DOCSLIB.ORG

KELLER COMPETITION 2021-22 Repertoire

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
KELLER COMPETITION 2021-22 Repertoire KELLER COMPETITION 2021-22 Repertoire Welcome to the 2021-22 Keller Concerto Competition. Please take the time to review the following list as it has been amended thoroughly, both with additions and removals. As you select your piece and movements for the contest, please remember that we will be aiming for a programmatic length of less than 15 minutes per winner, so select a movement if appropriate. As always, feel free to request consideration if you are interested in a piece that is not listed below. For exceptions, we will make a decision based on length, content, cost of materials, & rehearsal time. VIOLIN Bach, JS Concertos No. 1 in Am or 2 in E Beethoven Concerto , in D, Op. 61 PIANO Beethoven Romances for Violin, in G or F Bach Concerto No.1 in Dm, BWV 1052 Brahms Concerto in D, Op. 77 Beethoven Concerto No. 1 in C, Op. 15 Bruch Concertos No. 1 in Gm or 2 in Dm (Mvt. 1 or 3) Beethoven Concerto No. 2 in Bb, Op. 19 until 2021-22 Beethoven Concerto No. 3 in Cm, Op. 37 Bruch Konzertstück, Op. 84 Beethoven Concerto No. 4 in G, Op. 58 Bruch Romance in A, Op. 42 Beethoven Concerto No. 5 in Eb, Op. 73 Chausson Poème, Op. 25 Brahms Concerto No. 1 in Dm, Op. 15 De Bériot Concertos No. 7 in G or No. 8 in D Brahms Concerto No. 2 in Bb, Op. 83 De Bériot Scène de Ballet Chopin Concerto No. 1 in Em, Op. 11 Dvořák Concerto in Am, Op. 53 Chopin Concerto No. 2 in Fm, Op. 21 Dvořák Romance in Fm, Op. 11 Gershwin Rhapsody in Blue Haydn Concerto, Hob. VIIa: 1 in C or 4 in G Grieg Concerto for Piano in Am, Op. 16 Lalo Symphony Espagnole, Op. 21 Haydn Concerto, Hob. XVIII: 11 in D Mendelssohn Concerto in Em, Op. 64 (Mvt. 1 or 3) Khachaturian Concerto in Db, Op. 38 Mozart Concertos No. 3 in G, 4 in D, or 5 in A (Mvt. 1 or 3) Liszt Piano Concerto No. 1 in Eb Paganini Concertos No. 1 in D or No. 2 in Bm Liszt Totentantz Prokofiev Concerto in D MacDowell Concerto No. 2 in Dm, Op. 23 Saint-Saëns Havanaise, Op. 83 Mendelssohn Concerto No. 1 in Gm, Op. 25 Saint-Saëns Concertos No. 1 in A or No. 3 in Bm until Mendelssohn Concerto No. 2 in Dm, Op. 40 2022-23 Mozart Concerto No. 17 in G, K. 453 Saint-Saëns Introduction & Rondo Capriccioso, Op. 28 Mozart Concerto No. 20 in Dm, K. 466 until 2021-22 Sarasate Carmen Fantasy Mozart Concerto No. 21 in C, K. 467 Sarasate Zigeunerweisen, Op. 20 “Gypsy Airs” Mozart Concerto No. 23 in A, K. 488 Schumann Fantasie in C Mozart Concerto No. 24 in Cm, K. 491 Schumann Violin Concerto in Dm Mozart Concerto No. 25 in C, K. 503 Sibelius Concerto in Dm, Op. 47 until 2022-23 Mozart Concerto No. 27 in Bb, K. 595 Spohr Concerto No. 8 in Am Prokofiev Concerto No. 1 in Db, Op. 10 Tchaikovsky Concerto in D, Op. 35 (Mvt. 1 or 3) Prokofiev Concerto No. 3 in C, Op. 26 Vieuxtemps Concerto No. 4 in Dm or No. 5 in Am Rachmaninoff Concerto No. 1 in F#m, Op. 1 Viotti Concerto No. 22 in Am Rachmaninoff Concerto No. 2 in Cm, Op. 18 Vivaldi The Four