DOCSLIB.ORG

Doors and Gates in Scripture

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Doors and Gates in Scripture A ministry of Moody Bible Institute Enter In DOORS AND GATES IN SCRIPTURE MARCH 2020 Today with Mark Jobe Is Christianity Too Narrow? From the President of Moody Bible Institute “Christianity is narrow enough to lead to life, but it is broad enough to lead to grace.” When I was dating to see all religious beliefs as equally my wife, Dee, I took valid. We are told that no single view can her to the small be completely right, and that if we hold town in Spain where this attitude, we are unreasonable. I grew up. I was But, according to Scripture, excited to show her Christianity is radically narrow. Listen to the caves I explored Jesus’ words: “Enter through the narrow as a boy, crawling gate. For wide is the gate and broad is through dark tunnels by flashlight to the road that leads to destruction, and discover enormous caverns filled with many that enter through it. But small stalactites and stalagmites. Because we is the gate and narrow is the road that were young and in love, Dee agreed to leads to life, and only a few people this adventure. As I led her through the find it” (Matt. 7:13–14). Jesus is clear. mud in the ever-narrowing passage, I There is only one God and one way to could hear her begin to panic. What if God. There is no other way but through we got stuck? But, twenty feet later, we Jesus. In John 14:6, Jesus says, “I am the stepped into this spectacular cave. I said way and the truth and the life. No one to her, “It’s narrow to get there. But, boy comes to the Father except through me.” is it worth it!” Here, Jesus instructs us that there are no I thought about that story because multiple ways to be right with God. There Christianity is like that. Some people say, is no Plan B. There is no other option. “It’s way too narrow.” And they are right. To embrace any other way to God But you have to go through something is to deny the salvation of Jesus Christ. If very narrow to get to something there were multiple ways, Jesus would extremely great. Living in today’s never have come. He would not have pluralistic culture, I’m sure you’ve heard needed to die on the Cross. Friend, people say, “I don’t believe in absolute Christianity is narrow enough to lead truth. Each of us has to discover our own to life, but it is broad enough to lead to truth for ourselves.” Or: “All religions grace. God’s truth is indeed narrow, but have a piece of truth, but none of them His boundless, incomprehensible love can claim all the truth.” We are pressured assures us that grace is wide. 800 356 6639 Practical Theology Exclusively Inclusive by Dr. John Koessler “By making Jesus the only door through which we can find salvation, God opened the way to include everyone who comes in faith.” In this pluralistic and inclusive age, it is will not be turned away (John 6:37). popular to think that many diverse roads By making Jesus the only door can lead to God. With so many belief through which we can find salvation, systems, how can just one be correct? God opened the way to include Those who assert this opinion consider everyone who comes in faith. Jesus the church’s claim that Jesus alone is the is to salvation what Adam was to sin. gate of salvation an example of cultural Paul explains this relationship in these arrogance. How can we as Christ’s words: “Consequently, just as one followers respond to this criticism? trespass resulted in condemnation for First, it is important for us to realize that all people, so also one righteous act this claim did not originate with the resulted in justification and life for all church. This claim of exclusivity traces people” (Rom. 5:18). Christ came as our to Jesus Himself, who declared, “I am representative and as our substitute. the way and the truth and the life. No You might say that the salvation one comes to the Father except through that Jesus offers is exclusively inclusive. me” (John 14:6). The promise of forgiveness can be Second, the gift of salvation considered exclusive because it comes through faith in Jesus Christ is offered only through Christ. But, it is also not just to a select few, but to all. Jesus inclusive because the invitation to is the gate and the door, but He also receive this gift is offered to all: “For just extends this gift of salvation broadly as as through the disobedience of the one “the Lamb of God, who takes away the man the many were made sinners, so sin of the world!” (John 1:29). 