Curative Violence
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En Quête De Sens / Secret Sunshine Et Poetry De Lee Chang-Dong]
Document généré le 26 sept. 2021 08:08 24 images En quête de sens Secret Sunshine et Poetry de Lee Chang-dong Bruno Dequen Festival du nouveau cinéma 2011 Numéro 154, octobre–novembre 2011 URI : https://id.erudit.org/iderudit/65112ac Aller au sommaire du numéro Éditeur(s) 24/30 I/S ISSN 0707-9389 (imprimé) 1923-5097 (numérique) Découvrir la revue Citer ce compte rendu Dequen, B. (2011). Compte rendu de [En quête de sens / Secret Sunshine et Poetry de Lee Chang-dong]. 24 images, (154), 47–47. Tous droits réservés © 24/30 I/S, 2011 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ DVD Secret Sunshine et Poetry de Lee Chang-dong en qUête de sens par Bruno Dequen F IGURE MAJEURE DU CINÉMA SUD-CORÉEN CONTEMPORAIN, LEE CHANG-DONG DEMEURE un cas à part. Non seulement son parcours professionnel est inhabituel, mais sa démarche esthétique et ses préoccupations thématiques se distinguent grandement de celles de ses contemporains. Politiquement engagé, pratiquant un cinéma dramatique fondé sur la sobriété maîtrisée d’une mise en scène au service de récits volontairement ordinaires, Lee Chang-dong, en l’espace de cinq films seulement, a su imposer une vision de cinéaste unique et remarquable, que la sortie récente de ses deux derniers films en DVD (par Criterion et Kino, respectivement) permet d’illustrer. -
Cultural Production in Transnational Culture: an Analysis of Cultural Creators in the Korean Wave
International Journal of Communication 15(2021), 1810–1835 1932–8036/20210005 Cultural Production in Transnational Culture: An Analysis of Cultural Creators in the Korean Wave DAL YONG JIN1 Simon Fraser University, Canada By employing cultural production approaches in conjunction with the global cultural economy, this article attempts to determine the primary characteristics of the rapid growth of local cultural industries and the global penetration of Korean cultural content. It documents major creators and their products that are received in many countries to identify who they are and what the major cultural products are. It also investigates power relations between cultural creators and the surrounding sociocultural and political milieu, discussing how cultural creators develop local popular culture toward the global cultural markets. I found that cultural creators emphasize the importance of cultural identity to appeal to global audiences as well as local audiences instead of emphasizing solely hybridization. Keywords: cultural production, Hallyu, cultural creators, transnational culture Since the early 2010s, the Korean Wave (Hallyu in Korean) has become globally popular, and media scholars (Han, 2017; T. J. Yoon & Kang, 2017) have paid attention to the recent growth of Hallyu in many parts of the world. Although the influence of Western culture has continued in the Korean cultural market as well as elsewhere, local cultural industries have expanded the exportation of their popular culture to several regions in both the Global South and the Global North. Social media have especially played a major role in disseminating Korean culture (Huang, 2017; Jin & Yoon, 2016), and Korean popular culture is arguably reaching almost every corner of the world. -
Secret Sunshine/ Milyang (2007) “Are You Looking? Do You See?” Major
Secret Sunshine/ Milyang (2007) “Are you looking? Do you see?” Major Credits: Director: Chang-dong Lee Writer: Chang-dong Lee, from a novel by Chong-jung Yi Cinematography: Yong-kyo Cho Cast: Do-yeon Jeon (Shin-ae/ Mrs. Lee), Kang-ho Song (Jong Chan/ Mr. Kim) Production Context: Chang-dong Lee (b. 1954) was a successful novelist before turning to the cinema in 1992, when he became part of the Korean New Wave that includes Kim Ki-duk (Spring, Summer, Fall, Winter… and Spring), Bong Joon-ho (Memories of Murder), and Hong Sang-soo (Hill of Freedom). Lee was drawn to filmmaking following a political shift in Korea away from socialism around the time of the 1988 Seoul Olympics. For Lee, the cinema replaced literature as a means of conveying his social concerns, as becomes clear in his second feature, Peppermint Candy (1999). In contrast to the striking flashback narrative structure of