DOCSLIB.ORG

DEJAN SAVIC, Conductor

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
DEJAN SAVIC, Conductor DEJAN SAVIC, Conductor SELECTED ORCHESTRAL REPERTORY Albeniz - Iberia Albinoni - Concerti Grossi Oboe Concerto d moll Bach K.P.E. - Symphonies Bach J.K. - Symphonies Bach W.F. - Symphonies Bach J.S. - Brandenburg Concertos Orchestral Ouvertures Kantatas Motets Piano Concertos Violin Concertos Magnificat Messe h moll St. John Passion St. Matthews Passion Barber - Adagio Bartok - Concerto for the Orchestra The Miraculous Mandarin Beethoven - Ouvertures Egmont The Ruines of Athens Leonore no. 3 Prometheus Fidelio Coriolan Symphonies 1-9 Messe Solenelle Fantasy for Choir, Piano and Orchestra Violinconcerto Pianoconcertos 1-5 Tripleconcerto Romances for Violin and Orchestra Berg - Violinconcerto Berlioz - Fantastic Symphony Harold in Italy The Roman Carnival, Ouverture Bernstein - The West Side Story, Suite Chichester Psalms Bizet - L'Arlesienne suites Symphony C dur Blacher - Variation on Paganini's Theme Violoncello Concerto Bloch - Shelomo Kol Nidrey Avodat Hakodesh Boccherini - Symphony D dur Violoncello Concerto g moll Borodin - Symphony no. 2 h moll The Steppensketches from Midd-Asia Brahms - Ouvertures Academic Tragic Symphonies 1-4 Serenades Variations on Haydn's Theme Violin Concerto Piano Concertos The German Requiem Britten - Serenade The Young Person's Guide to the Orchestra Bruch - Violin Concerto g moll Bruckner - Symphony no. 7 Te Deum Requiem Chatschaturian - Violin Concerto Cherubini - Symphony D dur Requiem Chopin - Andante Spianatto and Polonesa Brillante Piano Concertos Cimarosa - Oboe Concerto Corelli - Concerti Grossi Dallapicola - Orchestral Variations Debussy - Prelude for Afternoon of a Faune Trhree Nocturnes The Sea Iberia Dittersdorf - Double-bass Concerto D dur Donizetti - Te Deum Dukas - The Sorcerer's Apprentice Dvorak - Symphonies 7-9 Violoncello Concerto h moll Violin Concerto a moll Requiem Te Deum Elgar - Symphony no. 2 Enigma Variations The sea Violoncello Concerto Enescou - Romanian suites Falla - The Nights in Spanish Gardens The Three-cornered Hat Faure - Peleas and Mellisande Pavane Requiem Franck - Symphony d moll Symphonic Variations Gershwin - The American in Paris Rhapsody in Blue Glasunow - Violin Concerto Glinka - Ouvertures Ivan Susanin Ruslan and Ludmilla Gluck - Symphonies Te Deum Grieg - 2 Melodies for Strings "Peer Gynt" Suites "Sigurd Jorsalfar" Suite Piano Concerto a moll Haendel - Concerti Grossi Water Music The Music for the Royal Fireworks The Messiah Saul Haydn J. - Ouverture C dur Symphonies Piano Concertos Violin Concerto Violoncello Concertos Maria Theresia Messe Nelson Messe St. John Orgelmesse The Seasons Haydn M. - Symphony G dur Hindemith - Weber - Metamorphosis Mathis der Mahler Chamber Music (for soloists) Honegger - Liturgic Symphony Summer Pastorale Ibert - Suite for Chamber Orchestra Janacek - Sinfonietta