Seasons, Op. 8, Nos. 1-4 “Spring”, Saint-Saëns Concerto No. 2 in Gm, Op. 22 “Summer”, “Autumn”, or “Winter” Saint-Saëns Concerto No. 4 in Cm, Op. 44 Wieniawski Concertos No. 1 in F#m or No. 2 in Dm Schumann Concerto in Am, Op. 54 until 2022-23 (Mvt.1 or 3) Tchaikovsky Concerto No. 1 in Bbm, Op. 23 Wieniawski Polonaise Brilliante No. 1 in D or No. 2 in A Tchaikovsky Concerto No. 2 in G, Op. 44 KELLER COMPETITION 2021-22 Repertoire VIOLA Casadesus Concerto in the Style of J.C. Bach in Cm PICCOLO Bloch Suite Hebraique Vivaldi Concerto in C, Op 44, No 11, RV 443 Bruch Romance in F, Op. 85 Vivaldi Concerto in Am, Op 44, No 26, RV 445 Casadesus Concerto in the Style of Handel in Bm Hindemith Trauermusik FLUTE Hoffmeister Concerto in D Bach, CPE Concerto in Dm, H.484.1 Hummel Fantasie, Op. 94 Chaminade Concertino in D, Op. 107 Mozart Simphonia Concertante, K. 364 (Vln/Vla must Griffes Poem audition together) Mozart Concerto No. 1 in G, K.285c (313) Shulman, A. Theme and Variations Mozart Concerto No. 2 in D, K.285d (314) Stamitz Concerto in D, Op. 1 Pergolesi Concerto in G Telemann Concerto in G, TWV 51:G9 Quantz Concerto in G Walton Viola Concerto Stamitz, J. Concerto in C Weber Andante e rondo ongarese, Op. 35 Telemann Suite in Am Vivaldi Concerto Nos. 1-6 (Op. 10) CELLO Boccherini Concerto in Bb, G. 482 (Mvt. 1 or 3) OBOE (Gruetzmacher) Cimarosa/Benjamin Concerto in Cm Bruch Kol Nidrei, Op. 47 Handel Concerto in G Dvořák Concerto in Bm, Op.104, (Mvt. 1 or 3) Haydn Concerto in C Elgar Cello Concerto in E minor, Op. 85 until 2021-22 Marcello Concerto in Cm Fauré Élégie, Op. 24 Mozart Concerto in C, K.285d (314) Haydn Concerto No. 2 in D, Hob.VII b:2 (Mvt.1 or 3) Vaughan Williams Concerto in Am Haydn Concerto No. 5 in C, Hob.VII b:5 (Mvt.1 or 3) BASSOON Lalo Concerto in Dm Hummel Concerto in F Saint-Saëns Concerto No. 1 in Am, Op.33 (Mvt.1 or 3) Mozart Concerto in Bb, K 186e (191) Schumann, R. Concerto in Am, Op. 129 Vivaldi Concerto in Em, RV 484 Tchaikovsky Variations on a Rococo Theme, Op. 33 Vivaldi Concerto in Am, RV 497 Vivaldi Concerto in C, RV 477 DOUBLE BASS Weber Concerto in F, Op. 75 Bottesini Concerto No. 2 in Bm Weber Andante & Hungarian Fantasie (Rondo Dittersdorf Concerto in E ongarese) Dragonetti Concerto in A CLARINET Koussevitzky Concerto in F#m, Op. 3 Debussy Premiere Rhapsodie Vanhal Concerto in D Krommer Concerto in Eb Mozart Concerto in A, K622 HARP Rossini Intro, Theme and Variations Castelnuovo-Tedesco Concertino for Harp, Op. 93 Stamitz, J. Concerto in Bb Debussy Danses Stamitz, K. Concerto No. 10 in Bb Weber Concertino in Eb, Op. 26 Dittersdorf Concerto in A Weber Concerto No. 1 in Fm Glière Concerto in Eb, Op. 74 Weber Concerto No. 2 in Eb Grandjany Aria in Classical Style Handel Concerto No. 6 in Bb, Op. 4 Pierné Concertsteuck in Gb, Op. 39 Ravel Introduction & Allegro Rodrigo Concierto Serenata KELLER COMPETITION 2021-22 Repertoire PERCUSSION SAXOPHONE Creston Concertino for Marimba & Orchestra (Mvts 1&2/2&3) Debussy Rhapsodie Hovhaness Fantasy on Japanese Woodprints