Representing Authenticity Through Factory-Printed Cloths of Africa
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2009-2010 Biennial Budget Development
Interdepartmental Correspondence Sheet City of Cincinnati June 2, 2008 To: Mayor and Members of City Council From: Milton Dohoney, Jr., City Manager Subject: 2009/2010 Biennial Budget Development The purpose of this document is to begin the process of developing budget priorities and policies that will guide the development of the 2009/2010 Biennial Budget. It provides information useful to the Mayor and the City Council in crafting the 2009/2010 Policy Budget priorities. It is anticipated that the City Council will adopt a list of 2009/2010 Policy Budget priorities at its June 18, 2008 meeting, which identifies City Council’s service priorities given resource constraints. It is important to consider the General Fund forecast, the budget policy considerations, and significant budget issues when developing policy priorities for the upcoming biennium. These items provide the context for informed decisions. In addition, since we are again facing resource constraints, I ask that City Council consider providing guidance on service reductions and/or resource increases to help offset the expenses associated with any new or enhanced spending initiatives. An updated General Fund Forecast is provided reflecting the revised revenue estimates and expenditure estimates for 2009 through 2012. As noted in the 2008 Budget Update Process and confirmed in the 2007 Year End Close Report, the City’s combined Working Capital Reserve and General Fund Balance is short of the minimum standard of 10% of annual General Fund revenue. To balance the 2008 Budget, $3.5 million of the 2007 carryover was used. Preliminary resources and expenditures detailed in the Tentative Tax Budget indicate that this structural deficit will continue in 2009. -
Global Education for Young Children: a Curriculum Unit for the Kindergarten Classroom Ann Davis Cannon University of North Florida
UNF Digital Commons UNF Graduate Theses and Dissertations Student Scholarship 1984 Global Education for Young Children: A Curriculum Unit for the Kindergarten Classroom Ann Davis Cannon University of North Florida Suggested Citation Cannon, Ann Davis, "Global Education for Young Children: A Curriculum Unit for the Kindergarten Classroom" (1984). UNF Graduate Theses and Dissertations. 22. https://digitalcommons.unf.edu/etd/22 This Master's Thesis is brought to you for free and open access by the Student Scholarship at UNF Digital Commons. It has been accepted for inclusion in UNF Graduate Theses and Dissertations by an authorized administrator of UNF Digital Commons. For more information, please contact Digital Projects. © 1984 All Rights Reserved GLOBAL EDUCATION FOR YOUNG CHILDREN: A CURRICULUM UNIT FOR THE KINDERGARTEN CLASSROOM by Ann Davis Cannon A thesis submitted to the Division of Curriculum and Instruction in partial fulfillment of the requirements for the degree of Master of Arts in Education UNIVERSITY OF NORTH FLORIDA COLLEGE OF EDUCATION AND HUMAN SERVICES August, 1984 Signature Deleted Dr. Mary SuTerrell, Advisor Signature Deleted Signature Deleted Global Education ABSTRACT The purpose of this project was to develop a curriculum for global education appropriate for kindergarten children. A review of relevant literature provided concepts and themes that researchers consider essential components for inclusion in any global education program. Recommendations were made as to when and how the subject should be introduced in the classroom. Activities emphasized three important themes: We are one race, the human race, living on a small planet, earth; people are more alike than they are different, basic human needs bind people together; and, people of the world, even with different points of view, can live, work together, and learn from each other. -
Going to St. Ives Playbill
PRODUCTION STAFF Director.................................................................................................................Edd Miller Producer............................................................................................................Tom Stuckey Stage Manager......................................................................................................Herb Elkin Set and Floor Designer..........................................................................................Edd Miller Set Painting.....................................................................................Edd Miller, Tom Stuckey Art Painting.......................................................................................................Laurie Nolan Lead