The Glagolitische Messe Kodaly - Hary Janos Suite Dances from Galanta Psalmus Hungaricus Lalo - The Spanish Symphony Violoncello Concerto Liszt - Tasso Les Preludes Mazeppa Piano Concertos Te Deum Mahler - Das Lied von der Erde Die Tottenkinder lieder Symphonies 1 & 5 Martin - Concerto for Winds and Timbals Mendelssohn - Ouvertures The Hebrides The Summernights Dream Symphonies 1-5 Piano Concerto g moll Violin Concertos Elias Mozart - Symphonies Divertimentos Serenades German Dances The Mauerish Funeral Music Piano Concertos Violin Concertos Concertos for Various Soloists Requiem Messe c moll Litanie Lauretane Small Masses and Motets Mussorgskij - The Night on The Bare Mountain Pictures at an Exibition Nicolai - The Merry Wives of Windsor Nielsen - Hymnus Amoris Orff - Catuli Carmina Carmina Burana Paganini - Violin Concertos D dur, h moll Pergolesi - Stabat mater Prokofjew - The Classical Symphony Symphonies 3, 5 & 7 Peter and the Wolf, Suite Romeo and Juliette, Suites Piano Concerto no. 2 Violin Concerto no. 2 Alexander Nevski Quantz - Flute Concertos Rachmaninow - Symphonies 1 & 2 Piano Concertos 1-4 The Bells Ravel - Pavane My Mother the Goose The Valce The Spanish Rapsody Daphnis et Cloe Piano Concertos Reger - Sinfonietta Mozart - Variations Hiller - Variations The Romantic Suite Respighi - Fontane di Roma Pini di Roma The Birds Trittico Botticelliano The Spring Rimskij-Korsakow - Schecherezade Sadko Antar The Great Russian Fair Rousell - Symphony no. 3 Saint-Saens - Symphony no. 3 "Orgel" Schoenberg - Verklaerte Nacht Chambersymphony no. 1 Schostakowitch - Symphonies 1, 5, 6 & 7 The Russian Dances Concerto for Piano and Trompet Schubert - Rosamunda Ouverture Symphonies 1-5 Messe Es dur Messe As dur Schumann - Ouverture, Scherzo and Finale Symphonies no. 2 & 3 Piano Concerto Violoncello Concerto Sibelius - Symphonies 1 & 2 Finlandia 2 valces Violin Concerto Skalkotas - The Greek Dances Skriabin - Symphony no. 3 The Poeme of Extasy Smetana - My Fatherland Cycle The Czech Song Stamitz C. - Sinfonia Concertante Viola Concerto Flute Concerto Strauss J. - The Valces Strauss R. - The Dancesuite after Couperin The Life of a Hero Don Quixotte Till Eulenspiegel Horn Concerto no. 2 Strawinsky - The Pulcinella Suite The Firebird Suite The Petrouschka Suite The Story of a Soldier Les Noces Suk - Serenade Tartini - Symphonies Violin Concertos Telemann - Orchestersuites Flute Concertos Tschaikowski - Romeo and Juliette Symphonies 4-6 Serenade Piano Concerto Violin Concerto Rokoko – Variations The Nutcracker suite Vivaldi - Ouvertures Symphonies Gloria Concertos for Various Soloists Vorisek - Symphony D dur Wagner - Ouvertures Die Meistersinger Tannhauser Der Fliegende Hollander Tristan und Isolde Rienzi Lohengrin Die Walkure Siegfried-Idyll Weber - Ouvertures Oberon Freischuetz Symphony C dur An Invitation for a Dance Clarinetto Concertos Clarinetto Concertino Wolf - The Italian Serenade .