Dubois, P. Concerto Mayuzumi Concerto for Xylophone & Orchestra Glazunov Concerto in Eb Milhaud Concerto for Percussion & Small Orchestra Ibert Concertino de Camera Rosauro Concerto for Marimba & Orchestra Milhaud Scaramouche White, Donald Concertino for Solo Timpani, Winds, & Villa Lobos Fantasia for Bb Saxophone Percussion HORN Beckel The Glass Bead Game VOCAL Dukas Villanelle Female Vocal Arias Haydn Concerto No. 1 in D, Hob. VII d:3 Donizetti Chacun le sait (La Fille du Regiment) Haydn Concerto No. 2 in D, Hob. VII d:4 Handel Ah! Spietato Jacob Concerto Handel V'adoro Pupille Mozart Concerto No. 1 Mozart Ah se in ciel, benigne stele (K538) Mozart Concerto No. 2 Mozart Chi sà, chi sà, qual sia (K582) Mozart Concerto No. 3 Mozart Vedral, Carino (Don Giovanni) Mozart Concerto No. 4 Mozart Deh vieni, non tardar (Marriage of Figaro) Saint-Saëns Morceau de Concert, Op. 94 Mozart Der Hölle Rache Strauss, R. Concerto No. 1 Mozart Una donna a quindici anni (Cosi fan Tutte) Mozart Batti, batti o bel Masetto (Don Giovanni) TRUMPET Mozart Non so piu cosa son, cosa faccio (Marriage of Clarke Suite for Trumpet in D Figaro) Goedicke Concert Etude Mozart Voi che sapete (Marriage of Figaro) Haydn Concerto in Eb Mozart Ach, ich fühl’s (Magic Flute) Hummel Concerto Puccini O mio babbino caro (Gianni Schicchi) Mozart, L. Concerto in D Puccini Quando m'en vo Neruda Concerto in Eb Rossini Una voce poco fa (Barber of Seville) Verdi Saper vorreste (Un Ballo in Maschera) TROMBONE David Concerto No. 4 in Eb Tenor Vocal Arias Grondahl Concerto Donizetti Quanto è bella (The Elixir of Love) Guilmant Morceau Symphonique Donizetti Una furtiva lagrima (The Elixir of Love) Milhaud Concertino d’hiver Handel Love sounds th’alarm (Acis and Galatea) Mozart Concerto for Bassoon in Bb, K.186e (191) Handel Where'er You Walk Rimsky-Korsakov Concerto Mozart O wie ängstlich (The Abduction from the Serocki Concerto Seraglio) Wagenseil Concerto in Eb Mozart Frisch zum Kampfe (The Abduction from the Seraglio) EUPHONIUM Mozart Dalla sua pace (Don Giovanni) David Concerto for Trombone No. 4 in Eb Mozart Il mio tesoro (Don Giovanni) Grondahl Concerto Mozart Un aura amorosa (Cosi fan Tutte) Haydn Concerto for Violoncello in C, Hob. VII b:5 Mozart Dies Bildnis ist bezaubernd schön (Magic Flute) Mozart Concerto for Bassoon in Bb, K.186e (191) Rossini Ecco, ridente in cielo (Barber of Seville) Milhaud Concertino d’hiver TUBA Broughton Concerto for Tuba and Orchestra Frackenpohl Concertino for Tuba and String Orchestra Gregson, E. Concerto for Tuba and Orchestra Vaughan Williams Concerto for Tuba KELLER COMPETITION 2021-22 Repertoire Baritone Vocal Arias Mozart Der Vogelfänger bin ich ja (Magic Flute) Mozart "Ein Mädchen oder Weibchen (Magic Flute) Mozart Non siate ritrosi (Cosi fan Tutte Mozart Donne mie, la fate a tanti (Cosi fan Tutte) Mozart Se vuol ballare (Marriage of Figaro) Mozart Non più andrai (Marriage of Figaro) Bass Vocal Arias Mozart O Isis und Osiris (Magic Flute) Mozart In diesen heil’gen Hallen (Magic Flute) .
