28 9:00 am 12:45 pm Northwest Seattle Convention Center $39 Wed, Mar 28 1:30 pm 6:15 pm Northeast Seattle Convention Center $39 Wed, Mar 28 9:00 am 6:15 pm Northwest/Northeast Seattle Convention Center $69 combo ticket *All* excursion tickets must be purchased in advance by Tuesday, March 13. Excursions with fewer than 15 riders booked may be cancelled. If cancelled, those holding reservations will be offered their choice of a refund or transfer to another excursion. Overview of shuttles to NCECA exhibitions and CIE openings Shuttles drive planned routes stopping at individual venues or central points in gallery dense areas. -
Fire + Earth Catalogue
Table of Contents Artists Robert Archambeau ................................................1 Ann Mortimer.....................................................112 Loraine Basque........................................................4 Diane Nasr..........................................................115 Alain Bernard..........................................................7 Ingrid Nicolai......................................................118 Robert Bozak ........................................................10 Agnes Olive.........................................................121 John Chalke ..........................................................13 Walter Ostrom ....................................................124 Ruth Chambers.....................................................16 Kayo O’Young.....................................................127 Victor Cicansky.....................................................19 Greg Payce ..........................................................130 Jennifer Clark........................................................22 Andrea Piller .......................................................133 Bonita Bocanegra Collins ......................................25 Ann Roberts........................................................136 Karen Dahl ...........................................................28 Ron Roy..............................................................139 Roseline Delise......................................................31 Rebecca Rupp .....................................................142 -
2010 Catalog
1 2 Honoring 15 Years of Neddy Artist Fellows 1996–2010 Michael Spafford Juan Alonso Lauri Chambers Benjamin Wilkins Jeffry Mitchell Doug Keyes Mary Ann Peters Claudia Fitch Mark Takamichi Miller Cris Bruch Donnabelle Casis Dionne Haroutunian Susan Dory Claire Cowie Joseph Park Brian Murphy Barbara Robertson Whiting Tennis Charles Krafft Randy Hayes Akio Takamori Eric Elliott April Surgent Margie Livingston Richard Marquis 3 All photographs of artwork are by Richard Nicol with the following exceptions: Page 2: Detailed installation view of Akio Takamori’s Female Dwarf from Honoring 15 Years of Neddy Artist Fellows by Steve Davis Page 8: Installation view of A Decade of Excellence by Alice Wheeler Page 9: Installation view of A Decade of Excellence by Alice Wheeler Page 20: Photo of Marsha Burns’s Ned by John Hubbard Page 21: Photo of Ned Behnke’s untitled work, courtesy of the Behnke Foundation Page 24: Installation view of A Decade of Excellence by Alice Wheeler Page 30: Photo of Doug Keyes’ Evergreen-Washelli #4 courtesy of G. Gibson Gallery, Seattle Page 32: Photo of Claudia Fitch’s Two Chandeliers with Milk Drops by Steve Davis Page 34: Photo of Cris Bruch’s Shortest Distance #2 courtesy of the artist Page 36: Photo of Dionne Haroutunian’s Taking A Stand courtesy of the artist Page 38: Photo of Claire Cowie’s Sky Village courtesy of the artist Page 40: Photo of Brian Murphy’s Invisible Self-portrait by Steven Miller Page 43: Photo of Charles Krafft’s Sal Mineo Bunny courtesy of the artist Page 46: Photo of Eric Elliott’s Photinia -
Contemporary American Ceramics: from the Dean Thompson Collection
