DOCSLIB.ORG

Freedom Fighter Christopher Buckley and Jason Reitman Make an Antihero out of a Tobacco-Industry Spokesman

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Freedom Fighter Christopher Buckley and Jason Reitman Make an Antihero out of a Tobacco-Industry Spokesman 22 CHICAGO READER | MARCH 24, 2006 | SECTION ONE Reviews Movies Music Theater Books Recent releases by Thank You Plastic Crimewave Sound, Sita Johnny Ryan’s for Smoking Eef Barzelay, and Scatter Angry Youth a Ram Comix #10 22 AT LOOKINGGLASS REVIEW BY REVIEWS BY REVIEW BY REVIEW BY J . R . JONES MONICAKENDRICK, BRIAN LAURA MOLZAHN NOAH BERLATSKY MCMANUS, AND MIA LILYCLARKE a 24 a 25 a 26 Movies THANK YOU FOR SMOKING sss DIRECTED AND WRITTEN BY JASON REITMAN RATINGS WITH AARON ECKHART, MARIA BELLO, CAMERON BRIGHT, ADAM BRODY, ROBERT DUVALL, SAM ELLIOTT, ssss MASTERPIECE DAVID KOECHNER, ROB LOWE, WILLIAM H. MACY, AND J.K. SIMMONS sss A MUST SEE ss WORTH SEEING s HAS REDEEMING FACET • WORTHLESS Freedom Fighter Christopher Buckley and Jason Reitman make an antihero out of a tobacco-industry spokesman. By J.R. Jones et us now praise the tection from ourselves is at its children of famous most absurd when people file L men. Twelve years ago frivolous lawsuits blaming Christopher Buckley—whose their own drunkenness or father, William F., has become obesity on corporations. As synonymous with postwar most parents can tell you, every conservative philosophy— measure of personal freedom published Thank You for carries with it an equal measure Smoking, a rip-roaring satire of personal responsibility. of Washington spin doctors. Nick Naylor, the wily tobacco- Now Jason Reitman—whose industry spokesman at the cen- liberal father, Ivan, directed ter of Thank You for Smoking, such Hollywood blockbusters as seems like a villain at first, the Stripes and Ghostbusters—has kind of guy you love to hate, but made his feature-length direc- he’s surrounded by so many torial debut with an adaptation tongue-clucking federal school- of Buckley’s novel. Given their marms that before long he respective pedigrees, viewers begins to seem more like a clas- are entitled to wonder whether sic antihero—the kind of guy Reitman, who also wrote the you hate to love but love any- screenplay, will have mutilated way. Played with square-jawed Buckley’s book beyond recogni- bonhomie by Aaron Eckhart tion. But as the substantially ( In the Company of Men), faithful movie version demon- Naylor periodically gets togeth- strates, the story of Thank You er for drinks with spin doctors for Smoking resides in that in the liquor industry (Maria libertarian netherworld where Bello) and the gun industry the far left and the far right (David Koechner). They darkly Thank You for Smoking march shoulder to shoulder. refer to themselves as the Libertarianism is still legal, MOD Squad—for “Merchants so generous with his mockery, chant played by Nicolas Cage in Naylor is dispatched by his as far as I know, though like of Death”—but they’re also skewering every political posi- the sadly overlooked Lord of employers at the Academy of smoking it seems to have been dismayed by the government’s tion, and because the primary War , Naylor is so good at what Tobacco Studies to put out a banned from public places. For ever-growing intrusion into subject of Thank You for he does and so happy in his dangerous brush fire: Lorne all the lip service paid to free- people’s lives. When Koechner Smoking is the professional spin craft that you’re forced to give Lutch (Sam Elliott), a cowboy dom, and all the blood being tells Bello that you can beat a doctor. Naylor is a high priest of the devil his due. He doesn’t who spent years posing for cig- spilled to vouchsafe it for the police Breathalyzer test by this black art: invited onto a TV undergo any dark night of the arette ads, has contracted lung Arab world, few Americans sucking on activated charcoal talk show, he’s pitted against a soul or squishy redemption cancer and become a vocal seem interested in fully explor- tablets, and points out that trio of antismoking advocates because there really is a guiding opponent of the tobacco indus- ing the concept. The soggy cen- “there’s no law against charcoal,” and a teenage boy with cancer, principle behind his chicanery: try. (Buckley based his charac- ter is intent on regulating guns, all three of them, in unison, yet by the end of the show he’s grown adults should be expect- ter on Wayne McLaren, a real- gambling, narcotics, pornogra- add: “Yet!” won the kid over to his side and ed to take responsibility for life Marlboro Man who died in phy, prostitution, and over-the- This subtext has a way of isolated the other three pan- their own actions. 