1 John also through the obedience of the one 2:2 says, “He is the atoning sacrifice for man the many will be made righteous” our sins, and not only for ours but also (Rom. 5:19). By making righteousness for the sins of the whole world.” Jesus contingent on the One, God opened assured us that whoever comes to Him the way of salvation to many. For Further Study To learn more, read Only One Way: Christian Witness in an Age of Inclusion edited by Michael L. Johnson and Richard D. Phillips (P&R Publishing). MOODY BIBLE INSTITUTE Go Deeper We hope these questions will help you consider (or discuss with others) what God is teaching you through this month’s study of His Word. We’ve left a bit of room to write down your thoughts as well! WEEK 1: What do you do when sin is crouching at your door (see March 17)? How might you help other believers in the same situation? _______________________________________________________________________ _______________________________________________________________________ _______________________________________________________________________ _______________________________________________________________________ WEEK 2: What Bible verse(s) do you have posted or hanging in your home? How are you living up to them? In what ways might you do better? _______________________________________________________________________ _______________________________________________________________________ _______________________________________________________________________ _______________________________________________________________________ WEEK 3: How might you explain to someone, with gentleness and respect (1 Peter 3:15), that Jesus is the only way to God? _______________________________________________________________________ _______________________________________________________________________ _______________________________________________________________________ _______________________________________________________________________ WEEK 4: Doors in Scripture are sometimes connected with hospitality. What is biblical hospitality? How can you grow in this practice? _______________________________________________________________________ _______________________________________________________________________ _______________________________________________________________________ _______________________________________________________________________ 800 3566639 March 2020 Enter In Lift up your heads, you gates; be lifted up, you ancient doors, that the King of glory may come in.—Psalm 24:7 “Here I am! I stand at the door and knock. If anyone hears my voice and opens the door, I will come in and eat with that person, and they with me” (Rev. 3:20). What a powerful picture! Christ stands at the heart’s door of every believer. Our Savior desires a closer, deeper relationship with His people; He wants to dwell with us. This image of the door of our heart is one of many mentions of doors and gates in Scripture—our study in this month’s Today in the Word. We pray that as we explore this topic—from Jacob’s dream and the gate to Heaven in Genesis all the way to the image of the New Jerusalem’s gates in Revelation—you’ll grow in your relationship with Christ and better understand: • The significance of doors and gates in Scripture • How to connect these images with the truth of salvation in Christ • Our need to hear Christ’s voice and follow Him as the only “gate for the sheep” (John 10:7) • God’s invitation to deeper fellowship with Him (Rev. 3:20) Thank you for your support of the ministry of Today in the Word! Your partnership is vital as we bring the Word of God to thousands of people around the world, helping them open their hearts and lives to “the way and the truth and the life” (John 14:6). VOLUME 33 • ISSUE 3 Managing Editor: Jamie Janosz Senior Editor: Elena Mafter Contributing Editor: John Koessler Writer: Brad Baurain Art Director: Lynn Gabalec Graphic Designer: Rachel Hutcheson Marketing & Production: Paul B. Currie Moody Bible Institute is the sole publisher of Today in the Word, copyright © 2020 by Moody Bible Institute. All rights reserved. Please direct all Today in the Word inquiries to Donor Resource Management, 820 N. LaSalle Blvd., Chicago, IL 60610. Scripture taken from the Holy Bible, New International Version®, NIV®, copyright © 1973, 1978, 1984, 2011 by Biblica, Inc.™ Used by permission. All rights reserved worldwide. Scripture taken from the New American Standard Bible®, copyright © 1960, 1962, 1963, 1968, 1971, 1972, 1973, 1975, 1977, 1995 by the Lockman Foundation. Used by permission. Printed in the U.S.A. Today in the Word is published monthly. Printed on 30% recycled paper. TODAYINTHEWORD.ORG Sunday, March 1 Gates and Doors Read Psalm 24 Be lifted up, you ancient doors, that the King of glory may come in.—Psalm 24:7 If you close your eyes, can you picture hands (can be seen) and a pure heart the door of your childhood home? (cannot be seen). Maybe you remember unlatching the The leader of the procession calls gate that led to your backyard? If you dramatically for the city gates to open returned to these same places today, and receive the Ark, symbolizing you might pause—before you walked the presence of God (vv. 7–10). through—to remember the past. The expression “Lift up your heads, In the ancient near East, a you gates” implies welcome and triumphant king or leader entering a submission.
