The Business of American Idol

Total Page:16

File Type:pdf, Size:1020Kb

The Business of American Idol The Busine$$ of Searching for an American Idol By Gian Fiero What’s the appeal of American Idol? If you pay close attention while It’s too early to tell how high American Many people say that it’s the chance to watching American Idol, you will notice Idol will launch the careers of the see the future music stars of tomorrow that the more attractive contestants not show’s contestants. The music industry that intrigues and appeals to them. only make the show, they tend to has changed significantly since the Others say that they are entertained by advance into the later rounds of original Star Search which introduced Simon Cowell’s blistering comments competition. American Idol has placed tremendously successful Pop artists which are delivered under the guise of an emphasis on the importance of (and that include Britney Spears, Christina “constructive criticism.” Whatever the given an advantage to those) having a Aguilera, Justin Timberlake, Aaliyah, reason, 26.5 million viewers made the “look,” and why not? The requirement of and Usher – just to name a few. airing of the first show in its second looking good is a rule that they are merely following, not creating. It’s not season, the highest rated non-sports Star Search was not (and is not) program in Fox’s young television just because the contestants and future music stars need to look good on offering the assistance, nor the support history. that American Idol does in helping television, looking good (or stylish) is now imperative for success in the Pop, music artists to become famous. The While similar but dispensable shows R&B, & Country music fields. Take a aforementioned artists all worked hard like “Making of the Band” and “Pop look at the top acts on the charts and for many years to get the breaks that Stars” created the formula and early you can easily confirm this. lead to their success. Star Search prototype for vehicles that could merely documented the beginning of transport up and coming artists to their journey. American Idol offers and ost of the show’s top acts get signed commercial success, American Idol M promises much more, and its didn’t jump on the bandwagon, they to the same management/record contestants have far reaching created one. Using a wealth of industry company (19 Recordings Limited, a obligations to the show and the experience, knowledge, and resources division of 19 Entertainment) which is company that produces it. as their main tools, they have built a owned by Simon Fuller (not Simon Cowell the judge), who named his show that feeds the voracious appetite By letting us in on the process of of today’s Pop culture that loves reality company after the 1985 hit, “19,” by finding talent, and giving us the right to TV. Paul Hardcastle, the instrumental artist vote for singers that we think are he once managed. His company also produces American Idol and Pop Idol in talented, we are given the privilege to This is reality TV for singers. The England. select an artist that we like; so we then opportunities are real. The singing is have no excuse not to buy their record real. The rejection and criticism are because we have a relationship with nly a few of the contestants will be real. When American Idol’s television O them and we want them to do well. It audience becomes desensitized to given recording contracts, but everyone truly is clever marketing. The Simon’s scathing remarks and actually who appears on the show must grant effectiveness of it will determine how listen to the truth behind them, they will exclusive “options and rights” to 19 long the show will last – whether or not realize that what he lacks in diplomacy, Recordings Limited. They then any of its contestants graduate to he easily compensates for with his negotiate with a variety of entertainment stardom. insight. He is the real star of this show. professionals and entities for access to, and the use of, the talents of the American Idol contestants – regardless It may not take much longer with 3 of Despite the fun that’s made of the of how well they do, or how far they go last years acts scheduled to release lesser talented singers, some are very on the show. So in essence, this show CDs this summer (2003). If only half of good. But the industry is full of good can be called, “American A&R.” the 26 million viewers buy a CD, there singers. American Idol is not looking for will be a whole lot of money made for them. They are looking for singers who the artists, but for 19 Entertainment, nlike Star Search which was have “it.” (That’s the industry U their high Nielsen ratings and ability to description of someone that has a instrumental in exposing many models, command hefty advertising dollars has combination of charisma, charm, sex comedians, and singers, American Idol established American Idol as a large, appeal, attitude, personality, AND deals strictly with the 15-25 year old healthy, and very fertile cash cow. And talent.) Singers who are merely talented demographic, (which also purchases when it comes right down to it, that’s are of no use to today’s industry the largest amount of records.) most of what the business of the American Idol executives who seek to capitalize on which have musical aspirations of their is really all about. more than just singing skill. own or friends who have them. They now have a new bona fide springboard © Copyright 2004. All Rights Reserved. to launch their careers. .