1992 at age 51.) Naylor arrives counter antihistamines. This sneaking up on reader and elists, who don’t know what hit The idea emerges in the at Lutch’s ranch with a suitcase misguided impulse to seek pro- viewer alike because Buckley is them. Like the global arms mer- movie’s darkest story line, when full of hush money, and Lutch is CHICAGO READER | MARCH 24, 2006 | SECTION ONE 23 understandably outraged. to every package of Vermont Playing him like a piano, cheddar cheese. Naylor suggests that Lutch Finistirre delivers the ulti- call a press conference to mate low blow when he asks denounce the corporate Naylor if he’ll allow his young payoff and then donate the son Joey, who’s sitting in the money to charity. This stops gallery, to smoke once he the cowboy in his tracks: he’d comes of age. Joey appears rather denounce the companies as a character in Buckley’s and keep the money. “How’s novel, but Reitman has made that going to look?” Naylor Naylor’s warm relationship with asks. “It’s blood money.” When his son (played by ubiquitous Lutch accepts the payoff and child actor Cameron Bright) the quietly discontinues his anti- emotional center of the movie. smoking campaign, he’s only “What your children have to conceding that taking money say about you means something to endorse cigarettes was to you,” Reitman explains in always a personal choice. the press notes. “I wanted to Naylor’s real antagonist is the develop who Nick was in Joey’s progressive Vermont senator eyes.” In both narrative and the- Ortolan Finistirre—a thinly fic- matic terms, this decision turns tionalized Bernie Sanders— out to be a masterstroke: not whose persnickety liberalism is only does it humanize Naylor, nicely exemplified by the ther- whose opponents view him mal socks he wears under his as the Antichrist, but it crystal- sandals. All the movie’s sup- lizes his attitude toward the porting characters are sublime- government when he replies ly cast—Robert Duvall as an to Finistirre, “I’d buy him his aging tobacco lion, Rob Lowe first pack.” That’s the kind of as a vain Hollywood supera- father we could all use—one gent—and as Finistirre, who understands when we William H. Macy is appropri- no longer need him. v ately irritable. Naylor and Finistirre spend most of the movie dimly regarding each other in the media, but they face off at the climax, when the senator calls the spokesman to his subcommittee hearings on regulating tobacco. Finistirre has proposed that every box of smokes carry a skull-and-cross- bones sticker, and he’s none too happy when Naylor, pointing out that the number one killer in America is cholesterol, sug- gests the same label be applied.
Load more

Recommended publications
  • Juno Talent: Ellen Page, Jennifer Garner, Jason Bateman, Michael Cera, Alison Janney, J. K. Simmons, Olivia Thirlby. Date Of
    Juno Talent: Ellen Page, Jennifer Garner, Jason Bateman, Michael Cera, Alison Janney, J. K. Simmons, Olivia Thirlby. Date of review: Thursday 13th December, 2007 Director: Jason Reitman Duration: 91 minutes Classification: M We rate it: 4 and a half stars. Jason Reitman, son of ultra-mainstream (and very successful) Hollywood director Ivan Reitman (he of Ghostbusters, Stripes and Kindergarten Cop fame) may just be able to move out from under his father’s significant shadow with this wonderful film. Jason Reitman’s breakthrough film as a director was 2005’s Thank You for Smoking, a cleverly written and very well performed black comedy that was so well pulled-off that one felt in the presence of promising new talent. It seems that feeling was correct, because with Juno, a very different film to its predecessor, Reitman has made an utterly assured and charming comedy/drama, and has drawn tremendously convincing and engaging performances from the entire cast. The talented young actress Ellen Page (who was so memorable in the confronting thriller Hard Candy) plays the titular character, an intelligent, articulate, out-of-left- field high-school student who, as our story opens, finds herself pregnant to her close friend and would-be boyfriend, Bleeker. Being smart, strong and self-possessed, Juno confronts her situation level-headedly, and decides, on reflection, that she will go through with the pregnancy and offer her child for adoption to a couple who are unable to conceive. With the support of her family - stepmother Bren (the wonderful Alison Janney) and father Mac (the ever-humourous J.
