Zíttle Zheatte-. (Babriel

Total Page:16

File Type:pdf, Size:1020Kb

Zíttle Zheatte-. (Babriel PAGE TWO AUGUST AN A OBSER VER MARCH 18, 1964 Political Perspectives: by Jerry Mubbart "Kaiigaroo jury," screamed Melvin Belli. The Then there were the defense attorneys, Melvin flamboyant San Francisco lawyer was loudlythank- Belli and his Texas sidekick, Joe Tonahill. Perhaps ing a Dálias jury for their verdict for bigotry. He the most obvious defense argument was that no was so busy denouncing both judge and jury that sane man would commit murder in a crowded room he barely had time to pat his client on the shoulder with television cameras looking on. But Belli and and assure him that the verdict would be appealed. Tonahill felt that they had to give a performance. His client, incidentially, is Jack Ruby who has been First they moved for a change of venue and then given the death sentence for the murder of Lee Os- they sought to bar from the jury any one who had wald. seen the murder on television. And so, round one of the Ruby trial has come to Frustrated here, Belli and Tonahill decided to an end. It was by any standard a sorry spectacle, lend a little spice to things. They entered the re- not so much for the verdict as for the procedure of port of Ruby's psychiatric examination which in- MEMBER ROCK ISLAND, ILLINOIS the trial. Considering that a man was on trial for cluded the sickening revelation that Oswald's mur- Editor Dave Johnson his life for murdering the Presidenfs assassin, one der was due to Ruby's homosexual desire for Pres- Associate Ednor ... Brian Alm Managing Editor . Phil Hougen might expect a trial conducted with a certain amount ident Kennedy. Why this had to be made part of Sports Ednor Steve McKinley of dignity. Instead, the country and the world got the court record is anyone's guess. To really give News Editors Faith Nimrod, Sue Schaefer Feature Editor . Sharon Johnson a circus. things a lift, there was Belli's emotional reaction to Copy Editor .... Carol DeLay Perhaps Judge Joe Brown deserves a ward of the verdict which can be attributed to the fact that World Affairs Editor Jerry Hubbart Society Editor Marlette Swanson credit for refusing to allow television cameras in the he, not Ruby, had lost. Business Manager . Jim Ash courtroom. But according to one report, he wanted And what of Jack Ruby? Caught between a city Ad Manager . Norm Moline Photo and File Sharon Werner to have them and was on the verge of tears when determined to improve its public relations image Advisor Harry Stelling he was practically forced to ban them. The judge, Obs Phone Number . and a couple of grandstanding lawyers, he was hard- 788-9M1 ext. ZU2 after seeing the smoky atmosphere in the court ly noticed. A short, slightly bald man who operates room, reversed himself and banned smoking. This Publlshed weekly during the school year, except durlng final examlnatlon perlods a strip joint. He is a most pitiable figure. And after at 639 Thlrty-elghth Street, Rock Island. Illinois, by the studente of Atigustana worked a great hardship on the judge who is a reciving the death sentence, only his lawyer re- College, Rock Island. Entered at the post offlce at the speclal rate of postage pr cigar man. But a smoke filled room is hardly dig- vided for in Par. 4, Sec. 538, P. I. and R., Act of February 28, 1925. membered to say a hurried word of comfort. No- nified, so the judge gave up stogies and took to body else seemed to care. chewing tobacco. After we had played "Ring ^thought Cinderella was a stupid Zíttle Zheatte-. Around the Rosy" for a while, we story because carriages just can't (Babriel sat down and talked about the turn into pumpkins. But, he said, Of the many proposals in the College Union Expansion Re- problems of the lollipop circuit. she really believes the deodorant port, one merits special attention: the proposal for a little Dear Ed., They are a discontented lot, the ads on television. A little girl said theatre. Short, one-act plays, cuttings, and readings by "am- Whenever a prank is disoovered four year olds. that shc doesn't even get to read ateur" amateur groups are some of the needs that such a on a campus there's likely to be One boy told me (in his rough the Bible stories because they theatre could meet. It could also serve as the meeting place a college official around to cal! way) that he had always known didn't "really" happen that way. the actions of the pranksters the difference between right and "What does it matter?" she said. for Stu-U on Thursdays. With a seating capacity of around "childish." The prank may be de- wrong until he started listening "I like those stories." 