WORD Dear Reader: -- This Volume of Sermons Are a Few of the Many Which Rev

Total Page:16

File Type:pdf, Size:1020Kb

WORD Dear Reader: -- This Volume of Sermons Are a Few of the Many Which Rev All Rights Reserved By HDM For This Digital Publication Copyright 1993 -- 2003 Holiness Data Ministry Duplication of this CD by any means is forbidden, and copies of individual files must be made in accordance with the restrictions stated in the B4UCopy.txt file on this CD. CULPEPPER SERMONS By John B. Culpepper, And O. B. Culpepper, Father And Son Pickett Publishing Co. Louisville, Kentucky Copyright 1906 By Pickett Pub. Co. * * * * * * * Digital Edition 07/05/2003 By Holiness Data Ministry * * * * * * * CONTENTS 01 -- Value Of The Soul 02 -- Samson 03 -- I Will Be Sorry For My Sin 04 -- The Prodigal Son 05 -- Backsliding 06 -- The Church Walking With The World 07 -- The Rich Fool 08 -- Power 09 -- That Meeting; Or, Are You Prepared? 10 -- The Wandering Lover; Or Christ Enthroned 11 -- Before The Ball 12 -- After The Eagle Screams 13 -- That Black Horse [Of Sin] * * * * * * * FOREWORD Dear Reader: -- This volume of sermons are a few of the many which Rev. Burke Culpepper and I have preached in the South and West, together for the last eight years, and I, before him, for thirty years. Concerning his part, in this humble contribution, I would say that I have known of the origin of each of his sermons, and with a father's pardonable pride, I rejoice in two facts -- First, they are the products of his own brain and heart. Second, God signally uses them, in the salvation of souls. Trusting that you will get a dollar's worth of good out of them, I am, John B. Culpepper. * * * * * * * INSCRIBED To The Twentieth Century Evangelistic Movement. John B. And O. B. Culpepper, Father And Son * * * * * * * 01 -- VALUE OF THE SOUL -- By J. B. C. "For what shall it profit a man, if he gain the whole world and lose his own soul, or what shall a man give in exchange for his soul." -- Mark 8:36, 37. With a subject like this, one might talk for days together, and might preach about much connected with every man, woman and child, and everything. But I want to talk about a matter which can be brought within more reasonable limits. I wish to talk about just one thing -- your soul, and one feature of that soul -- its value. And I want to narrow the matter still, and discuss your soul's worth from a constitutional standpoint. If we judge of its value by the treatment it and its claims receive at our hands, we would conclude that it is worth less than anything else, whereas God teaches us that, compared with its high claims and noble destiny, nothing besides has any value. I once read of a nobleman who shipped for this new country, with all of his vast possessions compressed into a jewel of rarest value, which he carefully kept in a well-guarded trunk. On the vessel, a lad passed apples for sale. This nobleman took one, two, three, four, five, six, and kept them bouncing from his palm, in air, to the delight of ladies and gentlemen. They praised his skill until it intoxicated him. Dropping the apples, he brought out this rare jewel, displayed it, then stepped to the edge of the floating vessel, tossed it into the air, caught it -- tossed and caught, until the crowd remonstrated, saying, here, take an apple -- anything, but you might drop that lovely thing. Don't do that. He kept tossing, saying: "I wish to show you what perfect confidence I have in my skill." He tossed and caught, until he tossed and failed to catch. He gasped and caught at, caught at -- as the beautiful jewel, embodying all he owned, dropped into the water below. Two hours later, he was found pacing the deck, smiting his breast and saying, "What a fool I was to risk my all on the idle plaudits of a gazing throng and a passing hour, without any possible gain to me." Ah, me! This tossing act is repeated about us all the time. It is not an apple; neither is it a rare pearl. It is our undying souls and their passing but most precious opportunities. When we look at a human body, we find it fashioned after an intelligent plan, organized. Our feet tell of a path to be trodden; our hands tell of objects to be lifted; our shoulders, of burdens to be borne; our eyes speak of the light. You can reason from a sound to an ear drum; from light and object to the eye. Our whole physical being is adapted to nature about us, and nature is adapted to these organs or members. Just so, we are organized spiritually, or in our souls. As you can