DOCSLIB.ORG

J2P and P2J Ver 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
J2P and P2J Ver 1 42 Sound business Shidio Track Talent Ivey and Terry Woodland are LOS ANGELES -Brian Ahem producing Em Homegrown Fidelity Recording Studios. Mandrill Gabriel also there Ipr Epic wrapping up an LP protects Clayton producing both projects. mybu Harris' new album at his Enaction mnbole also doing a second Arsta LP volt' wfnh" David pooled with Buzz Richmond producing and en In Action_ San Ahern also finishing up Rodney Campbell Karen Nelson and Billy T. for gmeenng And Kaye Smith has added comput At the Autonull in Francisco recently recording studio produces Continued from page 41 Amherst enured automated rooting Carlos Santana recording a solo for CBS, Fred ri Crowelrs ABM LP producing the Headhunters for Band Ru- prison. which, in spite d its sonatas message, Louie Shelton producing Alessi for ABM at Busy Group IV actrnly sees LA. Turnaround The Fanta Mobile truck cutting the Rolling Catero Ky binson A Friends for an Arista LP, David Rubin. still hadh enough limit relief to draw some Dawnbreaker, toe Began engoneenng Richie doing a project lot Arrowhead Records Dennis Stones at Memphis Tenn and Lexington, Hancock fora new Colum JOE D. PUCE Havens, Dash Crofts and Jim Seals are contrrb Sands engineering w1h help from Betsy Bang. venues Frank Jennings Syndicate, voted son producing Herbie yaks bra LP, and Rubinson producing, Gato Barbieri utong to the project Shelton also is producing a hart; also, Monty Alexander and loe Turner England's number une country band at the Cory Welk single for MM with Bogan engineer working separate protects for Pablo, Val Valentin Wembley festival for the past three years. for A8M SNAIL Plumb for Allanlic ing there. while Bobby Cobmby and Michael Af engineering with help from Paul Aronoll; Peter recording an EMI album at lack Clement Patrick Adams producing Carolyn, Santa Cru :, Calif York's Blank the engmeenng Palice Brachen for Li A. Ian Recording Richard De Silva and Mosque for Prelude at New kinson co-produced several sides on Jack- Chaiken Studios, Nashville, This lour man band has been knocking local recently produced Murray behmd the board Rufus also Frailer producing the soundtrack to "Stop The producing Tapes. .. Dan Fogelberg son, Don audiences dead for eight years as headliners Star, Boulder, Colo for sel for Dawnbreaker shortly to begin work on its World Want to Get OR for Warner "Curb. Den - Arista recording artist Baby Grand cutting Jamie Brockett at North and has lust surfaced with its Irrst album on sel to last LP with Roy Hake co producing with nls Sands and Betsy Banghart handling engi sides al Soundm'oers Recording Studio, New Epic, Duane Scott engineering Non also solo Cream Records Its lune 16 performance was re. Jerry the engineering neenng chores and Roy Thomas Baker produc York. Jack Douglas producing Aerosmilh, track at the Colorado studios with Smith group and flettrve of its years of experience, especially the Recent aclmly at ABC Studios sees Cheryl in[ Reggie Knighton with eng,neermg by Geoff this time of Long View Farm, North Brookfield. behind the board incredibly tight guitar work, which is the back. Ladd, one of Angels,- working on her Workmann and Paul Amnon. Mass with Jesse Henderson at the console Tim Moore working on an LP at Beaesvilk Charles bone oI the group Mils AI Sound Studios, Bearsville, N Y producing hie debut Capitol LP, John producing. Its hour long, nine song set consisted with help d Jr, engmeenng. Dusty Springfield work sell with John Holbrook engineering Schmitt songs from ds debut album Paced by guitarists The Pips, recently ing on a new UA album, John Mils Al horn Tam Edmonds- ... producing, Bob O'Neil