The Mystery of Agatha Christie Books About Christie (& Related Topics)
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The Mousetrap the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
Insights A Study Guide to the Utah Shakespeare Festival The Mousetrap The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. Insights is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, communications director and editor; Phil Hermansen, art director. Copyright © 2011, Utah Shakespeare Festival. Please feel free to download and print Insights, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Mark Light-Orr in The Mousetrap, 2002. The ContentsMousetrap Information on the Play Background Information 4 Synopsis 6 Characters 7 About the Playwright 8 Scholarly Articles on the Play Activities 9 Examining The Mousetrap 11 Utah Shakespeare Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 Background Information By Christine Frezza From Insights, 2007 By 1947, Agatha Christie was a much-published writer of mysteries and an occasional play- wright, with two productions to her credit. Ira Levin, in his introduction to The Mousetrap and Other Plays, said that Christie felt other playwrights who adapted her novels made the mistake of “following the books too closely” (Agatha Christie, 1978, p. -
Verdict Programme
Next at the Good Companions ... Hansel & Gretel A family pantomime December 12th, 13th, 14th & 15th Box Office: 07931 237206 If you would like to be involved contact Sylvia Daker for further details: 020 8959 2194 The Good Companions have a very extensive wardrobe and props collection and are very pleased to offer items for hire. Further information Tel: 020 7704 0299 www.thegoodcompanions.org.uk Tea and coffee is available for a small donation. The wine bar is open 30 minutes before the performance and for 20 minutes throughout the interval. A Letter From The Captain Backstage Dear Friends, I consider myself to be very lucky to have been Captain of the GC’s a number of times but it really is an immense Production Manager - Dawn Oliver privilege to be holding that position as we celebrate our Stage Manager - Marek Wedler 80th Anniversary. I joined the group at the tender age of fifteen and have been a member ever since! It is a place Set & Construction - Iain Savage, Daniel where, like others, I have met many wonderful people, some of whom have become my closest friends - it is my extended family. Pocklington, Joyce As with all Amateur Dramatic Societies we have had our ups and downs. Digweed, Mick Toon & Many of you will recall our desperation when some of our money was members of the cast stolen, of course we all share in the great sadness of losing close friends, who have meant so much and I especially recall the tears streaming down Lighting - Marko Saha my face as I stood on the corner of Church Close and watched our home burn down to the ground. -
SOMETHING's AFOOT TIG2.Pdf
GOODSPEED MUSICALS TEACHER’S INSTRUCTIONAL GUIDE Goodspeed’s Teacher’s Instructional Guide Instructional Teacher’s Goodspeed’s is madepossiblethroughthegenerosity of The Max Showalter Centerfor Education inMusical Theatre SOMETHING’S AFOOT Goodspeed Opera House Oct 5 -Dec 9, 2012 _________ BOOK, MUSIC, AND LYRICS BY JAMES MCDONALD, DAVID VOS & ROBERT GERLACH ADDITIONAL MUSIC BY ED LINDERMAN Teacher’s Instructional Guide LIGHTING DESIGN BY JASON LYONS TABLE OF CONTENTS How To Use The Guides.......................................................................................3 COSTUME DESIGN BY TRACY CHRISTENSEN ABOUT THE SHOW: Show Synopsis........................………………………………………………...4 SCENIC DESIGN BY ADRIEN W. JONES Character Summary.........................………………………………………..6 Meet the Writers.........................................................................................7 CHOREOGRAPHED & DIRECTED BY VINCE PESCE “Parody of Sleuth Fiction at Goodspeed is Praised”..............................8 PRODUCTION CONCEPTION BY Behind the Scenes: Set Design..............................................................9 CASEY HUSHION BACKGROUND AND THEMATIC MATERIAL: PRODUCED FOR GOODSPEED The Language of Something’s Afoot......……….……………………….10 MUSICALS BY MICHAEL P. PRICE Archetypes........................…………....…………………………………11 The Comic Style of Something’s Afoot…..……………………….……..12 Murder Mystery Novels.…………………………………………….………14 LESSONS: Middle School Language Arts.....….………………………………..........16 Middle School Social Studies............….………….……………………....19 -
Christie 62 2.Pdf