Load more

Recommended publications
  • Adventurous Tales Stories of the Sea and the City
    UNIVERSITY OF MICHIGAN Adventurous Tales Stories of the Sea and the City By Victor-Émile Michelet A selection, translated with an introduction by Liz Medendorp April 19th, 2011 Submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts, with Honors in Arts and Ideas in the Humanities Dedication This work is dedicated to my advisor, Professor William Paulson, without whose insight and guidance its full realization would not have been possible. I also dedicate this work to my husband, Anthony, whose love, support, and encouragement have been invaluable throughout the entire time that I have had the privilege to know him. i Table of Contents Translator’s Introduction…………………………………………………………………... iii The Impossibility of Translation…………………………………………………… iii Who is Victor-Émile Michelet? …………………………………………………… v Issues of Translation……………………………………………………………….. x Issues of syntax…………………………………………………………….. xii Issues of tone………………………………………………………………. xiv Issues of vocabulary………………………………………………………... xviii No Hard and Fast Rule……………………………………………………………... xxi Adventurous Tales: Stories of the Sea and the City……………………………………….. 1 The Betrothed of the Dead…………………………………………………………. 2 Captain Lemeur…………………………………………………………………….. 8 The Bad Brother……………………………………………………………………. 15 The Unforgettable Gaze……………………………………………………………. 22 The Tuft of Honeysuckle…………………………………………………………... 26 The End of Pierre Elleck…………………………………………………………… 31 Interlude (On the Beach)…………………………………………………... 36 Exiled from Heaven………………………………………………………………... 38 Three Kisses………………………………………………………………………... 47 Lover’s Sentence…………………………………………………………………… 54 Bibliography……………………………………………………………………………….. 58 ii The Impossibility of Translation Translation is hard. Impossible, really. The barrier between languages, even very closely related ones, is often insurmountable. Not because near equivalences don’t exist, but because, no matter how close you come, you can never perfectly render the tone, the undertones, or the style of a literary work in any language other than the original.
    [Show full text]
  • Sources of Donatello's Pulpits in San Lorenzo Revival and Freedom of Choice in the Early Renaissance*
    ! " #$ % ! &'()*+',)+"- )'+./.#')+.012 3 3 %! ! 34http://www.jstor.org/stable/3047811 ! +565.67552+*+5 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=caa. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org THE SOURCES OF DONATELLO'S PULPITS IN SAN LORENZO REVIVAL AND FREEDOM OF CHOICE IN THE EARLY RENAISSANCE* IRVING LAVIN HE bronze pulpits executed by Donatello for the church of San Lorenzo in Florence T confront the investigator with something of a paradox.1 They stand today on either side of Brunelleschi's nave in the last bay toward the crossing.• The one on the left side (facing the altar, see text fig.) contains six scenes of Christ's earthly Passion, from the Agony in the Garden through the Entombment (Fig.
    [Show full text]
  • Varieties of Boundary Crossings
    Varieties of Boundary Crossings V. V. Raman1 Introduction Boundary-crossings are valuable in many ways. Sometimes they may even be essential for survival. In the complex world in which we live boundary crossings occur in a variety of contexts: Among the sciences, among religions, between science and religion, among cultures, within cultures, and so on. Normally every of us, whether professionally or individually, functions within circumscribed boundaries. Most of our thoughts, actions and behavior are within some boundaries. This is necessary for efficiency, personal security and self-confidence. It is also constrained by our capacities and resources. However, there arise situations when we have to go beyond the boundaries: for enrichment, understanding, and peace. In this lecture, I propose to explore the variety of contexts in which boundary crossings occur, as well as their impacts, some beneficial and others not so. I will also indulge in some linguistic boundary crossing as I discuss the subject. Boundary Crossings in Different Spheres David Hilbert famously said that mathematics knows no race or geographical boundary [Die Mathematik kennt keine Rassen oder geographische Grenzen]. This is true of love and music also. But this is not the case in many other contexts. we need bridges not just between scientists and literati, but between physicists and biologists, cosmologists and theologians, theoreticians and common citizens, moral philosophers and soldiers in the battle-field, social reformers and traditionalists, evolutionists and creationists, cultural anthropologists and practitioners of the cultures studied, even between cartoonists and ardent religionists who demand everyone in the world to be subject to the laws of blasphemy of their own religion.