200 it could serve both as a small theatre foi dramatical pro- structive, dangerous or just fool- to the grownups he knew. 'Tm ductions and as a small movie-theatre. selfish about my tricycle," he said, To grown-ups "childish" means ish, but the word is always the f selfish, stupid, and bad. But I Some debate has arisen, however, over where this possible same. "but my Dad knows one man who has enough money for a thousand wonder, Ed, if grown-ups don't little theatre should be placed. It is felt that Potter hall is in- Children of the world, unite! just read their own troubles into adequate for stage production, and that a larger, more flexible Throw off the chains of wordage million bicycles and won't even let anyone borrow it." kids who don't even know what theatre should be built. The little theatre may be sacríficed with which your wiser adult it is to be selfish, stupid and bad. friends have shackled you! Let to build a larger theatre to take the place of Potter. Such a Another lollipopper said that he But even for the young ones larger theatre would, of couse, be located in the Fine Arts them know that only adults are felt bad about hittinç his brother more childish than children. who don't know yet, we can at Building. in the stomach until he saw a man least comfort them. They'll learn We feel that a larger and more flexible theatre should be I visited the Red Shoes School stab his brother on television. A soon enough from us how easy it this week, Ed., and I think it's third one asked me how many is. My only concern is that we built to take the place of Potter Hall as its "dramatic defkien- people the atom bomb can kill, but cies" are pretty apparent. We do not see, though, that a little time to defend the silent ones of change the word. If we only said the world. If they had their way, he hadn't ever seen enough peo- "adultish" instead of "childish" theatre could not be built in the College Union to carry the the destructive, dangerous and ple for me to make him under- maybe the lollipop circuit would- stand. "overflow" of amateur production. foolish things of this world would- n't be so anxious to grow into Such a theatre would be extremely flexible in that it would n't be called "childish," and after They further informed me that evil. And maybe we'd realize the be located in the middle of the campus and would be available talking to them for a while, 1 grown-ups love with foolishness. danger of being so mature. during the same hours as the College Union, and serve more agree. One of them said that his aunt Gabe than one purpose. We look forward to the College Union expansion program, and hope that the community center of the college will get its little theatre along with its expansion. Augustana Players to Present feelings and sensations they evoke.J The paperback collection of 'The Mousetrap' March 19, 20, 21 Books-. cummings called "100 Selected By Jan McClintic Poems" is available at the book- Agatha Christie's murder mys- store. It contains samples of al- tery. "The Mousetrap," will be admit students; tickets may be by one of the most prolific and When lawns are mudluscious most ali of cummings' styles. What presented by the Augustana Play- purchased at the door. The pro- successful mystery writers of ali and streets are puddle-wonder- better way to celebrate kiss-me- ers March 19, 20 and 21 in Potter duction is sponsored by the Au- time. In addition to numerous ful—its springtime. Springtime is now-springtime t h an to read Hall, Bergendoff Fine Arts Build- gustana chapter of Alpha Psi short stories and plays, the Brit- also ee cummings time. No poet "When faces called flowers float ing. Omega, dramatics fraternity and ish-born Miss Christie is the au- since Walt Whitman has captured out of the ground and breathing Curtain time for each perform- is directed by Don Tornquist. thor of more than 60 mystery as completely the vigorous full- is wishing and wishing is having" ance is 8 p.m. Activity tickets will "The Mousetrap" was written novéis. ness and freshness of springtime or "love is the every only god." This particular play has enjoyed and love as has cummings. His It is spring, ee. box office success in both England poems, often a little racy and al- and America. It set a record for ways overflowing with a delight long run performances in Great in life, reflect the spirit that cap- Britain and has been given more tures every soul as buds appear To Show 'How West Was Won than 2,000 times in New York.