Load more

Recommended publications
  • Heralding a New Enlightenment
    Peculiarities of Clarinet Concertos Form-Building in the Second Half of the 20th Century and the Beginning of the 21st Century Marina Chernaya and Yu Zhao* Abstract: The article deals with clarinet concertos composed in the 20th– 21st centuries. Many different works have been created, either in one or few parts; the longest concert that is mentioned has seven parts (by K. Meyer, 2000). Most of the concertos have 3 parts and the fast-slowly-fast kind of structure connected with the Italian overture; sometimes, the scheme has variants. Our question is: How does the concerto genre function during this period? To answer, we had to search many musical compositions. Sometimes the clarinet is accompanied by orchestra, other times it is surrounded by an ensemble of instruments. More than 100 concertos were found and analyzed. Examples of such concertos were written by C. Nielsen, P. Boulez, J. Adams, C. Debussy, M. Arnold, A. Copland, P. Hindemith, I. Stravinsky, S. Vassilenko, and the attention in the article is focused on them. A special complete analysis is made as regards “Domaines” for clarinet and 21 instruments divided in 6 groups, by Pierre Boulez that had a great role for the concert routine, based on the “aleatoric” principle. The conclusions underline the significant development of the clarinet concerto genre in the 20th -21st centuries, the high diversity of the compositions’ structures, the considerable expressiveness and technicality together with the soloist’s part in the expressive concertizing (as a rule). Further studies suggest the analysis of stylistic and structural peculiarities of the found compositions that are apparently to win their popularity with performers and listeners.
    [Show full text]
  • "If There Were More Cynthia Phelpses Around, There Might Be More Viola Recitals…She Is a Master of Her Instrument -- Rema
    "If there were more Cynthia Phelpses around, there might be more viola recitals…she is a master of her instrument -- remarkable technique and warm, full sound." – THE WALL STREET JOURNAL "Not only does CYNTHIA PHELPS produce one of the richest, deepest viola timbres in the world, she is a superb musician" (Seattle Post-Intelligencer). Principal Violist of the New York Philharmonic, Ms. Phelps has distinguished herself both here and abroad as one of the leading instrumentalists of our time. The recipient of numerous honors and awards, including the Pro Musicis International Award and first prize at both the Lionel Tertis International Viola Competition and the Washington International String Competition, she has captivated audiences with her compelling solo and chamber music performances. She is "a performer of top rank...the sounds she drew were not only completely unproblematical --technically faultless, generously nuanced-- but sensuously breathtaking" (The Boston Globe). Ms. Phelps performs throughout the world as soloist with orchestras, including the Minnesota Orchestra, Shanghai, San Diego, Santa Barbara, Eastern Music Festival and Vermont Symphonies, Orquesta Sinfonica de Bilbao, and Rochester and Hong Kong Philharmonic among others. World-wide, her electrifying solo appearances with the New York Philharmonic garner raves; they have included Berlioz's Harold in Italy, the Bartok Viola Concerto, Strauss's Don Quixote, the Benjamin Lees Concerto for String Quartet, the premiere of a concerto written for her by Sofia Gubaidulina and most recently, the premiere of a new concerto by the young composer Julia Adolphe written for her. She has appeared as soloist with the orchestra across the globe, including Vienna’s Musikverein, London’s Royal Festival Hall, and the Concertgebouw in Amsterdam among others.
