Fiscal Year 2011 Annual Financial Report and Shareholder Letter
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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
Racism and Stereotypes: Th Movies-A Special Reference to And
People’s Democratic Republic of Algeria Ministry of Higher Education and Scientific ResearchResearch Larbi Ben M’h idi University-Oum El Bouaghi Faculty of Letters and Languages Department of English Racism and Stereotypes: The Image of the Other in Disney’s Movies-A Special Reference to Aladdin , Dumbo and The Lion King A Dissertation Submitted in Partial Fulfillment of the Requirements for the D egree of Master of Arts in Anglo-American Studies By: Abed Khaoula Board of Examiners Supervisor: Hafsa Naima Examiner: Stiti Rinad 2015-2016 Dedication To the best parents on earth Ouiza and Mourad To the most adorable sisters Shayma, Imène, Kenza and Abir To my best friend Doudou with love i Acknowledgements First of all,I would like to thank ‘A llah’ who guides and gives me the courage and Patience for conducting this research.. I would like to express my deep appreciation to my supervisor Miss Hafsa Naima who traced the path for this dissertation. This work would have never existed without her guidance and help. Special thanks to my examiner Miss Stiti Rinad who accepted to evaluate my work. In a more personal vein I would like to thank my mother thousand and one thanks for her patience and unconditional support that facilitated the completion of my graduate work. Last but not least, I acknowledge the help of my generous teacher Mr. Bouri who believed in me and lifted up my spirits. Thank you for everyone who believed in me. ii ا ا أن اوات ا اد ر ر دة اطل , د ه اوات ا . -
Disney Cruise Line Reveals First Details on Newest Ship, New Bahamas Destination at World's Largest Disney Fan Event
Disney Cruise Line Reveals First Details on Newest Ship, New Bahamas Destination at World’s Largest Disney Fan Event ANAHEIM, Calif. (Aug. 25, 2019) – At the D23 Expo today, Disney Parks, Experiences and Products Chairman Bob Chapek revealed the highly anticipated name of the fifth Disney Cruise Line ship, as well as a first look at the ship’s elegant, three-story atrium and the iconic Disney character that will adorn the ship’s stern. Chapek and Imagineer Joe Rohde also shared new details about plans for a second island destination for Disney Cruise Line in The Bahamas. With a little help from Tinker Bell, Disney fans were the first to hear that Disney Wish will be the name of the fifth Disney Cruise Line ship. The Disney Wish is scheduled for delivery in late 2021 and is expected to set sail beginning in January 2022. “There couldn’t be a better name for our incredible new ship because making wishes come true is part of the Disney DNA and is at the heart of so many of our cherished stories,” Chapek said. A new rendering provided D23 attendees with a first look at the ship’s bright and airy three-story atrium, inspired by the beauty of an enchanted fairytale. Stern characters – a beloved hallmark of Disney Cruise Line vessels – have been a tradition of the Disney fleet since the beginning and reflect the theme of each ship. For the Disney Wish, the ship’s stern will feature Rapunzel. Spirited, smart, curious and above all, adventurous, Rapunzel embodies the wish and desire to see and experience the world. -
Disney Magic Becomes a Little Less Magical and a Little More
University of Hawai‘i at Hilo HOHONU 2019 Vol. 17 majority of Disney films often bequeath the antagonist of Disney Magic Becomes a Little the storyline with a non-American accent, exemplified Less Magical and a Little More by Shere Khan’s British accent in The Jungle Book. The protagonists of the films, like Mowgli in The Jungle Book, Discriminatory are almost always portrayed with the Standard American Kaleigh Anderson accent. It has been a common pattern within Disney’s animated features that characters who speak with non- Storytelling is a crucial part for humankind as well Standard American accents are portrayed as outsiders, as in oral history. Movie adaptations have also become and are selfish and corrupt with the desire to seek or a key ingredient in relaying certain messages to people obtain power. This analysis is clearly displayed in one of of all ages. However, children watching movies and Disney’s most popular animated feature films, The Lion absorbing stories are susceptible and systematically King. In this Hamlet-inspired tale, the main characters’ exposed to a standard (or specific) language ideology accents bring attention to which characters fall into by means of linguistic stereotypes in films and television the “good guy” versus “bad guy” stereotype. Simba, shows. These types of media specifically, provide a the prized protagonist in the film, and Nala, his love wider view on people of different races or nationalities interest, both speak Standard American dialects. Through to children (Green, 1997). Disney films, for instance, linguistic production, Simba’s portrayal as the Lion King are superficially cute, innocent and lighthearted, but translates an underlying message to children viewers through a deeper analysis , the details of Disney movies that characters who are portrayed as heroes or heroines provide, a severe, and discriminating image. -
