DOCSLIB.ORG

Lemonheads It's a Shame About Ray Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lemonheads It's a Shame About Ray Mp3, Flac, Wma Lemonheads It's A Shame About Ray mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: It's A Shame About Ray Country: Europe Released: 1992 Style: Alternative Rock MP3 version RAR size: 1621 mb FLAC version RAR size: 1728 mb WMA version RAR size: 1306 mb Rating: 4.1 Votes: 466 Other Formats: WMA XM MP2 APE DMF MP1 AHX Tracklist 1 Rockin Stroll 1:46 2 Confetti 2:44 3 It's A Shame About Ray 3:06 4 Rudderless 3:19 5 Buddy 2:51 6 The Turnpike Down 2:33 7 Bit Part 1:50 8 Alison's Starting To Happen 1:59 9 Hannah & Gabi 2:40 10 Kitchen 2:54 11 Ceiling Fan In My Spoon 1:47 12 Frank Mills 1:43 13 Mrs. Robinson 3:45 Companies, etc. Phonographic Copyright (p) – Atlantic Recording Corporation Copyright (c) – Atlantic Recording Corporation Phonographic Copyright (p) – WEA International Inc. Copyright (c) – WEA International Inc. Made By – Warner Music Manufacturing Europe Recorded At – Cherokee Studios Mixed At – Cherokee Studios Mastered At – The Mastering Lab Published By – Dave And Darlene Music Inc. Published By – Moo Music Published By – EMI U Catalog Inc. Published By – Paul Simon Music Credits A&R – Tom Carolan Art Direction – Jodi Rovin Backing Vocals [Ooo-eee-ooo] – The Shameless One (tracks: 8) Bass, Backing Vocals – Juliana Hatfield Coordinator [Production Coordinator] – Martha "Zep Mom" Schultz Drums – David Ryan Engineer – Bruce Robb, Dee Robb, Joe Robb Engineer [Additional Assistant Engineering] – Scott Ralston Engineer [Assistant] – Bill Smith Guitar, Vocals – Evan Dando Management – Dana Millman, Janet Billig, Ron Stone Mixed By – Julian Standen (tracks: 13) Photography By – Jesse Peretz Photography By [Band Photo] – Scott C. Schulman Producer – Evan Dando (tracks: 1 to 12), Julian Standen (tracks: 13), Robb Bros.* (tracks: 1 to 12) Typography [Penmanship] – Polly Noonan Words By – Tom Morgan (tracks: 3, 7) Words By, Music By – Evan Dando (tracks: 1 to 9, 11), Arthur MacDermot* (tracks: 12), Jerome Ragni* (tracks: 12), James Rado (tracks: 12), Nic Dalton (tracks: 10), Paul Simon (tracks: 13) Notes Same catalog number as this release with different distribution code (CA 851 instead of FRANCE CA 851). No SID codes. Reissue of the original edition. Track 13, a cover of the Simon & Garfunkel song, is only included on the reissue. The name of track 5 was shortened from "My Drug Buddy" for the reissue. Recorded and mixed at Cherokee Studios, Los Angeles. Mastered at The Mastering Lab, Hollywood, CA All songs published by Dave And Darlene Music Inc., ASCAP except: tracks 3 and 7 Dave And Darlene Music Inc., ASCAP; Moo Music track 10 Moo Music Track 12 EMI U Catalog Inc. ASCAP Track 13 Paul Simon Music BMI ℗ © 1992 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Made in Germany by Warner Music Manufacturing Music. Barcode and Other Identifiers Barcode (Text): 0 7567-82460-2 9 Barcode (String): 075678246029 Barcode (Scanned): 0075678246029 Matrix / Runout: 756782460-2 WME Rights Society: GEMA / BIEM Label Code: LC 0121 Other (Distribution code): CA 851 Other versions Category Artist Title (Format) Label Category Country Year It's A Shame 7567-82460-1 Lemonheads* About Ray (LP, Atlantic 7567-82460-1 1992 Album) It's A Shame Atlantic, Warner M782460-2 Lemonheads* About Ray (CD, M782460-2 Brazil 1993 Music Brasil Album, RE) It's A Shame About Ray (CD, The Rhino Records , UK & 8122 79938 5 Album, RE, RM, 8122 79938 5 2008 Lemonheads Atlantic Europe Col + DVD-V, PAL) It's A Shame 7567-82460-4 Lemonheads* About Ray (Cass, Atlantic 7567-82460-4 Australia 1992 Album) It's A Shame Atlantic, Wea 7567-82460-4 Lemonheads* About Ray (Cass, 7567-82460-4 Indonesia 1992 International Album) Related Music albums to It's A Shame About Ray by Lemonheads Donna Lewis - Without Love Stone Temple Pilots - Interstate Love Song Boosie Badazz - Crazy Nu Girls - Can We Talk About It The Lemonheads - The Best Of The Lemonheads The Atlantic Years Sarah Slean - Sarah Slean Sugar Ray - Every Morning Orange 9mm - High Speed Changer Tori Amos - Tea With The Waitress All-4-One - I'm Your Man.