Contemporary American Ceramics: From the Dean Thompson Collection July 24 - Aug. 31, 1994 Johnson County Community College • Gallery ofArt Contempora1y American Ceramics: that he was '·fascinated by Takamori's From th e Dean Th omp so n Collec tion sensual, graphi c images and sculptural forms." Thomp son's initial pur chases , On my first visit to Dean Thompson's combined with his involvement at the London apartment in 1981, I was struck Art Institute, ignited his interest in by the range and quality of the ceramic formin g a collection of co ntemporary and glass works that he had collected. American ceramics. By 1986, as a col His apartment was filled with art. Floor lector for more than 20 yea rs, he was to ceiling glass shelves displayed brightly kee nly awa re of the compl exity of col colored and ecce ntrically shaped works by Clarice Cliff Equally arresting were lecting contemporary art. Undaunted, severely reductive vessels by Keith he began to pur sue major wo rks by Murray, stylized Rene Lalique vases, artists such as Betty Woodman, Ken richly enameled Faure pieces , Geo rg Price, Richard DeVore, Beatrice Wood, Jensen silver and delicately colored Toshiko Takaez u, Kenneth Ferguson pate-de-verre works by G. Argy-Roussea u and Adrian Saxe. Thompson was once and Almeric Walter. I quickly realized again immersed in a transformation of that Thompson was utterly obsessed his collection and home. Belove d pieces with art. After accompanying him to from the first half of the 20th centur y various galleries, antique markets and we re sent to auction. -
AKIO TAKAMORI Represented by Frank Lloyd Gallery
AKIO TAKAMORI Represented by Frank Lloyd Gallery Born in 1950, Nobeoka, Miyazaki, Japan Studio in Seattle, WA Professor University of Washington, Seattle EDUCATION 1976-78 MFA, New York State College of Ceramics, Alfred University 1974-76 BFA, Kansas City Art Institute, Kansas City, Missouri 1972-74 Apprentice, Traditional Domestic Production Pottery, Koshiwara, Japan 1969-71 Musashino Art College, Tokyo, Japan HONORS AND AWARDS 2011 The USA Ford Fellowship 2008 Neddy Artist Fellowship for Painting and Ceramics, Seattle, Washington 2006 Joan Mitchell Foundation 2003 Flintridge Foundation Awards for Visual Artists 2001 Virginia A. Groot Award 1996 Fellowship at Keramisch Werkcentrum, s’Hertogenbosch, The Netherlands 1993 Fellowship at Keramisch Werkcentrum, s’Hertogenbosch, The Netherlands EXHIBITIONS One Person 2014 New Work, Frank Lloyd Gallery, Santa Monica, California 2013 Portraits Ordinaires, Ariana Museum, Geneva, Switzerland Akio Takamori, Collection Ateliers d’Art de France, Paris, France Lust, Red Star Studios, Kansas City, Missouri Ground, James Harris Gallery, Seattle, Washington 2012 Equivalents, Kunstforum Solothurn, Solothurn, Switzerland People/Alphabet, Barry Friedman Ltd, New York 2011 Boys, James Harris Gallery, Seattle, Washington 2010 A Recent Survey, Harvey/Meadows Gallery, Aspen, Colorado 2009 Europeans, James Harris Gallery, Seattle, Washington Alice/Venus, Barry Friedman, Ltd, New York Figures, Witte Zaal, Sint-Lucas Beeldende Kunst, Gent, Belgium Akio Takamori, Page 2 2007 New Work, Frank Lloyd Gallery, Santa -
Oral History Interview with Akio Takamori
Oral history interview with Akio Takamori Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 General............................................................................................................................. 2 Scope and Contents........................................................................................................ 1 Scope and Contents........................................................................................................ 1 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Oral history interview with Akio Takamori AAA.takamo09 -
Interviews and Oral Histories
APA Interviews & Oral Histories at the Smithsonian Institution The Smithsonian Institution is a repository for a wealth of oral histories that document the vibrant cultures and histories of Asian Americans and Pacific Islanders. Oral histories can be found at the National Museum of American History and other Smithsonian museums and affiliates. This list presents selected oral histories relating to APA history across the Smithsonian units, representing the breadth and depth of materials available. To view additional APA holdings, please browse the respective webpages and search for keywords such as “Asian Pacific American.” National Museum of American History The Philanthropy Initiative: Oral History Project The National Philanthropy Collection includes an oral history project that explores the experiences of a wide range of people involved in philanthropy. Stories from these oral histories will be shared. In the coming months, these oral histories and their transcriptions will be shared through the National Museum of American History’s Archives Center. During the first phase of the oral history project, Dr. Amanda Moniz conducted oral histories with people from diverse backgrounds who have been engaged in philanthropy. Look for: Irene Hirano Inouye, U.S.-Japan Council; board chair, Ford and Kresge Foundations (link to come) Morgan Marcel, original cast of Hamilton: An American Musical (Marcel is her stage name; her given last name is Matayoshi) (link to come) Regina Lee, Charles B. Wang Community Health Center, NYC) Marie Lam (Charles B. Wang Community Health Center, NYC) Page 1 Archives of American Art Oral History interview of Akio Takamori, 2009 An interview of Akio Takamori conducted 2009 March 20-21, by Mija Riedel, for the Archives of American Art's Nanette L. -