reason from the light to the eye, you may reason from a soul to prayer and worship, or from prayer and worship, back to a soul. We find the same fitness; the same eye upon an end in view, in the one case as the other. It is therefore most natural to be religious. A man who cannot be religious is monstrous. Original nature is right nature, religious nature. Man was made to commune with God. Then I predicate righteousness, including the highest worship of the soul, of creation. God made us to be good. In our Bible, it looks sometimes as if the understanding were put for the soul; again the judgment, or power to weigh facts; the will or power to say yes or no; faith, or the power to believe; memory, or the power to retain; conscience, or the "moral sense;" affection, or the power to hate or love. Suppose, for the good of the hour, we make a partial definition of the soul to consist in -- the imagination, understanding, judgment, will, memory, imitative faculty, affectional nature, faith, power, con. science. This will, at least, aid us to some useful studies. * * * The Imagination This is the lowest, or first, faculty. It is the image-in-a-tion -- the image room. It is, here, mother, nurse, nature, hangs the first little pictures, from which come the first thoughts, from which come the first words, from which develop the first acts, from which character is molded, from which destiny is reached. Or if you start with God, you find destiny -- then character, conduct, speech, thought, down -- down back to the image-room whence we started. You hear it said a man can't live right. Fewer believe you can always speak correctly. Still fewer that we can always think as we should. But if the "blood which cleanseth," is let into the image room, and it cleanses, and the walls are beautifully frescoed, and the fresh air from the spice laden gardens of paradise are let in, then right thoughts, speech, conduct, character, Heaven, follows, with the natural sequence of cause and effect. I once read that racy little book, called "Goldfoil." The author tells of a lovely island, washed by waters pacific. Flora and Fauna vied to wear the crown. Fruits in abundance, flowers of every hue, trees from every paradise, blended in one common garden. The moon is large and looks in zenithal wonder down upon this castle of loveliness. A maiden gently steers her wave-kissed keel, drops anchor, and is lost in this labyrinth of bewitchery and beauty -- thinking she is all alone. But along a parallel path, there goes a matron; there goes a lad, and yonder a young husband. They, each ignorant of the presence of the other, claim this garden of delights as all their own. This girl would blush to tell her mother where she spent the last half hour. This old lady would not like to detail her walk of the last hour. This husband would deny to his wife where he spent his time. Where, says Goldfoil, is this isle? "It is the isle of the imagination." It is here, too, Satan gets in his direst work. I beg the young, especially, to keep the image room of the soul clean. * * * The Understanding This is a window. It must be kept open. The mother must be understood by her babe or it will not advance. How the teacher labors to be understood! How dependent I am at this hour upon that window! If you don't understand me, I need not speak. God wants to be understood. The prophets labored to that end. The blessed Christ was a mighty condescending effort on the part of God to be understood. This Bible is written in simple language. Who ever said the ten commandments were above our comprehension? How painfully, but gloriously plain, is the sermon on the mount. Thank God, the waters of salvation burst from the rock, so low that a child can understand, while the philosopher may stoop to slake his thirst. We have fallen upon superficial days. The people are in a hurry. They glance over the paper, skim books, cram on a few specialties at school, rush into business, rush through life, and most of them could say in the hour of death -- I am an agnostic, for I don't know. We read of men, who were lost in thought -- became abstracted -- forgot the passing of time. Such are rare now. We see a little of everything, but know little. The window of the understanding is nearly closed to any given matter, however important. While preaching to you, there sits a young woman who wonders why that young man across there is with another girl tonight. She is recalling all she said and did last night, which may possibly have given offense.