Star Command, I'm Going to Be a While
Just Got Happier Star Command, I’m going to be a while. You and your family will keep pace with Lightning McQueen at the transformed Disney California Adventure® Park, featuring Cars Land, Buena Vista Street and World of Color nighttime water spectacular. Then, you’ll enjoy the one-and-only original Disneyland® Park, with its world-famous attractions, an all-new Mickey and the Magical Map show, Fantasy Faire character meet-and-greet and so much more. Ask your travel agent to help you plan a multi-day vacation and power up your family for a whole new level of fun! Experience it all with a multi-day Every Vacation Package Includes: Walt Disney Travel Company package: • Accommodations at one of the Hotels of the Disneyland® Resort or a nearby Good $ * Neighbor Hotel 105 • Disneyland® Resort souvenir tickets per person/per day • Exclusive! Walt Disney Travel Company Collectible Pin, Lanyard & Luggage Tag (Pins, lanyards and luggage tags may vary. One per person in package.) for a 3-Day/2-Night package for a family of 4! • Disneyland® Resort Attraction Photo** by Disney’s PhotoPass® Service • Ask your travel agent about more Magical Extras! Total package price $1,252* *Price per person, per day based on quad occupancy—2 Adults (18 and over), 1 junior (10-17) and 1 Child (ages 3-9), for a Walt Disney Travel Company package with a standard room at the Best Western Plus Pavilions for arrivals 1/24/14–2/13/14, 4/27/14–5/22/14, 9/19/14–10/9/14, 11/2/14–11/20/14 and includes a 3-Day Disneyland® Resort Park Hopper® souvenir ticket. -
Environmental Overview
DISNEY CRUISE LINE Environmental Overview Media Contact: At Disney Cruise Line, we are dedicated to Disney Cruise Line minimizing our impact on the environment 407.566.3648 through efforts focused on utilizing new http://www.dclnews.com technologies, increasing fuel efficiency, minimizing waste and promoting conservation worldwide. We strive to instill positive environmental stewardship in our cast and crew members and seek to inspire others through programs that engage our guests and the communities in our ports of call. Environmental Officers All Disney Cruise Line ships have dedicated Environmental Officers who are ranked among the most senior leaders on board. t Highly Specialized Expertise: Our Environmental Officers possess previous maritime experience and specialized training in environmental regulations and systems. Environmental Officers aboard t Responsibilities: These leaders monitor the ship’s overall water quality Disney ships are responsible and supply, train all officers and crew members on waste minimization and for monitoring water quality, in environmental safety programs and oversee multiple environmental initiatives, addition to other duties. including all shipboard recycling efforts. Waste Minimization Great care is taken onboard all Disney ships to reduce waste and conserve resources whenever possible. t Recycling: Shipboard recycling processes help to eliminate more than 600 tons of metals, glass, plastic and paper from traditional waste streams each year. Each Disney Cruise Line crew members stateroom on all four Disney Cruise Line ships contains a recycling bin for plastic, are careful to sort recyclables into paper and aluminum. waste receptacles. t Condensation: Naturally occurring condensation from the ships’ onboard air- conditioning units is recycled to supply fresh water for onboard laundry facilities and for cleaning the outer decks of the ships, saving more than 30 million gallons of fresh water each year. -
From Moments to Minutes Advertising with Social Play.Pdf
