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High Incidence of Japanese Encephalitis, Southern China
LETTERS High Incidence of Biologic Products, Chengdu, China) were tested for antibodies against JE has been included in the national virus, mumps virus, echoviruses, and Japanese Expanded Program on Immunization coxsackieviruses (3,4,7). A case of JE Encephalitis, at no charge. The recommendation for was defined as illness in a person with Southern China children is vaccination at 8 months IgM against JEV in CSF or serum. and 2 years of age (5,6). Clinical information was collected by To the Editor: Japanese To estimate JE incidence in using a standardized chart abstraction encephalitis virus (JEV) remains a Dehong Prefecture during January form. Linkages to personal identifiers major source of illness and death in Asia 1–December 31, 2010, we conducted were destroyed. (1). An estimated 67,900 cases occur an anonymous, unlinked study of A total of 189 eligible patients each year in Asia; ≈33,900 cases— all cases of encephalitis at the only were enrolled, 150 from Mangshi half the cases in the world—probably 2 major children’s hospitals in the and 39 from Ruili. Of these, 110 occur in the People’s Republic of region, Dehong Prefecture Hospital (58%) were male and 78 (41%) were China (2). However, because reporting in Mangshi and Ruili City Hospital in <4 years of age. Enrollment peaked is incomplete in most countries where Ruili. All eligible patients admitted to during summer (Figure). All patients JE incidence is high, these estimates these hospitals were included in the were hospitalized within 6 days after are based on scarce data. In China, a study. -
TV Show Knows What's in Your Fridge Is Food for Thought
16 | Wednesday, June 17, 2020 HONG KONG EDITION | CHINA DAILY YOUTH ometimes you have to travel didn’t enjoy traditional Chinese to appreciate your own. music that much until he pursued his Sometimes, waking up in a music studies in the United States. foreign land gives you a pre- When leaving China, he took with Scious insight into your own country. him the hulusi, a kind of Chinese Fang Songping is a musician and wind instrument made from a has traveled but when he was at gourd, and played it recreationally home with his pipa-player father, in the college. The exotic sound of Fang Jinlong, he preferred Western the instrument won him lots of fans rock. and requests to perform on stage. It was hulusi, the gourd-like Then he started researching about instrument, that really changed his traditional Chinese music and com- life. He happened to bring it to Los bining elements of it into his own Angeles, while studying music there. compositions. In 2015, he returned His classmates were fascinated to China and started his career as an when he played music with it, and a indie musician. new horizon opened up before him. Now, Fang Songping works as the According to a recent report on music director of a popular reality traditional Chinese music, young show, Gems of Chinese Poetry, Chinese people are turning their which centers on traditional Chi- attention to traditional arts. More nese arts, such as poetry, music, and more are listening to traditional dance and paintings. He composed Chinese music. eight original instrumental pieces, The report was released on June inspired by traditional Chinese cul- 2, under the guidance of the China ture, like music, chess, calligraphy Association of Performing Arts, by and paintings. -
February 2019 a Winter Wonderland That Warms Your Spirit
CHINAINSIGHT Fostering business and cultural harmony between China and the U.S. VOL. 18 NO. 2 February 2019 A winter wonderland that warms your spirit . News, p. 4 Business & Economy, p. 5 Language, p. 7 The 35th Harbin International Ice and Snow Festival, the largest in the world, is celebrated during Harbin’s Sister Cities Conference. See pages 8-9. Books, p. 11 Community Minneapolis artist Paul Kwok exhibits at Chung Chi College in Hong Kong By Greg Hugh More than 100 guests recently attended Kwok currently lives in Minneapolis an exhibit of landscape paintings titled “In with his partner Pat Hui where they also and Out of