Load more

Recommended publications
  • Carl Nielsen Studies 3 (2008)
    BIBLIOGRAPHY CARL NIELSEN BIBLIOGRAPHY 2004-2007 By Kirsten Flensborg Petersen Bubert, Dennis: ‘Orchestral Excerpt Class’, ITA Journal 31:4 (2003) pp. 20-22. The bibliographies published in Carl Niel- sen Studies – including the following Carl Nielsen brevudgaven [The Letters of bibliography – are also to be found on Carl Nielsen], John Fellow (ed.), Køben- the internet at www.kb.dk/da/kb/nb/mta/ havn 2005-, volume 1, 1886-1897, Køben- cnu/studies.html. havn 2005, 571 p. Anderson, Martin: ‘Thomas Dausgaard: Carl Nielsen brevudgaven [The Letters of Conductor in a hurry’, Nordic Sounds 4 Carl Nielsen], John Fellow (ed.), Køben- (2003) pp. 9-13. havn 2005-, volume 2, 1898-1905, Køben- havn 2006, 598 p. Austen, Jill: ‘Behind ‘The Mother’’, Flutist Quarterly – The Official Magazine of the Carl Nielsen brevudgaven [The Letters of National Flute Association 30/4 (2005) pp. Carl Nielsen], John Fellow (ed.), Køben- 46-48. havn 2005-, volume 3, 1906-1910, Køben- havn 2007, 589 p. Benestad, Finn and Dag Schjelderup-Ebbe: ‘To åndsbeslektede tonemestre: Johan Carl Nielsens Barndomshjem 1956-2006: Jubi- Svendsen og Carl Nielsen’ [Two spiritu- læumsskrift [Carl Nielsen’s home 1956- ally related masters: Johan Svendsen and 2006: Jubilee publication], Nr. Lyndelse Carl Nielsen], in Musikvidenskabelige Kom- 2006, 16 p. positioner: Festskrift til Niels Krabbe 1941 – 3. oktober – 2006, Anne Ørbæk Jensen et Chandler, Beth E.: The ‘Arcadian’ flute: Late al. (eds.), København 2006, pp. 425-436. style in Carl Nielsen’s works for flute, diss., University of Cincinnati 2004, 168 p. Brown, Peter: The symphonic repertoire. Vol. 3. Part A, The European symphony from ca Christensen, Erik: ‘Danish music: The 1800 to ca 1930: Germany and the Nordic transition from tradition to modernism’, Countries, Bloomington 2007, 1168 p.
    [Show full text]
  • UCLA Symphony Programs 2005-2019
    UCLA SYMPHONY 2005 - 2019 November 30, 2005 Haydn Symphony No. 88 Shostakovich Piano Concerto No. 2, Op. 102 Tchaikovsky Symphony No. 2, Op. 17 (Little Russian) Neal Stulberg, conductor and pianist Schoenberg Hall; UCLA * * * * * March 6, 2006 Stravinsky Suite No. 2 for Small Orchestra Mozart Clarinet Concerto, K. 622 Beethoven Symphony No. 1, Op. 21 Denexxel Domingo, clarinet Masters and doctoral students of Donald Neuen, conductors Schoenberg Hall; UCLA * * * * * June 9, 2006 Fauré Suite from Pélléas et Mélisande Tchaikovsky Rococo Variations, Op. 33 Rimsky-Korsakov Scheherazade, Op. 35 Isaac Melamed, cello John Carter and Daniel Cummings, conductors Schoenberg Hall; UCLA * * * * * November 29, 2006 Bernstein Overture to Candide Haydn Sinfonia Concertante for Violin, Cello, Oboe and Bassoon, Op. 84 Puccini Preludio Sinfonico Liszt Les Préludes (Symphonic Poem No. 3) Mary Hofman, violin Isaac Melamed, cello Michelle An, oboe Amy Gillick, bassoon Daniel Cummings, Georgios Kountouris, Neal Stulberg, conductors Schoenberg Hall; UCLA * * * * * March 14, 2007 DANCE PARTY! Dvorak Slavonic Dance No. 7 in C major, Op. 72 Saint-Saens Danse Macabre, Op. 40 Falla Ritual Fire Dance from El Amor Brujo Piazzolla Tangazo Tchaikowsky Three Dances from Swan Lake Debussy Danse Sacrée et Danse Profane for harp and strings Glière Russian Sailors' Dance from The Red Poppy Copland Hoedown from Rodeo Sousa Hands Across the Sea Lindsay Strand-Polyak, violin Jacque Marshall, harp Masters and doctoral students of Donald Neuen, conductors Schoenberg Hall; UCLA * * * * * May 30, 2007 Mozart Symphony No. 35 (Haffner), K. 385 Ney Rosauro Concerto for Marimba and String Orchestra Moussorgsky/Ravel Pictures from an Exhibition Jamie Strowbridge, marimba Daniel Cummings and Georgios Kountouris, conductors Schoenberg Hall; UCLA December 5, 2007 Mozart Overture to Don Giovanni Rheinberger Concerto for Organ No.