Recommended publications
  • Gunsmokenet.Com
    GUNSMOKE ! By GORDON BUDGE f you had lived in Dodge City in I the 1870’s, Matt Dillon-the fic- tional Marshal of CBS Radio and TV’s Gunsmoke-would have been just the sort of man you would like to have for a friend. The same holds for his sidekick, Chester, and his special pals, Kitty and Doc. They are down-to-earth, ‘good and honest people. That one word “honest” is, to a great extent, responsible for the success of Gunsmoke on both radio and TV. It best describes the sto- ries, characters and detailed his- torical background which go to make up the show. Norman Macdonnell and John Meston, Gunsmoke’s producer and writer, are the two men who created the format and guided the show to its success (the TV version has topped the Nielsen ratings since June, 1957)) and the show is a fair reflection of their own characters: Producer Macdonnell is a straight- forward, clear-thinking young man of forty-two, born in Pasadena and raised in the West, with a passion for pure-bred quarter horses. He joined the CBS Radio network as a page, rose to assistant producer in two years, ultimately commanded such network properties as Sus- pense, Escape, and Philip Marlowe. Writer John Meston’s checkered career began in Colorado some forty-three years ago and grass- hopped through Dartmouth (‘35) to the Left Bank in Paris, school- teaching in Cuba, range-riding in Colorado, and ultimately, the job as Network Editor for CBS Radio in Hollywood. It was here that Meston and Macdonnell met.
    [Show full text]
  • Pre-Upfront Thoughts on Broadcast TV, Promotions, Nielsen, and AVOD by Steve Sternberg
    April 2021 #105 ________________________________________________________________________________________ _______ Pre-Upfront Thoughts on Broadcast TV, Promotions, Nielsen, and AVOD By Steve Sternberg Last year’s upfront season was different from any I’ve been involved in during my 40 years in the business. Because of the COVID-19 pandemic, there were no live network presentations to the industry, and for the first time since I’ve been evaluating television programming, I did not watch any of the fall pilots before the shows aired. Many new and returning series experienced production delays, resulting in staggered premieres, shortened seasons, and unexpected cancellations. The big San Diego and New York comic-cons were canceled. There was virtually no pre-season buzz for new broadcast or cable series. Stuck at home with fewer new episodes of scripted series than ever to watch on ad-supported TV, people turned to streaming services in large numbers. Netflix, which had plenty of shows in the pipeline, surged in terms of both viewers and new subscribers. Disney+, boosted by season 2 of The Mandalorian and new Marvel series, WandaVision and Falcon and the Winter Soldier, was able to experience tremendous growth. A Sternberg Report Sponsored Message The Sternberg Report ©2021 ________________________________________________________________________________________ _______ Amazon Prime Video, and Hulu also managed to substantially grow their subscriber bases. Warner Bros. announcing it would release all of its movies in 2021 simultaneously in theaters and on HBO Max (led by Wonder Woman 1984 and Godzilla vs. Kong), helped add subscribers to that streaming platform as well – as did its successful original series, The Flight Attendant. CBS All Access, rebranded as Paramount+, also enjoyed growth.
    [Show full text]
  • From Broadcast to Broadband: the Effects of Legal Digital Distribution
    From Broadcast to Broadband: The Effects of Legal Digital Distribution on a TV Show’s Viewership by Steven D. Rosenberg An honors thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Science Undergraduate College Leonard N. Stern School of Business New York University May 2007 Professor Marti G. Subrahmanyam Professor Jarl G. Kallberg Faculty Adviser Thesis Advisor 1. Introduction ................................................................................................................... 3 2. Legal Digital Distribution............................................................................................. 6 2.1 iTunes ....................................................................................................................... 7 2.2 Streaming ................................................................................................................. 8 2.3 Current thoughts ...................................................................................................... 9 2.4 Financial importance ............................................................................................. 12 3. Data Collection ............................................................................................................ 13 3.1 Ratings data ............................................................................................................ 13 3.2 Repeat data ............................................................................................................