Recommended publications
  • The Trees of Balboa Park by Nancy Carol Carter
    The Trees of Balboa Park By Nancy Carol Carter Landscape architect Samuel H. Parsons, Jr. noted with enthusiasm the growth of trees and shrubs in City Park when he returned to San Diego in 1910. Five years had elapsed since his New York firm had submitted a comprehensive master plan for the layout of the 1,400 acres set aside as a park in 1868, but mostly left in a natural state for the next few decades. Parsons had returned to San Diego because the city had decided to host an international exposition in 1915. He was hired this time to assess progress on City Park’s master plan and to suggest improvements in all of San Diego’s parks. He thought San Diego had made good progress in engi- neering roads and otherwise fulfilling the landscape plan of City Park.1 His formal report to the park commissioners, submitted June 28, 1910, includes a description of trees and other plantings in the park. By the time Parsons wrote this report, City Park had been in existence for forty-two years and was estimated to contain about 20,000 healthy trees and shrubs. The park commission kept careful records of 2,357 shrubs and vines planted in 1909, but earlier landscape records are sketchy.2 In 1902, Parsons had suggested that the mesas be left open to preserve the stunning views stretching from the mountains to the ocean. “Overplanting is a common mistake everywhere,” he said, “A park is too often perverted to a sort of botanical garden, where a heterogeneous lot of plants are gathered together and massed in a haphazard fashion.”3 He was trying to help San Diegans understand the difference between a park and botanical garden and perhaps obliquely com- menting on the hodgepodge of homegrown efforts to develop the park before 1910.
    [Show full text]
  • San Diego History Center Is a Museum, Education Center, and Research Library Founded As the San Diego Historical Society in 1928
    The Journal of Volume 56 Summer 2010 Number 3 • The Number Journal of San Diego History 56 Summer 2010 Volume San Diego History Publication of The Journal of San Diego History is underwritten by a major grant from the Quest for Truth Foundation, established by the late James G. Scripps. Additional support is provided by “The Journal of San Diego Fund” of the San Diego Foundation and private donors. The San Diego History Center is a museum, education center, and research library founded as the San Diego Historical Society in 1928. Its activities are supported by: the City of San Diego’s Commission for Arts and Culture; the County of San Diego; individuals; foundations; corporations; fund raising events; PRESERVE A SAN DIEGO TREASURE membership dues; admissions; shop sales; and rights and reproduction fees. Your $100 contribution will help to create an endowment for Articles appearing in The Journal of San Diego History are abstracted and indexed in Historical Abstracts and America: History and Life. The Journal of San Diego History The paper in the publication meets the minimum requirements of American Please make your check payable to The San Diego Foundation. Indicate on National Standard for Information Science-Permanence of Paper for Printed the bottom of your check that your donation is for The Journal of San Diego Library Materials, ANSI Z39.48-1984. History Fund. The San Diego Foundation accepts contributions of $100 and up. Your contribution is tax-deductible. The San Diego Foundation 2508 Historic Decatur Road, Suite 200 San Diego, CA 92106 (619) 235-2300 or (858) 385-1595 [email protected] Cover: Earliest known sketch from the perspective of Presidio Hill showing the presidio ruins, Mission Valley, the San Diego River emptying into San Diego Bay, Old Town, and Point Loma drawn by William Birch McMurtrie, artist on board the U.S.
    [Show full text]
  • Literary Remains 1 Literary Remains
    Literary Remains 1 Literary Remains The Project Gutenberg EBook of Literary Remains (1), by Coleridge #8 in our series by Coleridge Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: Literary Remains (1) Author: Coleridge Release Date: July, 2005 [EBook #8488] [Yes, we are more than one year ahead of schedule] [This file was first posted on July 15, 2003] Edition: 10 Language: English Literary Remains 2 Character set encoding: ISO-8859-1 *** START OF THE PROJECT GUTENBERG EBOOK LITERARY REMAINS (1) *** Produced by Jonathan Ingram, Clytie Siddall, David Widger and the Online Distributed Proofreading Team THE LITERARY REMAINS OF SAMUEL TAYLOR COLERIDGE COLLECTED AND EDITED BY HENRY NELSON COLERIDGE, ESQ. M. A. TO JOSEPH HENRY GREEN, ESQ. MEMBER OF THE ROYAL COLLEGE OF SURGEONS, THE APPROVED FRIEND OF COLERIDGE THESE VOLUMES ARE GRATEFULLY INSCRIBED.