5 From Moments to Minutes Advertising with Social Play Virtual worlds are a rapidly growing social-media platform, and this is particularly true for kids. Thought of by many as 3D renditions of 2D social networks, virtual worlds supply many desirable features for the youth market still unavailable in the realm of social networks. Among these are a sense of immediacy, unparalleled media richness, and the heightened interactivity possible in the virtual space. Young consumers respond to the immediacy of communications, meaning that communica- tions occur in real time (while social networks still primarily provide asynchronous response). Real-time response adds to the sense of contact comfort participants feel. Media richness is embellished with the enhanced visual representations of virtual worlds as well as the ability to chat using instant messenger, electronic mail, and sometimes voice chat features. Lastly, social networks like MySpace are limited in what can be offered for participants in terms of entertaining and interactive pursuits within the space. It is no wonder then that young consumers are enam- ored with virtual worlds. eMarketer estimates that 24% of the 34.3 million child and teen Internet users in the United States used virtual worlds on at least a monthly basis in 2007 and this figure is expected to rise rapidly over the short term.1 76 Advertising 2.0 For marketers, social virtual worlds represent an enormous opportu- nity for branding by extending the time consumers spend with a brand’s message from moments to minutes. Indeed, the average amount of time spent per session in social virtual worlds ranges from as little as twenty minutes to more than two hours—substantially more than the typical thirty seconds of attention garnered by a television commercial. -
Erica Ossola 8-701 5-17 Funabashi, 156-0055 Tokyo Phone: +81-80-2020-7443 E-Mail: [email protected]
Erica Ossola 8-701 5-17 Funabashi, 156-0055 Tokyo Phone: +81-80-2020-7443 E-Mail: [email protected] PERSONAL INFO Birth: Varese, November 19, 1974 Nationality: Italian Mobile: +81-(0)80-2020-7443 E-Mail: [email protected] Web: www.ericaossola.com Networks: www.linkedin.com/in/ericaossola OBJECTIVES Growing as videogames localization specialist, able to deliver high quality content for the Italian market. Open to new work challenges in the entertainment industry. EXPERIENCE Grasshopper Manufacture, Inc. - Tokyo (Japan) 2009-2010 Localization, QA Management and linguistic testing of the following project: November 2009 — January 2010 No More Heroes 2 (Wii) Square Enix Co., Ltd. - Tokyo (Japan) 2008-2011 Localization and QA Management of the following projects: December 2007 — September 2008 The Last Remnant (Xbox 360) December 2008 — July 2009 Dissidia: Final fantasy (PSP) August 2010 — January 2011 Dissidia 012: Final fantasy (PSP) Babel Media - Hove (UK) 2006-2011 Localization and QA Management of the following projects: GodHand - Ace Combat Six - Guilty Gear - Made Man - Medieval 2 Total War - Dave Mirra Wii - Monster Madness - RailRoad - Rainy Woods - Tamagotchi Angel - Thrillville - Toon Doku - Looney Tunes: ACME Arsenal - XMen - Cake Mania Ubisoft Entertainment - Montreal (Canada) 2005 Localization and QA Management of: Principe of Persia (PSP and DS versions). Nintendo of Europe GmbH - Frankfurt (Germany) 2004 Localization of Animal Crossing, (GameCube) in the internal localization studios of Nintendo. Blue Label, Milan (Italy) -
Vinyl Theory
Vinyl Theory Jeffrey R. Di Leo Copyright © 2020 by Jefrey R. Di Leo Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to publish rich media digital books simultaneously available in print, to be a peer-reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. The complete manuscript of this work was subjected to a partly closed (“single blind”) review process. For more information, please see our Peer Review Commitments and Guidelines at https://www.leverpress.org/peerreview DOI: https://doi.org/10.3998/mpub.11676127 Print ISBN: 978-1-64315-015-4 Open access ISBN: 978-1-64315-016-1 Library of Congress Control Number: 2019954611 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Without music, life would be an error. —Friedrich Nietzsche The preservation of music in records reminds one of canned food. —Theodor W. Adorno Contents Member Institution Acknowledgments vii Preface 1 1. Late Capitalism on Vinyl 11 2. The Curve of the Needle 37 3. -
PARTY for the SENSES Saturday, September 21, 2019
