09/29/21 New Music Books 2015-2016 | University of Lincoln

New Music Books 2015-2016 View Online

Adorno, Theodor W., Hanns Eisler, and Graham McCann. 2007. Composing for the Films. Vol. Continuum impacts. [New edition]. London: Continuum.

Alessandrini, Gerard, and Bud Abbott. 1986. Diamonds. Vol. Samuel French acting edition. New York: Samuel French.

Allain, Paul, and Jen Harvie. 2006. The Routledge Companion to Theatre and Performance. London: Routledge.

Allison, Brian, Philip Race, and Myilibrary. 2004. The Student’s Guide to Preparing Dissertations and Theses. Vol. Routledge study guides. 2nd ed. London: Routledge Falmer.

Anderson, Darran. 2013. Histoire de Melody Nelson. Vol. 33 1/3. New York: Bloomsbury.

Anderson, Laurie. 1994. Stories from the Nerve Bible: A Retrospective, 1972-1992. New York: HarperPerennial.

Anderson, Tim J. 2014. Popular Music in a Digital Music Economy: Problems and Practices for an Emerging Service Industry. Vol. Routledge research in music. New York: Routledge.

Anon. 1970. ‘Woodstock: 3 Days of Peace and Music ; Director’s Cut.’

Anon. 2000. ‘The Filth and the Fury: A Sex Pistols Film.’

Anon. 2007a. ‘Pete Seeger: The Power of Song.’

Anon. 2007b. The Perfect Rehearsal: It’s a Trip! Nashville, TN: Shawnee Press, Inc.

Anon. 2008a. ‘Kraftwerk and the Electronic Revolution.’

Anon. 2008b. ‘The Promise of Music: Simâon Bolâivar Youth Orchestra of Venezuela.’

Anon. 2010a. Song Charting Made Easy: A Play-along Guide to the Nashville Number System. Milwaukee, WI: Hal Leonard Corp.

Anon. 2010b. ‘Who Killed Bill?: Sex Pistols on the News.’

Anon. 2012a. ‘John Cage: Journeys in Sound.’

1/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Anon. 2012b. The Music of Smash: Sheet Music Collection. Van Nuys, CA: Alfred Publishing Co., Inc.

Anon. 2013a. ‘20 Feet from Stardom.’

Anon. 2013b. ‘Going Underground: Paul McCartney, the Beatles and the UK Counter Culture.’

Anon. 2013c. ‘Refuge in Music: Terezâin/Theresienstadt.’

Anon. 2013d. ‘The Punk Singer: A Film about Kathleen Hanna.’

Anon. 2014a. 21st Century Musical Theatre: 50 Songs from Shows since 2000. Women’s edition. Milwaukee, WI: Hal Leonard Publishing Corporation.

Anon. 2014b. ‘British Sounds of the 60’s: Volume 1.’

Anon. 2014c. Broadway Hits for Baritone. New York: Music Minus One.

Anon. 2014d. Broadway Hits for Bass. New York: Music Minus One.

Anon. 2014e. Broadway Hits for Mezzo Soprano. New York: Music Minus One.

Anon. 2014f. ‘He Wasn’t Just a Fifth Member of Joy Division: A Film about Martin Hannett Record Producer, Musician, Scientific Experimenter with Sound.’

Anon. 2015. Broadway Duets. New York: Music Minus One.

Anon. n.d. ‘Live Forever.’

Anon. n.d. ‘Sound City.’

Appelbaum, Stanley, and James Camner. 1981. Stars of the American Musical Theater in Historic Photographs: 361 Portraits from the 1860s to 1950. New York.

Appen, Ralf von, Andrâe Doehring, Dietrich Helms, and Allan F. Moore, eds. 2016. Song Interpretation in 21st-Century Pop Music. Vol. Ashgate popular and folk music series. Abingdon: Routledge.

Arend, Paul Den, and Salvatore Benintende. 2014. Complete Songwriting Manual: A Comprehensive Songwriting Guide for Beginners and Professionals. Haren, The Netherlands: VandiDesign.

Arlen, Harold, and E. Y. Harburg. 2015. The Wizard of Oz: Selections from the Film Arranged for Piano, Voice and Guitar. London: Wise Publications.

Armstrong, Billie Joe, and Green Day (Musical group). 2010. American Idiot. Van Nuys, CA: Alfred Music Publishing Co., Inc.

Arnold, Gina. 2014. Exile in Guyville. Vol. 33 1/3. London: Bloomsbury.

Aschmann, Lisa. 2008. 1000 Songwriting Ideas. Vol. Music Pro Guides. Milwaukee, WI: Hal

2/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Leonard Corporation.