    [Show full text]
  • The Clinton Independent. VOL
    The Steel **1 bg SP1ULDUV6 A GO. The Clinton Independent. VOL. XXIX.—N<). 23. ST. JOHNS, MICH.. FRIDAY MORNING, MARCH 22. 189'). WHOLE NO.—1483. Have your Watches. Clock* ami J«r* —liahy Carriages at Sherman * Ba­ Far Ik* Nakraaka Mlarrni. sprtua Cup— —Ml Jurhi—■ zaar. DAVID 8C0TT IS DEAD. ♦dry tepaiied at Alliaou ’s. the old rell* The citizens' meeting held at the court Next week w*e siiml have our new aide tewele* —Fildew Si Milliuan s Winter Fluid house last Monday evening to devise FREE SILVER CHIB! line of spring ( apes aud Jackets, also a curea chapped hands. ways and means for tlie relief of those line line of latdies' Marliintoebea . Spectacle* and Eye Glasses at almost The OI.I mI mmI HmI Knows PlraMr In citizens of Nehrasku who suffered by / wholesale pruw at Krepps. DeNYitt At —Fildew A Millmaii received uu or ­ (Made to our order.) HluUI be pleoaed der to-day for 2 dozen Lemon Hitters elision County Ha. JolHrS Ibr (Inal reason of the drought last season, was to have you call and examine them. Co.'s. Eyes tested free. troiu Grand Rapids Najorlli on lit* Ollier shore. small iu point of numbers, but enthusi­ John lliens. astic in well-doing. —John Hicks lias something pleasant Pur sale. homi : mattkkn . and profitable to sav to consumers C. C. Vaughan was chosen chairman and Rev. D. D. Martin secretary of the A limn new top buggy (lieup-for eaah. through Ids advertisement on uuother A good man lias gone. The oldest HmiIIIm. page. meeting, both of wiioni were later made or will exaliange tor cow or farm pro —Foerch A Danlv pay cash for egg*.
    [Show full text]
  • De Darwin À La Littérature : Un Regard Évolutionniste Sur Cinq Romans D'ian
    UNIVERSITÉ DE NANTES _____ ÉCOLE DOCTORALE SOCIÉTÉS, CULTURES, ÉCHANGES (SCE) ) Année 2015 N° attribué par la bibliothèque De Darwin à la littérature : un regard évolutionniste sur cinq romans d'Ian McEwan et de Margaret Drabble (Enduring Love, The Peppered Moth, Saturday, The Sea Lady, Solar ___________ THÈSE DE DOCTORAT Discipline : ANGLAIS Spécialité : LITTÉRATURE Présentée et soutenue publiquement par Bruno ARQUIÉ Le 4 décembre 2015, devant le jury ci-dessous Président Mme Catherine LANONE (Université Paris 3) Rapporteurs Mme Laurence TALAIRACH-VIELMAS (Université Toulouse Jean-Jaurès) Mme Nicole TERRIEN (Université Rennes 2) Examinateurs M. Stéphane TIRARD ( Université de Nantes) Directeur de thèse M. Georges LETISSIER (Université de Nantes) 1 REMERCIEMENTS Je remercie Georges Letissier. Sans sa direction infaillible, sans sa lucide bienveillance, sans sa patience inentamable, ni sans sa chaleureuse humanité, ce travail serait resté un fouillis « inextricable » de mots et d'idées. Je remercie Laëtitia d'avoir tenu la barre du quotidien, notamment pendant que j’exprimais des idées indispensables sur l’investissement parental. Nos conversations quotidiennes ont inspiré une bonne part de ce travail. Ce travail est tout particulièrement dédié à Gabrielle et Aloys, qui, bientôt, écriront et penseront mieux et plus vite que leur vieil étudiant de père. Qu'ils veuillent trouver ici ses plates excuses pour ce qui va suivre. 2 Dans les citations nous utiliserons les abréviations suivantes : EL pour Enduring Love SA pour Saturday SO pour Solar PM pour The Peppered Moth SL pour The Sea Lady 3 TABLE DES MATIÈRES INTRODUCTION.......................................................................................................9 PREMIÈRE PARTIE................................................................................................23 1. Première partie : Circonscrire le moment romanesque.....................................25 1.1.