Tradition” by Paul Ka Yin Kwok share a studio at Traffic Zone Center for Arts & Culture, p. 14 held at Chung Chi College of The Chinese Visual Art. The studio was the site of the University of Hong Kong from which Kwok recent group discussion of “Crazy Rich graduated in 1967. Asians” held by the Chinese Heritage Foundation. ♦ In This Issue Arts & Culture 12-14 Right: Books 10-11 Pat Hui Business & Economy 5 and Kwok in front of Community 8-9 one of his Events 15-16 paintings Government & Politics 6 Language 7 Officiating at the ribbon cutting ceremony was News 3-4 (far left Professor Fong Wing Ping, head of Pronouncements 2 college; and artist Kwok (second from left). Recent CHF discussion at studio. PAGE 2 / February 2019 pronouncements www.chinainsight.info Publisher’s Pronouncements CHINAINSIGHT Greetings and Gung Hay Fat Choy (Happy New Year): As we went to press with this issue of We also are pleased to announce that a team player. -
Video Competition 2020
VIDEO COMPETITION 2020 ABOUT: The United States International Music Competition is organized by the United States International Music Foundation affiliated with the Chinese Music Teachers’ Association of Northern California, a non-profit organization. This competition provides young musicians with an opportunity to exhibit their talents and reward their hard work, as well as to encourage them to appreciate cross-cultural exchanges . ELIGIBILITY: Contestants of all nationalities.No Age Limit. Past First Place winners may not compete in an age group that they have won previously. However, they may elect to compete in another age-appropriate group. INSTRUMENT CATEGORIES: Piano (Solo, Duet, and Concerto), Violin, Viola, Cello, Classical Chamber Ensembles (Western Instruments), Vocal (Solo and Ensemble), Marimba, and Traditional Chinese Instruments categories are held annually. Harp and Classical Guitar are also included in the 2020 competition categories. AGE GROUPS: Eligibility for each group will be determined by the contestant’s age as of June 1, 2020. Each instrument category has different age groups. Category & Piano Violin Viola Cello Vocal Age groups A Age 9 or under Age 9 or under Age 14 or under Age 11 or under Age 9 or under B Age 11 or under Age 13 or under Age 18 or under Age 14 or under Age 12 or under C Age 14 or under Age 18 or under Age 19 or above Age 18 or under Age 14 or under D Age 18 or under Age 19 or above Age 19 or above Age 18 or under E Age 19 or above Age 19 or above Piano Duet Category -
The Dragon's Roar: Traveling the Burma Road
DBW-17 EAST ASIA Daniel Wright is an Institute Fellow studying ICWA the people and societies of inland China. LETTERS The Dragon’s Roar — Traveling the Burma Road — Since 1925 the Institute of RUILI, China March 1999 Current World Affairs (the Crane- Rogers Foundation) has provided Mr. Peter Bird Martin long-term fellowships to enable Executive Director outstanding young professionals Institute of Current World Affairs 4 West Wheelock St. to live outside the United States Hanover, New Hampshire 03755 USA and write about international areas and issues. An exempt Dear Peter, operating foundation endowed by the late Charles R. Crane, the Somewhere in China’s far west, high in the Tibetan plateau, five of Asia’s Institute is also supported by great rivers — the Yellow, the Yangtze, the Mekong, the Salween and the contributions from like-minded Irrawaddy — emerge from beneath the earth’s surface. Flowing east, then individuals and foundations. fanning south and north, the waterways cut deep gorges before sprawling wide through lowlands and spilling into distant oceans. TRUSTEES Bryn Barnard These rivers irrigate some of Asia’s most abundant natural resources, the Carole Beaulieu most generously endowed of which are in Myanmar, formerly Burma. Mary Lynne Bird Peter Geithner “Myanmar is Asia’s last great treasure-trove,” a Yangon-based western dip- Thomas Hughes lomat told me during a recent visit to this land of contradiction that shares a 1 Stephen Maly border with southwest China’s Yunnan Province. Peter Bird Martin Judith Mayer Flush with jade, rubies, sapphires, natural gas and three-quarters of the Dorothy S. -