    [Show full text]
  • 95.3 Fm 95.3 Fm
    October/NovemberMarch/April 2013 2017 VolumeVolume 41, 46, No. No. 3 1 !"#$%&'95.3 FM Brahms: String Sextet No. 2 in G, Op. 36; Marlboro Ensemble Saeverud: Symphony No. 9, Op. 45; Dreier, Royal Philharmonic WHRB Orchestra (Norwegian Composers) Mozart: Clarinet Quintet in A, K. 581; Klöcker, Leopold Quartet 95.3 FM Gombert: Missa Tempore paschali; Brown, Henry’s Eight Nielsen: Serenata in vano for Clarinet,Bassoon,Horn, Cello, and October-November, 2017 Double Bass; Brynildsen, Hannevold, Olsen, Guenther, Eide Pokorny: Concerto for Two Horns, Strings, and Two Flutes in F; Baumann, Kohler, Schröder, Concerto Amsterdam (Acanta) Barrios-Mangoré: Cueca, Aire de Zamba, Aconquija, Maxixa, Sunday, October 1 for Guitar; Williams (Columbia LP) 7:00 am BLUES HANGOVER Liszt: Grande Fantaisie symphonique on Themes from 11:00 am MEMORIAL CHURCH SERVICE Berlioz’s Lélio, for Piano and Orchestra, S. 120; Howard, Preacher: Professor Jonathan L. Walton, Plummer Professor Rickenbacher, Budapest Symphony Orchestra (Hyperion) of Christian Morals and Pusey Minister in The Memorial 6:00 pm MUSIC OF THE SOVIET UNION Church,. Music includes Kodály’s Missa brevis and Mozart’s The Eve of the Revolution. Ave verum corpus, K. 618. Scriabin: Sonata No. 7, Op. 64, “White Mass” and Sonata No. 9, 12:30 pm AS WE KNOW IT Op. 68, “Black Mass”; Hamelin (Hyperion) 1:00 pm CRIMSON SPORTSTALK Glazounov: Piano Concerto No. 2 in B, Op. 100; Ponti, Landau, 2:00 pm SUNDAY SERENADE Westphalian Orchestra of Recklinghausen (Turnabout LP) 6:00 pm HISTORIC PERFORMANCES Rachmaninoff: Vespers, Op. 37; Roudenko, Russian Chamber Prokofiev: Violin Concerto No. 2 in g, Op.
