The State of AI Ethics Report (Volume 5)
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Agenda Item – 3 South Dakota Board of Regents Planning
AGENDA ITEM – 3 SOUTH DAKOTA BOARD OF REGENTS PLANNING SESSION AUGUST 13-14, 2014 SUBJECT: FY16 Budget Development The Board met with campus leadership in June to discuss preliminary budget priorities for FY16. The items have been analyzed and the Executive Director recommends the budget items on the following pages for Board approval. FY16 Budget Priorities FY16 Budget Priorities Page 1 Affordability – Tuition Buy-Down for Resident Students $6,803,491 – Base Funding Page 2 State HEFF Match – Year Three of Four $1,729,301 – Base Funding Page 3 SDSBVI - Outreach Vision Consultants $200,000 – Base Funding and 2.0 FTE Page 4 SDSBVI – Summer Program $200,000 – Base Funding Page 5 Student Success Initiatives $2,000,000 – Base Funding Page 6 Director of Student Preparation $73,622 Base Funding Page 7 SD Opportunity Scholarship Funding $102,501 – Base Funding Page 8 Growing SD Opportunity Scholarship Funding $1,663,151 – Base Funding Page 10 NSU Confucius Institute $408,200 – One-time Funding and 1.0 FTE Page 11 STEM/Research Equipment Fund $3,000,000 – One-time Funding Page 12 Scholarship Program Expansion $400,000 – One-time Funding Page 13 Industry Sponsored Research Fund $1,000,000 – One-time Funding Page 14 Capital Project Matching Fund $10,000,000 – One-time Funding Page 15 GEAR Center/Biomedical Engineering/Good Manufacturing Practices Expansion $7,000,000 – One-time Funding Affordability – Tuition Buy-Down for Resident Students Keeping tuition affordable for resident students The goal of the Board of Regents is to keep higher education affordable and accessible to all South Dakota citizens. -
Disturbed Youtube for Kids: Characterizing and Detecting Inappropriate Videos Targeting Young Children
Proceedings of the Fourteenth International AAAI Conference on Web and Social Media (ICWSM 2020) Disturbed YouTube for Kids: Characterizing and Detecting Inappropriate Videos Targeting Young Children Kostantinos Papadamou, Antonis Papasavva, Savvas Zannettou,∗ Jeremy Blackburn,† Nicolas Kourtellis,‡ Ilias Leontiadis,‡ Gianluca Stringhini, Michael Sirivianos Cyprus University of Technology, ∗Max-Planck-Institut fur¨ Informatik, †Binghamton University, ‡Telefonica Research, Boston University {ck.papadamou, as.papasavva}@edu.cut.ac.cy, [email protected], [email protected] {nicolas.kourtellis, ilias.leontiadis}@telefonica.com, [email protected], [email protected] Abstract A large number of the most-subscribed YouTube channels tar- get children of very young age. Hundreds of toddler-oriented channels on YouTube feature inoffensive, well produced, and educational videos. Unfortunately, inappropriate content that targets this demographic is also common. YouTube’s algo- rithmic recommendation system regrettably suggests inap- propriate content because some of it mimics or is derived Figure 1: Examples of disturbing videos, i.e. inappropriate from otherwise appropriate content. Considering the risk for early childhood development, and an increasing trend in tod- videos that target toddlers. dler’s consumption of YouTube media, this is a worrisome problem. In this work, we build a classifier able to discern inappropriate content that targets toddlers on YouTube with Frozen, Mickey Mouse, etc., combined with disturbing con- 84.3% accuracy, and leverage it to perform a large-scale, tent containing, for example, mild violence and sexual con- quantitative characterization that reveals some of the risks of notations. These disturbing videos usually include an inno- YouTube media consumption by young children. Our analy- cent thumbnail aiming at tricking the toddlers and their cus- sis reveals that YouTube is still plagued by such disturbing todians. -
Social Media Toolkit for Cultural Managers Table of Contents