Ashby, Arved Mark. 2013. Popular Music and the New Auteur: Visionary Filmmakers after MTV. Oxford: Oxford University Press.

Astor, Peter. 2014. Blank Generation. Vol. 33 1/3. New York: Bloomsbury Publishing.

Attfield, Nicholas William James. 2011. You’re Living All over Me. Vol. 33 1/3. London: Continuum.

Audissino, Emilio. 2014. John Williams’s Film Music: Jaws, Star Wars, Raiders of the Lost Ark, and the Return of the Classical Hollywood Music Style. Vol. Wisconsin film studies. Madison, Wisconsin: The University of Wisconsin Press.

Auslander, Philip. 2006a. Performing Glam Rock: Gender and Theatricality in Popular Music . Ann Arbor, Mich: University of Michigan Press.

Auslander, Philip. 2006b. Performing Glam Rock: Gender and Theatricality in Popular Music . Ann Arbor, Mich: University of Michigan Press.

Bailes, Sara Jane, and Nicholas Till, eds. 2014. Beckett and Musicality. Farnham: Ashgate. Bainbridge, Luke. 2013. Acid House: The True Story. London: Omnibus Press.

Baker, Sarah, Andy Bennett, and Jodie Taylor. 2013. Redefining Mainstream Popular Music. London: Routledge.

Baldy, Colin. 2010. The Student Voice: An Introduction to Developing the Singing Voice. Edinburgh: Dunedin Academic Press.

Ball, Philip. 2011. The Music Instinct: How Music Works and Why We Can’t Do without It. London: Vintage Books.

Banfield, Stephen. 1993. Sondheim’s Broadway Musicals. Vol. The Michigan American music series. Ann Arbor, Michigan: University of Michigan Press.

Banks, Daniel. 2011. Say Word!: Voices from Hip Hop Theater : An Anthology. Vol. Critical performances. Ann Arbor, Mich: University of Michigan Press.

Bannister, Matthew. 2006. White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock. Vol. Ashgate popular and folk music series. Aldershot: Ashgate.

Barlow, Gary, and Eliot Kennedy. 2016. Finding Neverland: A New Broadway Musical. Milwaukee, WI: Hal Leonard Corporation.

Barnes, Grace. 2015. Her Turn on Stage: The Role of Women in Musical Theatre. Jefferson, North Carolina: McFarland & Company.

Barnett, David. 2015. Brecht in Practice: Theatre, Theory and Performance. Vol. Methuen Drama engage. London: Bloomsbury.

Bayley, Amanda. 2010. Recorded Music: Performance, Culture and Technology. Cambridge: Cambridge University Press.

3/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Beghtol, LD. 2006. 69 Love Songs: A Field Guide. Vol. 33 1/3. New York: Continuum.

Bendjelloul, Malik, Stephen Segerman, Simon Chinn, and Craig Bartholomew-Strydom. 2012. ‘Searching for Sugar Man.’

Benford, Steve, and Gabriella Giannachi. 2011. Performing Mixed Reality. Cambridge, Mass: MIT Press.

Bennett, Andy, Barry Shank, and Jason Toynbee. 2006. The Popular Music Studies Reader. London: Routledge.

Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. Los Angeles, CA: SAGE.

Bennett, Robert Russell. 2001. The Broadway Sound: The Autobiography and Selected Essays of Robert Russell Bennett. Vol. Eastman studies in music. edited by G. J. Ferencz. Rochester, N.Y.: University of Rochester Press.

Bernstein, Leonard, Joseph Fields, Jerome Chodorov, Betty Comden, and Adolph Green. 1953. Wonderful Town. [New York]: Leonard Bernstein Music Publishing Company.

Bernstein, Leonard, Kiri Te Kanawa, Josâe Carreras, Tatiana Troyanos, and Kurt Ollmann. 2005. ‘The Making of “West Side Story”.’

Bernstein, Leonard, Stephen Sondheim, Arthur Laurents, and Jerome Robbins. 1957. West Side Story. [New York]: Leonard Bernstein Music Publishing Company.

Berry, Cicely. 1973. Voice and the Actor. New York: Wiley Publishing.

Berson, Misha. 2011. Something’s Coming, Something Good: West Side Story and the American Imagination. Milwaukee, WI: Applause Theatre & Cinema Books.

Bess, Josh. 2015. Electronic Dance Music Grooves: Techno, Trance, Hip-Hop, Dubstep, and More! Vol. Quick pro guides. Milwaukee, WI: Hal Leonard Books.

Birringer, Johannes H. 1998. Media & Performance: Along the Border. Vol. PAJ books. Baltimore, MD: Johns Hopkins University Press.