Load more

Recommended publications
  • Cherokee Studios
    Published on AIA Top Ten (http://www.aiatopten.org) Home > Cherokee Studios Cherokee Studios Project Overview The photo shows the eastern street view of the building along Fairfax Avenue. - Photo Credit: John Linden The main entrance, including retail frontage on the first floor, can be seen in this photo. - Photo Credit: John Linden A street view looking northwest is shown in the photo. - Photo Credit: John Linden . This urban infill, mixed-use, market-rate housing project was designed to incorporate green design as a way of marketing a green lifestyle. It is pending LEED Platinum certification. The design maximizes the opportunities of the mild Southern California climate with a passive cooling strategy using cross-ventilation and thermal convection while taking advantage of the abundantly sunny location. A commitment to minimizing the project's ecological footprint informed all aspects of the design. The main architectural feature of this project is the building's owner-controlled double-façade system. The occupant is able to adjust the operable screens of the building façade as necessary for privacy, views, shading, and thermal comfort. As a result, the facade is virtually redesigned "live" from within, responding to the occupants of the building in real time. The façade also enhances the existing streetscape and promotes a lively pedestrian environment. By visually breaking up the façade into smaller, articulated moving elements, the building appears to move with the passing cars and people. Like many features of the building, the façade is multivalent and rich with meaning, performing several roles for formal, functional, and experiential effect. Location: 751 N.
    [Show full text]
  • Produced Byray Manzarek
    PRODUCED BY RAY MANZAREK Originally released April 1980 Originally released May 1981 Originally released July 1982 Originally released September 1983 Frank Gargani Debbie Leavitt Power... Passion... Poetry! Attack the world. Let’s do some damage. What a band. Four monsters of skin. My favorite rockers of the then time. John Doe - Mr. Handsome - of the deep rich voice, the hard, strong jaw, the angular bass stance and the hot/cool lyrics. Their harmonies - some would say Schoenberg - his partner Exene, of the wailing scream in the night, the clear eyed pinning of American failings, the fine words of Diana Bonebrake love and booze and madness in the midnight dawn of Los Angeles. “Johny Hit and Run Paulene...” and he’s got a sterilized hypo filled with a sex-machine drug, and he only has 24 hours to shoot all Paulenes between the legs. So get busy, boy. And he does. Listen to those words! That naughty, naughty Johny. I love ‘em. And Exene’s “The World’s a Mess, it’s in My Kiss.” I just love that crazy combination: World - Mess - Kiss. And Billy Zoom on guitar, or is that at least 3 or 4 guitars. How does he do it? It’s so massive, so sharp, so bright, so fucking LOUD!!! And he is so silver smooth and cool. Effortless fingering, impeccable on the frets. Doesn’t he ever make a mistake? Is he a flesh and blood Valhalla guitar god? Yeahhh! And who is that madman beating the living shit out those drums? Ladies and Gentleman... D.