Recommended publications
  • Verdict Programme
    Next at the Good Companions ... Hansel & Gretel A family pantomime December 12th, 13th, 14th & 15th Box Office: 07931 237206 If you would like to be involved contact Sylvia Daker for further details: 020 8959 2194 The Good Companions have a very extensive wardrobe and props collection and are very pleased to offer items for hire. Further information Tel: 020 7704 0299 www.thegoodcompanions.org.uk Tea and coffee is available for a small donation. The wine bar is open 30 minutes before the performance and for 20 minutes throughout the interval. A Letter From The Captain Backstage Dear Friends, I consider myself to be very lucky to have been Captain of the GC’s a number of times but it really is an immense Production Manager - Dawn Oliver privilege to be holding that position as we celebrate our Stage Manager - Marek Wedler 80th Anniversary. I joined the group at the tender age of fifteen and have been a member ever since! It is a place Set & Construction - Iain Savage, Daniel where, like others, I have met many wonderful people, some of whom have become my closest friends - it is my extended family. Pocklington, Joyce As with all Amateur Dramatic Societies we have had our ups and downs. Digweed, Mick Toon & Many of you will recall our desperation when some of our money was members of the cast stolen, of course we all share in the great sadness of losing close friends, who have meant so much and I especially recall the tears streaming down Lighting - Marko Saha my face as I stood on the corner of Church Close and watched our home burn down to the ground.
    [Show full text]
  • Agatha Christie
    book & film club: Agatha Christie Discussion Questions & Activities Discussion Questions 1 For her first novel,The Mysterious Affair at Styles, Agatha Christie wanted her detective to be “someone who hadn’t been used before.” Thus, the fastidious retired policeman Hercule Poirot was born—a fish-out-of-water, inspired by Belgian refugees she encountered during World War I in the seaside town of Torquay, where she grew up. When a later Poirot mystery, The Murder of Roger Ackroyd, was adapted into a stage play, Christie was unhappy that the role of Dr. Sheppard’s spinster sister had been rewritten for a much younger actress. So she created elderly amateur detective Jane Marple to show English village life through the eyes of an “old maid”—an often overlooked and patronized character. How are Miss Marple and Monsieur Poirot different from “classic” crime solvers such as police officials or hard-boiled private eyes? How do their personalities help them to be more effective than the local authorities? Which modern fictional sleuths, in literature, film, and television, seem to be inspired by Christie’s creations? 2 Miss Marple and Poirot crossed paths only once—in a not-so-classic 1965 British film adaptation of The ABC Murders called The Alphabet Murders (played, respectively, by Margaret Rutherford and Tony Randall). In her autobiography, Christie writes that her readers often suggested that she should have her two iconic sleuths meet. “But why should they?” she countered. “I am sure they would not enjoy it at all.” Imagine a new scenario in which the shrewd amateur and the egotistical professional might join forces.
    [Show full text]
  • "Verdict" Brought to Life in UD Theatre
    University of Dayton eCommons News Releases Marketing and Communications 6-16-1983 "Verdict" Brought to Life in UD Theatre Follow this and additional works at: https://ecommons.udayton.edu/news_rls Recommended Citation ""Verdict" Brought to Life in UD Theatre" (1983). News Releases. 4382. https://ecommons.udayton.edu/news_rls/4382 This News Article is brought to you for free and open access by the Marketing and Communications at eCommons. It has been accepted for inclusion in News Releases by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. The University rf Dayton News Release "VERDICT" BROUGHT TO LIFE IN UD THEATRE DAYTON, Ohio, March 16, 1983 The curtain of the University of Dayton's Boll Theatre will open Thursday, March 24 at 8 p.m. and the Performing and Visual A~ts Department will present Agatha Christie' s "Verdict." Performances will also be given Friday and Saturday at 8 p.m. According to director Robert Bouffier, S.M., Christie considered "Verdict" her best play except for "Witness for the Prosecution." There are no surprises in "Verdict"-- '~ he murder of Karl 1 s wife occurs on stage, in full view of the audience, so that ev~ry- one takes part in identifying the villain simultaneously, ex~ ept the police. The reystery is whether or not justice will be blind and the scales balanced by the playfs end. In "Verdict," everyone is a ·;·ictim. One almost cannot help but feel that each of the characters receives his measure of poetic justice. The main characters, Karl (David Lee Dutton) and Anya Hendryck (Jaye Liset), are German political exiles living i n England, unceremoniously evicted from their homeland for sheltering the family of one of Karl's colleagues.