    [Show full text]
  • Press Contacts for the Television Academy: 818-264
    FOR IMMEDIATE RELEASE Post-awards presentation (approximately 7:00PM, PDT) September 11, 2016 WINNERS OF THE 68th CREATIVE ARTS EMMY® AWARDS ANNOUNCED (Los Angeles, Calif. - September 11, 2016) The Television Academy tonight presented the second of 2016 Creative Arts Emmy® Awards ceremonies for programs and individual achievements at the Microsoft Theater in Los Angeles and honored variety, reality and documentary programs, as well as the many talented artists and craftspeople behind the scenes who create television excellence. Executive produced by Bob Bain, this year’s Creative Arts Awards featured an array of notable presenters, among them Derek and Julianne Hough, Heidi Klum, Jane Lynch, Ryan Seacrest, Gloria Steinem and Neil deGrasse Tyson. In recognition of its game-changing impact on the medium, American Idol received the prestigious 2016 Governors Award. The award was accepted by Idol creator Simon Fuller, FOX and FremantleMedia North America. The Governors Award recipient is chosen by the Television Academy’s board of governors and is bestowed upon an individual, organization or project for outstanding cumulative or singular achievement in the television industry. For more information, visit Emmys.com PRESS CONTACTS FOR THE TELEVISION ACADEMY: Jim Yeager breakwhitelight public relations [email protected] 818-264-6812 Stephanie Goodell breakwhitelight public relations [email protected] 818-462-1150 TELEVISION ACADEMY 2016 CREATIVE ARTS EMMY AWARDS – SUNDAY The awards for both ceremonies, as tabulated by the independent
    [Show full text]
  • Sliders Nielsen Ratings.Xlsx
    "Sliders" Nielsen Ratings Television Universe 95.4 million Share (percentage of sets in use) * denotes a ratings tie Season 1 (1995) Viewers (in millions) Ratings Point 954,000 TV Households Episode Network Airdate Day Time Viewers Rating Share Rank Pilot Fox 3/22/95 Wednesday 8:00 p.m. EST 14.1 9.5 15 51 Fever Fox 3/29/95 Wednesday 9:00 p.m. EST 11.6 7.6 12 *62 Last Days Fox 4/5/95 Wednesday 9:00 p.m. EST 10.1 7.2 12 *58 Prince of Wails Fox 4/12/95 Wednesday 9:00 p.m. EST 10.3 7.2 7.2 *66 Summer of Love Fox 4/19/95 Wednesday 9:00 p.m. EST 9.3 6.7 10 69 Eggheads Fox 4/26/95 Wednesday 9:00 p.m. EST 7.9 5.9 10 *78 The Weaker Sex Fox 5/3/95 Wednesday 9:00 p.m. EST 8.8 6.1 10 *73 The King is Back Fox 5/10/95 Wednesday 9:00 p.m. EST 7.7 5.6 9 80 Luck of the Draw Fox 5/17/95 Wednesday 9:00 p.m. EST 9.9 6.7 11 70 Season Two (1996) Television Universe 95.9 million Ratings Point 959,000 TV Households Episode Network Airdate Day Time Viewers Rating Share Rank Into the Mystic Fox 3/1/96 Friday 8:00 p.m. EST 9.3 6.2 11 76 Love Gods Fox 3/8/96 Friday 8:00 p.m. EST 9.5 6.5 11 83 Gillian of the Spirits Fox 3/15/96 Friday 8:00 p.m.
    [Show full text]
  • 5. Study Guide: Ratings & Methodology
    5. Study Guide: Ratings & Methodology Active/Passive meters – Nielsen’s most recent metering equipment. The A/P meter identifies what channel/network a television set is tuned to Area Probability (AP) – Nielsen methodology for based on audio codes. Television stations and placing meter samples. The first point of contact is made in person to specific sampling points. cable networks encode their signals to allow Nielsen meters to know what channel the These sampling points are predetermined television is tuned. The new meter also household addresses. determines un-encoded signals via a passive signal matching technology. The A/P meter also allowed Audience Composition – The percentage of the for the measurement of Digital Video Recorders overall audience that is in the target or selected (DVRs) “TiVo”-type devices. demographic. Address Based Sampling – Nielsen’s sampling Average – the average of a series of numbers is methodology to properly include households that calculating by adding all numbers in the series and do not have a land line telephone. These are then dividing by the total number of items in the typically cell phone only households. series. Zero values must be included in the calculation. ADS (Alternative Delivery Systems) – Nielsen’s term referring to television delivery methods like Average minute ratings – Nielsen method for Direct Broadcast Satellite (DBS) and large satellite calculating average ratings in their national or NTI homes. The bulk of ADS homes receive their sample. The ratings for each minute the program television signals via DBS. is on are averaged to calculate the program average rating. Alliance for Audited Media – Collects newspaper and magazine circulation information based on Average quarter-hour ratings – Nielsen method industry supplied circulation data.
    [Show full text]
  • Sunday Times Magazine 11.11.2012 the Sunday Times Magazine 11.11.2012 17 VIVA FOREVER!