    [Show full text]
  • Repertoire List
    APPROVED REPERTOIRE FOR 2022 COMPETITION: Please choose your repertoire from the approved selections below. Repertoire substitution requests will be considered by the Charlotte Symphony on an individual case-by-case basis. The deadline for all repertoire approvals is September 15, 2021. Please email [email protected] with any questions. VIOLIN VIOLINCELLO J.S. BACH Violin Concerto No. 1 in A Minor BOCCHERINI All cello concerti Violin Concerto No. 2 in E Major DVORAK Cello Concerto in B Minor BEETHOVEN Romance No. 1 in G Major Romance No. 2 in F Major HAYDN Cello Concerto No. 1 in C Major Cello Concerto No. 2 in D Major BRUCH Violin Concerto No. 1 in G Minor LALO Cello Concerto in D Minor HAYDN Violin Concerto in C Major Violin Concerto in G Major SAINT-SAENS Cello Concerto No. 1 in A Minor Cello Concerto No. 2 in D Minor LALO Symphonie Espagnole for Violin SCHUMANN Cello Concerto in A Minor MENDELSSOHN Violin Concerto in E Minor DOUBLE BASS MONTI Czárdás BOTTESINI Double Bass Concerto No. 2in B Minor MOZART Violin Concerti Nos. 1 – 5 DITTERSDORF Double Bass Concerto in E Major PROKOFIEV Violin Concerto No. 2 in G Minor DRAGONETTI All double bass concerti SAINT-SAENS Introduction & Rondo Capriccioso KOUSSEVITSKY Double Bass Concerto in F# Minor Violin Concerto No. 3 in B Minor HARP SCHUBERT Rondo in A Major for Violin and Strings DEBUSSY Danses Sacrée et Profane (in entirety) SIBELIUS Violin Concerto in D Minor DITTERSDORF Harp Concerto in A Major VIVALDI The Four Seasons HANDEL Harp Concerto in Bb Major, Op.
    [Show full text]
  • Walton - a List of Works & Discography
    SIR WILLIAM WALTON - A LIST OF WORKS & DISCOGRAPHY Compiled by Martin Rutherford, Penang 2009 See end for sources and legend. Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Catalogue No F'mat St Rel A BIRTHDAY FANFARE Description For Seven Trumpets and Percussion Completion 1981, Ischia Dedication For Karl-Friedrich Still, a neighbour on Ischia, on his 70th birthday First Performances Type Date Orchestra Conductor Performers Recklinghausen First 10-Oct-81 Westphalia SO Karl Rickenbacher Royal Albert Hall L'don 7-Jun-82 Kneller Hall G E Evans A LITANY - ORIGINAL VERSION Description For Unaccompanied Mixed Voices Completion Easter, 1916 Oxford First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.03 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - FIRST REVISION Description First revision by the Composer Completion 1917 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.14 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - SECOND REVISION Description Second revision by the Composer Completion 1930 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel St Johns, Cambridge ? Jan-62 George Guest St Johns, Cambridge 01a ARG ZRG
    [Show full text]
  • May 24 to 30.Txt
    CLASSIC CHOICES PLAYLIST May 24 - 30, 2021 WELCOME TO FIVE DAYS OF FUN AND CELEBRATION! Monday to Friday PLAY DATE: Mon, 05/24/2021 6:01 AM Francois Couperin Concert Royal No. 4 6:17 AM Domenico Cimarosa Oboe Concerto 6:30 AM George Friederich Handel Concerto Grosso Op. 3/3 6:40 AM Robert Schumann Five Pieces "im Volkston" for cello 7:04 AM Maria Newman Concerto for Viola and String Orchestra 7:19 AM Antonio Vivaldi Bassoon Concerto No. 21 7:34 AM Léo Delibes Coppelia: Ballet Suite 7:50 AM Giovanni Bottesini Duetto for Clarinet & Double Bass 8:05 AM George Friederich Handel Water Music Suite No. 2 8:21 AM Ludwig Van Beethoven Variations on a theme by Wranitzky 8:36 AM Margaret Brandman Undulations 8:51 AM Richard Strauss SALOME: Dance of the Seven Veils 9:04 AM Manuel De Falla Three-Cornered Hat (complete ballet) 9:43 AM Philippe Gaubert Flute Sonata No. 2 10:00 AM Wolfgang Amadeus Mozart Divertimento No. 3 10:13 AM Wolfgang Amadeus Mozart String Quartet 10:25 AM Wolfgang Amadeus Mozart Flute Quartet 10:44 AM Wolfgang Amadeus Mozart Piano Sonata No. 1 11:00 AM Aaron Jay Kernis String Quartet No. 1, "Musica Celestis" 11:34 AM Johann Sebastian Bach Cello Suite No. 5 12:05 PM Johann Strauss, Jr. Schwärmereien Concert Waltz 12:21 PM Georges Bizet CARMEN: Final Duet (Act IV) 12:34 PM Felix Mendelssohn String Symphony No. 1 12:49 PM Danny Elfman Charlotte's Web: Wilbur's Homecoming 1:02 PM Ludwig Van Beethoven Piano Concerto 1:40 PM Walter Piston The Incredible Flutist: Ballet Suite 2:00 PM Leevi Madetoja Elegy for Strings 2:07 PM Franz Joseph Haydn Piano Trio, H.