11D Yunnan Yuxi Pu-Er Xishuang-Banna Tengchong Ruili
1 Park Road, #03-09 People’s Park Complex, Singapore 059108 Tel: 6438 7478 Fax: 6438 9794 www.newaytravel.com.sg Exclusive of Neway Travel 11D Yunnan Yuxi Pu-Er Xishuang-Banna Tengchong Ruili Colorful Ethnic Experience Tour TOUR CODE: KMG11M 【Colorful Ethnic Experience】: To enter deeply into Dai,Naxi,Bai,Bulang,Wa Peoples Culture,Language, Costumes and ect. 【High Light】:Yuxi,Pu-Er,Xishuang Banna,Cangyuan,Tengchong,Ruili 【Local Flavor】:Steam Chicken+ Guoqiao Rice Noodle,Tengchong Local Style,Dai Flavor 【Shopping】: Yunnan Puer Tea Shop,Jade Shop Tengchong. D1:SIN KMG/YUXI (L/D) Accommodation:Gaodeng Hotel or similar 4Star Assemble at Singapore Changi Airport for our flight to Kunming, capital of Yunnan Province. Upon arrival, transfer to Yuxi. Yuxi Cigarette Company (Hongta Group) has become a famous cigarette making company. Its product brands such as Hongtashan, Ashima and Hongmei have been popular for many years in China. Upon arrival, the area also has beautiful natural sceneries and colorful cultures. Upon arrival, visit Hongta District. Next proceed to Pu-Er. : ( ) : D2 Pu-Er/Xishuang-Banna B/L/D Accommodation King Land Hotel or similar 4Star Pu'er is the birthplace of Pu Er Tea, a very famous international tea brand. Tea culture is an attractive tourist factor of Puer City visit the Pr-Er Tea Exhibition Garden. The garden is built on the Yinpan Mountain,29 km from downtown Puer, Against the background of a vast tea garden, it is made up of Pu'er Tea Museum, Pu'er Tea Making workshop, tea-picking zone, tea appraisal garden and some other facilities to comprehensively show the history of Pu'er Tea, and how to plant and produce as well. -
Isolation and Genetic Characterization of Mangshi Virus: a Newly Discovered Seadornavirus of the Reoviridae Family Found in Yunnan Province, China
RESEARCH ARTICLE Isolation and Genetic Characterization of Mangshi Virus: A Newly Discovered Seadornavirus of the Reoviridae Family Found in Yunnan Province, China Jinglin Wang1,2*, Huachun Li1*, Yuwen He1, Yang Zhou1, Jingxing Meng1, Wuyang Zhu3, Hongyu Chen1, Defang Liao1, Yunping Man1 1 Yunnan Tropical and Subtropical Animal Viral Disease Laboratory, Yunnan Animal Science and Veterinary Institute, Kunming, Yunnan province, China, 2 State Key Laboratory of Veterinary Etiological Biology, Lanzhou, Gansu province, China, 3 State Key Laboratory for Infectious Disease Prevention and Control, National Institute for Viral Disease Control and Prevention, Chinese Center for Disease Control and Prevention, Beijing, China * [email protected] (JW); [email protected] (HL) OPEN ACCESS Citation: Wang J, Li H, He Y, Zhou Y, Meng J, Zhu Abstract W, et al. (2015) Isolation and Genetic Characterization of Mangshi Virus: A Newly Background Discovered Seadornavirus of the Reoviridae Family Seadornavirus is a genus of viruses in the family Reoviridae, which consists of Banna virus, Found in Yunnan Province, China. PLoS ONE 10 (12): e0143601. doi:10.1371/journal.pone.0143601 Kadipiro virus, and Liao ning virus. Banna virus is considered a potential pathogen for zoo- notic diseases. Here, we describe a newly discovered Seadornavirus isolated from mosqui- Editor: Houssam Attoui, The Pirbright Institute, UNITED KINGDOM tos (Culex tritaeniorhynchus) in Yunnan Province, China, which is related to Banna virus, and referred to as Mangshi virus. Received: June 16, 2015 Accepted: November 6, 2015 Methods and Results Published: December 2, 2015 The Mangshi virus was isolated by cell culture in Aedes albopictus C6/36 cells, in which it rep- Copyright: © 2015 Wang et al. -
Yunnan Provincial Highway Bureau