    [Show full text]
  • TOWARDS ZERO Agatha Christie
    TOWARDS ZERO Agatha Christie Prologue: November 19th The group round the fireplace was nearly all composed of lawyers or those who had an interest in the law. There was Martindale the solicitor, Rufus Lord, K.C., young Daniels who had made a name for himself in the Carstairs case, a sprinkling of other barristers, Mr. Justice Cleaver, Lewis of Lewis and Trench and old Mr. Treves. Mr. Treves was dose on eighty, a very ripe and experienced eighty. He was a member of a famous firm of solicitors, and the most famous member of that firm. He had settled innumerable delicate cases out of court, he was said to know more of backstairs history than any man in England and he was a specialist on criminology. Unthinking people said Mr. Treves ought to write his memoirs. Mr. Treves knew better. He knew that he knew too much. Though he had long retired from active practice, there was no man in England whose opinion was so respected by the members of his own fraternity. Whenever his thin precise little voice was raised there was always a respectful silence. The conversation now was on the subject of a much talked-of case which had finished that day at the Old Bailey. It was a murder case and the prisoner had been acquitted. The present company was busy trying the case over again and making technical criticisms. The prosecution had made a mistake in relying on one of its witnesses - old Depleach ought to have realised what an opening he was giving to the defence.
    [Show full text]
  • THE HOLLOW Agatha Christie
    THE HOLLOW Agatha Christie Chapter 1 At 6:13 a.m. on a Friday morning Lucy Angkatell's big blue eyes opened upon another day, and as always, she was at once wide awake and began immediately to deal with the problems conjured up by her incredibly active mind. Feeling urgently the need of consultation and conversation, and selecting for the purpose her young cousin Midge Hardcastle, who had arrived at The Hollow the night before, Lady Angkatell slipped quickly out of bed, threw a negligee round her still graceful shoulders, and went along the passage to Midge's room. Since she was a woman of disconcertingly rapid thought processes, Lady Angkatell, as was her invariable custom, commenced the conversation in her own mind, supplying Midge's answers out of her own fertile imagination. The conversation was in full swing when Lady Angkatell flung open Midge's door. "- And so, darling, you really must agree that the weekend is going to present difficulties!" "Eh? Hwah?" Midge grunted inarticulately, aroused thus abruptly from a satisfying and deep sleep. Lady Angkatell crossed to the window, opening the shutters and jerking up the blind with a brisk movement, letting in the pale light of a September dawn. "Birds!" she observed, peering with kindly pleasure through the pane. "So sweet." "What?" "Well at any rate, the weather isn't going to present difficulties. It looks as though it had set in fine. That's something. Because if a lot of discordant personalities are boxed up indoors, I'm sure you will agree with me that it makes it ten times worse.