    [Show full text]
  • Student Achievements 2019 - 2020
    Student Achievements 2019 - 2020 SUMMER 2020 8.20 Academy cellist Jan Vargas-Nedvetsky was named winner of the Chicago Chamber Music Festival 6th Annual Concerto Competition for pianists and string players. The winners will be invited to perform with the Northeastern Illinois University Orchestra conducted by Dr. Benjamin Firer during the ‘20 - ‘21 Academic Year. * CCMF Concerto Competition is open to pre-college students only. Perform with NEIU Orchestra during the ‘20 - ‘21 season. • Receive written feedback from a panel of three renowned orchestra conductors • ONE private lesson with CCMF’s faculty* • ONE private meeting with conductor for valuable insight into playing as a soloist with an orchestra • Access to CCMF Special Topic Seminars Pianist Clara Zhang was the winner of the 2018 Concerto Competition. 2020 Chicago International Music Competition 8.20 Congratulations to members of PRIMAVERA AND DASANI ensembles…. tying for the Grand Prize at the 2020 Chicago International Music Competition. More than 400 musicians in 22 countries applied to the virtual competition. GRAND PRIZES DIVISION II—Amateur Division 1st Prize—Trio Primavera coached by Rodolfo Vieira and Mark George. (US): Jan Vargas Nedvetsky / Esme Arias-Kim / Yerin Yang Tied with Dasani String Quartet coached by Mathias Tacke. (US): Isabella Brown/ Katya Moeller/ Zechariah Mo/ Brandon Cheng 2nd Prize—Not Awarded 3rd Prize—Brian Lin (US) In addition, the Academy had winners in the Professional Young Artist II Division. Isabella Brown was awarded first prize, and Katya Moeller second prize, in the Professional Young Artist II Division. Congratulations to everyone for high achievements in a distinguished competition. 7.1.20 - Träumerei Project: Timeless Tribute Video With no end of year orchestra concert, no last day to say goodbye, and no graduation ceremony for the seniors, the Academy Class of 2019-2020, in their homes across four states, created a Time Capsule Video to honor their year together.
    [Show full text]
  • Gordon Crosse
    “Mixed Doubles” Double Concertos by John Manduell and Gordon Crosse CD1: Music by Gordon Crosse (b. 1937) 1 Brief Encounter, for oboe d’amore, recorder and strings (2009) 10.09 Concerto for viola and strings with french horn (2009) 22.50 2 I. Prelude: Andante calmo –più mosso – vivace 8.18 3 II. Song: Lento semplice – più mosso – lento 7.08 4 III. Finale: Vivace 7.24 5 Fantasia on ‘Ca’ the Yowes’, for recorder, harp and strings (2009) 9.51 Total duration CD1 43.05 CD2: Music by John Manduell (b. 1928) Flutes Concerto, for flautist, harp, strings and percussion (2000) 26.56 1 I. Vivo – Lento 9.55 2 II. Quasi adagio 9.24 3 III. Allegro – Allegretto – Languido 7.37 Double Concerto, for oboe, cor anglais, strings and percussion (1985/2012) 28.14 4 I. Quasi adagio – allegro molto 10.43 5 II. Adagio molto 12.18 6 III. Allegro vivo 5.13 Total duration CD2 55.19 Michael Cox flute Richard Simpson oboe/oboe d’amore Alison Teale cor anglais John Turner recorder Matthew Jones viola Timothy Jackson french horn Anna Christensen harp (CD1 track 5) Deian Rowlands harp (CD2 tracks 1-3) MANCHESTER SINFONIA leader Richard Howarth conducted by Timothy Reynish The Music Gordon Crosse writes: All three pieces on CD1 were composed in the Summer and Autumn of 2009 which was the most exciting and productive year I have ever experienced. I had returned to composing after a break of some 18 years and I found I couldn't stop working. The music was simpler than it was in 1990 but I think more communicative because more concentrated and focused.