that film and the socially marginalized protagonists of Oasis (2002), Secret Sunshine was designed with “normality” (Lee’s term) in mind. Both lead actors were well known to Korean audiences. Kang-ho Song’s role as Mr. Kim marks a departure from type, since he was best known for gangster and detective roles (most notably in Joon-ho Bong’s excellent Memories of Murder, 2003). Do-yeon Jeon, who won the acting prize at Cannes for her portrayal of Shin-ae, reportedly “hated” the director during their time together shooting the film. Cinematic Aspects: 1. Long Take: Lee deploys these unedited shots at key moments in the narrative (Interestingly, the director has testified that he had decided not to use long takes to preserve the film’s “normality”). -
Gender Identity Trouble
GENDER IDENTITY TROUBLE An Analysis of the Underrepresentation of Trans* Professors in Canadian Universities‡ Alexandre Baril, translated by Helene Bigras-Dutrisac and David Guignion Abstract This article considers the under-representation of trans persons who specialize in trans issues employed as professors in Canadian universities, with particular attention paid to the case of depart- ments of gender and feminist studies. The research question is: what are the systemic barriers preventing the displacement of the cis-centric subject from the center of francophone Canadian aca- demic feminism, and contributing to the exclusion of trans persons ? This article analyzes these obstacles. The first part demonstrates the presence of cisgenderism in teaching and research, creating a glass ceiling for trans persons in academia. The second studies the absence of trans issues in feminist francophone teaching and research, despite the interest of students in these issues. The third part employs a transfeminist approach to trouble the cisgender normativity of gender and feminist studies and the disciplinary divisions that marginalize trans persons in academia. ‡ We would like to thank Alexandre Baril and Philosophiques for allowing us to translate and republish “Trouble dans l’identité de genre : le transféminisme et la subversion de l’identité cisgenre : Une analyse de la sous-représentation des personnes trans* professeur-es dans les universités canadiennes,” Philosophiques, 44, no. 2, (2017): 285-317. The data presented in this translation have been updated from the initial publication of this text. All untranslated French language publications referenced in the original publication have been unofficially translated by Da- vid Guignion and Hélène Bigras-Dutrisac for the convenience of the read- er. -
Gender and SEXUALITY “DISORDERS” and Alexandre Baril and Kathryn Trevenen Sexuality University of Ottawa, Canada Abstract
Annual Review EXPLORING ABLEISM AND of Critical Psychology 11, 2014 CISNORMATIVITY IN THE CONCEPTUALIZATION OF IDENTITY Gender AND SEXUALITY “DISORDERS” and Alexandre Baril and Kathryn Trevenen Sexuality University of Ottawa, Canada Abstract This article explores different conceptualizations of, and debates about, Body Integrity Identity Disorder and Gender Identity Disorder to first examine how these “identity disorders” have been both linked to and distinguished from, the “sexual disorders” of apotemnophilia (the de- sire to amputate healthy limbs) and autogynephilia (the desire to per- ceive oneself as a woman). We argue that distinctions between identity disorders and sexual disorders or paraphilias reflect a troubling hier- archy in medical, social and political discourses between “legitimate” desires to transition or modify bodies (those based in identity claims) and “illegitimate” desires (those based in sexual desire or sexuality). This article secondly and more broadly explores how this hierarchy between “identity troubles” and paraphilias is rooted in a sex-negative, ableist, and cisnormative society, that makes it extremely difficult for activists, individuals, medical professionals, ethicists and anyone else, to conceptualize or understand the desires that some people express around transforming their bodies—whether the transformation relates to sex, gender or ability. We argue that instead of seeking to “explain” these desires in ways that further pathologize the people articulating them, we need to challenge the ableism and cisnormativity that require explanations for some bodies, subjectivities and desires while leaving dominant normative bodies and subjectivities intact. We thus end the article by exploring possibilities for forging connections between trans studies and critical disability studies that would open up options for listening and responding to the claims of transabled people. -