The European network on cultural management and policy SOCIAL MEDIA TOOLKIT FOR CULTURAL MANAGERS TABLE OF CONTENTS Foreword and Introduction i How Does Marketing Work Online? 7 A Short History of Social Media 12 The Big Social Networks: What Makes Them Unique? 16 What is Social Capital? 30 How to Build Capital in a Social Network 34 How to Tell Good Stories Online 43 Using Online Data to Understand Your Audience 61 The Six Most Frequently Asked Questions 68 Credits 76 FOREWORD Nowadays, audience development organisations adapt to the need to is on top of the agenda of several engage in new and innovative organisations and networks acting ways with audience both to retain in the field of arts and culture in them, to build new audience, Europe and beyond. Audience diversify audiences including development helps European reaching current “non audience”, artistic and cultural professionals and to improve the experience and their work to reach as many for both existing and future people as possible across Europe audience and deepen the and all over the world and extend relationship with them. access to culture works to underrepresented groups. It also However, how to develop, reach seeks to help artistic and cultural and attract new audiences? Introduction i Upstream by involving them in ENCATC joined as associated at the occasion of our online programming, creation or partner the European consortium survey on the utlisation of social crowd-funding. In the process of of the Study on Audience media. This work has allowed us to participatory art. Downstream Development – How to place gather insights on the current through a two-ways dialogue audiences at the centre of cultural practices in Europe in the made possible by several means organisations utilisation of social media and including the use of social media. -
Bio.Inthismomentritu
Throughout history, art rejoices and revels in the wisdom of women. Within a deck of tarot cards, the High Priestess serves as the guardian of the unconscious. In Greek mythology, the old oracles celebrate the Mother Goddess. William Shakespeare posited portentous prescience in the form of MacBeth’s “Three Witches.” On their sixth full-length album Ritual, In This Moment—Maria Brink [vocals, piano], Chris Howorth [lead guitar], Travis Johnson [bass], Randy Weitzel [rhythm guitar], and Kent Diimel [drums]—unearth a furious and focused feminine fire from a cauldron of jagged heavy metal, hypnotic alternative, and smoky voodoo blues. It’s an evolution. It’s a statement. It’s In This Moment 2017… “It’s like we’re going into the next realm,” asserts Maria. “I had a conviction of feeling empowered in my life and with myself. I always write from a personal place, and I needed to share that sense of strength. I’ve never been afraid to hold back. Sometimes, I can be very suggestive. However, I wanted to show our fans that this is the most powerful side of myself and it’s without overt sexuality. It’s that deeper serious fire inside of my heart.” “What Maria is saying comes from deep inside,” Chris affirms. “This time, we had a bunch of ideas started before we hit the studio. There was a really clear direction. It’s different.” The group spent two years supporting their biggest album yet 2014’s Black Widow. Upon release, it seized their highest position to date on the Billboard Top 200, bowing at #8. -
Annual Report
ANNUAL Introduction | 2 REPORT Practice | 4 Deepen | 18 Financials | 27 2017 - 2018 Partners & Supporters | 28 The Laundromat Project 1 INTRODUCTION DEAR FRIENDS, How might we build an arts organization that moves with WHO WE ARE intention? How might we collaborate with artists and neighbors to facilitate lasting change? The Laundromat Project advances artists and Asking heartfelt questions, and listening deeply to voices in our community was especially gratifying in 2017 and neighbors as change agents 2018, years of transition to a new strategic vision at The Laundromat Project (The LP). Insights from our commu- in their own communities. nities in Brooklyn, Harlem, and the South Bronx informed our people-powered process as well. As the world around us shifts, we need to engage change. When the communities where we live and work are experiencing pronounced uncertainty around citi- zenship, race, and belonging, we need to reflect upon our work and reconsider our practices. We are obliged We envision a world in to ask what it means to be an organization that centers on people of color. We must interrogate our approaches which artists and neighbors to art and community as catalysts for change. Through in communities of color rigorously practicing and deepening our work, we better understand how to shape a world in which members feel work together to unleash truly connected and have the ability to influence their the power of creativity to communities in creative and effective ways. transform lives. This is where strategic visioning comes in. During this generative period, artists, neighbors, peer organizations, supporters, staff, and board weighed in on how The LP should evolve as an organization. -
"Youtube Kids" – Another Door Opener for Pedophilia?