Carpenter..................................................................................................Dick Whaley Carpenters...........................................................Norm James, Bob Mumper, Ted Yablonski Costume Designer.........................................................................................Beth Terranova Lighting Designer...............................................................................................Harvey Hack Lighting Assistants.........................Terry Averill, Stuart Johnson, Lana Riggins, Robby Rose, Heather Quinn, Tom Stuckey, Beth Terranova, Bob Walker Sound Designer.............................................................................................Wes Bedsworth Composer, Original Music.............................................................................Carl -
History of Research on African Factory-Printed Cloth and Current Approaches in the Field
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2004 History of Research on African Factory-Printed Cloth and Current Approaches in the Field Michelle Willard University of British Columbia, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Willard, Michelle, "History of Research on African Factory-Printed Cloth and Current Approaches in the Field" (2004). Textile Society of America Symposium Proceedings. 447. https://digitalcommons.unl.edu/tsaconf/447 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. History of Research on African Factory-Printed Cloth and Current Approaches in the Field Michelle Willard Department of Anthropology/Museum Studies University of British Columbia [email protected] Objects are not what they were made to be but what they have become. This is to contradict a pervasive identification in museum research and material culture studies which stabilizes the identity of a thing in its fixed and founded material form.1 If we were to interpret factory-printed cloths in their “fixed and founded material form” as Nicholas Thomas states, we would be looking at a novel commodity and technology introduced to Africa by Europeans. However, factory-printed cloth is a product of both African design and European technology, and has its beginnings in the colonial period. -
HUMANA Sustainability Report
HUMANA Sustainability Report HUMANA Kleidersammlung GmbH, HUMANA Second Hand Kleidung GmbH (Germany) HUMANA People to People - Verein für Entwicklungszusammenarbeit (Austria) According to the guidelines of the Global Reporting Initiative (GRI) G4 Content: global context, supply chain (where the clothes go), employees, environment, economic performance, community involvement ... Cover picture: The ecological foot print is pretty well known. It describes the negative effects on the environment. What is still new is the term ecological hand print. It describes the positive effects on the environment. HUMANA: small foot print, large hand print. The manufacture of new clothes places a burden on people and the environment. Second hand helps. We have a re-wear quota of 80.6% for the clothes we collect in Germany. With this quota we are one of the leaders of the industry - average of the industry is 54 %. Therefore, our values, in terms of foot and hand print, are not only good, but great. Energy MWh CO2 tonnes Water m³ Land m² -28,428 . -7,114 . -6,630 . -98,151 . 904,757 . 169,642 . 113,094,639 . 76,904,355 . See page 32 and 82-89. Sustainability Report 2014-2016 - p. 02 Sustainability Report G4-3 Best before: 31.12.2020 G4-6 This report is published in May/June 2018, the next one at the end of 2020. Our reporting cycle is three years, compiling usually takes one year. The reporting period for this report is 2014 through 2016. The reporting organizations are: HUMANA Kleidersammlung GmbH Collection and sorting in Germany www.humana-kleidersammlung.de HUMANA Second Hand Kleidung GmbH Second hand shops in Germany www.humana-second-hand.de HUMANA People to People - Verein für Entwicklungszusammenarbeit Collection and second hand shops in Austria www.humana.at Sustainability Report 2014-2016 - p. -
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
Folk Art Teddy Bear.Wps