    [Show full text]
  • Nielsen Flute Concerto Clarinet Concerto Aladdin Suite
    SIGCD477_BookletFINAL*.qxp_BookletSpread.qxt 22/12/2016 13:24 Page 1 CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title Page Nos. Also available… NIELSEN FLUTE CONCERTO CLARINET CONCERTO 1 1 3 6 4 4 ALADDIN SUITE D D C C G G I I S S SAMUEL COLES FLUTE Bruckner: Symphony No.9 Schubert: Symphony No.9 Philharmonia Orchestra Philharmonia Orchestra MARK VAN DE WIEL CLARINET Christoph von Dohnányi Christoph von Dohnányi SIGCD431 SIGCD461 PAAVO JÄRVI “Beautifully prepared account ... Dohnányi’s new recording "This performance ... goes for broke and succeeds, to the is distinguished by the clarity with which it presents evident rapture of the audience. The Philharmonia is up to Bruckner’s score as well as the excellence of its sound.” all Dohnanyi's and Schubert's steep demands, and I was left Gramophone with a feeling of exhausted exhilaration." BBC Music Magazine Flute Concerto Producer – Andrew Cornall recorded live at Royal Festival Hall, 19 November 2015 Engineer – Jonathan Stokes Editor, Mixing & Mastering – Jonathan Stokes Clarinet Concerto Cover Image – Shutterstock recorded live at Royal Festival Hall, 19 May 2016 Design – Darren Rumney Aladdin Suite P2017 Philharmonia Orchestra recorded at Henry Wood Hall, 20 May 2016 C2017 Signum Records 20 1 291.0mm x 169.5mm SIGCD477_BookletFINAL*.qxp_BookletSpread.qxt 22/12/2016 13:24 Page 23 CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title Page Nos. PAAVO JÄRVI CARL NIELSEN 1865-1931 reflection and prettiness. 15 years had passed NIELSEN Flute Concerto since the first performance of Nielsen’s Violin PaavFo LJäUrvTi iEs cCurrOenNtlyC CEhiRefT COonductor of the NHK Symphony Orchestra, Artistic Director of the Concerto when the Flute Concerto was DeutCschLeA KRamImNeErpThi lChaOrmNonCie EanRdT thOe founder of the Estonian Festival Orchestra, which brings Allegro moderato introduced in Paris in 1927.
    [Show full text]
  • (1756-1791) Completed Wind Concertos: Baroque and Classical Designs in the Rondos of the Final Movements
    Wolfgang Amadeus Mozart's (1756-1791) Completed Wind Concertos: Baroque and Classical Designs in the Rondos of the Final Movements Item Type text; Electronic Thesis Authors Koner, Karen Michelle Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 21:25:51 Link to Item http://hdl.handle.net/10150/193304 1 Wolfgang Amadeus Mozart’s (1756-1791) Completed Wind Concertos: Baroque and Classical Designs in the Rondos of the Final Movements By Karen Koner __________________________________ Copyright © Karen Koner 2008 A Thesis Submitted to the Faculty of the School of Music In Partial Fulfillment of the Requirements for the Degree of Master of Music In the Graduate College The University of Arizona 2008 2 STATEMENT BY THE AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgement of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the copyright holder. Signed: Karen Koner Approval By Thesis Director This thesis has been approved on the date shown below: J. Timothy Kolosick 4/30/2008 Dr.
    [Show full text]
  • Classics 1 Program Notes
    Classics 1: Program Notes The Sights and Sounds of Stockton: Cityscape John Wineglass and San Joaquin Delta College media students In accordance with its mission to inspire joy and build community through music—and with the aim of generating community pride and awareness through art—the Stockton Symphony teamed up with award-winning composer John Wineglass and San Joaquin Delta College media students under the direction of Adriana Brogger and Kirstyn Russell to create a project titled The Sights and Sounds of Stockton. The Delta College media students, all of whom are from the area and live in the various quadrants of our city, fanned out into the community to gather pictures and videos of their daily environment. They brought the raw footage to class and collaborated to edit the “sights” of Stockton into a feature approximately ten to twelve minutes long. Wineglass visited Stockton several times to get a feel for the area, and he worked with the students on the overall scope of the project as well as details of compilation to achieve a compelling outcome. He then composed the accompanying symphonic score for tonight’s live performance with the Stockton Symphony. This week he has also been meeting with composition students to discuss the composition process and how a composer works with visual components, and he engaged in a public forum with students and members of our community to discuss his work on this project. Winner of three Daytime Emmy Awards and recipient of four additional Emmy nominations, John Wineglass has performed on five continents, before five U.S.