    [Show full text]
  • First-Run Smoking Presentations in U.S. Movies 1999-2006
    First-Run Smoking Presentations in U.S. Movies 1999-2006 Jonathan R. Polansky Stanton Glantz, PhD CENTER FOR TOBAccO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO SAN FRANCISCO, CA 94143 April 2007 EXECUTIVE SUMMARY Smoking among American adults fell by half between 1950 and 2002, yet smoking on U.S. movie screens reached historic heights in 2002, topping levels observed a half century earlier.1 Tobacco’s comeback in movies has serious public health implications, because smoking on screen stimulates adolescents to start smoking,2,3 accounting for an estimated 52% of adolescent smoking initiation. Equally important, researchers have observed a dose-response relationship between teens’ exposure to on-screen smoking and smoking initiation: the greater teens’ exposure to smoking in movies, the more likely they are to start smoking. Conversely, if their exposure to smoking in movies were reduced, proportionately fewer teens would likely start smoking. To track smoking trends at the movies, previous analyses have studied the U.S. motion picture industry’s top-grossing films with the heaviest advertising support, deepest audience penetration, and highest box office earnings.4,5 This report is unique in examining the U.S. movie industry’s total output, and also in identifying smoking movies, tobacco incidents, and tobacco impressions with the companies that produced and/or distributed the films — and with their parent corporations, which claim responsibility for tobacco content choices. Examining Hollywood’s product line-up, before and after the public voted at the box office, sheds light on individual studios’ content decisions and industry-wide production patterns amenable to policy reform.
    [Show full text]
  • Philosophy, Rhetoric, and Argument 1
    Philosophy, Rhetoric, and Argument 1 LEARNING OUTCOMES t’s often said that everyone philosophy: has a philosophy. It’s the intellectual Upon carefully studying this chapter, students also often said that activity of discerning should better comprehend and be able to explain: I and removing philosophical musings are contradictions ●● The ways in which philosophy, following the merely matters of opinion. among nonempirical, example of Socrates, can be distinguished from But in very important ways, reasoned beliefs mere rhetoric and sophistry, and the value of both of these assertions that have universal philosophical exploration. misrepresent philosophy. importance, with the First, philosophy isn’t so resulting benefit of ●● A working definition of philosophy, including its much something you have; achieving a greater primary sub‐areas of philosophical exploration understanding of rather, it is something that (especially metaphysics, epistemology, and the world and one’s you do. It is a process or ethics). place within it. activity, and a carefully ●● Different kinds of arguments to employ and crafted one at that. Second, fallacies to avoid in (philosophical) reasoning. when taking care to do philosophy well, it is unfair to say that philosophical judgments are merely ●● The debate about whether philosophical matters of personal opinion. This chapter strives to analysis can establish objectively true reinforce these refined estimations of philosophy. statements, and some arguments relevant to The chapters that follow will further reinforce them. this debate. By the time you reach the end of the text, and with ●● How Thank You for Smoking, Minority Report, the help of some very notable philosophers from and The Emperor’s ClubCOPYRIGHTED can be employed to the MATERIAL history of philosophy, you should have a much better understand and appreciate philosophy better grasp of what philosophy is and how it is and the philosophical process.
    [Show full text]
  • Writing Reviews
    EVERYONE’S A WRITER - PART 4 OF A CONTINUING SERIES Reviews A real service we can off er our readers is help in determining how to spend their time and money. Whether we provide traditional entertainment reviews – movies, TV, music, books – or explore a wider variety of areas, such as Web sites, plays, restaurants, coff ee shops, fashion... well, the list is only limited by your readers’ interests. Below is a “general assignment” given to everyone on the newspaper staff this semester. General assignments are used to insure that everyone on the staff is getting an opportunity to report and write, no matter what specifi c assignments they might be given for that is- sue. Some of the resultant reviews end up being published in the newspaper or yearbook (reviews in a yearbook?). Others can be shared through your Web site. All eventually are graded and are part of the publications class course grade. Your Review USA Today First full, typed draft is due __________________ Unconventional ‘Juno’ strikes right comedic balance The Review Cycle by Claudia Puig You will write one 150-300 word review from the Juno (* * * * out of four), a likably cynical comedy, is actually about hope. following fi ve categories, eventually cycling through all fi ve categories this semester (one per issue). Th e That sense of hope plays out on several levels. The most obvious is the story line in which a bright teenage girl fi ve categories include: movies, TV, music, Web turns an unwanted pregnancy into a boon for adoptive parents yearning for a child.