Folk Art Teddy Bear by Missy B a lla n c e o f C r a f t y C a r n iv a l h t t p : / / m issyba lla n c e . c o m © 2007 This pattern is intended only for personal use and not for resale. Please do not sell the items you make from this pattern. Su p p lie s: 2 large scraps of darker mohair (each piece should be about 8” tall by 6” wide small scrap of light mohair (2” x 3”) perle cotton matching the two colors of mohair and black (2) 6mm glass shoe button eyes, or similar (plastic safety eyes for a child’s toy or dog toy) poly-fil stuffing (it’s the best…. never use anything but poly-fil!!) ribbon for trim basic sewing supplies comb sharpie marker optional: hemostats for turning and stuffing. jingle bells Please read all the directions before you get started. print the template for the teddy bear onto heavy duty paper such as cardstock, and cut him out Place your two large scraps of mohair with right sides together. The knap of the hair should be pointing down. Using a sharpie or marker, trace the pattern piece onto the mohair. SEW ON THE LINE leaving an opening at teddy’s side for turning and stuffing. Now that he is all sewn up, trim him out leaving about ¼” seam allowance. Clip the corners and curves. Turn teddy right side out. (I like to use hemostats for this. They are a tool that looks like scissors, but they grab instead of cut) Stuff him full of poly fil stuffing using these hemostats to help get the stuffing into the ears and limbs! As you’re stuffing add small jingle bells to his belly area. -
A Study of Bagobo Ceremonial, Magic and Myth
% PRESKNTED BY THE AUTTHOR jg^v*. -. i--V:/> -^^It^^s^^' -4 NOV 1 4 1916 A STUDY OF BAGOBO CEREMONIAL, MAGIC AND MYTH Laura Watson Benedict Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Faculty of Philosophy of Columbia University [Reprinted from the Annals of the New York Academy of Sciences, Vol. XXV, pp. 1—308. Published 15 May, 1916.] Printed by E. J. BRILL, Leyden (Holland). ^> t [Annals N. Y. Acad. Scl, Vol. XXV, pp. 1—308, pll. I—YIII. 15 May, 1916] o A STUDY OF BAGOBO CEREMONIAL, MAGIC AND MYTH^ By Laura Watson Benedict {Presented by title before the Academy^ 20 April^ 1914) CONTENTS Page Prefatory remarks 3 Introduction. General characteristics of the religious attitude of the Bagobo 8 Part I. Mythological concepts 13 The Bagobo pantheon 13 Myth-gods of the nine heavens 15 Gods associated with human interests 18 The demons called buso 29 Interpretation of physical evironment 43 The souls of man and life after death 49 Characterization of the two souls 49 Right-hand soul or Gimokud Takawanan 50 Signs of death 51 Summons to the living 51 Onong or travel outfit for the soul 53 The one country of the dead 54 Manner of existence in Gimokudan 55 Topography of the one country 56 Idea of retribution 58 Left hand soul or Gimokud Tebang 58 Dream exploits 58 Fate at death 60 General considerations ' 61 Restoration of the dead to life 61 Cult of the dead 62 Ideas of death 63 Souls of animals and of manufactured objects 64 Traditions of mythical ancestors 65 Part II. -
1811 DOLL CLOTHES Fabrics: Broadcloth, Cotton Types, Gingham
. L.LJ -0::: 11 L.LJ 18 DOLL CLOTHES VETEMENTS POUR POUPEES DE 45.Scm (./) (./) • ~~~~~~~~~~~~~~~~~~~~~- zz u:::: L.LJ • Fabrics: Broadcloth , Cotton Types , Gingham , Linen Types. B Shirt also in Tissus: Popeline, Cotonnades, Vichy, Toile de Lin. B Chemise e,n Jersey ~g 36 PIECES Interlock, Jersey. B Hat in Double Knit, Fleece. B Scarf also in Chiffon. Interlock, Jersey fin. B Chapeau en Jersey Double, Molleton. B Echarpe ~ ~ C Overskirt also in Organza. D Bodice Overlay, Shoulder Straps and Slip en Mousse I ine. C Dessus-de-Jupe en Organza aussi. D Dessus de ~ ~ Ruffle in Novelty Sheers. Corsage, Bretelles et Valant du Jupon en Tissus Transparents. ~ ~ ~~~~~~~~~~~~~~~~~~~~~- 2zmo 11 11 A Jacket- %yd. of 45 or 60 ** A Manteau- 0.40m de 115cm ou 150cm** ~~ 11 11 Pants- ~ yd. of 45 or 60 ** Pantalon- 0.40m de 115cm ou 150cm** ~ ~ Apron- %yd. of 45 11 or 60 11 ** purchase same amount for apron lining Tablier- 0.30m de 115cm ou 150cm** achetez la meme quantite que pour ~ ~ Ar la doublure du tablier ~ 8 (./) 11 11 Hat-~ yd. of 45 or 60 ** Chapeau- 0.40m de 115cm ou 150cm** ~ ~ Notions: One pkg. of piping, three small snaps, six %11 buttons,% yd. of Mercerie: Un paquet de lisere, trois petites pressions, six boutons de lcm, ~ ~ 11 11 1 ~ wide elastic, lYs yd. of ~ wide double fold bias tape, one large iron-on 0.60m delastique de 6mm de large , 1.00m de ruban de biais double de ~~ applique, one small iron-on applique. 6mm de large, un grande application acaller au fer, une petite application ~ g: 0 z A aco Iler au fer. -
Exporting out of China Or out of Africa? Automation Versus Relocation in the Global Clothing Industry