    [Show full text]
  • The Mysterious Affair at Styles Agatha Christie
    THE MYSTERIOUS AFFAIR AT STYLES AGATHA CHRISTIE CONTENTS I. I GO TO STYLES II. THE 16TH AND 17TH OF JULY III. THE NIGHT OF THE TRAGEDY IV. POIROT INVESTIGATES V. "IT ISN'T STRYCHNINE, IS IT?" VI. THE INQUEST VII. POIROT PAYS HIS DEBTS VIII. FRESH SUSPICIONS IX. DR. BAUERSTEIN X. THE ARREST XI. THE CASE FOR THE PROSECUTION XII. THE LAST LINK POIROT EXPLAINS CHAPTER I. I GO TO STYLES The intense interest aroused in the public by what was known at the time as "The Styles Case" has now somewhat subsided. Nevertheless, in view of the world-wide notoriety which attended it, I have been asked, both by my friend Poirot and the family themselves, to write an account of the whole story. This, we trust, will effectually silence the sensational rumours which still persist. I will therefore briefly set down the circumstances which led to my being connected with the affair. I had been invalided home from the Front; and, after spending some months in a rather depressing Convalescent Home, was given a month's sick leave. Having no near relations or friends, I was trying to make up my mind what to do, when I ran across John Cavendish. I had seen very little of him for some years. Indeed, I had never known him particularly well. He was a good fifteen years my senior, for one thing, though he hardly looked his forty-five years. As a boy, though, I had often stayed at Styles, his mother's place in Essex. We had a good yarn about old times, and it ended in his inviting me down to Styles to spend my leave there.
    [Show full text]
  • Perspective Structure in Agatha Christie's Five Little Pigs
    For cited: Nayebpour, K. (2018). Perspective Structure in Agatha Christie’s Five Little Pigs (Murder in Retrospect). Journal of Current Researches on Social Sciences, 8 (3), 167-184. Journal of Current Researches on Social Sciences Year:2018 (JoCReSS) Volume: 8 www.stracademy.org/jocress Issue: 3 ISSN: 2547-9644 Research Article/Araştırma Makalesi doi: 10.26579/jocress-8.3.11 Perspective Structure in Agatha Christie’s Five Little Pigs (Murder in Retrospect) Karam NAYEBPOUR1 Keywords Abstract Narratology, This essay examines the double-layered perspective structure in Agatha (Closed) Christie’s Five Little Pigs (Murder in Retrospect). Poirot's technique for Perspective solving the old mystery is to apply a multiperspectival mode of narration. In Structure, Crime addition to talking with the related law officials who dealt with the Crale case Fiction, Five Little Pigs, Agatha at the time of its trial, Poirot interviews the five witnesses to the murder and Christie. reads their (written) verbal accounts of the crime day. By following his psychological method in conjunction with comparing and contrasting the multiple perspectives, Poirot reconfigures the events which lead to the crime Article History and finally identifies the real murderer through reinterpreting the crime Received scene with the help of both what the witnesses acknowledge in their oral and 05 Aug, 2018 verbal narratives and what they do not say. The total narrative structure, Accepted configured by the omniscient narrator’s and/or implied author’s perspective, 27 Sep, 2018 also privileges Poirot’s perspective towards the narrative theme or object. 1. Introduction Agatha Christie (1890-1976) “has been praised as an ingenious puzzle- plotter” (Makinen, 2010: 415), as well as considered the “queen of crime” (Scaggs, 2005: 28).
    [Show full text]
  • The Agatha Christie Checklist
    The Agatha Christie Checklist CHARACTER CODES FOR ENTIRE LIST: CR – Colonel Race | HQ – Harley Quin | HP – Hercule Poirot | MM – Miss Marple | PP – Parker Pyne | SB – Superintendent Battle | TT – Tommy & Tuppence NOVELS Murder is Easy [1939] SB (US: Easy to Kill) Ten Little Niggers [1939] (US: Ten Little Indians/And Then There Were The Mysterious Affair at Styles [1920] HP None) The Secret Adversary [1922] TT Sad Cypress [1940] HP The Murder on the Links [1923] HP One, Two, Buckle My Shoe [1940] HP (US: The Patriotic Murders) The Man in the Brown Suit [1924] CR Evil under the Sun [1941] HP The Secret of Chimneys [1925] SB N or M? [1941] TT The Murder of Roger Ackroyd [1926] HP The Body in the Library [1942] MM The Big Four [1927] HP Five Little Pigs [1942] HP (US: Murder in Retrospect) The Mystery of the Blue Train [1928] HP The Moving Finger [1943] MM The Seven Dials Mystery [1929] SB Towards Zero [1944] SB The Murder at the Vicarage [1930] MM Death Comes as the End [1945] The Floating Admiral [1931] (The Detection Club) Sparkling Cyanide [1945] CR (US: Remembered Death) The Sittaford Mystery [1931] (US: The Murder at Hazelmoor) The Hollow [1946] HP Peril at End House [1932] HP Taken at the Flood [1948] HP (US: There is a Tide) Lord Edgware Dies [1933] HP (US: Thirteen at Dinner) Crooked House [1949] Murder on the Orient Express [1934] HP (US: Murder in the Calais Coach) A Murder is Announced [1950] MM Why Didn’t They Ask Evans? [1934] (US: The Boomerang Clue) They Came to Baghdad [1951] Three Act Tragedy [1935] HP (US: Murder in Three Acts) Mrs.