    VIVA FOREVER! WESTSPICE UP YOUR LIFE END Brainchild of the Mamma Mia! producer Judy Craymer and written by Jennifer Saunders, the Spice Girls musical Viva Forever! launches next month. Giles Hattersley goes backstage to discover if it’s what the band want, what they really really want VIVA FOREVER! n a rehearsal room in south London, two me just before the film of Mamma Mia! came young actors are working on a scene with out [in 2008]. I sent Simon an email, saying WHERE ARE THEY NOW? all the earnest dedication required of I had to concentrate on the movie. Obviously, Baby, 36 Emma Bunton had a Ibsen. This is not Ibsen, however. At the you don’t write letters like that to Simon,” she successful solo career before back of the room, massive signs are laughs, “because I didn’t hear from him again. moving into radio presenting propped against the wall, spelling out the But I did hear from Geri in 2009. She wrote a (she has a show on Heart). immortal girl-band mantra: “Who do you sweet email, so I met her and Emma [Bunton].” She’s also been a recurring character on think you are?” It’s an existential puzzler In fact, the girls had wanted to do a musical Absolutely Fabulous and has two sons Ithat performers are encouraged to struggle for years. “It was an idea that was talked about with Jade Jones of the boyband Damage with as they wrestle with other deep emotional all the time,” says Halliwell, but Craymer fare, such as, “I’ll tell you what I want, what I hadn’t been looking to do another jukebox Ginger, 40 After quitting the Y really, really want.” Today, the show’s two leads musical (a term she hates).
    [Show full text]
  • Debate Overnight Radio Play for Sale to Labels
    $6.99 (U.S.), S8.99 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) w Hot.' á 3 -DIGIT 908 z ILI..i6..J..IiIII...L..LoIEIO I IIL.I[I BL240f04 APR06 A04 B0105 ¡aient MONTY GREENLY 3740 ELM AVE # A LONG EEACH CA 93807 -3402 J31i1 Begins On Page 15 www.billboard.com THE INTERN TIONAL AUTHORITY ON MUSIC, VIDE AND DIGITAL ENTERTAINMENT 110TH YEAR JUNE 19, 2004 HOT SPOTS Spin Buys Spark New Debate Overnight Radio Play For Sale To Labels Latin S BY BRIAN GARRITY 11 Bank On Lt ar Anthony 50 Cent protégé Lloyd Banks Offers ans His First Controversy surrounding burns up the charts with "On overnight airplay at radio is Fire, "the lead single from his Spanis Pop Album nothing new for the G- Unit /Interscope solo set. recording industry. But the BY LEILA COB' current flap over tracks played late at night in label -sponsored fí It is tim of c-ìange for Marc "spin programs" presents a new Anthony. twist on past grievances. Just a few years ago, labels were Last year h: changed management complaining bitterly that radio by signing wi Tommy Mottola after programmers were relegating l6 a longstandi g association with new singles to the overnight Bigram Zayas Anthony's brother. hours. Now many labels are Last -nont , he changed his tour shelling out thousands of dollars dates. Origin Hy slated to kick off in per week to have songs played between midnight and 6 a.m. June, the o ing has been resched- 32 Waylon Gains As first tipped on billboard.biz uled for Nov: mbeG Waylon Payne promotes his and in Billboard sister publica- Last week, e reportedly married Jen- tion Airplay Monitor's June 11 upcoming album, "The Drifter," nifer Lopez.
    [Show full text]
  • American Idol® Live! 2015 Tour
    AMERICAN IDOL® LIVE! 2015 TOUR AMERICAN IDOL® returns this summer with its 14th consecutive American Idol Live! Tour. 37-SHOW TOUR KICKS OFF JULY 7 IN CLEARWATER, FL For the first time ever, enjoy an intimate evening spotlighting the Top Five finalists from Season 14. Tickets on sale Friday, April 17 MESA, April 16 – AMERICAN IDOL®, the most successful music competition show in television history, returns this summer with an unprecedented 14th consecutive national tour. 19 Entertainment, Inc. announced Tuesday that the 37-show concert tour launches Tuesday, July 7 in Clearwater, FL, and stops in major cities, including New York, Chicago, Houston and Nashville. The tour will include Mesa Arts Center’s Ikeda Theater, with a one-night-only performance on August 16, 2015. Tickets go on sale starting Friday, April 17 via AmericanIdol.com/tour and will be available through Mesa Arts Center’s box office, at mesaartscenter.com or 480-644-6500. AMERICAN IDOL® LIVE! will give fans an opportunity to get up close and personal with the Top Five IDOLS from Season 14. The Top Five will showcase their individual artistry and talents all set to a live band. Past tours have featured stars such as Kelly Clarkson, Carrie Underwood, Jennifer Hudson, Fantasia, Adam Lambert, Scotty McCreery, Phillip Phillips and many more. AMERICAN IDOL® XIV airs Wednesdays (8:00-10:00 PM ET live/PT tape-delayed) on FOX. AMERICAN IDOL® LIVE! 2015 Tour Dates: DATE CITY VENUE July 07 Clearwater, FL Ruth Eckerd Hall July 08 Sarasota, FL Van Wezel Performing Arts Hall July 09 Melbourne, FL King Center For The Performing Arts July 11 Orlando, FL Hard Rock Live July 12 Fort Myers, FL Barbara B.