and Ken Kraft Snail superbl corn board. the Filth Dimen- signed to Casablanca. recording at Sigma Schmitt Jr. behind the bines the best elements d English rock rem,., producing. Al Schmitt Sound, PMladelphra, with Bunny Sigkr handling sion mixing. Mark Gordon mscent to Leff Beck and Cream, wdh American and Claypool engineer production Jr., Sye Mitchell Later and country rock. mg, doing rhythm hacks United Adult' Kenny Rogers recording at and lermaine Jackson Instrumentally structured the band is mod Nashville. Rogers, Dottie West and overdubs for a Motown protect, Barney Per- Jack Clement, est with two gudars bassist Jack Register' and the engineers and producer Larry Butler all awarded the Clem kins and Zok Johnson drummer Jimmy fronts Because tit the searing Recently at One Step Up: Gary Bartz finished eel Cup for "Every Time Two Fools Collide," a guitar work, the lack of keyboards a hardly no. LP for Capitol. Mark Curry engineering the number onetountry duet LP out at the studios an trceable. Jets cutting tracks and miring. Sye Mitchell en The Clement Cup is awarded number one rec In addition to handling lead guitar and most gmeenng; Uoyd Price doing overdubs and mr. ords the studio tapes with the most recent voak. O'Neil pranced around the stage, guitar ing, Bob Stringer handling engineering, and recipients Waylon Jennings and Willie Nelson in hand. with a convincing yet not overbearing Andy Fraser producing lionised foe Island. Rick for Mamas Pont let Your Babes Grow Up To vocal delivery Among the standout songs woe Bxedbna handling duties behind the board Be Cowboys" 'Try To Wonder " No Place I d Rather Be Than Spectrum Studios, one of LA's few on the Al Master Sound, located on f rankhn Square. Here Wdh You." which featured strong har- beach facihlies held its annual beach party long Island, Andre OeShields, who is on Broad monies and solid guitar and vocal hooks Frday (30) The studio has added a new Harm way in Amt Misbehavm:' is recording for First A riveting girder introduction set the stage son 2824 console with automation and a 3M 79 Run Productons. produced by Joe Castellon, for 'You Gotta Run." while Kraft handled lead 24 track tape machine Recently Spectrum Ben Rod engineering At New York's Big vocal on "Music Is My Mistress" Included in hosted overdubbing sessions for Ann- Marvel's Apple Recording Studio, New York, &ún Eno the sel was a version d the Beatles' -And Your oho,. by Lester new LP with loe Porter producing and Eric Billboard Cohen Producing a collection of new wave artists for an Bud Can Sing.' the only nonargmal song The Prestdge at the board FINAL MIX -Paul Bliss. left, lead vocalist of the Bliss Band. listens as pro- Island Records LP. Vishek and Kurt Munkacsi at set concluded with a pulverizing gut-in-based Crimson Tide working on its debut Capitol LP ducer Jeff Baxter. center, of the Doobie Brothers and engineer Bruce Robb the board 'The Joker She Cried," which a being released Yorks .a1 Capitol Studios with kiln Wier and Richard work at the console to achieve the proper sound. 'The session took place at lots of action lately at New Media O as the mitral single Landis handling production duties Michael Los a debut CBS LP. Sand. Among projects there recently King OI Cherokee Studios, Angeles. where the band cut As solid as the album is, e.penencmg the QStewart producing Unan Cadd for Capitol at Pro Hearts Inc Capitol. Maynard Ferguson for Colum band roe reinforces its many strength And fo a o ducers Workshop. Nerd Portnow also recently bra John Mies for Arista. Steve Kahn for Colum years of playing together rodent m the tight lashed a new Fandango protect for RCA there 1 h Solvers cutting tracks at Star Track, Dick Other long View acorn Bill Russo