    [Show full text]
  • January/February 2010, Volume XXVI, No
    Office of International Services International Connection January/February 2010, Volume XXVI, No. 3 USC Continues Outreach in Asia Meeting with prospective students and educators strengthens bonds by Tony Tambascia, Executive Director and Assistant Dean of Students In this Issue It is often said that the Trojan Family extends well beyond US borders, and Being from Bahamas, 3 last Fall I experienced USC’s global reach up-close during a trip to five cities Healthcare debate, 4-5 in East Asia. LA Outdoors, 6-7 The primary purpose of the trip was Oscar predictions, 8 a series of student recruitment events called Discover USC-Asia, with stops World music scene, 9 in Taipei, Hong Kong, Seoul, Shang- hai and Beijing. Organized by USC’s The battle to save LA’s Enrollment Services Division, Discover murals, 10-11 USC-Asia receptions are held each Fall with the intent of promoting USC’s academic programs to prospective undergraduate and graduate students. Tony Tambascia with Prof. Hiwon Yoon, Dean, Office of Internation For last year’s trip, I joined about ten al Affairs, SNU; Steven Lee, Director, USC Korea Office; Jeongnam other USC staff and administrators from Hwang, Director of International Exchange and Education, SNU the Admission office, the Viterbi School USC by many years and thousands of and the time spent travelling be- of Engineering, the Marshall School miles, impressed upon me the true spirit tween locations, I was able to make of Business, the Annenberg School for of the Trojan Family. Their enthusiasm visits to some of the top universities Communication, the College of Letters, for the university, and their contin- in the region.
    [Show full text]
  • America and the Movies What the Academy Award Nominees for Best Picture Tell Us About Ourselves
    AMERICA AND THE MOVIES WHAT THE ACADEMY AWARD NOMINEES FOR BEST PICTURE TELL US ABOUT OURSELVES I am glad to be here, and honored. For twenty-two years, I was the Executive Director of the Center for Christian Study in Charlottesville, VA, adjacent to the University of Virginia, and now I am in the same position with the fledgling Consortium of Christian Study Centers, a nation-wide group of Study Centers with the mission of working to present a Christian voice at the secular universities of our land. There are some thirty to thirty-five such Study Centers in all different shapes and sizes. Not surprisingly, I suppose, I believe the work they are doing is some of the most important work being done at universities in America today, and that makes me glad and filled with anticipation to be here with Missy and the rest of you at the beginning of another study center. I have had the privilege of being part of this from the beginning though also from afar, and it is nice finally to see what is happening here. I look forward to seeing what the Lord does in the coming years. Thank you for inviting me to address you. Now to the task at hand. This is the tenth year in a row I have, in one form or another, looked at the Academy Award nominees for best picture and opined on what they tell us about life in American society. However, this is the first of those ten years in which I have lectured on this topic before the nominees were even announced.