Online link: www.kla.tv/12561 | Published: 08.06.2018 "YouTube Kids" – another door opener for Pedophilia? „Elsagate“: With the App „You Tube-Kids”, You Tube offers a service that is supposed to help parents to protect their children from inappropriate contents. However, while parents think they are safe, children are confronted with brutal videos including scenes of violence, perverse sex fantasies and cannibalism. These disturbing contents are staged by characters like Ice Queen "Elsa, “Spiderman” or “Mickey Mouse”. Is “YouTube-Kids” being abused as door-opener to make children receptive to abhorrent practices and pedophilia “socially acceptable”? Since 2015 YouTube has been offering a service with the App "YouTube Kids" to help parents and children to receive only those video-clips in the proposal bar that are child and family friendly. An algorithm (that is a method of calculation) takes over the function of filtering the content that is unsuitable for children. The App has been installed more than 60 million times and is available in 37 countries and eight languages – since September 2017 also in Germany. Unfortunately, this App – that promises safety for children – however, is in no way as reliable as many parents wish it was. On the contrary: it is even dangerous. Already since June 2016 media reports have increased that children are confronted with a number of brutal children's series and animated videos that – beyond any morality – convey extremely repulsive content and that are filled with topics that are in no way suitable for children. It's about violence scenes, perverse sex fantasies or cannibalism. -
Gogo Vision What's Playing
GOGO VISION WHAT’S PLAYING CATALOG 183 MOVIES (100) TITLE TITLE NEW CONTENT Harriet A Star is Born Harry Potter and the Chamber of Secrets Sherlock Holmes Harry Potter and the Deathly Hallows: Part 1 Sherlock Holmes: A Game of Shadows Harry Potter and the Deathly Hallows: Part 2 The Big Lebowski Harry Potter and the Goblet of Fire The Breakfast Club Harry Potter and the Half-Blood Prince The Croods Harry Potter and the Order of the Phoenix Those Who Wish Me Dead Harry Potter and the Prisoner of Azkaban Addams Family, The (2019) Harry Potter and the Sorcerer's Stone An American Pickle Horrible Bosses Batman Begins Horrible Bosses 2 Batman V Superman: Dawn of Justice Impractical Jokers: The Movie Bill and Ted Face the Music Invisible Man, The Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) It's Complicated Blinded By The Light Joker Boogie Judas and the Black Messiah Coco Just Mercy Crazy Rich Asians Kajillionaire Crazy, Stupid, Love Let Them All Talk Die Hard Lilo and Stitch Disneys Upside-Down Magic Limbo Doctor Sleep Locked Down E.T. The Extra-Terrestrial Lucy in the Sky Elf Marvel Studios' Black Panther Emma Marvel Studios’ Avengers: Infinity War Finding Dory Marvel’s the Avengers: Age of Ultron Finding Nemo Minions Frozen 2 Mortal Kombat Godzilla v. Kong Mulan Guardians of the Galaxy Vol. 2 My Spy Movies 1 TITLE News of the World The Dark Knight Nobody The Dark Knight Rises Nomadland The Kitchen Office Space The Lego Batman Movie Onward The Lego Movie Photograph, The The Lego Movie 2: The Second Part Queen & Slim -
The 2Nd International Conference on Internet Pragmatics - Netpra2
THE 2ND INTERNATIONAL CONFERENCE ON INTERNET PRAGMATICS - NETPRA2 INTERACTIONS, IDENTITIES, INTENTIONS 22–24 October 2020 BOOK OF ABSTRACTS Table of Contents Keynotes ............................................................................................................................................ 6 Anita Fetzer (University of Augsburg) ................................................................................................. 6 “It’s a very good thing to bring democracy erm directly to everybody at home”: Participation and discursive action in mediated political discourse ............................................................................ 6 Tuomo Hiippala (University of Helsinki) ............................................................................................ 7 Communicative situations on social media – a multimodal perspective ........................................ 7 Sirpa Leppänen (University of Jyväskylä) ........................................................................................... 8 Intentional identifications in digital interaction: how semiotization serves in fashioning selves and others ......................................................................................................................................... 8 Julien Longhi (University Cergy-Pontoise) ......................................................................................... 9 Building, exploring and analysing CMC corpora: a pragmatic tool-based approach to political discourse on the internet ................................................................................................................. -
Metal Madness: an Interview with Kingsmen
Metal Madness: An Interview with Kingsmen Tanner Guimond Welcome to Metal Madness my fellow metalheads, covering all things metal, metalcore, deathcore and hardcore in the Providence area. I recently had the privilege of talking to Kingsmen, one of Providence’s premier melodic deathcore acts. This five-piece is made up of former members of Fortune Favors the Brave and Scriptures. The band has been around since 2016, and since its inception, Kingsmen have garnered a large fanbase and signed with Extreme Management Group, known for managing such acts as Suffocation and Rings of Saturn. If you’re into crushing breakdowns, searing melodic vocals and overall death-core madness, this is the band for you. What you notice at a Kingsmen show, apart from the raw talent and stage presence, is that for a band that hasn’t been around for a long time, they play like a seasoned band that’s been on the road for years. That comes from the dedication that the band has to their art. I caught up with lead singer Tanner Guimond Sunday night at Fete Musical hall where the band was headlining a show. Erik Nivison (Motif): How did you get together? Tanner Guimond: It all kinda happened four or five years ago. So Dylan Robertson and I were in Fortune Favors the Brave, and Frank, Adam and Tim were in a band called Scriptures. We did a couple of shows together during a weekender run, it was kinda like after going out we realized we had some chemistry. After those bands fell apart Tim (lucier guitar) reached out to me and we brought Dylan in and wrote a few songs. -