    [Show full text]
  • Joshua Anderson, CAS Production Sound Mixer
    Joshua Anderson, CAS Production Sound Mixer Cinema Audio Society (CAS); I.A.T.S.E., local 695 (Los Angeles); I.A.T.S.E., local 52 (New York) Cell: 347.512.2157 E-mail: [email protected] Website: www.productionsoundmixer.com IMDb: www.imdb.com/name/nm1220095 Television (Selected List) THE ORVILLE (Season 3) 20th Century Fox, Hulu (2021) Line Producer: Howard Griffith; UPM: Lillian Awa Cast: Seth MacFarlane, Adrianne Palicki, Penny Johnson Jerald, Scott Grimes WU-TANG: AN AMERICAN SAGA (Season 1) Imagine Television, Hulu (2019) Line Producer: Gail Barringer, Robert Ortiz; UPM: Ernesto Alcalde, Alyson Latz Cast: Ashton Sanders, Shameik Moore, Erika Alexander, Dave East, Siddiq Saunderson JESSICA JONES (Seasons 1, 2 & 3) ABC Studios, Marvel TV, Netflix (2015, 2018 & 2019) Line Producer: Tim Iacofano; UPM: Evan Perazzo, Jonathan Shoemaker Cast: Krysten Ritter, Carrie-Ann Moss, David Tenant, Janet McTeer, Rachel Taylor DAREDEVIL (Seasons 1 & 3) ABC Studios, Marvel TV, Netflix (2015 & 2018) Line Producer: Kati Johnston, Evan Perazzo; UPM: Jill Footlick, Jonathan Shoemaker Cast: Charlie Cox, Vincent D’Onofrio, Rosario Dawson, Elden Hensen, Deborah Ann Woll THE DEFENDERS (Mini Series) ABC Studios, Marvel TV, Netflix (2017) Line Producer: Evan Perazzo; UPM: Holly Rymon Cast: Charlie Cox, Krysten Ritter, Mike Colter, Finn Jones, Sigourney Weaver IRON FIST (Season 1) ABC Studios, Marvel TV, Netflix (2017) Line Producer: Evan Perazzo; UPM: Tyson Bidner, Holly Rymon Cast: Finn Jones, David Wenham, Jessica Henwick, Tom Pelfry, Rosario Dawson
    [Show full text]
  • Dec. 22, 2015 Snd. Tech. Album Arch
    SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
    [Show full text]
  • 1^ Date Rape Survivor Speaks at Colby
    1^ Date ra pe survivor speaks at Colby get up to throw away his trash, she BY BROOKE subtly maneuvered over to the FITZSIMMONS same garbage barrel. They struck Staff Writer up a conversation, and things went from there. They studied together, On November 17, Colby stu- they spent time getting to know dents, faculty and administration one another, and after two weeks had the opportunity to attend "He they were not exactly dating, but Said, She Said," a lecture and dis- they were both very interested. cussion on date rape presented by One night Peter planned to take national speakers Katie Koestner her on a "real date" to a restaurant and Brett Sokolow. Koestner, who in Williamsburg. He wore a three- spoke on campus last year, was piece suit, she wore her tenth grade excited by the large student turn- homecoming dress. At the restau- out, especially from male students rant he ordered champagne, and although Koestner did not drink at at Colby. She commented that last Echo photo hy Melame Guryansky year she thought she "was at a the time, he persuaded her to have women's college and some of the Katie Koestner visits Colby. just one glass. He off ered to take women had brought their boy- something that happened in dark her to his house in Greece for the friends along." In the case of sexual alleys, the attacker was a stranger, summer under the condition that assault, both men and womenalike and the notion that a rapist could she would have sex when he should be aware of the risks, re- be a friend was not even consid- wanted to.
    [Show full text]
  • The Lemonheads Kommer Til Pumpehuset Med Nyt Album I Bagagen
    2018-12-04 15:30 CET The Lemonheads kommer til Pumpehuset med nyt album i bagagen. THE LEMONHEADS 4. MARTS 2019 PUMPEHUSET The Lemonheads’ frontmand, Evan Dando, har en besynderlig evne til at gøre et nummer til sit eget. Han vil kunne få en takeaway-ordre over telefonen til at lyde som en hjerteskærende sang der ville passe ind på enhver bar. Hans følsomme, modne, vokal har gjort ham til en af de store udtryksfulde sangere. The Lemonheads hylder helte som Nick Cave, The Bevis Frond, Yo La Tengo, Lucinda Williams og Paul Westerberg, når de fremfører deres unikke covernumre. Det er næsten 10 år siden The Lemonheads pludselig satte tingene på hold, efter udgivelsen af deres niende album ’Varshons’, der var livlig samling covernumre som fik en meget flot modtagelse. Evan Dandos, evne til at ”twang” med sin vokal fik covernumrene på ’Varshons’ til at lyde som en gammel jukebox og denne formel bliver ført videre på bandets kommende album, ’Varshons II’. Med en udgivelsesdato sat til 8. februar, kommer grunge- pop-heltene til Pumpehuset med en ny samling covernumre og viser hvordan man gør et nummer til sit eget, når de giver deres take på sange som The Eagles’ ’Take It Easy’, Lucinda Wiliams’ ’Abandoned’ m. fl. Billetpriser: 225 kr. + gebyr Billetsalget er starter fredag 7. december via livenation.dk og ticketmaster.dk. Live Nation er verdens førende producent og formidler af live entertainment oplevelser. På verdensplan bliver det til + 25.000 årlige koncerter og mere end 68 millioner solgte billetter. Live Nation Denmark er Danmarks førende koncertbureau med 40 engagerede medarbejdere der holder til på Frederiksberg Allé i København.