    [Show full text]
  • A Song Only Dead Men Know Cassidy Foust Macalester College, [email protected]
    Macalester College DigitalCommons@Macalester College English Honors Projects English Department Spring 5-1-2015 A Song Only Dead Men Know Cassidy Foust Macalester College, [email protected] Follow this and additional works at: http://digitalcommons.macalester.edu/english_honors Recommended Citation Foust, Cassidy, "A Song Only Dead Men Know" (2015). English Honors Projects. Paper 32. http://digitalcommons.macalester.edu/english_honors/32 This Honors Project - Open Access is brought to you for free and open access by the English Department at DigitalCommons@Macalester College. It has been accepted for inclusion in English Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. 1 A Song Only Dead Men Know Cassidy Foust 2 One In old maps, the sea drips off at the edge of the parchment in what is supposed to be the end of the world. Mapmakers would draw monsters here: great sea beasts and serpents with mouths tall as a ship’s mast; winged harpies, their talons raised; beautiful sirens, selkies, and mermaids, their soft lips parted in deadly song. These were always Marin’s favorites, these wicked women, these horrible temptresses. Her grandfather, a grizzled old man who had once served as a mapmaker to the King of England himself, would set her down on his knee and unfurl long parchments of map, teaching her the names of all the waterways as her fingers traced the faded ink. “That’s the Irish Sea,” he would say, “It swirls down towards Europe right past the Salinges.” “Have you ever seen a selkie, Granddad?” Marin would ask, thumbing over the creature’s hair as if she could draw it into life.
    [Show full text]
  • The First London Mormons: 1840-1845: "What Am I and My Brethren Here For?"
    Brigham Young University BYU ScholarsArchive Theses and Dissertations 1988 The First London Mormons: 1840-1845: "What Am I and My Brethren Here For?" Lynne Watkins Jorgensen Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the European History Commons, and the Mormon Studies Commons BYU ScholarsArchive Citation Jorgensen, Lynne Watkins, "The First London Mormons: 1840-1845: "What Am I and My Brethren Here For?"" (1988). Theses and Dissertations. 4841. https://scholarsarchive.byu.edu/etd/4841 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. THE FIRSTF I1 rst LONDON MORMONS 1840 1845 WHAT AM I1 AND MY BRETHREN HERE FOR A thesis presented to the department of history brigham young university in partial fulfillment of the requirements for the degree master of arts by lynne watkins jorgensen december 19551988 this thesis by lanonelynone lynne watkinswati ms jorgensen is accepted in its presentpre i nt form by the department of history of brigham young univeruniversityolty as sattsatisfyingfylng the thesis requirement for the degree ofor lastermaster1 of arts V ay H yy davidjfpratt committee chairman ddneow filsjhfitsmitsb jh C 0 104vl V robertfilsC kenzer lycommittee member 9 aw 2 20a C 9 00avqldyolayaldyoldy 6w C ilffns date david C montgomery
    [Show full text]
  • American Animals, American Men: Popular Literature from 1830 to 1915
    AMERICAN ANIMALS, AMERICAN MEN: POPULAR LITERATURE FROM 1830 TO 1915 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Stephen D. Kelly December 2020 Examining Committee Members: Miles Orvell, Advisory Chair, English James Salazar, English Talissa Ford, English Matt Wray, External Member, Sociology ii © Copyright 2020 by Stephen D. Kelly All Rights Reserved iii ABSTRACT Critics of animal rights often deride the movement’s proponents for having a sentimental, juvenile misconception of what animals really are, an argument bolstered by the fact that few twenty-first-century Americans besides those engaged in the industries of animal exploitation have any prolonged contact with real animals other than their pets. Until the first decades of the twentieth century, however, American cities teemed with diverse animal residents and workers, and a rapidly increasing percentage of humans grew in their conviction that these animal neighbors should be extended considerations and rights. Shifting ideas about these animals’ roles within United States society were captured in a number of new bestselling literary genres centered around “realistic” depictions of animal characters. Because animals are often conceptualized as a “contrast class” to humanity—a fundamental “Other” by which humans establish what qualities make themselves distinct and (typically) superior—analyzing these texts and their circulation within nineteenth- century culture reveals how Americans understood authority and systems of governance, and in particular how they modeled an ideal American manhood nourished by animal bodies. What forms of exploitation and control were permissible in a man’s treatment of his animals often reflected other power dynamics within society, and so these texts also provide insight into issues of class, race, and gender.