    [Show full text]
  • Northern Ireland Tour March 21 – 26
    WILLIAM WALTON An extravaganza in One Act based on the play by Anton Chekhov Northern Ireland Tour March 21 – 26 “There’s a real buzz and sense of purpose about what this company is doing” ~ The Guardian Welcome Welcome to this evening’s performance of The Bear. Tonight’s programme showcases not only a rarely performed jewel of an opera, but also brings to Northern Ireland three wonderful singers who are making a real name for themselves on the world stage. Anna Burford and Andrew Rupp are performing with NI Opera for the first time following recent engagements at the Royal Opera House Covent Garden, and English National Opera. Those of you who saw our production of Tosca back in 2011 will remember John Molloy who sang the roles of Angelotti and Sciarrone then, and sings the role of Luka tonight. We are also delighted that some of Northern Ireland’s finest choirs are appearing in the first part of tonight’s programme, singing a selection of George Shearing’s beautiful Songs and Sonnets from Shakespeare. The combination of Northern Irish talent, internationally-renowned singers and innovative programming has been highly evident throughout our 2012/13 season, which draws to a close with this tour. From commissioning exciting new short operas from leading Irish composers and playwrights, to performing a children’s opera in Belfast Zoo and at the Beijing Music Festival, to bringing a home grown production of a Wagner opera to the Belfast stage for the first time ever, this has certainly been a year to remember. 2012/13 has also seen NI Opera make its debuts at the prestigious Buxton Festival and in the Irish Republic, whilst our programmes for nurturing the best young Irish talent – particularly our Young Artists’ Programme and our annual Festival of Voice in Glenarm – continue to prosper.
    [Show full text]
  • University of Cincinnati
    UNIVERSITY OF CINCINNATI Date: 12-May-2010 I, Chiu-Ching Su , hereby submit this original work as part of the requirements for the degree of: Doctor of Musical Arts in Viola It is entitled: A Performance Guide to Franz Anton Hoffmeister’s Viola Concerto in D Major with an Analytical Study of Published Cadenzas Student Signature: Chiu-Ching Su This work and its defense approved by: Committee Chair: Catharine Carroll, DMA Catharine Carroll, DMA 6/18/2010 657 A Performance Guide to Franz Anton Hoffmeister’s Viola Concerto in D Major with an Analytical Study of Published Cadenzas A document submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 2010 by Chiu-Ching Su B.M. Fu Jen Catholic University, 2001 M.M. University of Cincinnati, 2003 ABSTRACT Franz Anton Hoffmeister’s Viola Concerto in D Major (written prior to 1799) has become among the standard repertoire of viola concertos, due to the rise of viola virtuosos since the beginning of the twentieth century and the rarity of virtuosic viola concertos with stylistic forms from the Classical period. This piece has been included in several major orchestra auditions and competitions. While violists often lack hands-on experiences of the Classical repertoire, this document is to provide violists ways to perform this piece and pieces from the same period. Hoffmeister’s Viola Concerto in D Major has been published by G. Henle Verlag, Kunzelmann, Peters, Kalmus, International Music Company (New York), H.