p q Curtain: Poirot’s Last Case 3 p q 3 ■ B L Contents A N About Agatha Christie The AgathaK Christie Collection E-Book ExtrasP A Chapters: 1G, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17E, 18, 19 Postscript 6 ■ Copyright www.agathachristie.com About the Publisher Chapter 1 I Who is there who has not felt a sudden startled pang at reliving an old experience, or feeling an old emotion? ‘I have done this before . .’ Why do those words always move one so pro- foundly? That was the question I asked myself as I sat in the train watching the flat Essex landscape outside. How long ago was it that I had taken this selfsame journey? Had felt (ridiculously) that the best of life was over for me! Wounded in that war that for me would always be the war – the war that was wiped out now by a second and a more desperate war. It had seemed in 1916 to young Arthur Hastings that he was already old and mature. How little had I realized that, for me, life was only then beginning. I had been journeying, though I did not know it, to meet the man whose influence over me was to shape 5 p q and mould my life. Actually, I had been going to stay with my old friend, John Cavendish, whose mother, recently remarried, had a country house named Styles. A pleasant renewing of old acquaintanceships, that was all I had thought it, not foreseeing that I was shortly to plunge into all the dark embroilments of a mysterious murder. -
Agatha Christie - Third Girl
Agatha Christie - Third Girl CHAPTER ONE HERCULE POIROT was sitting at the breakfast table. At his right hand was a steaming cup of chocolate. He had always had a sweet tooth. To accompany the chocolate was a brioche. It went agreeably with chocolate. He nodded his approval. This was from the fourth shop he had tried. It was a Danish patisserie but infinitely superior to the so-called French one near by. That had been nothing less than a fraud. He was satisfied gastronomically. His stomach was at peace. His mind also was at peace, perhaps somewhat too much so. He had finished his Magnum Opus, an analysis of great writers of detective fiction. He had dared to speak scathingly of Edgar Alien Poe, he had complained of the lack of method or order in the romantic outpourings of Wilkie Collins, had lauded to the skies two American authors who were practically unknown, and had in various other ways given honour where honour was due and sternly withheld it where he considered it was not. He had seen the volume through the press, had looked upon the results and, apart from a really incredible number of printer's errors, pronounced that it was good. He had enjoyed this literary achievement and enjoyed the vast amount of reading he had had to do, had enjoyed snorting with disgust as he flung a book across the floor (though always remembering to rise, pick it up and dispose of it tidily in the waste-paper basket) and had enjoyed appreciatively nodding his head on the rare occasions when such approval was justified. -
The Unexpected Guest
Reno Little Theater in partnership with Hug High School presents The Unexpected Guest by Agatha Christie directed by Kathy Easly March 5, 6, 12, 13, 19, and 20 at 8:00 pm March 7, 14, and 21 at 2:00 pm 2004 Produced by special arrangement with Samuel French, Inc. The Unexpected Guest The action takes place in Richard Warwick’s study in South Wales near the Bristol Channel. The will be one fifteen-minute intermission. Agatha Christie Taught at home, as a child, by tutors and a governess, Agatha Christie never attended school. At a very young age, she became adept at creating games to keep herself occupied. A shy child, unable to adequately express her feelings, she first turned to music as a means of expression and, later in life, to writing. In 1914, at the age of 24, she married Archie Christie, a World War I fighter pilot. While he was off at war, she worked as a nurse. It was while working in a hospital during the war that Christie first came up with the idea of writing a detective novel. Although it was completed in a year, it wasn't published until 1920, five years later. The Mysterious Affair at Styles gave the world the inimitable Hercule Poirot, a retired Belgian police officer who was to become one of the most enduring characters in all of fiction. With his waxed moustache and his “little grey cells,” he was a “meticulous, a tidy little man, always neat and orderly, with a slight flavour of absurdity about him.” Christie wrote more than thirty novels featuring Poirot. -
Poirot: the Hollow Free