    [Show full text]
  • Columbia University Department of Art History and Archaeology Miriam and Ira D. Wallach Fine Arts Center Fall 2013
    COLUMBIA UNIVERSITY DEPARTMENT OF ART HISTORY AND ARCHAEOLOGY MIRIAM AND IRA D. WALLACH FINE ARTS CENTER FALL 2013 826schermerhorn 1 from the chair's office new faculty Dear Alumni and Friends, We are delighted to welcome five new members to the Columbia/Barnard art history faculty: Avinoam Shalem, Riggio Professor of the History of the Arts of Islam; Diane Bodart, Assistant Professor of Southern Renaissance and Baroque Art; Frédérique Baumgartner, It has been an exciting and busy year in and around Schermerhorn Hall, one marked by many Lecturer and Director of MA in Art History; Kent Minturn, Lecturer and Director of MA in Modern Art: Critical and Curatorial different types of academic events, activities, and accomplishments of our students and faculty Studies (MODA); and Megan O’Neil as a Term Assistant Professor in the Barnard Art History Department. in the Department of Art History and Archaeology. We feature some of the most noteworthy of these events in the current edition of 826 Schermerhorn, which was produced on a slightly different avinoam shalem, riggio professor of the diane bodart, assistant professor, is a fall of the cosmopolitan ideal and the rise of schedule this year to coincide with the Chair’s Annual Appeal and a brief report on some of our history of the arts of islam, studied at the specialist in the art of the Italian Renaissance nationalism. Dr. Baumgartner was an assistant past and future fundraising activities. universities of Tel Aviv, and Baroque. She was curator at the Musée national d’art moderne– Munich (lmu), and educated at Università Centre Pompidou in Paris and remains inter- Since becoming Chair of the Department in 2012, I have had the pleasure of meeting many of you in Edinburgh, where he degli Studi di Roma ested in video and performance art.
    [Show full text]
  • Why Me Lord.P7
    This book is designed for your personal reading pleasure and profit. It is also designed for group study. A leader’s guide with helps and hints for teachers and visual aids (Victor Multiuse Transparency Masters) is available from your local bookstore or from the publisher. Fifth printing, 1987 Most of the Scripture quotations in this book are from the King James Version of the Bible (KJV). Other quotations are from the Holy Bible: New International Version (NIV), © 1973, 1978, 1984, International Bible Society. Used by permission of Zondervan Bible Publishers; the New American Standard Bible (NASB), © the Lockman Foundation, 1960, 1962, 1963, 1968, 1971, 1972, 1973, 1975, 1977. Used by permission. Recommended Dewey Decimal Classification: 241.1 Suggested subject heading: THE WILL OF GOD IN CRISES Library of Congress Catalog Card Number 80-52947 ISBN: 0-89693-007-6 © 1981 by SP Publications, Inc. All rights reserved Printed in the United States of America VICTOR BOOKS A division of SP Publications, Inc. Wheaton, Illinois 60187 Dedication To the women in my life: Mary, my mother Emma, Pat, and Lillian, my sisters Cathy, my wife Lori, my daughter Gerrie, my editor Gloria, my secretary Anita, my typist Contents Preface 9 Part I—How to Live 1 Why? Why? Why? 13 2 The Choice Is Yours 22 3Triumph Out of Tragedy 28 Part II—How to Die 4 Life after All 39 5 Am I Normal? 45 6 Broken Hearts Do Heal 52 Part III—How to Help 7 How to Help a Grieving Friend 63 8 Helping a Friend Cope with a Terminal Illness 73 9 How to Explain Death to a Child 82 10 Making the Funeral Arrangements 90 11 After the Funeral Is Ove 98 12 Preparing for Your Own Death 105 13 Questions and Answers about Death— 112 Can a Christian Commit Suicide? 112 What Happens to People between Death and the Resurrection? 113 Will We Know Each Other in Heaven? 114 Is Dying Painful? 115 What Happens to Babies after Death? 116 What Is Heaven Like? 117 Preface How to live! How to die! We all need to know how to do that.