    [Show full text]
  • THE MOUSETRAP Is Presented by Special Arrangement with SAMUEL FRENCH, INC
    FLORIDA REPERTORY THEATRE 2016-2017 SEASON HISTORIC ARCADE THEATRE • FORT MYERS RIVER DISTRICT ROBERT CACIOPPO, PRODUCING ARTISTIC DIRECTOR PRESENTS STARRING ensemble member BRENDAN POWERS* and MOLLY COYNE* • MATTHEW FAISON* • COURTNEY FEIMAN • BRIAN HATCH TAYLOR ANTHONY MILLER* • NATE RITSEMA • KATE YOUNG* DIRECTED BY ROBERT CACIOPPO** ensemble member SET DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER DENNIS MAULDEN*** CHARLENE GROSS*** TODD O. WREN*** JOHN KISELICA ensemble member PRODUCTION STAGE MANAGER ASST. STAGE MANAGER ASST. SOUND DESIGNER AMY MASSARI* AARON MARTIN RHIAN FRANCHEBOIS ensemble member THE MOUSETRAP is presented by special arrangement with SAMUEL FRENCH, INC. 2016-17 GRAND SEASON SPONSORS The Fred & Jean Allegretti Foundation • Naomi Bloom & Ron Wallace • Dinah Bloomhall • Alexandra Bremner Bruce & Janet Bunch • Gholi & Georgia Darehshori • Mary & Hugh Denison • Ellie Fox • David Fritz/Cruise Everything Dr. & Mrs. Mark & Lynne Gorovoy • John Madden • Sue & Jack Rogers • Arthur Zupko This entire season sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs, and the Florida Council on Arts and Culture. Florida Repertory Theatre is a fully professional non-profit LOA/LORT Theatre company on contract with the Actors’ Equity Association that proudly employs members of the national theatrical labor unions. *Member of Actors’ Equity Association. **Member of the Stage Directors and Choreographers Society. ***Member of United Scenic Artists. CAST (in order of appearance) Mollie
    [Show full text]
  • THE MOUSETRAP and OTHER PLAYS by LAURA FACCIPONTI and ARTHEA J.S
    s A TEACHER’S GUIDE TO THE SIGNET EDITION OF AGATHA CHRISTIE’S THE MOUSETRAP AND OTHER PLAYS By LAURA FACCIPONTI and ARTHEA J.S. REED, Ph.D. SERIES EDITORS: W. GEIGER ELLIS, ED.D., UNIVERSITY OF GEORGIA, EMERITUS and ARTHEA J. S. REED, PH.D., UNIVERSITY OF NORTH CAROLINA, RETIRED A Teacher’s Guide to Agatha Christie’s The Mousetrap and Other Plays 2 INTRODUCTION The plays in The Mousetrap and Other Plays are presented chronologically and cover Christie’s work from 1944 to 1960. According to Ira Levin in his introduction to the book, “No playwright except Christie . has given us more than one great stage mystery.” (1) In this anthology we have eight plays to savor. Christie adapts three of the plays from Poirot novels (Appointment With Death, The Hollow, and Go Back for Murder) yet her famous detective never appears in them. Why? Because these plays, unlike the intricate novels on which they are based, have been simplified so that they can be presented on the stage in two hours or less. Ten Little Indians and Towards Zero were adapted from the novels of the same name. (The U. S. edition of the novel Ten Little Indians is And Then There Were None, and the U.S. edition of the novel Towards Zero is Come to be Hanged.) Witness for the Prosecution is based on a short story of the same name. The Mousetrap is based on a radio sketch. Only Verdict was not adapted from another of Christie’s works. Three are considered among the great mystery dramas of all time: Ten Little Indians, The Mousetrap, which has been continuously running in London since 1952, and Witness for the Prosecution, which Christie considered her best play.