    [Show full text]
  • Behind the Gear Studios and I Worked There for Three Weeks
    brothers - I’d had enough. So then I went to A&M Behind The Gear Studios and I worked there for three weeks. The studio This Issue’s Guru of Gadgets sucked then. There was sort of a bad, lean-on-the- by Larry Crane shovel attitude. I felt like everyone there was just collecting paychecks - I like to work. So I went to the Jonathan Little Village Recorders, which is a nice studio. It was owned by Geordie Hormel. I worked there from 1984 to 1987. I’d gotten to know Jimmy Iovine and Shelly Yakus from the Cherokee days. They were working at Cherokee and we did the Tom Petty record Southern Accents and the Eurythmics [Be Yourself Tonight], one of those Talking Heads records [True Stories] with Eric Thorngren engineering, Robbie Robertson’s first [self-titled] solo record with Daniel Lanois and a lot of records with Gary Katz. Being a tech was nice because I didn’t have From the first moment another engineer Phase-Corrected Speaker Systems” (which later I put in to sit in the room all the time, but back then you were raved about a Little Labs DI to me, I knew the end of the IBP manual). I sent that out with my pretty involved in the whole process. I built my first that this company was onto something resume, saying, “This is some of my work.” Tom Lubin, mic pre while I was there. Tchad Blake and Mitchell special. It turns out Little Labs is the editor of RE/P Magazine, said to come see him in Froom really liked it.
    [Show full text]
  • By Mike Cooper
    MUSK N O M By Mike Cooper Cede/la Marley Booker, the mother of the late Bob Marley, has been working Henry Rollins says his most important literary inspiration has been author Henry ou d third album al the Tuff Gong studios in Jamaica. The LP's called "My Altar," Miller. "I saw a real literary outlaw making books that moved me," Rollins says. "I reflecting its spiritual content, she says. "There are feelings for every mood," read the 'Tropics' and 'Black Spring' and I said, 'Wow!' I never realized how much Booker says. "When you listen to it, when you're up, it's there with you, and when literature could impact on life. I read Hemingway and Steinbeck, and they were you're down, it's there with you. It's just my personal feeling I put out there, that great. Then I read Miller, and I didn't want to sleep anymore, because he's so one can, you know, relax and overcome things just in a spiritual way and just sing inspiring and alive." Rollins says he thinks of himself as an outsider, as did Miller. them out. Sing them out when things come to you and when you feel the pressure "I am very much against a lot of what American culture and this civilization is and things, and it will mean so much joy and gladness to your heart. So that's about. But I'm not about to burn Bank of America or take people out. I put myself what I do. I want to share that to the world." The LP is being produced by her on the hero side of things.
    [Show full text]
  • Elektra's Phish Back in the Water Improv Rock Act Has New Album, Tour by CATHERINE APPLEFELD OLSON Venable Says
    Artists & Music Elektra's Phish Back In The Water Improv Rock Act Has New Album, Tour BY CATHERINE APPLEFELD OLSON Venable says. "They have all the other pieces of the puzzle, but their airplay WASHINGTON, D.C. -"Billy Breathes" has been inconsistent. This is the one is an appropriate title for the latest that's going to change that." project from improvisational rock act On Sept. 3, Elektra will ship "Free" Phish. The album, due Oct. 15 from to triple -A, rock, alternative, and col- Elektra Entertainment, represents a lege radio. College campuses will play well- earned exhale for the tour- inten- a much larger role in the label's over- sive band. all marketing this time around, ac- After embarking 10 years ago on a cording to Venable, who notes that seemingly endless road trip that cul- PHISH Elektra hired an outside company to minated last year with the audio trav- blanket campuses and surrounding Universal Appeal. Nusrat Fateh Ali Khan relaxes following his celebrity- studded elog "A Live One," comrades Trey areas with posters. The label also concert at Los Angeles' Universal Amphitheater. Shown, from left, are Melissa Anastasio, Jon Fishman, Page McCon- "After we had laid down some of the engaged a 35- member field staff to Miller, VP of talent, MCA Concerts; Khan; Alex Hodges, senior VP of talent, MCA nell, and Mike Gordon returned to tracks, we decided it was time to get work with local record outlets on in- Concerts; and Red Hot Chili Peppers' Flea. their Vermont homes downright an outside perspective," he continues.