    [Show full text]
  • I Thought It Was Funny
    II thoughtthought itit waswas funnyfunny selected humour from 3 decades of free flight Tony Burton editor Gil Parcell illustrator free flight the fun collection Here is a collection of much of the funny stuff that has been in free flight over the years – the earliest entry was from 1976 – but the material has been organized by author or theme. Enjoy. The book reads better if it is printed double sided rather than viewed a page at a time on your monitor because many facing pages are layed out to be seen together. Clubs, print out a copy or two for your clubhouse. We have been privileged over many years to have had Gil Parcell among our throng. He was a professional illustrator and cartoonist beginning back in the 60s, and the day he took up gliding as a pas- time was start of a long happy association with editors in Canada and the USA, and his work has filtered into gliding publications around the world. His style is distinctive; what isn’t Gil’s is by Mike Morgulis (for the Bald Eagle stories), and a few one-offs. ❦ Spring Fever Oh, what a glorious day! to be tending my garden this May little bird’s harmonizing, bumblebees bumble-izing, for what could a mere mortal pray? A sudden gust … What’s this … a thermal? What am I doing in this stinking weed patch when I could be soaring? Jack Olson Desiderata 4 Anon. Zen pilots and tribal elders 5 Casey at the Nats 6 All the bells and whistles 7 Reach for the sky 9 the “Bald Eagle” The Bald Eagle meets the Falcon 12 A visit with Mike and Cheryl 14 No particular place to go 15 } Workshop glossary 16 anon.
    [Show full text]
  • Chiang-Mai-Uncovered.Pdf
    Also by Derek Workman Inland Trips from the Costa Blanca Series COSTA BLANCA SOUTH AND MURCIA COSTA BLANCA NORTH CHIANG MAI VALENCIA NORTH VALENCIA SOUTH CASTELLON SMALL HOTELS AND INNS OF EASTERN SPAIN Morocco HIGH, RIDE AND HANDSOME A WHIRLWIND AROUND MOROCCO uncovered A DIFERENT LIFE REASONABLE PLANS CHIANG MAI UNCOVERED BETTER LATE THAN NEVER Recipe Books DINARI DELICIOUS KASBAH KITCHEN Eye On Photo Book Series EYE ON MOROCCO derek workman EYE ON VALENCIA EYE ON CHIANG MAI Written, photographed and designed by Derek Workman. No part of this book may be used, copied or distributed in any form whatsoever without the written permission of the author. Copyright © 2020 Derek Workman Cont A Work ents In Getting around Chiang Mai Page I have two modes of transport in Chiang Progress 6 Mai; a good pair of shoes and a bike Chiang Mai’s Stinky Market From well before dawn until late at night Page The stories in this book are a selection from the first five issues ofChiang 10 Muang Mai market buzzes, with a brief Mai uncovered, the result of many walks and cycle rides around this respite during the heat of the afternoon intriguing small city, and within a fifty kilometer radius of my home Wat Mae Kaet Noi near Chiang Mai Gate. Page The garden where retribution is more 16 than devine Within these pages you will find the unusual and unexpected, places A Passion For Everything that rarely get written about in guide books, and you will most likely find yourself one of the few foreign faces there – if there are any faces Page A museum of such joyous idiosyncrasy 20 that it makes most other museums seem there at all.