    [Show full text]
  • Graduate Recital in Viola
    University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 2017 Graduate recital in viola Isaak Walter Sund University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©2017 Isaak Walter Sund Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Music Performance Commons Recommended Citation Sund, Isaak Walter, "Graduate recital in viola" (2017). Dissertations and Theses @ UNI. 413. https://scholarworks.uni.edu/etd/413 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. GRADUATE RECITAL IN VIOLA An Abstract of a Thesis Submitted in Partial Fulfillment of the Requirements for the Degree Master of Music in Performance Isaak Walter Sund University of Northern Iowa July 2017 This Study by: Isaak Sund Entitled: Graduate Recital in Viola has been approved as meeting the thesis requirement for the Degree of Master of Music in Performance ___________ _____________________________________________________ Date Dr. Julia Bullard, Chair, Thesis Committee ___________ _____________________________________________________ Date Dr. Rebecca Burkhardt, Thesis Committee Member ___________ _____________________________________________________ Date Dr. Alison Altstatt, Thesis Committee Member ___________ _____________________________________________________ Date Dr. Kavita R. Dhanwada, Dean, Graduate College This Recital Performance by: Isaak Sund Entitled: Graduate Recital in Viola Date of Recital: March 29, 2017 has been approved as meeting the recital requirement for the Degree of Master of Music in Performance ___________ _____________________________________________________ Date Dr. Julia Bullard, Chair, Graduate Recital Committee ___________ _____________________________________________________ Date Dr.
    [Show full text]
  • Analysis of My Kurtág Cycle
    Claus-Steffen Mahnkopf Analysis of my Kurtág Cycle I. Introduction In accordance with the three temporal modes, one can divide artists into three types. The first lives in remembrance of what has been and what has passed, usually mourning what has been lost; the second lives in expectation of a pos- sible, “better” future, seeking to anticipate or help prepare for it through his work; the third lives in the here and now and cannot really understand the other two. I must admit that I do not belong to any one type alone; I am in two, per- haps even three minds as an artist. In contrast to the title of a late work—La lontananza nostalgica utopica futura—by Luigi Nono, however, whom I greatly revere, I abandoned the endeavor to reach a “synthesis” of these three atti- tudes in my work some time ago. Up until Angel Novus, the music theater work I composed at the Dantesque midpoint in my life, i.e., in my mid-30s, I had felt it necessary to do justice to all facets of my artistic existence—albeit in highly individualized ways—in every composition. I was interested in a consistent style referred to—hastily, and partly provoked by my own statements—as “complex- ist,” though I had always viewed my complexist style as one element of what, following on from Beethoven, whom I consider the greatest composer of all, could be termed multi-perspectivity: the ability to compose a Fifth Symphony and a Sixth Symphony in tandem. After Angelus Novus, I reached a fork in my path.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 123, 2003
    20032004 SEASON ' 1 . BOSTON SYM PHONY ORCHESTRA *, m** JAMES LEVINE MUSIC DIRECTOR DESIGNATE BERNARD HAITINK PRINCIPAL GUEST C UCTOR SEIJI OZAWA MUSIC DIRECTOR LAUREATE Invite the entire string section for cocktails. With floor plansfrom 2,300 to over Phase One of this 5,000 square feet, you can entertain magnificent property is in grand style at Longyear. 100% sold and occupied. Enjoy 24-hour concierge service, Phase Two is now under con- single-floor condominium living struction and being offered by at its absolute finest, all Sotheby's International Realty & harmoniously located on Hammond Residential Real Estate an extraordinary eight- GMAC. Priced from $1,500,000. acre gated community atop prestigious Call Hammond at (617) 731-4644, Fisher Hill ext. 410. LONGYEAR a/ Lf/sAer Jrill BROOKLINE Landry&Arcari ORIENTAL RUGS & CARPETING Your Source for Knowledge, Inspiration & Value Since 1938 Salem 333 Stuart St. www.landryandarcari.com Route 1A 617-399-6500 Open 7 Days 800-649-5909 3*S mBSHHh^ James Levine, Music Director Designate ^>,^ Bernard Haitink, Principal Guest Conductor Seiji Ozawa, Music Director Laureate 123rd Season, 2003-2004 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman John F. Cogan, Jr., Vice-Chairman Robert P. O'Block, Vice-Chairman Nina L. Doggett, Vice-Chairman Roger T. Servison, Vice-Chairman Ed Linde, Vice-Chairman Vincent M. O'Reilly, Treasurer Harlan E. Anderson Diddy Cullinane, Edna S. Kalman Edward I. Rudman George D. Behrakis ex-officio George Krupp Hannah H. Schneider Gabriella Beranek William R. Elfers R. Willis Leith, Jr. Thomas G. Sternberg Jan Brett Nancy J. Fitzpatrick Nathan R.
    [Show full text]