    [Show full text]
  • Academy Invites 774 to Membership
    MEDIA CONTACT [email protected] June 28, 2017 FOR IMMEDIATE RELEASE ACADEMY INVITES 774 TO MEMBERSHIP LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 774 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitations will be the only additions to the Academy’s membership in 2017. 30 individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership. New members will be welcomed into the Academy at invitation-only receptions in the fall. The 2017 invitees are: Actors Riz Ahmed – “Rogue One: A Star Wars Story,” “Nightcrawler” Debbie Allen – “Fame,” “Ragtime” Elena Anaya – “Wonder Woman,” “The Skin I Live In” Aishwarya Rai Bachchan – “Jodhaa Akbar,” “Devdas” Amitabh Bachchan – “The Great Gatsby,” “Kabhi Khushi Kabhie Gham…” Monica Bellucci – “Spectre,” “Bram Stoker’s Dracula” Gil Birmingham – “Hell or High Water,” “Twilight” series Nazanin Boniadi – “Ben-Hur,” “Iron Man” Daniel Brühl – “The Zookeeper’s Wife,” “Inglourious Basterds” Maggie Cheung – “Hero,” “In the Mood for Love” John Cho – “Star Trek” series, “Harold & Kumar” series Priyanka Chopra – “Baywatch,” “Barfi!” Matt Craven – “X-Men: First Class,” “A Few Good Men” Terry Crews – “The Expendables” series, “Draft Day” Warwick Davis – “Rogue One: A Star Wars Story,” “Harry Potter” series Colman Domingo – “The Birth of a Nation,” “Selma” Adam
    [Show full text]
  • Julie Stevens 2012 Teaching Resume
    8149 Santa Monica Blvd. #287 Los Angeles, CA 90046 (323) 573-1939 [email protected] Julie Stevens Education Bank Street College New York, NY 1992 - 1993 • MS Early Childhood/Elementary Education New York University New York, NY 1987 - 1991 Tisch School of the Arts • BFA Broadcast Journalism/Acting Experience STUDIO TEACHER / WELFARE WORKER 1983 – Present Complete on-set teaching services for stage, film and TV productions; all grades and levels. Licensed welfare worker skilled to insure proper care of minors on set. Partial credits include: Childrens Hospital (4 Seasons) – Cartoon Network/Adult Swim Newsreaders – Cartoon Network/Adult Swim Jesus In Cowboy Boots – Independent Feature Majors & Minors – TV series for the HUB Network Without Reservations – Hallmark TV Movie The Butterfly Room – Independent Feature NTSF:SD:SUV – Cartoon Network/Adult Swim You’re Whole – Cartoon Network/Adult Swim Lego Friends – Animated Cartoon Oliver’s Ghost – Hallmark TV Movie Love’s Resounding Courage – Hallmark TV movie Happiness is a Warm Blanket, Charlie Brown - Peanuts TV Movie Class – Hallmark TV movie Warren The Ape – MTV series Cirque du Soleil – Kooza Touring Company The Storm – NBC TV Movie A Golden Christmas – ION TV Elevator Girl – Hallmark TV Movie Playground Politics – Funny or Die Productions/HBO Flower Girl – Hallmark TV Movie Janky Promoterrs – Ice Cube Independent Feature The Gold Retrievers – Independent Feature The Nanny Express – Hallmark TV Movie Cop Dog – Independent Feature Magic – Independent Feature The Santa Clause
    [Show full text]
  • Exploring the Political Dimensions of Information Literacy Through Popular Film
    University of Louisville ThinkIR: The University of Louisville's Institutional Repository Faculty Scholarship 7-2010 Exploring the political dimensions of information literacy through popular film. Robert Detmering University of Louisville, [email protected] Follow this and additional works at: https://ir.library.louisville.edu/faculty Part of the Film and Media Studies Commons, and the Information Literacy Commons Original Publication Information This article was originally published in Portal: Libraries and the Academy, volume 10, issue 3, in 2010. This Article is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. For more information, please contact [email protected]. ([SORULQJWKH3ROLWLFDO'LPHQVLRQVRI,QIRUPDWLRQ/LWHUDF\WKURXJK3RSXODU )LOP 5REHUW'HWPHULQJ SRUWDO/LEUDULHVDQGWKH$FDGHP\9ROXPH1XPEHU-XO\SS $UWLFOH 3XEOLVKHGE\-RKQV+RSNLQV8QLYHUVLW\3UHVV '2,SOD )RUDGGLWLRQDOLQIRUPDWLRQDERXWWKLVDUWLFOH KWWSVPXVHMKXHGXDUWLFOH Access provided by University of Louisville (20 May 2016 19:40 GMT) Robert Detmering 265 Exploring the Political Dimensions of Information Literacy through Popular Film Robert Detmering abstract: Certain popular films contextualize the access, use, and interpretation of information within a political and social framework. As a result, these films function as alternative pedagogical sites for analysis and critique, facilitating critical thinking about information beyond the library and the classroom, and leading students to a deeper understanding of the fundamental need for information literacy. A conceptual basis for the consideration of film in politically engaged information literacy instruction is provided, supported by a discussion of three relevant films: Jason Reitman’s Thank You for Smoking (2006), Joel and Ethan Coen’s Burn after Reading (2008), and Oliver Stone’s W.