    [Show full text]
  • Flute: Late Style in Carl Nielsen’S Works for Flute
    THE “ARCADIAN” FLUTE: LATE STYLE IN CARL NIELSEN’S WORKS FOR FLUTE A thesis submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 2004 by Beth E. Chandler B.M., Baylor University, 1993 M.M., New England Conservatory, 1996 Committee Chair: bruce d. mcclung, Ph.D. ABSTRACT Revered as Denmark’s most celebrated musical figure and regarded as one of the finest, albeit under recognized composers, Carl Nielsen (1865–1931) holds a place as one of the most individual and creative artists of his time. Straddling the nineteenth and twentieth centuries and with consideration to the dramatically changing musical climate of that time, Nielsen’s vast output is stylistically complex. His music spans an array of styles, with elements of Romanticism in his early works, to an outright rejection of these same principles and an adoption of extensive progressivism in later works, all the while maintaining features of neoclassicism. There are six known works by Carl Nielsen that include flute in a solo or chamber role. These works date from his late, mature compositional period and include a short piece for solo flute from the incidental music to Aladdin, Op. 34 (1918–19); three pieces from the incidental music to Moderen (The mother), Op. 41 (1920): “Taagen letter” (The fog is lifting) for flute and piano or harp, “Børnene spiller” (The children are playing) for solo flute, and “Tro og håb spiller” (Faith and hope are playing) for flute and viola; the Wind Quintet, Op.
    [Show full text]
  • UNLV Symphony Orchestra Taras Krysa, Music Director and Conductor Zixuan Yan, Flute Grace-Haeun Kim, Piano
    College of Fine Arts presents the UNLV Symphony Orchestra Taras Krysa, Music Director and Conductor Zixuan Yan, Flute Grace-Haeun Kim, Piano PROGRAM Concerto for flute and orchestra Carl Nielsen Allegro moderato (1865–1931) Allegretto un poco – Adagio ma non troppo – Allegretto – Poco adagio – Tempo di Marcia Zixuan Yan, flute Ioannis Protopapas, guest conductor INTERMISSION Piano Concerto No. 3 in C Major, Op. 26 Sergei Prokofiev Andante – Allegro (1891–1953) Tema con variazioni Allegro ma non troppo Grace-Haeun Kim, piano Wednesday, April 24, 2019 7:30 p.m. Artemus W. Ham Concert Hall Performing Arts Center University of Nevada, Las Vegas PROGRAM NOTES Danish composer Carl Nielsen wrote his concerto for flute in 1926 after hearing the Copenhagen Wind Quintet rehearse five Years prior, and vowing to write a concerto for each of the musicians. Although his health only allowed him to write this concerto and, one other for clarinet, both pieces are considered international, standard repertoire. The flute concerto’s Paris premiere in October 1926 was completely dedicated to the work, with a temporary ending, and the composer proclaimed it as one of the “greatest experiences” of his life. His ailing health hindered Nielsen the completion of the concerto by a few months; the completed version was performed in Copenhagen in January 1927. Nielsen’s flute concerto is a blend of the composer’s traditional style and the modernist trends of the 1920s, a neoclassical work with a little humor. It took Russian composer Sergei Prokofiev eight years to turn simple sketches into his virtuosic, third piano concerto.