PARTY FOR THE SENSES Saturday, September 21, 2019 FEATURED CHEFS Brad Farmerie, AvroKO Hospitality Group, New York, NY Brad Kilgore, Alter, Kaido, Ember & Brava, Miami, FL Clay Conley, Buccan, Palm Beach, FL Denny Roach, Disney's Saratoga Springs Resort & Spa Erika Cline, Bleu Chocolat Cafe, Jacksonville, FL Huda Mu’min, Chef Huda’s Kitchen, Oxon Hill, MD Jehangir Mehta, Graffiti, New York, NY Jeremy Ford, Stubborn Seed, Miami Beach, FL Jerry Helminski, Magic Kingdom® Park Jose Camey, Boca, Winter Park, FL Keegan Gerhard, D Bar Restaurants, Denver, CO Olivier Saintemarie & Angie Chung, France Pavilion, Epcot® Oscar Estrada-Cardona, Centertown Market, Disney's Caribbean Beach Resort Renzo Barcatta, Italy Pavilion, Epcot® Roberto Rivera Otero, Cinderella's Royal Table, Magic Kingdom® Park Ryan Vargas, STK Orlando, Disney Springs™ Scott Paul, BelGioioso® Cheese, Green Bay, WI Shaun O’Neale, Shaun O’Neale Group, LLC, Las Vegas, NV Steven Rivera & Sean Miller, Disney's Fort Wilderness Resort & Campground Yoly Lazo Colon & Ally Parisi, Amorette's Patisserie, Disney Springs™ ADDITIONAL CULINARY AND BEVERAGE OFFERINGS: Artisanal Cheese Selections from Gourmet Foods International Specialty Chocolate Twinings of London® Joffrey’s Coffee & Tea Company® All appearances, menu items, presentations and events are subject to change without notice. All Party for the Senses events will take place in World ShowPlace Events Pavilion, located in Epcot. © Disney PARTY FOR THE SENSES Saturday, October 5, 2019 FEATURED CHEFS Alex Vacher, Magic Kingdom® Park -
Andrew Sugerman Executive Vice President, Publishing and Digital Media Andrew Sugerman Serves As EVP of Disney Consumer Products
Andrew Sugerman Executive Vice President, Publishing and Digital Media Andrew Sugerman serves as EVP of Disney Consumer Products and Interactive Media’s (DCPI) Publishing and Digital Media business unit, which is the physical and digital media publishing business for The Walt Disney Company. Sugerman leads a global team of storytellers charged with creating stories across multiple formats and platforms. He oversees creative, operations, and strategic direction for the business and manages its $3 billion retail publishing, social media, digital products, digital influencers, and digital short form video efforts, along with commercialization channels that span retail, advertising, distribution, subscription, and more. Sugerman’s purview includes all global licensed and vertical publishing across books, e-books, mobile apps, magazines, and comics under Disney Publishing Worldwide and Disney Book Group; Disney’s digital publishing platforms across owned & operated channels (Disney.com, Oh My Disney, Babble, Polaris, StarWars.com and more); mobile apps; 3rd party social and digital media platforms that reach 1.5 billion fans; and one of the leading digital influencer networks. His group works in partnership with all segments of The Walt Disney Company to extend content for Disney, Pixar, Marvel, Lucasfilm, Disney Channel, and ABC while creating new original properties across all formats. Sugerman joined The Walt Disney Company in 2007 as senior vice president and general manager, Disney English, which he quickly built into a thriving multi-location brick-and-mortar business in China with 30 learning centers in 6 cities. Under his leadership, Disney English set the benchmark for the way children learn English, combining storytelling and cutting-edge technology. -
A Disney Resort & Spa Aulani
Walt Disney World Resort Walt Disney World Resort Disneyland Resort Disneyland Resort Aulani - A Disney Resort & Spa Aulani - A Disney Resort & Spa Cast Discount Program Other Guest Bedroom Program Cast Discount Program Friends & Family Program Cast Discount Program Friends & Family Program Program Details Active eligible Employees of TWDC and Active eligible U.S. WDPR Cast Members or Active eligible Employees of TWDC and Active eligible Employees of TWDC and Active eligible Employees of TWDC and Active eligible Employees of TWDC and eligible U.S. based Retirees may book hotel U.S. WDPR Retired Cast Members may book eligible U.S. based Retirees may book hotel eligible U.S. based Retirees may book hotel eligible U.S. based Retirees may book hotel eligible U.S. based Retirees may book hotel rooms for their own use at a discount, hotel rooms for their friends' and family's rooms for their own use at a discount, rooms for their friends' and family's use at a rooms for their own use at a discount, rooms for their friends' and family's use at a subject to availability. The discount levels use at a discount, subject to availability. The subject to availability. The discount levels discount, subject to availability. The subject to availability. The discount levels discount, subject to availability. The may vary by offer and availability. discount levels may vary by offer and may vary by offer and availability. discount levels may vary by offer and may vary by offer and availability. discount levels may vary by offer and availability. availability. availability. Restrictions The Cast Member or Retiree is not required The Employee or Retiree is not required to In order to use the Cast Resort Program, the The Employee or Retiree is not required to In order to use the Cast Resort Program, the to stay in the room on this program.