    [Show full text]
  • Ejspring10 Full.Pdf
    Joining the World of Journals Welcome to the nation’s first and, to our knowledge, only undergraduate research journal in communi- cations. We discovered this fact while perusing the Web site of the Council on Undergraduate Research, which lists and links to the 60 or so undergraduate research journals nationwide (http://www.cur.org/ugjournal. html). Some of these journals focus on a discipline (e.g., Journal of Undergraduate Research in Physics), some are university-based and multidisciplinary (e.g., MIT Undergraduate Research Journal), and some are university-based and disciplinary (e.g., Furman University Electronic Journal in Undergraduate Mathematics). The Elon Journal is the first to focus on undergraduate research in journalism, media and communi- cations. The School of Communications at Elon University is the creator and publisher of the online journal. The first issue was published in Spring 2010 under the editorship of Dr. Byung Lee, associate professor in the School of Communications. The three purposes of the journal are: • To publish the best undergraduate research in Elon’s School of Communications each term, • To serve as a repository for quality work to benefit future students seeking models for how to do undergraduate research well, and • To advance the university’s priority to emphasize undergraduate student research. The Elon Journal is published twice a year, with spring and fall issues. Articles and other materials in the journal may be freely downloaded, reproduced and redistributed without permission as long as the author and source are properly cited. Student authors retain copyright own- ership of their works. Celebrating Student Research This journal reflects what we enjoy seeing in our students -- intellectual maturing.
    [Show full text]
  • The Role of the Media in Promoting and Reducing Tobacco
    10 Role of Entertainment Media in Promoting or Discouraging Tobacco Use Popular entertainment media are a powerful force in the lives of Americans. In particular, young Americans have been shown to spend an average of more than five hours per day exposed to a variety of media channels. This chapter examines the role of entertainment media in encouraging or discouraging tobacco use, including aspects such as n Channels of media exposure, particularly for children n Studies performed on tobacco use in the movie industry, ranging from trends in tobacco prevalence by movie type to issues such as how tobacco use is depicted, not portraying the health consequences of smoking, and brand-specific exposure n Studies examining the influence of smoking in the movies on the social attitudes and behaviors surrounding smoking n A summary of research on the portrayal of tobacco use in other media channels, such as television, music, magazines, and the Internet n Current and future strategies for reducing public exposure to tobacco use in entertainment media, including policy interventions, efforts at industry self-regulation, and advocacy efforts aimed at both the public and the entertainment industry The total weight of evidence from cross-sectional, longitudinal, and experimental studies indicates a causal relationship between exposure to movie smoking depictions and youth smoking initiation. Further research to better understand this relationship and to evaluate strategies to reduce youth exposure to tobacco portrayals in entertainment media is warranted. 357 1 0 . R o l e o f E n t e r t a i n m e n t M e d i a It’s the movies that have really been running impact of entertainment media on behavior things in America ever since they were focuses on these media.
    [Show full text]
  • |||GET||| Thank You for Smoking by Christopher Buckley
    THANK YOU FOR SMOKING BY CHRISTOPHER BUCKLEY DOWNLOAD FREE BookRags | 9781630098087 | | | | | Thank You for Smoking I loved Boomsday and I hoped this w In a word: underwhelming. Under pressure to produce results, Nick goes on a PR offensive. Buckley deftly paints a portrait of the D. The Best Books of So Far. He shipped out in the Merchant Marine and at age 24 became managing editor of Esquire magazine. This is a witty piece of social satire. Paperback —. Buckley demonstrates a great ear for dialogue. I didn't understand why Oprah could be a character, but Bruce Willis or Julia Roberts couldn't even be mentioned. Feb 14, ISBN William Gibson, author of the extraordinary multiaward-winning novel Neuromancer, has written his Thank You for Smoking by Christopher Buckley brilliant and For a better shopping experience, please upgrade now. Nov 07, Book Concierge rated it liked it Shelves: conciergesocial-commentarylibrarysatire. In a country where half the people want to outlaw pleasure and the other want to sell you a disease, what will become of Nick Naylor? The three main lobbyists in the book are anti-ATF. I've turned cynic now, I've not the time to make substantial changes to the way cigarettes think. I saw the film in the theatre in the spring and really liked it a lot, so of course, I picked up the book. In he was awarded the Thurber Prize for American Humor. He's good at it. NOOK Book. Mark Z. Learn how to enable JavaScript on your browser. It's always difficult coming to a written work after seeing the film version of it, because of two things.
    [Show full text]