    [Show full text]
  • 90 Book Reviews
    Book Reviews Duke McCall: An Oral History. Duke conservative either. Rather, he is a man father, and there are fabulously inter- McCall with A. Ronald Tonks. Brent- who grew up living in the big house esting insights into the personal life wood and Nashville: Baptist History on the plantation, which was essen- of the presidential family during and Heritage Society and Fields Pub- tially good to him and, therefore, the years at Southern Seminary. For lishing, 2001, 480 pp., $20.00. needs to be protected at whatever cost. example, he records the sign that his Duke McCall is above all else a sons put up close to their property Stoke your fire, put the blanket over denominational pragmatist, and there line, which said, “Trespassers will be your feet, curl up in your recliner, and is no theme in the book that comes shot on sight” (p. 113). He indicates prepare to enjoy — an oral history? through any more clearly. that the Louisville Times got hold of the Surely no oral history would ever Among the many rivetingly inter- story and printed it, causing a degree qualify for “leisure reading.” The esting aspects of the book is his assess- of embarrassment to some, but one exception to that time-honored rule is ment of the 1958 controversy at gets the impression that McCall this scintillating oral history by Duke Southern Seminary. In the end, the viewed the incident as humorous and McCall, an almost legendary figure in trustees of Southern Seminary become in a sense admired the creativity of Southern Baptist life for the past five the “guys in the black hats” who his boys, knowing as he did that dur- decades.
    [Show full text]
  • Selected Papers of William L. White
    Selected Papers of William L. White www.williamwhitepapers.com Collected papers, interviews, video presentations, photos, and archival documents on the history of addiction treatment and recovery in America. Citation: Before LSD was acid. Posted at www.williamwhitepapers.com Before LSD was Acid William L. White Emeritus Senior Research Consultant Chestnut Health Systems [email protected] NOTE: The original 1,000+ page manuscript for Slaying the Dragon: The History of Addiction Treatment and Recovery in America had to be cut by more than half before its first publication in 1998. This is an edited excerpt that was deleted from the original manuscript. Like many drugs described in this text, LSD Rockefeller Institute of New York (Restak, and other hallucinogens stayed in the 1994; Hofmann, 1983). background for a long time before they In 1938, two chemists at Sandoz would break into cultural visibility as mind- Laboratories in Basel, Switzerland (Dr. altering drugs. In this chapter we will explore Albert Hofmann and Dr. Arthur Stoll) created the history of LSD before it became well a series of ergot compounds in an effort to known. synthesize a pain remedy for migraine headaches. Working with lysergic acid The Discovery of LSD isolated from the ergot, Hofmann added a diethylamine molecule. This 25th compound The story of LSD begins with ergot, a in the series was d-lysergic acid parasitic fungus that grows on rye and other diethylamide tartrate, or "LSD 25." grains. Since the 16th century, ergot Research on LSD 25 and its chemical compounds had been used in small doses to cousins was set aside in 1938 because there relieve pain, to stop bleeding, and to start appeared to be no use for the substances.
    [Show full text]
  • West Coast Rock Final Version
    WEST COAST ROCK AND THE COUNTERCULTURE MOVEMENT Diplomarbeit zur Erlangung des akademischen Grades einer Magistra der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Christina DREIER am Institut für Anglistik Begutachter: Ao. Univ.-Prof. Mag. Dr.phil. Hugo Keiper Graz, 2012 An dieser Stelle möchte ich mich bei meinem Betreuer Prof. Dr. Hugo Keiper für seine Unterstützung auf meinem Weg von der Idee bis zur Fertigstellung der Arbeit herzlich bedanken. Seine Ideen, Anregungen und Hinweise, sowie sein umfangreiches musikalisches, kulturelles und literarisches Wissen waren mir eine große Hilfe. Des Weiteren gilt mein Dank meinem Onkel Patrick, der die Arbeit Korrektur gelesen und mir dadurch sehr geholfen hat. Natürlich möchte ich mich auch von ganzem Herzen bei all jenen bedanken, die mich während meiner gesamten Studienzeit tatkräftig unterstützt haben. Danke Mama, Papa, Oma, Opa, Lisa, Eva, Markus, Gabi, Erwin UND DANKE JÜRGEN! . Table of Contents 0. Timeline ......................................................................................................................................................... 1 1. Introduction .................................................................................................................................................. 2 2. Socio-Historical Background ....................................................................................................................... 4 2.1. Political Issues ...............................................................................................................................