producing Oa Andromeda for Columbia. the Ramona for ness of the unit. ED HARRISON At Kendun: Producer Bob Monaco EQ'd and Griffey producing and Brun Levi at the hoard Lunar Park and Rupert Holmes producing Lyn. Site Network for Epic. Sarah Dash for Kushner cut master refs on a Darcus single for RCA with Anan Wilson, Carl Wilson and Alan larder of soy De Paul lot Justin De Villeneuve and Poly and Thelma Jones for Columbia 0o John Golden; Ed Michel in to supervise culling the Beach Boys recently did some mrung and dor Capricorn's Garfield into Wishbone, Muscle BOBBY KNIGHT Cs of Warner Bros Alice Coltrane double LP with overdubbing for the groups fled LP at Fdm- last group Matra cutting al Shade Tree, Shock. Ala.. for a second LP with Terry Wood. GREAT AMERICAN second album with engr Ron - Geoff Sykes; ABM's Minors Nascimentoand pro ways /Heider, left Peters engineering with David lake Geneva. Wes a lad and Clayton Ivey producing and lager TROMBONE COMPANY 05 for Warner start doter Jim Price in to prepare his new LP with Gertz and Ralph Osborn. the group also used neer Andy Watermann Bros lato lu bI at the board. who recently loomed as a Dunte'v \urtlo Hnlliii,,u'i, Cali¡ John Golden; mixing sessions held for the Errer. Location Recorders to cut a single of Peggy von group Sweet Bottom, on Elektra /Asylum. engineer JIM McCULLOUGH Knight's ensemble which debuted hat gelds under the directmn of the Holland Sue Duna Ross also on at Filmways /Hader also finishing an LP there Dain Eric produc : E March 31, returned for two nights lune 16 for Il Group's Brian Holland. Barney Perkins and Joe recently working on a new studio LP for Motown ing Hotel at Creative Workshop, Nashville. bringing with them a mobile recording studio to Lam engineering, and John Golden cut a new with producer Lee Holdridge and engineers Mc Allanlin with engineers Brent Maher and Todd capture the evenings entertainment on tape. Doucette single for Mushroom, Roll Hennemann Lieb and Daniel Uterus.
Load more

Recommended publications
  • Cherokee Studios
    Published on AIA Top Ten (http://www.aiatopten.org) Home > Cherokee Studios Cherokee Studios Project Overview The photo shows the eastern street view of the building along Fairfax Avenue. - Photo Credit: John Linden The main entrance, including retail frontage on the first floor, can be seen in this photo. - Photo Credit: John Linden A street view looking northwest is shown in the photo. - Photo Credit: John Linden . This urban infill, mixed-use, market-rate housing project was designed to incorporate green design as a way of marketing a green lifestyle. It is pending LEED Platinum certification. The design maximizes the opportunities of the mild Southern California climate with a passive cooling strategy using cross-ventilation and thermal convection while taking advantage of the abundantly sunny location. A commitment to minimizing the project's ecological footprint informed all aspects of the design. The main architectural feature of this project is the building's owner-controlled double-façade system. The occupant is able to adjust the operable screens of the building façade as necessary for privacy, views, shading, and thermal comfort. As a result, the facade is virtually redesigned "live" from within, responding to the occupants of the building in real time. The façade also enhances the existing streetscape and promotes a lively pedestrian environment. By visually breaking up the façade into smaller, articulated moving elements, the building appears to move with the passing cars and people. Like many features of the building, the façade is multivalent and rich with meaning, performing several roles for formal, functional, and experiential effect. Location: 751 N.