Akio Takamori – (1950 - )
AKIO TAKAMORI – (1950 - ) Growing up in post-war Japan, Akio Takamori was exposed to a wide range of humanity through the medical clinic operated by his father; these individuals would later reappear in his work. He studied ceramics at the Musashino Art University in Tokyo but was not inspired by the rigid, functional approach. An exhibition of contemporary Western art in 1971 opened his eyes to the ceramic works of such artists as Richard Shaw and Peter Voulkos; subsequently an invitation from Ken Ferguson to come to the United States to continue his education shaped the direction his art would take. While Takamori returned to Japan for a time, he ultimately settled permanently in the United States, living and working in Seattle, WA. His most recognized works include the envelope vessels which depict figures – one forming the front of the piece, the other the back, with the space between an integral part of the whole, and his freestanding figures - recreations of the people from his native village made specifically to interact with each other and the viewer. ARTIST’S STATEMENT – AKIO TAKAMORI “I create my figures from memories. I examine and visualize the meaning of scale, space, material and dimension of my memories. I refer my work to the historical drawings of Eastern Asia and turn great focus towards the grouping of figures, as well as the relationship between the oriental paper and ink, and how it compares to the clay and underglaze of my work.”1 1. Akio Takamori. “Artist‟s Statement.” in Peterson, Susan. Contemporary Ceramics. New York: Watson-Guptill Publications, 2000, 174. -
08 Annual Report
08 ANNUAL REPORT from the director | 08 ANNUAL REPORT Dear Friends, 2008 was a monumental year for the Museum of Arts and Design. On June 2nd, we closed our doors on West 53rd Street forever. A gathering that evening brought Board of Trustees members, staff, and friends together to celebrate our achievements in that space—and to look forward to the opening of the Museum’s new home in late September. A flurry of activity—starting with a media preview and continuing through the Mayor’s cutting of the ribbon surrounding 2 Columbus Circle to a grand free public art festival on the weekend of September 27—heralded the opening of the newest, and most enthusiastically embraced, cultural institution in New York City. You will read, elsewhere in this report, of the 10,000 people who stood outside 2 Columbus Circle opening weekend to be the first into the new Museum; of the open studios, where for the first time in New York City artists in our field came together with the museum-going public to discuss and show their work in process; of the educational programs which have brought thousands of children, teachers, and families to the center of Manhattan to learn by doing. You’ll read of the technological advances in the new Museum; of the remarkable new public and retail spaces; and of Holly Hotchner the thousands of people who joined the Museum as members in its first three months Nanette L. Laitman Director on Columbus Circle. You’ll read the story of how a small museum—the brainchild of one remarkable woman, Aileen Osborne Webb—grew into the nation’s premier destination for the study of contemporary craft, arts, and design. -
Ceramics Monthly Feb00 Cei02