Reading List 1: Feminist Theories/ Interdisciplinary Methods Chair: Liz Montegary I Am Interested in the Ways in Which Political
Reading List 1: Feminist theories/ Interdisciplinary methods Chair: Liz Montegary I am interested in the ways in which political and social categories get constructed through, and onto, the body. And in turn, the way bodies themselves are not fixed or given, but are constantly shaped and altered through material and political means. Biopower is central to this inquiry, as is feminist theories of gender, sex, race, and dis/ability. To me, this is both material and discursive, and I honestly question the distinction between the two. For this list, I am thinking through ways in which bodies get inscribed with meaning, measured, and surveyed, as well as the ways in which they are literally shaped by these same institutions which discipline, order, and attempt to optimize them. The idea of what is to be desired or “optimized” in a body is particularly important in thinking about sports - by that I mean that the ways in which disciplining the body is also about trying to enhance it. Biopower and Bodies Michel Foucault, History of Sexuality Volume I, 1978 Alexander G. Weheliye, Habeus Viscus, 2014 Judith Butler, Gender Trouble, 1990 Judith Butler, Bodies That Matter: On the Discursive Limits of ‘Sex,’ 1993 Elizabeth Grosz, Volatile Bodies: Toward a Corporeal Feminism, 1994 Dean Spade, Normal Life: Administrative Violence, Critical Trans Politics and the Limits of Law, 2011 Dorothy Roberts, Fatal Invention **Jasbir Puar, Right to Maim: Debility, Capacity, Disability, 2017 Jasbir Puar, Terrorist Assemblages, 2007 Eugenics History Jennifer Terry, An American Obsession Julian Carter, The Heart of Whiteness Stein, Melissa N. Measuring Manhood: Race and the Science of Masculinity, 1830–1934, 2015 Snorton, C. -
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Canadian Journal of Disability Studies Published by the Canadian Disability Studies Association Association Canadienne des Études sur le handicap Hosted by The University of Waterloo www.cjds.uwaterloo Digging beneath the Surface: When Disability Meets Gender Identity Alexandre Baril, PhD School of Social Work, University of Ottawa [email protected] Annie Pullen Sansfaçon, PhD School of Social Work, Université de Montréal [email protected] Morgane A. Gelly, MA in Sociology School of Social Work, Université de Montréal [email protected] Abstract This article presents the results of a community-based participatory action-research conducted in the province of Quebec with 54 trans youth (15-25 years old). It describes the difficult reality faced by youth who are both trans and disabled and who live at the intersection of cisgenderism (or transphobia) and ableism. The research project, which uses the grounded theory methodology, was conducted in two phases of data collection between 2016 and 2019. In total, 39 of the 54 youth interviewed in person (72.2%) self-identified as disabled. This article therefore focuses on the experience of these young people. We begin this paper with a review of the literature on the theme of “transness and disability.” Then we present the core concepts in our research, including intersectionality, as well as the methodological framework that guided the project, grounded theory. In the following section, we present and discuss the research findings. After showing that, for trans youth, disability has implications at all levels in their lived experience and cannot be separated from their trans identity, we explore the intersections between transness and disability in the lives of trans youth through two main axes. -
Presentation Baril Sept 12 2018 Sg Edit