    [Show full text]
  • Strange Alchemies Ww60100
    “I’ve watched youyou everever STRANGE ALCHEMIES since thethe dayday II waswas made.made. WatchedWatched youyou love,love, watched watched you you laugh, watchedlaugh, watched you kill youand killdie. and die. You’reYou’re perfect, eveneven thoughthough youyou don’t don’t knowknow it.it. PerfectlyPerfectly wonderful.wonderful. PerfectlyPerfectly awful. awful. PerfectlyPerfectly human. human. I’veI’ve beenbeen watching,watching, trying toto figurefigure youyou out.out. TryingTrying toto figurefigure outout howhow toto be be you. you. I know moremore aboutabout youyou thanthan youyou do.do. This book includes: • Detailed discussion of each of I know more about you than I the Lineages and Ref inements, I know more about you than I including new Transmutations and Bestowments do about myself.” • Thoughtful essays discussing do about myself.” many issues important to Promethean chronicles • “Strangers On a Hill”, a new — The Hangman’s Beautiful Daughter, Galateid story in the “Water of Life” — The Hangman’s Beautiful Daughter, Galateid chronicle begun in Promethean: The Created, set in Boston PRINTED IN CHINA ISBN-10: 1-58846-607-8 WW60100 www.worldofdarkness.com WW60100 ISBN-13: 978-1-58846-607-5 $26.99 US “I’ve watched youyou everever STRANGE ALCHEMIES since thethe dayday II waswas made.made. WatchedWatched youyou love,love, watched watched you you laugh, watchedlaugh, watched you kill youand killdie. and die. You’reYou’re perfect, eveneven thoughthough youyou don’t don’t knowknow it.it. PerfectlyPerfectly wonderful.wonderful. PerfectlyPerfectly awful. awful. PerfectlyPerfectly human. human. I’veI’ve beenbeen watching,watching, trying toto figurefigure youyou out.out. TryingTrying toto figurefigure outout howhow toto be be you.
    [Show full text]
  • Millennium – Opening Episode Quotations and Proverbs
    MillenniuM – Opening Episode Quotations and Proverbs Pilot Season: 1 MLM Code: 100 Production Code: 4C79 Quotation: None Gehenna Season: 1 MLM Code: 101 Production Code: 4C01 Quotation: I smell blood and an era of prominent madmen - W.H. Auden Dead Letters Season: 1 MLM Code: 102 Production Code: 4C02 Quotation: For the thing I greatly feared has come upon me. And what I dreaded has happened to me, I am not at ease, nor am I quiet; I have no rest, for trouble comes. - Job 3:25,26 Kingdom Come Season: 1 MLM Code: 103 Production Code: 4C03 Quotation: And there will be such intense darkness, That one can feel it. - Exodus 10:21 The Judge Season: 1 MLM Code: 104 Production Code: 4C04 Quotation: ...the visible world seems formed in love, the invisible spheres were formed in fright. - H. Melville 1819-1891 522666 Season: 1 MLM Code: 105 Production Code: 4C05 Quotation: I am responsible for everything... except my very responsibility. - Jean-Paul Sartre ©2006 http://Millennium-ThisIsWhoWeAre.net Blood Relatives Season: 1 MLM Code: 106 Production Code: 4C06 Quotation: This generation is a wicked generation; it seeks for a sign, and yet no sign shall be given to it... - Luke 11:29 The Well-Worn Lock Season: 1 MLM Code: 107 Production Code: 4C07 Quotation: The cruelest lies are often told in silence. - Robert Louis Stevenson Wide Open Season: 1 MLM Code: 108 Production Code: 4C08 Quotation: His children are far from safety; They shall be crushed at the gate Without a rescuer. - Job 5:4 Weeds Season: 1 MLM Code: 109 Production Code: 4C09 Quotation: But know ye for certain..
