The Chapel of the Madonna Della Strada: a Case Study of Post-Tridentine Painting in Rome
The Chapel of the Madonna della Strada: A Case Study of Post-Tridentine Painting in Rome Victoria Wilmes A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts (Art History) University of Washington 2012 Committee: Estelle Lingo Stuart Lingo Ann Huppert Program Authorized to Offer Degree: Art History Table of Contents Page List of Illustrations………………………………………………………………………………...ii Introduction…………………………………………………………………………………..........1 Chapter1: The Rhetoric of Retrospection………………………………………………………..15 Chapter 2: Absence and Meaning………………………………………………………………..33 Chapter 3: Valeriano’s Practice and Imitation………..………………………………………….52 Conclusion……………………………………………………………………………………….65 Illustrations………………………………………………………………………………............68 Bibliography……………………………………………………………………………………100 i List of Illustrations 1. Madonna and Child, 15th c. fresco, chapel of the Madonna della Strada, Il Gesù, Rome. 2. Antoniazzo Romano, Virgin and Child with Saint John the Baptist, oil on panel, 1460-80, Courtald Institute of Art, London. 3. Icon at Santa Maria del Popolo, tempera on panel, ca. 1300, Rome. 4. Melozzo da Forli, Virgin and Child, tempera on canvas, copy of icon at Santa Maria del Popolo, ca. 1470, Museo Civico, Montefalco. 5. Madonna and Child, 15th c. fresco with later overpainting, chapel of the Madonna della Strada, Il Gesù, Rome. 6. Peter Paul Rubens, altarpiece for the Madonna della Vallicella, oil, 1608, Chiesa Nuova, Rome. 7. Gaspare Celio and Giuseppe Valeriano, Crucifixion, oil on canvas, 1589-90, Passion Chapel, Il Gesù, Rome. 8. Gerard David, Christ Nailed to the Cross, oil on oak, c. 1480, National Gallery, London. 9. Federico Barocci, Visitation, oil on panel, 1584-86, Cappella Pozzomiglio, Chiesa Nuova, Rome. 10. Giuseppe Valeriano, Visitation, oil on panel, 1586-9, chapel of the Madonna della Strada, Il Gesù, Rome.
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