    [Show full text]
  • Sesame Street Sesame Street Fever Mp3, Flac, Wma
    Sesame Street Sesame Street Fever mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop Album: Sesame Street Fever Country: Taiwan Released: 1978 Style: Disco, Novelty MP3 version RAR size: 1601 mb FLAC version RAR size: 1968 mb WMA version RAR size: 1736 mb Rating: 4.4 Votes: 931 Other Formats: MP4 VQF AUD MIDI ASF MMF AAC Tracklist Hide Credits A1 –Robin Gibb, The Count , Grover , Ernie , Cookie Monster Sesame Street Fever A2 –Bert And The Girls Doin' The Pigeon Rubber Duckie A3 –Ernie And His Rubber Duckie* Composed By – Moss* B1 –Robin Gibb Trash B2 –Cookie Monster And The Girls C Is For Cookie B3 –Marty And Grover Has Anybody Seen My Dog? Credits Arranged By, Conductor – David Horowitz, Dick Lieb, Leon Pendarvis Arranged By, Conductor, Directed By [Musical Direction] – Joe Raposo Art Direction – Robert Pierce Bass – Herb Bushler Cello – Jesse Levy, Kermit Moore Co-producer, Engineer – Michael Delugg Composed By – Raposo* (tracks: A1, A2, B1 to B3) Congas – Jimmy Maelen Drums – Richard Crooks Guitar – Cliff Morris, Jack Cavari, Jeff Layton Keyboards – David Horowitz, Pat Rebillot Mixed By, Edited By – Michael Delugg Mixed By, Edited By, Other [Concieved By] – Joe Raposo Other [Concieved By] – Arthur Shimkin Other [Continuity By], Other [From An Idea By] – Normal Stiles Other [Created By], Voice [As Ernie] – Jim Henson Other [Muppet Disco Attire] – Calista Hendrickson, Sherry Amott Percussion – George Devons* Photography By [Cover] – Neil Selkirk Producer – Joe Raposo Reeds – Lou Marini Saxophone [Baritone] – Dave Tofani
    [Show full text]
  • Celebrity and Race in Obama's America. London
    Cashmore, Ellis. "To be spoken for, rather than with." Beyond Black: Celebrity and Race in Obama’s America. London: Bloomsbury Academic, 2012. 125–135. Bloomsbury Collections. Web. 29 Sep. 2021. <http://dx.doi.org/10.5040/9781780931500.ch-011>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 29 September 2021, 05:30 UTC. Copyright © Ellis Cashmore 2012. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 11 To be spoken for, rather than with ‘“I’m not going to put a label on it,” said Halle Berry about something everyone had grown accustomed to labeling. And with that short declaration she made herself arguably the most engaging black celebrity.’ uperheroes are a dime a dozen, or, if you prefer, ten a penny, on Planet SAmerica. Superman, Batman, Captain America, Green Lantern, Marvel Girl; I could fi ll the rest of this and the next page. The common denominator? They are all white. There are benevolent black superheroes, like Storm, played most famously in 2006 by Halle Berry (of whom more later) in X-Men: The Last Stand , and Frozone, voiced by Samuel L. Jackson in the 2004 animated fi lm The Incredibles. But they are a rarity. This is why Will Smith and Wesley Snipes are so unusual: they have both played superheroes – Smith the ham-fi sted boozer Hancock , and Snipes the vampire-human hybrid Blade . Pulling away from the parallel reality of superheroes, the two actors themselves offer case studies.
    [Show full text]
  • Produced Byray Manzarek
    PRODUCED BY RAY MANZAREK Originally released April 1980 Originally released May 1981 Originally released July 1982 Originally released September 1983 Frank Gargani Debbie Leavitt Power... Passion... Poetry! Attack the world. Let’s do some damage. What a band. Four monsters of skin. My favorite rockers of the then time. John Doe - Mr. Handsome - of the deep rich voice, the hard, strong jaw, the angular bass stance and the hot/cool lyrics. Their harmonies - some would say Schoenberg - his partner Exene, of the wailing scream in the night, the clear eyed pinning of American failings, the fine words of Diana Bonebrake love and booze and madness in the midnight dawn of Los Angeles. “Johny Hit and Run Paulene...” and he’s got a sterilized hypo filled with a sex-machine drug, and he only has 24 hours to shoot all Paulenes between the legs. So get busy, boy. And he does. Listen to those words! That naughty, naughty Johny. I love ‘em. And Exene’s “The World’s a Mess, it’s in My Kiss.” I just love that crazy combination: World - Mess - Kiss. And Billy Zoom on guitar, or is that at least 3 or 4 guitars. How does he do it? It’s so massive, so sharp, so bright, so fucking LOUD!!! And he is so silver smooth and cool. Effortless fingering, impeccable on the frets. Doesn’t he ever make a mistake? Is he a flesh and blood Valhalla guitar god? Yeahhh! And who is that madman beating the living shit out those drums? Ladies and Gentleman... D.