Blatter, Alfred. 1997. Instrumentation and Orchestration. Second edition. Boston, Mass: Schirmer Cengage Learning.

Blom, Lynne Anne, and L. Tarin Chaplin. 1989. The Intimate Act of Choreography. London: Dance.

Bloom, Ken. 2001a. American Song: The Complete Companion to Tin Pan Alley Song, Volume 3: Songwriters. 2nd edition. New York: Schirmer Books.

Bloom, Ken. 2001b. American Song: The Complete Companion to Tin Pan Alley Song, Volume 4: Indexes. 2nd edition. New York: Schirmer Books.

Bonczek, Rose Burnett, and David Storck. 2013. Ensemble Theatre Making: A Practical Guide. London: Routledge.

4/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Bonomo, Joe. 2010. AC/DC’s Highway to Hell. Vol. 33 1/3. London: Continuum.

Borthwick, Stuart, and Ron Moy. 2004. Popular Music Genres: An Introduction. Edinburgh: Edinburgh University Press.

Bowman, Wayne D., and Ana Lucâia Frega, eds. 2014. The Oxford Handbook of Philosophy in Music Education. Vol. Oxford handbooks. Oxford: Oxford University Press.

Br2vig-Hanssen, Ragnhild, and Anne Danielsen. 2016. Digital Signatures: The Impact of Digitization on Popular Music Sound. Cambridge, Massachusetts: The MIT Press.

Bradley, Lloyd. 2013. Sounds like London: 100 Years of Black Music in the Capital. London: Serpent’s Tail.

Bragg, Billy. 2007. The Progressive Patriot: A Search for Belonging. London: Black Swan/Transworld Publishers.

Braheny, John. 2006. The Craft and Business of Songwriting: A Practical Guide to Creating and Marketing Artistically and Commercially Successful Songs. Third edition. Cincinnati, Ohio: Writer’s Digest.

Brayshaw, Teresa, Noel Witts, and Michael Huxley, eds. 2014. The Twentieth-Century Performance Reader. 3rd ed. London: Routledge.

Breithaupt, Don. 2007. Aja. Vol. 33 1/3. New York: Continuum.

Brend, Mark. 2012. The Sound of Tomorrow: How Electronic Music Was Smuggled into the Mainstream. London: Bloomsbury Academic.

Brett, Philip, Elizabeth Wood, and Gary C. Thomas. 2006. Queering the Pitch: The New Gay and Lesbian Musicology. Second edition. New York: Routledge.

Britton, John, ed. 2013. Encountering Ensemble. Vol. Performance books. London: Bloomsbury Methuen Drama.

Broadhurst, Susan, and Josephine Machon. 2011. Performance and Technology: Practices of Virtual Embodiment and Interactivity. [New ed.]. Basingstoke: Palgrave Macmillan.

Bromell, Nicholas Knowles. 2000. Tomorrow Never Knows: Rock and Psychedelics in the 1960s. Chicago, Ill: University of Chicago Press.

Brooks, Daphne. 2005. Grace. Vol. 33 1/3. New York: Continuum.

Broomfield, Nick. 2002. ‘Biggie and Tupac: The Story behind the Murder of Rap’s Biggest Superstars.’

Brown, Jason Robert. 2011. The Last Five Years: The Complete Book and Lyrics of the Musical. Vol. The Applause libretto library series. New York: Applause Theatre & Cinema Books.

Brown, Jason Robert. 2015. Honeymoon in Vegas: Musical Selections. Milwaukee, WI: Hal Leonard Corporation.

5/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Brown, Ross. 2010. Sound: A Reader in Theatre Practice. Vol. Readers in theatre practices. Basingstoke: Palgrave Macmillan.

Bruno, Franklin. 2005. Armed Forces. Vol. 33 1/3. New York: Continuum.

Bryer, Jackson R., and Richard Allan Davison. 2005. The Art of the American Musical: Conversations with the Creators. New Brunwick, NJ: Rutgers University Press.

Buckwalter, Melinda. 2010. Composing While Dancing: An Improviser’s Companion. Madison, Wis: University of Wisconsin Press.

Butcher, Rosemary, and Susan Melrose. 2005. Rosemary Butcher: Choreography, Collisions and Collaborations. Enfield: Middlesex University Press.

Byrne, David. 2013. How Music Works. Edinburgh: Canongate Books.

Campbell, Patricia Shehan, and Trevor Wiggins, eds. 2014. The Oxford Handbook of Children’s Musical Cultures. Vol. Oxford handbooks in music. Oxford: Oxford University Press.