    [Show full text]
  • Repertoire Suggestions for Competition
    REPERTOIRE SUGGESTIONS FOR ROGER & ELLA JO ADAMS CONCERTO COMPETITION VIOLIN CLARINET Bach, Violin Concerto No. 2 BWV 1042 Copland, Clarinet Concerto Barber, Violin Concerto Debussy, Rhapsody Beethoven, Violin Concerto Mozart, Clarinet Concerto Brahms, Violin Concerto Nielsen, Clarinet Concerto Bruch, Violin Concerto No. 1 or 2 or Weber, Clarinet Concerto No. 2 Scottish Fantasy BASSOON Glazunov, Violin Concerto Elgar, Romance Goldmark, Violin Concerto Francaix, Bassoon Concerto Kabalevsky, Violin Concerto Jolivet, Bassoon Concerto Lalo, Symphonie Espagnole Hummel, Bassoon Concerto Mendelssohn, Violin Concerto in E minor Mozart, Bassoon Concerto Mozart, Any Violin Concerto Vivaldi, Bassoon Concerto in E minor Paganini, Violin Concerto No. 1 or 2 Weber, Bassoon Concerto Prokofiev, Violin Concerto No. 1 or 2 HORN Saint-Saens, Violin Concerto No. 3 Gliere, Horn Concerto Sibelius, Violin Concerto Haydn, Horn Concerto No. 1 Tchaikovsky, Violin Concerto Jacob, Concerto for Horn and Strings Vieuxtemps, Violin Concerto No. 5 Mozart, Horn Concerto No. 2, 3, or 4 Vivaldi, Four Seasons, Complete R. Strauss, Horn Concerto No. 1 or 2 Wieniawski, Violin Concerto No. 1 or 2 TRUMPET VIOLA Arutunian, Trumpet Concerto Bartok, Viola Concerto Haydn, Trumpet Concerto Bloch, Suite for Viola and Orchestra Hummel, Trumpet Concerto Hindemith, Der Schwanendreher Telemann, Trumpet Concerto in D major Hoffmeister, Viola Concerto TROMBONE Martinu, Rhapsody-Concerto Creston, Fantasy Stamitz, Viola Concerto David, Trombone Concertino Walton, Viola Concerto Jacob, Trombone Concerto CELLO Martin, Ballade Boccherini, Cello Concerto Tomasi, Trombone Concerto Dvorak, Cello Concerto TUBA Elgar, Cello Concerto Vaughan Williams, Bass Tuba Concerto Haydn, Cello Concerto in D major or C major John Williams, Tuba Concerto Lalo, Cello Concerto HARP Saint-Saens, Cello Concerto No.
    [Show full text]
  • 2017-2018 Concert Season September 23, 2017 – 7:30PM
    2017-2018 Concert Season September 23, 2017 – 7:30PM – Peoria Civic Center Theater “Reflections” George Stelluto, conductor Jorge Federico Osorio, piano Bernstein: Candide Overture Brahms: Piano Concerto No. 1 in D minor, Op. 15 Mussorgsky: Pictures at an Exhibition October 21, 2017 – 7:30PM – Peoria Civic Center Theater “La La Land in Concert” George Stelluto, conductor Patrick Godon, piano November 18, 2017 – 7:30PM – Grace Presbyterian Church “Serenade for Strings” George Stelluto, conductor Orion Weiss, piano Elgar: Serenade for Strings in E minor, Op. 20 Bloch: Concerto Grosso No. 1 Tchaikovsky: Serenade for Strings in C Major, Op. 48 December 16, 2017 – 7:30PM – Riverside Community Church “Winter Dreams” George Stelluto, conductor Marcia Henry Liebenow, violin Istvan Szabo, viola Tchaikovsky: Symphony No. 1 “Winter Dreams” - Daydreams of a Winter Journey L Mozart: A Musical Sleigh Ride Bruch: Kol Nidrei Vaugh Williams: Fantasia on Greensleeves Vivaldi: Concerto in F minor, Op. 8 No. 4 “Winter from the Four Seasons Wagner: Siegfried Idyll Haydn/ L Mozart: A Toy Symphony – Movement 1 Tchaikovsky: Symphony No. 1 “Winter Dreams” – Finale January 14, 2018 – 3:00PM – Peoria Civic Center Theater “Time for Three” George Stelluto, conductor Ranaan Meyer, double bass Nick Kendall, violin Charles Yang, violin Dave Brubeck: Blue Rondo a la Turk Chris Brubeck: Travels in Time for Three Steve Hackman: Vertigo Time for Three/ Hackman: Banjo Love Hackman: Darling Calypso Cohen: Hallelujah Time for Three: Songs of Joy Jagger, Richards, Ashcroft: Bittersweet Symphony February 10, 2018 – 7:30PM – Peoria Civic Center Theater “Romance” George Stelluto, conductor Marcia Henry Liebenow, violin The BraziLionaires Central Illinois Ballet Bruch: Violin Concerto No.