Georg-August-University Göttingen 10th European Feminist Research Conference September 12-15, 2018 How to cite this document Baril, Alexandre (2018). “Keynote Address: Cripping Trans Studies and Transing Crip Studies: Transness and Disability,” 10th European Feminist Research Conference: Difference, Diversity, Diffraction: Confronting Hegemonies and Dispossessions, The European Association for Gender Research, Education and Documentation (ATGENDER), Georg-August-University Göttingen (Germany), September 12th. Presentation based on selected arguments developed in detail in these papers: Baril, A. (2018). “Hommes trans et handicapés: une analyse croisée du cisgenrisme et du capacitisme” (“Trans and Disabled Men: An intersectional analysis of cisgenderism and ableism”), Special Issue: Sexuality and disability: An approach through social sciences, Genre, Sexualité & Société, (19): 1-26. Baril, A. (2016). “‘Doctor, Am I an Anglophone Trapped in a Francophone Body?’ An intersectional analysis of trans-crip-t time in ableist, cisnormative, Anglonormative societies”, Special Issue: French and Francophone World Disability Studies, Journal of Literary & Cultural Disability Studies, 10 (2): 155-172. Baril, A. (2015). “Transness as Debility: Rethinking intersections between trans and disabled embodiments”, Special Issue: Frailty and Debility, Feminist Review, 111, p. 59-74. Baril, A. (2015). “Needing to Acquire a Physical Impairment/Disability: (Re)Thinking the connections between trans and disability studies through transability”, Special Issue: New Conversations in Feminist Disability Studies, Hypatia: Journal of Feminist Philosophy, 30, 1, p. 30-48. Author affiliation and contact information Alexandre Baril, Ph.D., Assistant Professor School of Social Work, Faculty of Social Sciences, University of Ottawa 120 University, Room FSS12023 Ottawa, Ontario, K1N 6N5 Phone: 613-562-5800 #6386 | Email: [email protected] Web: https://uniweb.uottawa.ca/members/804 Academia.edu: https://uottawa.academia.edu/AlexandreBaril Short biography Alexandre Baril, Ph.D. -
La Mafia En El Cine Criminal Coreano Contemporáneo: Características E Influencias
Actas – V Congreso Internacional Latina de Comunicación Social – V CILCS – Universidad de La Laguna, diciembre 2013 La mafia en el cine criminal coreano contemporáneo: características e influencias Luis Miguel Machín Martín – Universidad de La Laguna Resumen: En el contexto de la nueva ola de cine surcoreano que se inicia a finales de los años 90 del siglo pasado, creció un género por encima de los demás en el país coreano: el género criminal. Apoyándose en una nueva generación de cineastas (como Park Chan-wook o Bong Joon-ho) el cine criminal coreano ha llamado la atención del mundo cinematográfico. Este estudio se enmarca dentro de otro estudio más amplio titulado Cine criminal coreano en el S.XXI: características e influencias . El objetivo del estudio era identificar rasgos comunes en los diferentes filmes de la filmografía seleccionada (que abarca un número superior al de 100 películas) así como detectar influencias de obras y movimientos cinematográficos internacionales en el cine criminal coreano. Palabras clave: cine; criminal; mafia; Corea. 1. Consideraciones previas Cuando se haga referencia al «cine coreano», siempre será el cine de la República de Corea (Corea del Sur) el mencionado, excepto cuando se precise lo contrario. Los nombres coreanos romanizados se escriben, normalmente, con el apellido delante del nombre compuesto, así, por ejemplo, en el nombre Song Kang-ho, el apellido corresponde a Song, y el nombre compuesto corresponde a Kang- ho. La romanización de los nombres y títulos coreanos puede seguir varias fórmulas, lo que, en ocasiones, determina que haya variaciones entre ISBN-13: 978-84-15698-29-6 / D.L.: TF-715-2013 Página 1 Actas on-line: http://www.revistalatinacs.org/13SLCS/2013_actas.html Actas – V Congreso Internacional Latina de Comunicación Social – V CILCS – Universidad de La Laguna, diciembre 2013 diferentes textos. -
Films2008new