Carlson, Marvin A. 2004. Performance: A Critical Introduction. 2nd ed. New York: Routledge.

Carmichael, Hoagy, Mitchell Parish, and Albert Harris. 1988. Stardust. New York: Samuel French.

Carr, Daphne. 2011. Pretty Hate Machine. Vol. 33 1/3. New York: Continuum.

Carter, Tim. 2002. Monteverdi’s Musical Theatre. New Haven, CT: Yale University Press.

Carter, Tim. 2007. Oklahoma!: The Making of an American Musical. New Haven, Conn: Yale University Press.

Case, Sarah. 2013. The Integrated Voice: A Complete Voice Course for Actors. London: Nick Hern Books.

Catanzarite, Stephen. 2007. Achtung Baby: Meditations on Love in the Shadow of the Fall. Vol. 33 1/3. London: Continuum.

Cateforis, Theo. 2011. Are We Not New Wave?: Modern Pop at the Turn of the 1980s. Vol. Tracking pop. Ann Arbor, Mich: University of Michigan Press.

Cateforis, Theo. 2013. The Rock History Reader. Second edition. edited by T. Cateforis. New York: Routledge.

Cavanagh, John Eric. 2003. The Piper at the Gates of Dawn. Vol. 33 1/3. New York: Continuum.

Cazden, Joanna. 2012. Everyday Voice Care: The Lifestyle Guide for Singers and Talkers. Milwaukee, WI: Hal Leonard Books.

Chapman, Janice L. 2012. Singing and Teaching Singing: A Holistic Approach to Classical

6/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Voice. Second edition. San Diego, CA: Plural Publishing.

Charles, Bryan. 2010. Wowee Zowee. Vol. 33 1/3. New York: Continuum.

Charlton, David. 2003. The Cambridge Companion to Grand Opera. Vol. Cambridge companions to music. Cambridge: Cambridge University Press.

Childs, Hayden. 2008. Shoot out the Lights. Vol. 33 1/3. New York: Continuum.

Chion, Michel, and Claudia Gorbman. 1994. Audio-Vision: Sound on Screen. New York: Columbia University Press.

Chong, Derrick. 2010. Arts Management. 2nd ed. London: Routledge.

Christensen, Thomas Street. 2002. The Cambridge History of Western Music Theory. Vol. The Cambridge history of music. Cambridge: Cambridge University Press.

Christophers, Harry, Andy Robbins, Simon Russell Beale, Andy Kings-Dabb, and The Sixteen. 2010. ‘Sacred Music.’

Church, Joseph. 2015. Music Direction for the Stage: A View from the Podium. Oxford: Oxford University Press.

Citron, Stephen. 1991. The Musical: From the inside out. Chicago, Ill: Ivan R. Dee.

Citron, Stephen. 2001. Sondheim and Lloyd-Webber: The New Musical. Vol. The great songwriters series. Oxford: Oxford University Press.

Citron, Stephen. 2008. Songwriting: A Complete Guide to the Craft. Second edition. New York: Limelight Editions.

Clayton, Martin, Trevor Herbert, and Richard Middleton. 2012. The Cultural Study of Music: A Critical Introduction. 2nd ed. New York: Routledge.

Cleland, Kent D., and Mary Dobrea-Grindahl. 2015. Developing Musicianship through Aural Skills: A Holistic Approach to Sight Singing and Ear Training. Second edition. London: Routledge.

Clifford-Napoleone, Amber R. 2015. Queerness in Heavy Metal Music: Metal Bent. Vol. Routledge studies in popular music. London: Routledge.

Clum, John M. 2001. Something for the Boys: Musical Theater and Gay Culture. New York: St. Martin’s.

Cohen, Aaron. 2011. Amazing Grace. Vol. 33 1/3. London: Continuum.

Cohen, Allen, and Steven L. Rosenhaus. 2006. Writing Musical Theater. New York: Palgrave Macmillan.

Cohen, Rich. 2005. The Record Men: Chess Records and the Business of Rock ‘N’ Roll. London: Profile Books.

7/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Cohen, Robert. 2011. Working Together in Theatre: Collaboration and Leadership. Basingstoke: Palgrave Macmillan.

Cohen, Sara, Robert Knifton, Marion Leonard, and Les Roberts, eds. 2015. Sites of Popular Music Heritage: Memories, Histories, Places. Vol. Routledge studies in popular music. New York: Routledge.

Cohen, Thomas F. 2012. Playing to the Camera: Musicians and Musical Performance in Documentary Cinema. London: Wallflower.

Cole, Bruce. 1996. The Composer’s Handbook: A Do-It-Yourself Approach Combining ‘Tricks of the Trade’ and Other Techniques with Step-by-Step Guides to Projects. Mainz: Schott Educational.