    [Show full text]
  • Gospel of the Kingdom
    THE Off HE HMM By the Late Wiley Jones 9 9 Norfolk, Virginia I '• ADVOCATED IN A SERIES OF TEN DISCOURSES DIVIDED INTO FOUR VOLUMES Revised and Republished A. D. 1947 by ELDER J. M. MORGAN Bristow, Oklahoma VOLUME NO. 1 Church of God General Conference: McDonough, GA; https://coggc.org/ Church of God General Conference: McDonough, GA; https://coggc.org/ PREFACE These discourses are not verbatum reports, but were written out principally from short notes used in speaking-. The subjects, as will be seen, are of the utmost importance, embracing the lead­ ing points of “The faith of the gospel.” This volume is now sent on its travels with the humble and fervent prayer that, under the blessing of the Lord, it may assist many in obtaining a knowledge of that Gospel which “is the power of God unto salvation to every one that believeth.” Norfolk, March, 1879. Church of God General Conference: McDonough, GA; https://coggc.org/ INDEX VOLUME NO. 1 FIRST DISCOURSE:— HOW TO STUDY THE BIBLE 1 SECOND DISCOURSE:— WHAT MUST I DO TO BE SAVED? .... 11 THIRD DISCOURSE:— THE PROMISES MADE UNTO THE FATHERS; OR, THE COVENANT WITH ABRAHAM . 24 VOLUME NO. 2 FOURTH DISCOURSE:— • THE SURE MERCIES; OR, THE COVENANT WITH DAVID . 1 FIFTH DISCOURSE:— THE ETERNAL INHERITANCE . 11 SIXTH DISCOURSE:— IMMORTALITY, AND HOW IT MAY BE OBTAINED . • 23 VOLUME NO. 3 SEVENTH DISCOURSE:— THE SUBJECTS, NATURE, DESIGN AND IM­ PORTANCE OF CHRISTIAN BAPTISM . 1 EIGHTH DISCOURSE:— CHRISTIAN DUTIES AND GRACES TO BE OB­ SERVED AND CULTIVATED AFTER BAPTISM . 10 NINTH DISCOURSE:— THE KINGDOM AS DISTINGUISHED FRO M THE CHURCH.
    [Show full text]
  • Image Generation Veer 071 Image Generation
    Image Generation Veer 071 Image Generation a reader John Cayley Veer Books 2015 Published by Veer Books July 2015 All rights remain with the author. isBn 978-1-907088-82-7 Production and additional editorial assistance: Haley Jenkins Veer Books would like to acknowledge the support of the Contemporary Poetics research Centre (CPrC) Birkbeck, and the Department of english and Humanities, Birkbeck College, University of London, since 2003, as well as that of the school of english and Languages, University of surrey. For ordering or other enquiries, please visit the Veer Books website: www.veerbooks.com Alternatively you can email Veer Books at [email protected] CONTENTS Supply Texts Misspelt Landings /9 rooks and Crows / 11 Lakeside overnight southbound Calls / 14 Poetic Caption / 15 Top Chef Affect Meeting / 17 Pentameters toward the Dissolution of Certain Vectoralist relations / 19 Zero-count Stitching (see also ‘one image tongue’) First Wind Autumn / 25 Poetic Caption 321 / 26 Zero-count stitching 1 • 3 • 4 • 7 • 5 / 30 [n-gram] Loose Links i had a visit today … / 35 And yet he couldn’t … / 39 Period Bob / 42 one may not, i believe, glean from this analysis of the writing subject that such a subject is to be distinguished from the writing machine / 46 Uncut / 54 literary mind / carving dragons / 56 Writing to be Found Write Thus / 59 Monoverse selections / 67 Images one image tongue / 82 ‘The image’ in Common Tongues / 99 Adjective Noun / 115 Monoclonal Microphone / 125 Orthographics / 132 Brief Procedural Expositions & References / 137 Acknowledgements / 143 Supply Texts Misspelt Landings swimming back alone to the bathing rock, head under, he reaches out to grasp the familiar ledge, a fold in the rose- tinged granite just above the surface of the waist-deep water at its edge, by the stone which he can see clearly though unfocused through the lake water.
    [Show full text]