February 2000 1 2 CERAMICS MONTHLY February 2000 Volume 48 Number 2 FEATURES Soda-glazed teapots, approximately 5 inches in 36 Finding Oaxaca by Eric Mindling height, by Lisa Hammond, In search of traditional pottery in Mexico Greenwich, England; shown at the “Chelsea Crafts Fair.” 42 20th Chelsea Crafts Fair by Kim Nagorski 42 England’s top wholesale/retail show 46 The “Nice Girl” Sculptures of Jean Cappadonna-Nichols by Jack Barbera Figurative sculpture with active surface design 50 Don Reitz Workshop by Sherman Hall Ceramics pioneer shares techniques and anecdotes 52 Tom Gray “Student,” 34 inches in Selling Pottery Online by Cathy Ray Pierson height, coil-built stoneware, by Akio Takamori, Seattle. 55 Akio Takamori’s Theater of Memory 55 by Kate Bonansinga Combining a cultural and personal history 58 Blair Meerfeld by Marty Mitchell Colorado potter gets back to his roots 64 Working with an Apprentice by Helen Slater A variety of personalities and styles keep studio life interesting 68 Modern Mashiko by Mary Francis Flodin Variations on a Japanese pottery tradition 73 Lifesprings Michael Games’ Kinetic Ceramic Coils by Karen Games Don Reitz builds a large vessel during an American Ceramic Society workshop 76 Awka Oil-Spot Glaze by Emman Okunna in Westerville, Ohio. Developing glazes with local materials in Nigeria 50 “Lifespring III; Fountain of Youth,” 32 inches in The cover: “Tower Jars,” to height, stoneware, by 19 inches in height, stoneware Michael Games, Stone with white slip and black glaze, Mountain, Georgia. salt fired, by Blair Meerfeld; see page 58. 73 February 2000 3 UP FRONT 12 Barbara McKenzie Raku-fired ware at Green Tara Gallery in Carrboro, North Carolina 12 Wustum Museum Receives Crafts Collection Editor Ruth C. -
1995 University of Washington, Seattle, Washington
JEANNE QUINN Department of Art & Art History 318 UCB University of Colorado Boulder, Colorado 80309-0318 USA +1.303.818.4156 [email protected] www.jeannequinnstudio.com EDUCATION 1995 University of Washington, Seattle, Washington. M.F.A., Ceramics 1988 Oberlin College, Oberlin, Ohio. B.A. cum laude, Art History. TEACHING POSITIONS University of Colorado Boulder Department of Art & Art History Associate Professor, 2006- Assistant Professor, 1999-2006 Instructor, 1997-1999 University of Wisconsin Milwaukee School of the Arts, Department of Art & Design Instructor, 1996-1997 ADMINISTRATIVE POSITIONS University of Colorado Boulder Chair, Department of Art and Art History, 2019-2020; on leave July 2020-present. Associate Chair for Art Practices, Dept. of Art and Art History, 2012-2013; 2015-2017 Associate Chair for Graduate Studies, Dept. of Art and Art History, 2005-2006; 2007-2008; 2009-2011 SECTION I: RESEARCH AND CREATIVE WORK SOLO AND SMALL GROUP EXHIBITIONS 2021 Jeanne Quinn and Jeffry Mitchell: I’ll Be Your Mirror, Harvey Preston Gallery, Aspen, Colorado. Two-person exhibition. 2014 Jeanne Quinn, Walter Gropius Master Artist Series, Huntington Museum of Art, Huntington, West Virginia. 2012 Jeanne Quinn: LaceMath, Smack Mellon, Brooklyn, New York. 2011 Jeanne Quinn: Ceramic In(ter)ventions, Kemper Museum of Contemporary Art, Kansas City, Missouri. Place: Contemporary Ceramics by Jennifer Forsberg, Sarah Lindley, and Jeanne Quinn, Museum of Fine Arts St. Petersburg, St. Petersburg, Florida. Three-person exhibition. 2010 Live Forms Talking, Patton-Malott & Gartner Galleries, Anderson Ranch Arts Center, Snowmass Village, Colorado. Three-person exhibition. 2009 Everything Is Not As It Seems, Jane Hartsook Gallery at Greenwich House, New York, New York. -
Winter-Spring 2006
Winter- Spring 2006 r•University-~-•- ••••of Washington I -SeattleIE USA School of Art UW SCHOOL OF ART The State of the Art School Christopher Ozubko, Director MOVING TOWARDS DIG ITAL II-We n eed your help! OirisionofArtfaculty SoA OPEN HOUSE In the autumn 2004 issue of Artifacts, we described SoA Visual Ceramics Friday 28 April, 2-lpm DougJeck Senrices' newly intensified work. to transition from analog Akio Takamori IJW SoA joins Music, Drama, Dance, DXARTS, (35mm slides) to digital images. A year and a half later, much Jamie Walker Meany Theater, and the Henry Art Gallery for an has been accomplished, but much still remains to be done. Fibers All Arts Open House during the Second Annual Lou Cabeen Several thousand slides have been scanned, and over 4,000 Layne Goldsmith Washington Weekend . Our event will be Friday, of those images are now in our digital image database. Two Metals 28 April, and Washington Weekend events are classes have been taught using these images. Cataloging and Mary Hu scheduled on Thursday, Friday, and Saturday image processing is currently being done for two more classes, Painlina:+Drawinz Riley Brewster (http//www.washington.edu/alumnVweeken d/). and several more classes are in the queue. Notes from the Director David Brody This year we celebrate our Fifth Annual Demand for transitioning to digital images has grown This time of year is an extremely busy one for Ann Gale every quarter, but we now face a dilemma. All of our gift funds, PhilipGovedare Open House, and it will be bigger than ever. all of us at the SoA.