    [Show full text]
  • UNITED FEDERATION of TEACHERS I RETIRED
    2017 UNITED FEDERATION OF TEACHERS • RETIRED TEACHERS CHAPTER INTRODUCTION It is always a pleasure to experience the creativity, insights and talents of our re- tired members, and this latest collection of poems and writings provides plenty to enjoy! Being a union of educators, the United Federation of Teachers knows how im- portant it is to embrace lifelong learning and engage in artistic expression for the pure joy of it. This annual publication highlights some gems displaying the breadth of intellectual and literary talents of some of our retirees attending classes in our Si Beagle Learning Centers. We at the UFT are quite proud of these members and the encouragement they receive through the union’s various retiree programs. I am happy to note that this publication is now celebrating its 24th anniversary as part of a Retired Teachers Chapter tradition reflecting the continuing interests and vitality of our retirees. The union takes great pride in the work of our retirees and expects this tradition to continue for years to come. Congratulations! Michael Mulgrew President, UFT Welcome to the 24th volume of Reflections in Poetry and Prose. Reflections in Poetry and Prose is a yearly collection of published writings by UFT retirees enrolled in our UFTWF Retiree Programs Si Beagle Learning Center creative writing courses and retired UFT members across the country. We are truly proud of Reflections in Poetry and Prose and of the fine work our retirees do. Many wonderful, dedicated people helped produce this volume of Reflections in Poetry and Prose. First, we must thank the many contributors, UFT retirees, many of whom participated in the creative writing classes at our centers, and also our learning center coordinators, outreach coordinators and instructors who nurture talent and encourage creative expression.
    [Show full text]
  • Lorenzo Ghiberti, Gates of Paradise (East Doors), Baptistry of San Giovanni, Florence, 1425–52
    Lorenzo Ghiberti, Gates of Paradise (East Doors), Baptistry of San Giovanni, Florence, 1425–52 Florence Baptistery, constructed between 1059 and 1128 -renowned for its three sets of bronze doors with relief sculptures (south doors created by Andrea Pisano; north and east doors by Lorenzo Ghiberti) Figure from the 1804 edition of De Pictura (1435) of Leon Battista Alberti, showing the vanishing point Alberti’s treatise was the first surviving European treatise on painting. Book I is a geometry of perspective. Book II describes the good painting. Book III discusses the education and life-style of the artist “Masaccio in painting “Masaccio was a very expressed the likeness of good imitator of everything in nature so well nature, with great and that with our eyes we seemed comprehensive to see not the images of rilievo, a good things but things componitore and puro, themselves.” without ornato, because he devoted himself only to the Alamanno Rinuccini, 1472 imitation of truth and to the rilievo of his figures.” Cristoforo Landino, 1481 Masaccio, The Holy Trinity, 1427. Santa Maria Novella Church, Florence Interior of the Brancacci Chapel, Church of Santa Maria del Carmine, Florence. Frescoes by Masaccio and Masolino (c. 1423–28) and Filippino Lippi (c. 1482–84) Masaccio. Tribute Money, fresco in the Brancacci Chapel, c. 1427. (2.3x 6 m) “And since he had excellent judgment, he reflected that all the figures that did not stand firmly with their feet in foreshortening on the level, but stood on tip-toe, were lacking in all goodness of manner in the essential points, and that those who make them thus show that they do not understand foreshortening.” Vasari, Lives of Artists Raphael, Madonna of the Meadows, 1505–6, The Annunciation to the Shepherds, Cotton Kunsthistorisches Museum, Vienna MS Caligula A VII/1, fol.
    [Show full text]