Copyright © BFI 2008 CRITICS BY NAME GULNARA ABIKEYEVA .................................... 4 GEOFF ANDREW ......................................... 5 MICHAEL ATKINSON ..................................... 5 JAMES BELL ............................................. 6 GUIDO BONSAVER ....................................... 7 NICK BRADSHAW ........................................ 8 PETER BRADSHAW ....................................... 9 MICHAEL BROOKE....................................... 10 ED BUSCOMBE.......................................... 11 TOM CHARITY.......................................... 12 IAN CHRISTIE .......................................... 13 MICHEL CIMENT ........................................ 15 KIERON CORLESS ....................................... 15 MARK COUSINS ........................................ 16 HAMID DABASHI........................................ 17 CHRIS DARKE .......................................... 18 MARIA M. DELGADO ..................................... 19 ANDREA DITTGEN ...................................... 21 THE FERRONI BRIGADE AKA OLAF MOLLER & CHRISTOPH HUBER. 22 MARK FISHER .......................................... 23 LIZZIE FRANCKE ........................................ 24 JEAN-MICHEL FRODON ................................... 25 GRAHAM FULLER ....................................... 26 LEONARDO GARCIA-TSAO ................................ 28 CHARLOTTE GARSON .................................... 29 CHARLES GANT......................................... 30 RYAN GILBEY ......................................... -
Sociedad Y Cultura En La República De Corea
México y la cuenca del pacífico ISSN: 2007-5308 Universidad de Guadalajara, Centro Universitario de Ciencias Sociales y Humanidades, Departamento de Estudios del Pacífico Sociedad y cultura en la República de Corea Arellano, Leandro Sociedad y cultura en la República de Corea México y la cuenca del pacífico, núm. 15, 2016 Universidad de Guadalajara, Centro Universitario de Ciencias Sociales y Humanidades, Departamento de Estudios del Pacífico Disponible en: http://www.redalyc.org/articulo.oa?id=433753443002 PDF generado por Redalyc a partir de XML-JATS4R Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Sociedad y cultura en la República de Corea Leandro Arellano La Jornada Semanal, México I Como un sinfín de cosas originarias de Asia, Corea es una nación ancestral, milenaria por su existencia y sus tradiciones, pero nueva, joven por la sangre renovada y advertida en sus impulsos y deseos de participar con el conjunto de naciones. Que la historia no va en línea recta lo demuestra fehacientemente el desarrollo de Corea. Cómo una nación se elevó en tan sólo tres o cuatro décadas de un país eminentemente rural a una nación industrial y desarrollada, es admirable. Todos los indicadores de la economía coreana dan testimonio de la voluntad y la decisión del país por alcanzar el nivel de nación desarrollada. Tales han sido sus éxitos y logros en el plano económico, que a menudo parece olvidarse que la vitalidad de la cultura y la sociedad coreanas son los pilares en que se sustenta aquélla. Estas observaciones se refieren a la Corea de la presente generación, la de las Olimpiadas de 1988 a la fecha, Leandro Arellano. -
P30-31 Layout 1
30 Established 1961 Monday, May 7, 2018 Lifestyle Movies Cate Blanchett’s feminist wake-up call to Cannes ate Blanchett knew there was something seriously awry with the Cannes film festi- Cval when the winners of its top prize, the Palme d’Or, were gathered together to cele- brate its 50th anniversary in 2014. Among the sea of grey heads on the stage there was only one woman, Jane Campion, who had won for “The Piano” two decades earlier. “Sometimes things have to get that bad and that stark for us to say, ‘Hang on a minute. There’s something wrong-literally-with this picture’,” the actress said this week, days before heading the jury that will chose this year’s winner. With Cannes and the film industry still reel- ing from the Harvey Weinstein scandal, some saw her appointment as a quick-fix PR coup to head off critics. The world’s top film festival, which likes to think of itself as “the movie Olympics”, has long faced criticism for its “dis- mal” attitude to female directors. Only three of the 21 films in competition for the Palme d’Or are directed by women, the same number as last year. And the festival’s decision to lift its ban on controversial Danish director Lars Von In this file photo Actress Cate Blanchett arrives on Trier, who has faced sexual harassment claims the red carpet for the 88th Oscars in Hollywood, from the singer Bjork and whose company has California. — AFP photos been hit by multiple accusations, further raised eyebrows.