    [Show full text]
  • Nielsen's Arcadia: the Case of the Flute Concerto
    NIELSEN’S ARCADIA: THE CASE OF THE FLUTE CONCERTO The fl ute cannot deny its own nature, its home is in Arcadia and it prefers pastoral moods. Hence, the composer has to obey its gentle nature, unless he wants to be branded a barbarian.1 By Ryan Ross Nielsen’s own remarks concerning his Flute Concerto (composed for and premiered by Holger Gilbert-Jespersen in 1926) have often appeared alongside descriptions of the work. The music’s often sudden moments of lyricism seem to relate well to his invo- cation of the terms ‘pastoral’ and ‘Arcadia’. However, while the concerto has recently been subjected to some fascinating examinations,2 its ‘Arcadian’ nature as explicitly professed by Nielsen has barely been explored.3 In this essay I shall suggest that there are distinct patterns pertaining to the Flute Concerto involving the idea of ‘Arcadia’ as it contrasts an idyllic past with a troubled present. In my analysis, I will argue that his positioning of simple themes with relation to their surroundings in the concerto’s two movements suggests a process-driven search for an Arcadian ideal. As such, and 1 Fløjten kan ikke fornægte sin Natur, den hører hjemme i Arkadien og foretrækker de pastorale Stemninger; Komponisten er derefter nødt til at rette sig efter det blide Væ- sen, ifald han ikke vil risikere at stemples som en Barbar. This and other remarks Nielsen made about his Flute Concerto may be found in Carl Nielsen Works II/9: Concertos, Copenhagen 2002, xxxiii-xxxiv. 2 Two such studies were published in Carl Nielsen Studies 2 (2005) – Tom Pan- kurst, ‘“We Never Know Where We’ll End Up”: Nielsen’s alternative end- ings to the Flute Concerto’, 132-151; and Kirsten Flensborg Petersen, ‘Carl Nielsen’s Flute Concerto: Form and revision of the ending’, 196-225.
    [Show full text]
  • The Evolution of the Bassoon and Its Impact Upon Solo
    PORTFOLIO OF RECORDED PERFORMANCES AND EXEGESIS: The Evolution of the Bassoon and its Impact upon Solo Repertoire and Performance Emily Clare Stone Submitted in the fulfilment of the requirements for the degree of Master of Music Elder Conservatorium of Music Faculty of Humanities and Social Sciences The University of Adelaide November 2008 TABLE OF CONTENTS TITLE PAGE………………………………………………………………………………………..i TABLE OF CONTENTS…………………………………………………………………………...ii ABSTRACT………………………………………………………………………………………..iii DECLARATION...……………...………………………………………………………………....iv ACKNOWLEDGEMENTS…………………………………………………………….…………..v 1 INTRODUCTION….……………………………………………………………………………..1 Recital Programs………………………………………………….……………….………3 2 THE INFLUENCE OF THE RESEARCH ON THE PREPARATION OF THE REPERTOIRE.5 A.Vivaldi: Concerto in E minor F.VIII, No.6……………………………………………..5 G.P. Telemann: Sonata in F minor ………………………………………………………12 W.A. Mozart: Concerto for Bassoon and Orchestra KV191.............................................15 F. Devienne: Quartet No. 3, Opus 73 in g minor ……………...………………………...22 C.M.v. Weber: Andante and Hungarian Rondo Op.35….…….....………………………25 E. Elgar: Romance Op.62 ...……..………………………………...…………………….30 A. Tansman: Suite for bassoon and piano.........................................................................32 M. Arnold: Fantasy for bassoon, Op.86.............................................................................35 J. Williams: The Five Sacred Trees...................................................................................36 3 PERSONAL DEVELOPMENT
    [Show full text]