Discussion Paper 1/2020 Exporting out of China or out of Africa? Automation versus Relocation in the Global Clothing Industry Tilman Altenburg Xiao Chen Wilfried Lütkenhorst Cornelia Staritz Lindsay Whitfield Exporting out of China or out of Africa? Automation versus relocation in the global clothing industry Tilman Altenburg Xiao Chen Wilfried Lütkenhorst Cornelia Staritz Lindsay Whitfield Bonn 2020 Discussion Paper / Deutsches Institut für Entwicklungspolitik ISSN (Print) 1860-0441 ISSN (Online) 2512-8698 Except as otherwise noted this publication is licensed under Creative Commons Attributtion (CC BY 4.0). You are free to copy, communicate and adapt this work, as long as you attribute the German Development Institute / Deutsches Institut für Entwicklungspolitik (DIE) and the authors. Die deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data is available in the Internet at http://dnb.d-nb.de. ISBN 978-3-96021-111-2 (printed edition) DOI:10.23661/dp1.2020 Printed on eco-friendly, certified paper Tilman Altenburg is Head of the Research Programme “Transformation of Economic and Social Systems” at the German Development Institute / Deutsches Institut für Entwicklungspolitik (DIE), Bonn Email: [email protected] © Deutsches Institut für Entwicklungspolitik gGmbH Tulpenfeld 6, 53113 Bonn +49 (0)228 94927-0 +49 (0)228 94927-130 Email: [email protected] www.die-gdi.de Preface For forty years now, Germany and China have been successfully working together in development cooperation. China has developed rapidly over recent decades, enabling several hundred million people to be lifted out of extreme poverty. -
Twilight Collection 94
WELCOME When selecting a finely made rug, your choice of color and design imparts a unique sense of context to your personal decorating style, transforming any room into an enchanting portrait of elegance. Color and design are important elements, but of equal importance is size. To truly make a statement, the rug should be sized to your living space. With more than three decades of expertise in producing incomparable luxury carpets for the sophisticated home, Nourison brings you their newest program – Fifty to Infinity. A unique offering of high fashion rug collections, each unrivalled for exquisite design, meticulous craftsmanship, and quality… all custom sized to your needs. All of the styles in this book are available in an unprecedented fifty area rug sizes and shapes. Choose from squares, rounds, rectangles, octagons and runners, accent sized to oversized. Need something truly unique? Custom sizes are available as well. Once your selection is made, your rug will be custom cut, serged and finished to your size specifications, all within two weeks of your order. For the discriminating consumer, this book presents an unparalleled design resource for today’s uptrend lifestyle. In these exceptional collections, you will find the perfect pattern and colorway to enrich and enliven any fashion environment. In each distinctive design, you will discover a flawless interplay of select luxury materials and sophisticated production techniques such as sumptuous New Zealand wool for incomparably lavish texture and luminous sheen, custom-spun and dyed yarns to create subtle accents of light and shade, hand carving and sculpting that endow a design with surpassing dimensional appeal and meticulous hand washing to impart the delicate patina that is the signature of the world’s finest carpets. -
Utilization of Nigerian Made Fabrics for Garment Making Among Academic and Non Academic Female Staff in Enugu State
UTILIZATION OF NIGERIAN MADE FABRICS FOR GARMENT MAKING AMONG ACADEMIC AND NON ACADEMIC FEMALE STAFF IN ENUGU STATE BY AGBO BLESSING NONYELUM PG/M.Ed/12/64238 DEPARTMENT OF HOME ECONOMICS AND HOSPITALITY MANAGEMENT EDUCATION, UNIVERSITY OF NIGERIA, NSUKKA JUNE, 2017. TITLE PAGE UTILIZATION OF NIGERIAN MADE FABRICS FOR GARMENT MAKING AMONG ACADEMIC AND NON ACADEMIC FEMALE STAFF IN ENUGU STATE BY AGBO BLESSING NONYELUM PG/M.Ed/12/64238 A RESEARCH REPORT SUBMITTED TO THE DEPARTMENT OF HOME ECONOMICS AND HOSPITALITY MANAGEMENT, UNIVERSITY OF NIGERIA NSUKKA, IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE AWARD OF MASTERS DEGREE IN CLOTHING AND TEXTILE JUNE, 2017 APPROVAL PAGE The project has been approved for the Department of Home Economics and Hospitality Management Education, University of Nigeria, Nsukka DR. MRS. N. M. EZE Prof. E. U. ANYAKOHA Supervisor Head of Department ________________________ ____________________________ External Examiner Internal Examiner _____________________________________ Prof. C.A. Igbo Dean, Faculty of Vocation and Technical Education CERTIFICATION AGBO, BLESSING NONYELUM, a Postgraduate student in the Department of Home Economics and Hospitality Management Education with Registration Number PG/M.ED/12/64238, has satisfactorily completed the requirements for the award of Masters Degree in Home Economics Education (Clothing and Textile). The work embodied in this project is original and has not been submitted in part or full for another diploma or degree in this or any other university. _________________________ ____________________________ AGBO, BLESSING N. DR. N.M. EZE Student Supervisor DEDICATION This research work is dedicated to Almighty God for granting me wisdom, guidance and protection throughout the period of this study.