IPP740 REV World Bank-financed Yunnan Highway Assets management Project Public Disclosure Authorized Ethnic Minority Development Plan of the Yunnan Highway Assets Management Project Public Disclosure Authorized Public Disclosure Authorized Yunnan Provincial Highway Bureau July 2014 Public Disclosure Authorized EMDP of the Yunnan Highway Assets management Project Summary of the EMDP A. Introduction 1. According to the Feasibility Study Report and RF, the Project involves neither land acquisition nor house demolition, and involves temporary land occupation only. This report aims to strengthen the development of ethnic minorities in the project area, and includes mitigation and benefit enhancing measures, and funding sources. The project area involves a number of ethnic minorities, including Yi, Hani and Lisu. B. Socioeconomic profile of ethnic minorities 2. Poverty and income: The Project involves 16 cities/prefectures in Yunnan Province. In 2013, there were 6.61 million poor population in Yunnan Province, which accounting for 17.54% of total population. In 2013, the per capita net income of rural residents in Yunnan Province was 6,141 yuan. 3. Gender Heads of households are usually men, reflecting the superior status of men. Both men and women do farm work, where men usually do more physically demanding farm work, such as fertilization, cultivation, pesticide application, watering, harvesting and transport, while women usually do housework or less physically demanding farm work, such as washing clothes, cooking, taking care of old people and children, feeding livestock, and field management. In Lijiang and Dali, Bai and Naxi women also do physically demanding labor, which is related to ethnic customs. Means of production are usually purchased by men, while daily necessities usually by women. -
Alcohol Use and Subsequent Sex Among HIV-Infected Patients in an Ethnic Minority Area of Yunnan Province, China
Alcohol Use and Subsequent Sex among HIV-Infected Patients in an Ethnic Minority Area of Yunnan Province, China Xiaofeng Luo1,2, Song Duan3, Qixiang Duan4, Yongcheng Pu4, Yuecheng Yang3, Yingying Ding1,2, Meiyang Gao1,2,NaHe1,2* 1 Department of Epidemiology, School of Public Health, Fudan University, Shanghai, China, 2 The Key Laboratory of Public Health Safety (Fudan University), Ministry of Education, Shanghai, China, 3 Dehong Prefecture Center for Disease Control and Prevention, Mangshi, Yunnan Province, China, 4 Longchuan County Center for Disease Control and Prevention, Dehong Prefecture, Longchuan, Yunnan Province, China Abstract Objective: To examine alcohol use and subsequent HIV risky behaviors among a sample of predominately ethnic minority people living with HIV/AIDS (PLWHA) in a rural community in Yunnan Province, China. Method: A cross-sectional study with a face-to-face questionnaire interview was conducted among eligible participants. Results: In total, 455 (94.4%) out of 482 eligible HIV patients participated in the study. Of them, 82.6% were ethnic minorities; 15.4% were never married; 96.5% were sexually experienced; 55.4% had used drugs, 67% were receiving antiretroviral therapy (ART). Over 65% were ever drinkers; of whom 61.5% were current drinkers. Among current drinkers, 32.4% drank daily and 41.2% were hazardous drinkers. Chinese white wine was the preferred choice. Higher level of alcohol use among drinkers in the preceding month was positively associated with being males (OR = 2.76, 95%CI: 1.03–7.43), ethnic minorities (OR Jingpo = 2.21, 95%CI: 1.06–4.59; OR other minorities = 3.20, 95%CI: 1.34–7.62), higher education (OR1–6 = 1.98, 95%CI: 0.99–3.96; OR$7 = 2.35, 95%CI: 1.09–5.06) and being ART-naive (OR = 2.69, 95%CI: 1.67–4.32). -
Performing Chinese Contemporary Art Song
Performing Chinese Contemporary Art Song: A Portfolio of Recordings and Exegesis Qing (Lily) Chang Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Elder Conservatorium of Music Faculty of Arts The University of Adelaide July 2017 Table of contents Abstract Declaration Acknowledgements List of tables and figures Part A: Sound recordings Contents of CD 1 Contents of CD 2 Contents of CD 3 Contents of CD 4 Part B: Exegesis Introduction Chapter 1 Historical context 1.1 History of Chinese art song 1.2 Definitions of Chinese contemporary art song Chapter 2 Performing Chinese contemporary art song 2.1 Singing Chinese contemporary art song 2.2 Vocal techniques for performing Chinese contemporary art song 2.3 Various vocal styles for performing Chinese contemporary art song 2.4 Techniques for staging presentations of Chinese contemporary art song i Chapter 3 Exploring how to interpret ornamentations 3.1 Types of frequently