Best of 2012- Notable Co...Ts
Best of 2012: Notable community events BY DAILY ARTS STAFF Published January 10, 2013 PRINT | E-MAIL | LETTER TO THE EDITOR Earthfest 2012 “Earthfest 2012: Party for the Planet” was a carnival of environmental consciousness bringing together students, community organizations and Rufus MORE LIKE THIS the University recycling mascot for the betterment of the biosphere. On Sep. 20, Best of 2011: Notable community the Diag filled with booths displaying information and inspiration on campus events sustainability in four action areas: climate action, waste prevention, healthy Th'Undergrads produces 'SNL'- environments and community awareness. Students may have been enticed to inspired 'U' comedy attend by free locally-produced snacks, games and prizes, but were ultimately University to host the country's first introduced to organizations and initiatives supporting a greener campus. Independent Korean film festival Earthfest participants had many memorable experiences. They made their own One Pause Poetry to unite student self-watering planters, pedaled UM-engineered bikes to generate power, wrote and teacher in dual reading personal sustainability pledges and sampled delicious locally-grown foods in creative culinary demonstrations. The event, originally titled Energyfest, has been held for 17 years and has increased significantly in size, scope and student involvement. -JULIA KLINE “Meet Me At UMMA ” Once monthly docents of the University of Michigan Museum of Art transform their gallery into a theater, a creative workshop and a multi-sensory art experience. The program, titled “Meet Me At UMMA,” engages elderly individuals living with Alzheimer's in a multi-sensory art experience. The participants sing, sketch, smell rich Indian spices and feel the luxurious fabric of a Japanese obi. -
Download PDF \ Download Festival: the First Seven Rocking Years
EMANLF2JJXBJ Book \\ Download Festival: The First Seven Rocking Years - The Unofficial Festival History... Download Festival: Th e First Seven Rocking Y ears - Th e Unofficial Festival History (Paperback) Filesize: 4.25 MB Reviews I just started out looking over this ebook. it was writtern extremely perfectly and useful. You are going to like the way the blogger publish this book. (Micaela Kutch) DISCLAIMER | DMCA V39HIYGQLLHH « Doc ~ Download Festival: The First Seven Rocking Years - The Unofficial Festival History... DOWNLOAD FESTIVAL: THE FIRST SEVEN ROCKING YEARS - THE UNOFFICIAL FESTIVAL HISTORY (PAPERBACK) To get Download Festival: The First Seven Rocking Years - The Unoicial Festival History (Paperback) eBook, please click the web link beneath and download the ebook or gain access to other information which are relevant to DOWNLOAD FESTIVAL: THE FIRST SEVEN ROCKING YEARS - THE UNOFFICIAL FESTIVAL HISTORY (PAPERBACK) book. Createspace, United States, 2015. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****. Definitive book of the Unoicial history of Download Festival at Donington Park, told through hundreds of interviews with the bands. This book was originally the second part of my book From Donington To Download now there are two stand alone books covering each of the festivals held there, this being the second half. In 2005 I started to write the book of the Donington Download Festival (including Monsters Of Rock at Milton Keynes). I was coming to the end of completing the Oicial Book of the Reading Festival and saw Donington as the second release in my Festival Series of books, covering my favourite festivals that I attend every year - Donington/Download Festival is the longest running rock festival in the UK, covering all genres from rock to classic rock , Emo to Screamo , Punk to Hardcore , Black Metal to Death Metal and every style in between, plus in the last 5 years the addition of drum bass and dance - the festival that caters for all. -
SCMS 2019 Conference Program
CELEBRATING SIXTY YEARS SCMS 1959-2019 SCMSCONFERENCE 2019PROGRAM Sheraton Grand Seattle MARCH 13–17 Letter from the President Dear 2019 Conference Attendees, This year marks the 60th anniversary of the Society for Cinema and Media Studies. Formed in 1959, the first national meeting of what was then called the Society of Cinematologists was held at the New York University Faculty Club in April 1960. The two-day national meeting consisted of a business meeting where they discussed their hope to have a journal; a panel on sources, with a discussion of “off-beat films” and the problem of renters returning mutilated copies of Battleship Potemkin; and a luncheon, including Erwin Panofsky, Parker Tyler, Dwight MacDonald and Siegfried Kracauer among the 29 people present. What a start! The Society has grown tremendously since that first meeting. We changed our name to the Society for Cinema Studies in 1969, and then added Media to become SCMS in 2002. From 29 people at the first meeting, we now have approximately 3000 members in 38 nations. The conference has 423 panels, roundtables and workshops and 23 seminars across five-days. In 1960, total expenses for the society were listed as $71.32. Now, they are over $800,000 annually. And our journal, first established in 1961, then renamed Cinema Journal in 1966, was renamed again in October 2018 to become JCMS: The Journal of Cinema and Media Studies. This conference shows the range and breadth of what is now considered “cinematology,” with panels and awards on diverse topics that encompass game studies, podcasts, animation, reality TV, sports media, contemporary film, and early cinema; and approaches that include affect studies, eco-criticism, archival research, critical race studies, and queer theory, among others.