    [Show full text]
  • Agatha Christie SPARKLING CYANIDE (1945) Six People Were Thinking of Rosemary Barton Who Had Died Nearly a Year Ago... Book
    Agatha Christie SPARKLING CYANIDE (1945) Six people were thinking of Rosemary Barton who had died nearly a year ago... Book I - ROSEMARY "What can I do to drive away remembrances from mine eyes?" Chapter 1 IRIS MARLE Iris Marle was thinking about her sister, Rosemary. For nearly a year she had deliberately tried to put the thought of Rosemary away from her. She hadn't wanted to remember. The blue cyanosed face, the convulsed clutching fingers... The contrast between that and the gay lovely Rosemary of the day before... Well, perhaps not exactly gay. She had had 'flu - she had been depressed, run down... All that had been brought out at the inquest. Iris herself had laid stress on it. It accounted, didn't it, for Rosemary's suicide? Once the inquest was over, Iris had deliberately tried to put the whole thing out of her mind. Of what good was remembrance? Forget it all! Forget the whole horrible business. But now, she realised, she had got to remember. She had got to think back into the past... To remember carefully every slight unimportant seeming incident... That extraordinary interview with George last night necessitated remembrance. It had been so unexpected, so frightening. Wait - Had it been so unexpected? Hadn't there been indications beforehand? George's growing absorption, his absentmindedness, his unaccountable actions - his - well, queerness was the only word for it! All leading up to that moment last night when he had called her into the study and taken the letters from the drawer of the desk. So now there was no help for it.
    [Show full text]
  • Shmanners 224: Agatha Christie Published August 21St, 2020 Listen Here at Themcelroy.Family
    Shmanners 224: Agatha Christie Published August 21st, 2020 Listen here at themcelroy.family Travis: Whodunit? Teresa: Agatha Christie done it! Travis: It's Shmanners! [theme music plays] Travis: Hello, internet! I'm your husband host, Travis McElroy. Teresa: And I'm your wife host, Teresa McElroy. Travis: And this is Shmanners! Teresa: It's extraordinary etiquette... Travis: For ordinary occasions. Hello, my dove. Teresa: Hello, dear. Travis: We're recording in my new recording setup, so if it sounds super crisp, that's why. But also, it means Teresa and I are abouuut six inches away from each other. Teresa: [laughs] Uh— Travis: Not quite that close. Teresa: —not quite that close, [holding back laughter] but we are a lot closer than we usually are? Travis: Yeah, it's—hi. Teresa: [laughs] Travis: Hello—it's like I could reach out and touch you. Teresa: You are touching me. Travis: Oh, wow— Teresa: Stop it. Travis: —okay. Teresa: [laughs] Travis: Fair enough. Fair enough. Ugh... But it's nice, huh? Clean—no room tone, huh? Pretty good! Teresa: Ahh, ohh! Travis: Oooh! Now, listen. I'm so excited this week. This is, uh—I am going to present this episode. This is a subject that is very, very, very special to me. We are going to be talking about Agatha Christie, the queen of mystery. Teresa: Ooooh! Travis: Yeah, right? Teresa: Did you make that up? That sounds like somebody else did. Travis: No, yeah, no—I mean, that's—that's what she's known— Teresa: Oh, okay. Travis: —that's what she's known as.
    [Show full text]