    [Show full text]
  • That Ain't Bad (The Main Single Off Tingles), the Band Are Drowned out by the Crowd Singing Along
    THAT AIN’T BAD A ZINE DEDICATED TO SYDNEY INDIE POP FROM THE EARLY 90’S BY ANDY PAINE INTROduction In the late 1980's and early 1990's, a group of bands emerged from Sydney who all played fuzzy distorted guitars juxtaposed with poppy melodies and harmonies. They released some wonderful music, had a brief period of remarkable mainstream success, and then faded from the memory of Australia's 'alternative' music world. I was too young to catch any of this music the first time around – by the time I heard any of these bands the 90’s were well and truly over. It's hard to say how I first heard or heard about the bands in this zine. As a teenage music nerd I devoured the history of music like a mechanical harvester ploughing through a field of vegetables - rarely pausing to stop and think, somethings were discarded, some kept with you. I discovered music in a haphazard way, not helped by living in a country town where there were few others who shared my passion for obscure bands and scenes. The internet was an incredible resource, but it was different back then too. There was no wikipedia, no youtube, no streaming, and slow dial-up speeds. Besides the net, the main ways my teenage self had access to alternative music was triple j and Saturday nights spent staying up watching guest programmers on rage. It was probably a mixture of all these that led to me discovering what I am, for the purposes of this zine, lumping together as "early 90's Sydney indie pop".
    [Show full text]
  • Playlists for 2002
    THE MENACE’S ATTIC Playlists 2002 PLAYLISTS FOR 2002 THE MENACE’S ATTIC ON KUSF: SHOW #1 JANUARY 4, 2002 SET 1: “I’m Going To New York, I’m Goin’ If I Have To Walk” Loco D’Amour – David Byrne N.Y. Doll – David Johansen From “Fear City) Good Guys Bad Guys/Streets of Your Town – Country Joe and The Fish Rockaway Beach – Ramones SET #2 “Sex, Drugs, Rock and Roll and Did I Mention Sex?” Are You Ready for the Sex Girls? – Gleaming Spires NO INTRO! (Rhythm section of Sparks…one member went on to Devo…on soundtrack of Revenge of the Nerds) All You Ever Think About Is Sex – Sparks Discovering Japan – Graham Parker (From Putting Out Sparks, get it? ) Eugene – Crazy Joe and The Variable Speed Band SET #3 “You Gotta Walk the Walk And Talk the Talk” Mambo Italiano – Rosemary Clooney and the Melloman Orchestra (Married to the Mob) Peter Percival Patterson – Monkees Across 110th Street – Bobby Womack (Jackie Brown) SOPRANO’S DIALOGUE Livin’ On A Thin Line – Kinks SET #4 “It’s Called Love – Punk!” Ca Plan Pour Moi – Plastic Bertrand (MIX EM UP) Jet Boy Jet Girl -Elton Motello Alone Again (Or) – Damned Always See Your Face – Love SHOW # 1 THE MENACE’S ATTIC Playlists 2002 THE MENACE’S ATTIC EPISODE #2 Broadcast 1/11/2002 SET 1: Soundtracks without a Celion Dion Song on ‘Em Lively Set – James Darren Ma Nah Mah Nah – (Sweden Heaven and Hell) Kalasnjikov Soundtrack of Underground My Coo Ca Choo – Alvin Stardust (Love Serenade) SET #2 – Mom Can I Be A Singer When I Grow Up? My Baby’s Crazy ‘Bout Elvis – Mike Sarne Viva Las Vegas – Elvis Lust for Life – Tom Jones RoadRunner – Jonathan Richman SET #3 – Pop and Glam! Everywhere At Once - Plimsouls Metal Guru – T.
    [Show full text]
  • The George-Anne Student Media
    Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 11-14-1996 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (1996). The George-Anne. 1448. https://digitalcommons.georgiasouthern.edu/george-anne/1448 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. GOLD EDITION Thursday, November 14, 1996 Vol. 69, No. 36 What's happening in the 'Boro? Georgia Southern George-AnneUniversity's Official Student Newspaper Statesboro, Georgia 30460 Founded 1927 Do you need to know what bands are Counterfeit $20 bills circulating through Georgia playing in Statesboro this weekend? By Wendi Williams mant. Staff Writer Or are you curious about events "Because there is no state going on around campus? A GSU student may be con- law on counterfeiting, only Please see A&E, pages 8, 10 nected to a counterfeiting forgery, we had to turn it scheme in which phony $20 over to the GBI and Secret bills have surfaced in several Service since it is a federal middle Georgia counties, ac- offense," Deas said. BRIEFLY... cording to law enforcement of- Joe Marshburn, of the Se- it::-:'- ficials. cret Service, who is in charge The student is one of three of the investigation, said that Navy's Paul Johnson to be men reported to have stolen no charges have been filed named new GSU football coach the phony currency from a and the case is still under in- businessman in Fort Valley, vestigation.
    [Show full text]