    [Show full text]
  • Dec. 22, 2015 Snd. Tech. Album Arch
    SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
    [Show full text]
  • Board Packet
    September Board Meeting To be held at the offices of Texas State Affordable Housing Corporation 2200 East Martin Luther King Jr. Blvd. Austin, TX 78702 Thursday, September 25, 2014 10:30 a.m. BOARD MEETING TEXAS STATE AFFORDABLE HOUSING CORPORATION To be held at the offices of Texas State Affordable Housing Corporation 2200 East Martin Luther King Jr. Blvd Austin, Texas 78702 September 25, 2014 at 10:30 am CALL TO ORDER, ROLL CALL Bob Jones CERTIFICATION OF QUORUM Chair The Board of Directors of Texas State Affordable Housing Corporation will meet to consider and possibly act on the following: PUBLIC COMMENT PRESIDENT’S REPORT David Long Tab A: Homeownership Finance Report Tab B: Development Finance Report Tab C: Monthly Budget and Investment Reports ACTION ITEMS IN OPEN MEETING: Tab 1 Presentation, Discussion and Possible Approval of Minutes of the Board Meeting held on August 21, 2014. Tab 2 Presentation, Discussion and Possible Approval of the 2014 Grant Awards for the Texas Foundations Fund. Tab 3 Presentation, Discussion and Possible Approval of a Resolution to Re-Appoint Mr. Russell Vandenburg to the Texas Foundations Fund Advisory Council Created by the Board of Directors of the Corporation and to Restate, Ratify and Affirm him as Vice-Chairperson of the Advisory Council to serve until his successor is elected and qualified or until his earlier removal or resignation. Tab 4 Presentation, Discussion and Possible Approval of the Publication for Public Comment of the Guidelines, Scoring Criteria and Targeted Housing Needs for the Allocation of Qualified Residential Rental Project Tax Exempt Bond Funds under the Multifamily Housing Private Activity Bond Program Request for Proposals and the 501(c)(3) Bond Program Policies for Calendar Year 2015.
    [Show full text]
  • Exhibit O-137-DP
    Contents 03 Chairman’s statement 06 Operating and Financial Review 32 Social responsibility 36 Board of Directors 38 Directors’ report 40 Corporate governance 44 Remuneration report Group financial statements 57 Group auditor’s report 58 Group consolidated income statement 60 Group consolidated balance sheet 61 Group consolidated statement of recognised income and expense 62 Group consolidated cash flow statement and note 63 Group accounting policies 66 Notes to the Group financial statements Company financial statements 91 Company auditor’s report 92 Company accounting policies 93 Company balance sheet and Notes to the Company financial statements Additional information 99 Group five year summary 100 Investor information The cover of this report features some of the year’s most successful artists and songwriters from EMI Music and EMI Music Publishing. EMI Music EMI Music is the recorded music division of EMI, and has a diverse roster of artists from across the world as well as an outstanding catalogue of recordings covering all music genres. Below are EMI Music’s top-selling artists and albums of the year.* Coldplay Robbie Williams Gorillaz KT Tunstall Keith Urban X&Y Intensive Care Demon Days Eye To The Telescope Be Here 9.9m 6.2m 5.9m 2.6m 2.5m The Rolling Korn Depeche Mode Trace Adkins RBD Stones SeeYou On The Playing The Angel Songs About Me Rebelde A Bigger Bang Other Side 1.6m 1.5m 1.5m 2.4m 1.8m Paul McCartney Dierks Bentley Radja Raphael Kate Bush Chaos And Creation Modern Day Drifter Langkah Baru Caravane Aerial In The Backyard 1.3m 1.2m 1.1m 1.1m 1.3m * All sales figures shown are for the 12 months ended 31 March 2006.