    [Show full text]
  • Rca Records to Release American Idol: Greatest Moments on October 1
    THE RCA RECORDS LABEL ___________________________________________ RCA RECORDS TO RELEASE AMERICAN IDOL: GREATEST MOMENTS ON OCTOBER 1 On the heels of crowning Kelly Clarkson as America's newest pop superstar, RCA Records is proud to announce the release of American Idol: Greatest Moments on Oct. 1. The first full-length album of material from Fox's smash summer television hit, "American Idol," will include four songs by Clarkson, two by runner-up Justin Guarini, a song each by the remaining eight finalists, and “California Dreamin’” performed by all ten. All 14 tracks on American Idol: Greatest Moments, produced by Steve Lipson (Backstreet Boys, Annie Lennox), were performed on "American Idol" during the final weeks of the reality-based television barnburner. In addition to Kelly and Justin, the show's remaining eight finalists featured on the album include Nikki McKibbon, Tamyra Gray, EJay Day, RJ Helton, AJ Gil, Ryan Starr, Christina Christian, and Jim Verraros. Producer Steve Lipson, who put the compilation together in an unprecedented two-weeks time, finds a range of pop gems on the album. "I think Kelly's version of ‘Natural Woman' is really strong. Her vocals are brilliant. She sold me on the song completely. I like Christina's 'Ain't No Sunshine.' I think she got the emotion of it across well. Nikki is very good as well -- very underestimated. And Tamyra is brilliant too so there's not much more to say about her." RCA Records will follow American Idol: Greatest Moments with the debut album from “American Idol” champion Kelly Clarkson in the first quarter of 2003.
    [Show full text]
  • Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
    PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent.
    [Show full text]
  • Countrybreakout Chart Covering Secondary Radio Since 2002
    COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, January 10, 2019 NEWS CHART ACTION Dierks Bentley Teases Winter Leg Of New On The Chart —Debuting This Week song/artist/label—Chart Position Burning Man Tour ‘On Ice’ Some Of It/Eric Church/EMI Records Nashville — 66 What Happens In A Small Town/Brantley Gilbert & Lindsay Ell/Valory — 67 Good As You/Kane Brown/RCA Nashville — 71 Kiss That Girl Goodbye/Aaron Watson/BIG Label Records — 76 One Less Girl/JD Shelburne/JD Shelburne Music LLC — 77 Get Away/Ryan Sims/High 4 Recordings/Hive Records — 79 Where I Come From/Ddendyl Hoyt/Arrow Music Agency — 80 Greatest Spin Increase song/artist/label—Spin Increase Beautiful Crazy/Luke Combs/Columbia Nashville/River House Artists — 520 What Makes You Country/Luke Bryan/Capitol — 349 Here Tonight/Brett Young/BMLG — 340 Some Of It/Eric Church/EMI Records Nashville — 335 This Is It/Scotty McCreery/Triple Tigers Records — 332 What Happens In A Small Town/Brantley Gilbert & Lindsay Ell/Valory — 330 Good As You/Kane Brown/RCA Nashville — 309 Dierks Bentley will launch the winter leg of his 2019 Burning Man Tour next week in Canada. Ahead of the run, he and tourmates Jon Pardi and Most Added Tenille Townes had some fun and converged at the ice skating rink to prepare some “choreography” for the tour in a wonderful parody of sorts. song/artist/label—No. of Adds What Happens In A Small Town/Brantley Gilbert & Lindsay Ell/Valory — 28 Some Of It/Eric Church/EMI Records Nashville — 27 On The Row: The Band Steele Good As You/Kane Brown/RCA Nashville — 22 Kiss That Girl Goodbye/Aaron Watson/BIG Label Records — 17 Beautiful Crazy/Luke Combs/Columbia Nashville/River House Artists — 15 Love Someone/Brett Eldredge/Atlantic Records/Warner Music Nashville — 12 Eyes On You/Chase Rice/Broken Bow — 11 Closer To You/Carly Pearce/Big Machine — 11 On Deck—Soon To Be Charting song/artist/label—No.
    [Show full text]