FREE POIROT: THE HOLLOW PDF Agatha Christie | 240 pages | 22 Sep 2008 | HarperCollins Publishers | 9780007121021 | English | London, United Kingdom Investigating Agatha Christie's Poirot: Episode-by-episode: The Hollow Lucy Angkatell invited Hercule Poirot to lunch. To tease the great detective, her guests stage a mock murder beside the swimming pool. Unfortunately, the victim plays the scene for real. In the confusion, a gun sinks to the bottom of the pool. It seems everyone in the drama is a suspect — and each a victim of love. Suddenly, with Poirot: The Hollow terrific shock, with that feeling as of blurring on a cinematograph screen before the picture comes to focus, Hercule Poirot realised that this artificially set scene had a point of reality. First published as a novel in the US in by Dodd, Mead and Company, The Hollow remains an example of classic Christie: a gathering of guests at a country house is disturbed by a sudden death and luckily Poirot is in attendance. The main players include a downtrodden wife, her successful husband, and the reappearance of an old Poirot: The Hollow. It was originally published in the US as Murder after Hours. So the play was adapted, Poirot ousted, and it was produced in under the same title, The Hollow. It was adapted for TV in and starred David Suchet. Some changes were made to the Poirot: The Hollow, but overall it remained fairly true to the novel. Skip to main navigation Skip to content. Home Stories The Hollow. The Hollow Buy. First published: Murder methods:. A Hercule Poirot story. -
Chapter One Introduction
CHAPTER ONE INTRODUCTION Background of The Study Agatha Christie is a British author in the 20th century who is famous for her novels. She is also famous for her plays, such as The Mousetrap, and short stories, such as The Submarine Plans and The Second Gong. She is considered to be one of the most famous murder mystery writers. She is clever at making stories and unforgettable detective characters. Agatha Christie has made a great contribution to the world of literature, especially in the genre of detective story. Most of her works have been filmed and the stories of her two famous detective characters, Miss Marple and Hercule Poirot, have been made into a serial in television and radio versions. Miss Marple looks like an ordinary old woman. She does not like a detective at all, yet with her ability to observe human nature, she can solve a murder case with her shrewd observation. Hercule Poirot is a Belgian man who has interesting physical appearance and also eccentric manners. His first appearance is in Christie’s first book, Mysterious Affair at Styles. It is difficult for someone to argue with him for he has strong character. His famous tool in identifying murder case is called “grey cells.” He always finishes each case with a dramatic denouement. 1 Maranatha Christian University In this thesis, I would like to analyse one of the many world famous Christie’s books, Towards Zero. This novel, which is a whodunit story, was written in 1944. Whodunit story is “a novel or drama concerning a crime (usually a murder) in which a detective follows clues to determine the perpetrator” (“who- dun-it”). -
The Mousetrap
Taylor University Pillars at Taylor University Taylor Theatre Playbills Campus Events 10-20-1976 The ouM setrap Follow this and additional works at: https://pillars.taylor.edu/playbills Part of the Acting Commons, Dance Commons, Higher Education Commons, Playwriting Commons, and the Theatre History Commons Recommended Citation "The ousM etrap" (1976). Taylor Theatre Playbills. 261. https://pillars.taylor.edu/playbills/261 This Book is brought to you for free and open access by the Campus Events at Pillars at Taylor University. It has been accepted for inclusion in Taylor Theatre Playbills by an authorized administrator of Pillars at Taylor University. For more information, please contact [email protected]. University Theatre Fl-esents A3ntho Chrisfie's Little Theatre Octob er 70,?1,?2,+?3 ) t176 AGATHA CHRISTIE was born in Torquay, England. Her THE MOUSETRAP early schooling was highly informal; the young Agatha was tutored by her motier who encouraged her imaginative offspring to pursue her natrual talents for Director: Jessie Rousselow piano and voice. Later, at the prodding of a neighbor, Designer: Ollie Hubbard Eden Philpott, the successful novelist, Miss Christie tried her hand at writing and found-her natural and lasting THE CAST niche in life. (in the order of their appearnce) Miss Christie married twice: first to Colonel Archibald Christie of the British Air Corps; and later to Max MollieRalston..... ....KimMontgomery. Mallowan, a noted archeologist. Miss Christie accompanied her husband on his periodic expeditions - Giles Ralston . Jay Cunningham and one such trip gave her the inspiration and background for her mystery novel MURDER lN Christopherwren ... BillWallace MESOPOTAMIA. - Agatha Christie was unquestionably one of the most Mrs.Boyle ...KathyTurner prolific as well as one of the most successful mystery writers of all time. -