used ornaments and their use in Chinese contemporary art song 3.2 How to use ornamentation to match the four tones of Chinese pronunciation Chapter 4 Four case studies 4.1 The Hunchback of Notre Dame by Shang Deyi 4.2 I Love This Land by Lu Zaiyi 4.3 Lullaby by Shi Guangnan 4.4 Autumn, Pamir, How Beautiful My Hometown Is! by Zheng Qiufeng Conclusion References Appendices Appendix A: Romanized Chinese and English translations of 56 Chinese contemporary art songs Appendix B: Text of commentary for 56 Chinese contemporary art songs Appendix C: Performing Chinese contemporary art song: Scores of repertoire for examination Appendix D: University of Adelaide Ethics Approval Number H-2014-184 ii NOTE: 4 CDs containing 'Recorded Performances' are included with the print copy of the thesis held in the University of Adelaide Library. -
Quand Le Bambou Répond Au Phénix
UNIVERSITE PARIS – SORBONNE François PICARD Quand le bambou répond au phénix Observatoire Musical Français Documents de recherche Série Histoire, théorie, analyse n° 12 2007 Picard Quand le bambou répond au phénix 2 Quand le bambou répond au phénix Comme en écho à la trilogie « Musique, Mythe, Nature »1, une histoire chinoise raconte comment un ministre chargé de trouver la juste hauteur des notes coupa des bambous et comment à leur son répondit le phénix. Cette célèbre histoire met en scène les trois éléments, sous la forme d’un mythe qui lie musique et nature ; une étude critique des sources précédera un historique de leur transmission, puis nous examinerons les lectures à la lumière des autres données archéologiques ou ethnographiques avant d’arriver à une proposition de lecture et d’interprétation. Ce texte se veut bien évidemment hommage à François-Bernard Mâche, érudit, musicien, musicologue, parrain de l’archéologie musicale, penseur, qui reste pour moi un modèle et un maître, à qui je dois tant. Une histoire, plusieurs textes -236 Lü Buwei : le texte source 黃帝令伶倫作為律。伶倫自大夏之西,乃之阮隃之陰,取竹於嶰 谿之谷,以生空竅厚鈞者,斷兩節間,其長三寸九分而吹之,以為黃 鐘之宮─吹曰舍少。次制十二筒。以之阮隃之下,聽鳳凰之鳴,以別 十二律。其雄鳴為六,雌鳴亦六。以比黃鐘之宮適合,黃鐘之宮,皆 可以生之。故曰,黃鐘之宮,律呂之本。黃帝又命伶倫與榮將,鑄十 二鐘,以和五音,以施《英》《韶》;以仲春之月,乙卯之日,日在 奎奏之,命之曰“咸池”。 呂不韋『呂氏春秋』。仲夏記.古樂 Huangdi ling Linglun zuowei lü. Linglun zi Daxia zhi xi, naizhi Ruan Yu zhi yin, qu zhu yu Xiexi zhi yu, yi sheng kong qiaodun junzhe, duan liang jie jian, qi zhang san cun jiu fen er chui zhi, yi wei huangzhong zhi gong — chui yue she shao. -
The Saxophone in China: Historical Performance and Development
THE SAXOPHONE IN CHINA: HISTORICAL PERFORMANCE AND DEVELOPMENT Jason Pockrus Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 201 8 APPROVED: Eric M. Nestler, Major Professor Catherine Ragland, Committee Member John C. Scott, Committee Member John Holt, Chair of the Division of Instrumental Studies Benjamin Brand, Director of Graduate Studies in the College of Music John W. Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Pockrus, Jason. The Saxophone in China: Historical Performance and Development. Doctor of Musical Arts (Performance), August 2018, 222 pp., 12 figures, 1 appendix, bibliography, 419 titles. The purpose of this document is to chronicle and describe the historical developments of saxophone performance in mainland China. Arguing against other published research, this document presents proof of the uninterrupted, large-scale use of the saxophone from its first introduction into Shanghai’s nineteenth century amateur musical societies, continuously through to present day. In order to better describe the performance scene for saxophonists in China, each chapter presents historical and political context. Also described in this document is the changing importance of the saxophone in China’s musical development and musical culture since its introduction in the nineteenth century. The nature of the saxophone as a symbol of modernity, western ideologies, political duality, progress, and freedom and the effects of those realities in the lives of musicians and audiences in China are briefly discussed in each chapter. These topics are included to contribute to a better, more thorough understanding of the performance history of saxophonists, both native and foreign, in China.