    [Show full text]
  • AL SCHMITT Al Schmitt Is a Renowned Recording and Mix Engineer Whose
    AL SCHMITT Al Schmitt is a renowned recording and mix engineer whose acclaimed music career has spanned more than half a century. During that time Al has been awarded more accolades than any of his contemporaries including holding the record for most Grammy awards for a recording or mix engineer. To date, Al is the recipient of 23 Grammy Awards, including the Grammy Trustees Lifetime Achievement Award in 2006. In 2014, Al received the Honorary Doctorate from Berklee School of Music. Al is a New York native, of whom Barbra Streisand states, "as a fellow Brooklyn-ite, we speak the same language." He has worked on more than 150 gold and platinum albums, and was inducted into the TEC Awards Hall of Fame in 1997 to honor his technical and creative excellence in recording and sound. In the early days of his career, working at RCA, Al engineered albums for such legendary artists as Sam Cooke, Rosemary Clooney and Henry Mancini, featuring the Grammy Award winning title, "Moon River", which also won an Academy Award for Best Song, and for "Breakfast at Tiffany's." During this time he also worked on scoring for multiple motion pictures as well. In the mid 60's, while demand for his engineering services grew, Al also aspired to become an independent producer. In addition to recording all the last records of the legendary Sam Cooke, during this same period, Al also worked with Ann Margaret, Bobby Darin and Eddie Fisher. He also worked with newer, up and coming artists of the time including Jefferson Airplane, Jackson Browne and Neil Young.
    [Show full text]
  • Behind the Gear Studios and I Worked There for Three Weeks
    brothers - I’d had enough. So then I went to A&M Behind The Gear Studios and I worked there for three weeks. The studio This Issue’s Guru of Gadgets sucked then. There was sort of a bad, lean-on-the- by Larry Crane shovel attitude. I felt like everyone there was just collecting paychecks - I like to work. So I went to the Jonathan Little Village Recorders, which is a nice studio. It was owned by Geordie Hormel. I worked there from 1984 to 1987. I’d gotten to know Jimmy Iovine and Shelly Yakus from the Cherokee days. They were working at Cherokee and we did the Tom Petty record Southern Accents and the Eurythmics [Be Yourself Tonight], one of those Talking Heads records [True Stories] with Eric Thorngren engineering, Robbie Robertson’s first [self-titled] solo record with Daniel Lanois and a lot of records with Gary Katz. Being a tech was nice because I didn’t have From the first moment another engineer Phase-Corrected Speaker Systems” (which later I put in to sit in the room all the time, but back then you were raved about a Little Labs DI to me, I knew the end of the IBP manual). I sent that out with my pretty involved in the whole process. I built my first that this company was onto something resume, saying, “This is some of my work.” Tom Lubin, mic pre while I was there. Tchad Blake and Mitchell special. It turns out Little Labs is the editor of RE/P Magazine, said to come see him in Froom really liked it.
    [Show full text]
  • A History of Electroacoustics: Hollywood 1956 – 1963 by Peter T
    A History of Electroacoustics: Hollywood 1956 – 1963 By Peter T. Humphrey A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music and the Designated Emphasis in New Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor James Q. Davies, Chair Professor Nicholas de Monchaux Professor Mary Ann Smart Professor Nicholas Mathew Spring 2021 Abstract A History of Electroacoustics: Hollywood 1956 – 1963 by Peter T. Humphrey Doctor of Philosophy in Music and the Designated Emphasis in New Media University of California, Berkeley Professor James Q. Davies, Chair This dissertation argues that a cinematic approach to music recording developed during the 1950s, modeling the recording process of movie producers in post-production studios. This approach to recorded sound constructed an imaginary listener consisting of a blank perceptual space, whose sonic-auditory experience could be controlled through electroacoustic devices. This history provides an audiovisual genealogy for electroacoustic sound that challenges histories of recording that have privileged Thomas Edison’s 1877 phonograph and the recording industry it generated. It is elucidated through a consideration of the use of electroacoustic technologies for music that centered in Hollywood and drew upon sound recording practices from the movie industry. This consideration is undertaken through research in three technologies that underwent significant development in the 1950s: the recording studio, the mixing board, and the synthesizer. The 1956 Capitol Records Studio in Hollywood was the first purpose-built recording studio to be modelled on sound stages from the neighboring film lots. The mixing board was the paradigmatic tool of the recording studio, a central interface from which to direct and shape sound.