Agatha Christie
Agatha Christie Investigating Femininity Merja Makinen Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more popular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and over- worked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Published titles include: Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Ed Christian (editor) THE POST-COLONIAL DETECTIVE Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Lee Horsley THE NOIR THRILLER Merja Makinen AGATHA CHRISTIE Investigating Femininity Fran Mason AMERICAN GANGSTER CINEMA From Little Caesar to Pulp Fiction Linden Peach MASQUERADE, CRIME AND FICTION Susan Rowland FROM AGATHA CHRISTIE TO RUTH RENDELL British Women Writers in Detective and Crime Fiction Adrian Schober POSSESSED CHILD NARRATIVES IN LITERATURE AND FILM Contrary States Heather Worthington THE RISE OF THE DETECTIVE IN EARLY NINETEENTH-CENTURY POPULAR FICTION Crime Files Series Standing Order ISBN 978-0-333-71471-3 (Hardback) ISBN 978-0-333-93064-9 (Paperback) (outside North America only) You can receive future titles in this series as they are published by placing a standing order. -
Bibliography
BIBLIOGRAPHY PRIMARY SOURCES BY AGATHA CHRISTIE Christie, Agatha. An Autobiography [1977] (London: Harper, 2011). ———. The Big Four (London: Collins, 1927). ———. The Body in the Library [1942] (New York, London, Toronto: Harper, 2011). ———. “The Capture of Cerberus” [1941], in Agatha Christie ’ s Secret Notebooks : Fifty Years of Mysteries in the Making , ed. by John Curran (London: HarperCollins, 2009), 425-52. ———. “The Capture of Cerberus” [1947], in Herucle Poirot : The Complete Short Stories (London: HarperCollins, 1999), 831-51. ———. Cards on the Table [1936] (Glasgow: Fontana, 1969). ———. Cards on the Table : Marple Tie-In (London: HarperCollins, 2005). ———. A Caribbean Mystery (London: Book Club, 1964). ———. “The Case of the Discontented Soldier” [1934], in Parker Pyne Investigates (New York: William Morrow, 2012), 17-38. ———. “The Case of the Rich Woman” [1934], in Parker Pyne Investigates (New York: William Morrow, 2012), 87-104. ———. “The Cornish Mystery” [1923], in Poirot ’ s Early Cases (London: Harper, 2002), 57-80. ———. Crooked House [1949] (Glasgow: Fontana, 1990). ———. Curtain : Poirot ’ s Last Case [1975] (London: Harper, 2002). ———. Dead Man ’ s Folly [1956] (London: Collins, 1956). ———. Death on the Nile [1937] (New York, London, Toronto: Harper, 2011). © The Editor(s) (if applicable) and The Author(s) 2016 271 J.C. Bernthal, Queering Agatha Christie, DOI 10.1007/978-3-319-33533-9 272 BIBLIOGRAPHY ———. “The Double Clue” [1923], in Hercule Poirot : The Complete Short Stories (London: HarperCollins, 1999), 282-90. ———. Dumb Witness (London: Book Club, 1937). ———. Elephants Can Remember [1972] (London: HarperCollins, 2002). ———. Evil under the Sun [1941] (Glasgow, London: Fontana, 1988). ———. The Grand Tour (London: HarperCollins, 2012). ———. Hallowe ’ en Party [1969] (London: HarperCollins, 1994). -
Hercule Poirot's Casebook
HERCULE POIROT'S CASEBOOK Agatha Christie is known throughout the world as the Queen of Crime. Her seventy-six detective novels and books of stories have been translated into every major language, and her sales are calculated in tens of millions. She began writing at the end of the First World War, when she created Hercule Poirot, the little Belgian detective with the egg-shaped head and the passion for order - the most popular sleuth in fiction since Sherlock Holmes. Poirot, Miss Marple and her other detectives have appeared in films, radio programmes, television films and stage plays based on her books. Agatha Christie also wrote six romantic novels under the pseudonym Mary Westmacott, several plays and a book of poems; as well, she assisted her archaeologist.husband Sir Max Mallowan on many expeditions to the Middle East. She was awarded the DBE in 1971. Postern of Fate was the last book she wrote before her death in 1976, but since its publication two books Agatha Christie wrote in the 1940s have appeared: Curtain: Poirot's Last Case and Sleeping Murder, the last Miss Marple book. Agatha Christie's Autobiography was published by Fontana in 1978. Available in Fontana by the same author The ABC Murders At Bertram's Hotel The Body in the Library By the Pricking of My Thumbs The Clocks Dead Man's Folly Death Comes as the End Destination Unknown Elephants Can Remember Endless Night Evil Under the Sun Hallowe'en Party Hickory Dickory Dock The Hollow The Labours of Hercules Lord Edgware Dies The Moving Finger The Murder of Roger Ackroyd Murder