    [Show full text]
  • Sing the Hit Songs of Sesame Street Mp3, Flac, Wma
    Sesame Street Sing The Hit Songs Of Sesame Street mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Children's Album: Sing The Hit Songs Of Sesame Street Country: US Released: 1974 Style: Educational, Story MP3 version RAR size: 1396 mb FLAC version RAR size: 1217 mb WMA version RAR size: 1658 mb Rating: 4.2 Votes: 288 Other Formats: DXD AHX WMA MOD MPC AA AU Tracklist A1 –The Kids Sesame Street Theme A2 –The Kids Sing A3 –Kermit* Bein' Green A4 –Grover What Do I Do When I'm Alone? A5 –Oscar* I Love Trash A6 –Grover And Marty Has Anyone Seen My Dog? B1 –Ernie Rubber Duckie B2 –Cookie Monster "C" Is For Cookie B3 –Big Bird AB-C-DEF-GHI B4 –The Kids Somebody Come And Play B5 –Susan* And The Kids Someday, Little Children B6 –Big Bird And Snuffle-upagus* Nobody Credits Art Direction – Robert Pierce Edited By – James Timmens* Lyrics By [Words By], Music By – Jeffrey Moss, Joe Raposo Other [Project Coordinator] – Jacquie Turner Other [Project Directors For Ctw] – Christopher Cerf, Sharon Lerner Other [Properties Director] – Nat Mongioi Photography – Judy Ross, Sandy Speiser Producer [Album Produced By], Directed By [Musical Director] – Joe Raposo Supervised By [Project] – Arthur Shimkin Voice Actor [Big Bird, Oscar] – Carrol Spinney* Voice Actor [Bob] – Bob McGrath Voice Actor [Cookie Monster, Grover, Bert] – Frank Oz Voice Actor [David] – Northern Calloway Voice Actor [Ernie] – Jim Henson Voice Actor [Gordon] – Hal Miller Voice Actor [Herbert Birdsfoot, Suffle-upagus, The Count, Sherlock Hemlock, Farley, Herry Monster, Marty] – Jerry Nelson Voice Actor [Luis] – Emilio Delgado Voice Actor [Mr.
    [Show full text]
  • THE MUPPETS “Artist") (Also: Hessian, Headbanger, Or Heavy Metal Dude) by John Paine Sexual Dance, the Pigeon
    NOT INSIDE • Crackhouse! Original Motion Picture Soundtrack •The Bruce Jenner Basement Tapes • Back-masking: Sinful Satan­ ism or Silly Sham? • TV Superstar or Rock Goddess? FM asks Justine Bateman Which is Hipper • Madonna Confesses: “Now I’m Androgynous!” full of these people with the Leather Lingerie clothes and the tans, and we just said, ‘Shit.’ We needed The Story of something smooth to say to betties at parties other than *What’s your major?' W e re a l­ an I.V. Band ized that we had to form a by Kim Kash and band, so that we’d have an Jeffrey P. McManus opener — Y ea h , I ’m in Leather Lingerie’. Cool, huh?” he grins, Leather Lingerie is the quin­ and takes a long drag from his tessential I.V. band. The smoke. drummer sucks. The amp got ,It is the band's first rehear­ left out in the rain last quarter. sal, and they don’t let the fact The bass player, Jimmy, has a that they’ve never played girlfriend who lives in L.A., so together get them down — he never makes it to practice (a they’re in a real band now. bimonthly event held in the Clarke is still in the bathroom. singer’s Sabado Tarde drive­ The jam begins, and the way). And they refuse to play at cupboard doors rattle to the any party with less than three feedback. They play a reggae Meister kegs. version of “Stepping Stone," We caught up with the LL then Steve and li’l Ricky, the boys in drummer Steve’s pad, guitarist, begin arguing about upstairs from a well-known what songs are to be on LL’s Isla Vista sandwich shop.
    [Show full text]