Coleman, Bertram E., and Judith Sebesta. 2008. Women in American Musical Theatre: Essays on Composers, Lyricists, Librettists, Arrangers, Choreographers, Designers, Directors, Producers and Performance Artists. Jefferson, N.C.: McFarland & Company.

Collin, Matthew, and John Godfrey. 2009. Altered State: The Story of Ecstasy Culture and Acid House. Updated new ed. London: Serpent’s Tail.

Collins, Andrew. 2013. Still Suitable for Miners: Billy Bragg. Fourth edition. London: Virgin. Collins, Nick, and Julio d’Escrivan Rincâon. 2007. The Cambridge Companion to Electronic Music. Vol. Cambridge companions to music. Cambridge: Cambridge University Press.

Collins, Nick, Margaret Schedel, and Scott Wilson. 2013. Electronic Music. Vol. Cambridge introductions to music. Cambridge: Cambridge University Press.

Connell, John, and Chris Gibson. 2003. Sound Tracks: Popular Music, Identity and Place. Vol. Critical geographies. London: Routledge.

Cooke, Mervyn. 2005. The Cambridge Companion to Twentieth-Century Opera. Vol. Cambridge companions to music. Cambridge: Cambridge University Press.

Cook, Orlanda. 2004. Singing with Your Own Voice: A Practical Guide to Awakening and Developing the Hidden Qualities in Your Own Singing Voice. Vol. A Theatre Arts book. London: Nick Hern Books.

Cooper, Kim. 2005. In the Aeroplane over the Sea. Vol. 33 1/3. London: Continuum.

Copeland, Roger, and Marshall Cohen. 1983. What Is Dance?: Readings in Theory and Criticism. Oxford: Oxford University Press.

Coryat, Karl, and Nicholas Dobson. 2006. Frustrated Songwriter’s Handbook: A Radical Guide to Cutting Loose, Overcoming Blocks, and Writing the Best Songs of Your Life. San Francisco, Calif: Backbeat Books.

Counsell, Colin. 1996. Signs of Performance: An Introduction to Twentieth-Century Theatre. London: Routledge.

Courrier, Kevin. 2007. Trout Mask Replica. Vol. 33 1/3. London: Continuum.

8/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Coward, Noel, and Barry Day. 1998. Noel Coward: The Complete Lyrics. London: Methuen.

Cowling, G. H. 2009. Music on the Shakespearian Stage. Vol. Cambridge Library Collection. Cambridge: Cambridge University Press.

Cox, Christoph, and Daniel Warner. 2004. Audio Culture: Readings in Modern Music. New York: Continuum.

Coyote, Peter. 2013. ‘For the Love of the Music: The Club 47 Folk Revival.’

Craig, David. 1990a. On Singing Onstage. New and completely revised edition. New York: Applause Theatre Book Publishers.

Craig, David. 1990b. On Singing Onstage. New and completely revised edition. New York: Applause Theatre Book Publishers.

Craig, David. 1993. A Performer Prepares: A Guide to Song Preparation for Actors, Singers and Dancers. Vol. Applause acting series. New York: Applause Theatre & Cinema Books.

Crandall, Phillip. 2014. Andrew W.K.’s I Get Wet. Vol. 33 1/3. New York: Bloomsbury.

Craver, Mike, and Mark Hardwick. 1997. Radio Gals: Book, Music and Lyrics by Mike Craver and Mark Hardwick. New York: Samuel French.

Crawford, Anwen. 2015. Live through This. Vol. 33 1/3. New York: Bloomsbury Academic.

Crossley, Nick. 2015. Networks of Sound, Style and Subversion: The Punk and Post-Punk Worlds of Manchester, London, Liverpool and Sheffield, 1975-80. Vol. Music and society. Manchester: Manchester University Press.

Crowe, Cameron. 2002. ‘Say Anything.’

Cuden, Steve. 2013. Beating Broadway: How to Create Stories for Musicals That Get Standing Ovations. North Charleston, SC: Createspace Independent Publishing Platform.

Damian, Jon, and Jonathan Feist. 2001. The Guitarist’s Guide to Composing and Improvising. Vol. Workshop (Berklee Press). Boston, Mass: Berklee Press.

Daniel, Drew. 2008. 20 Jazz Funk Greats. Vol. 33 1/3. New York: Continuum.

Darnielle, John. 2008. Master of Reality. Vol. 33 1/3. New York: Continuum.

Dash, Irene G. 2010. Shakespeare and the American Musical. Bloomington, Ind: Indiana University Press.

Davies, D. Garfield, Anthony F. Jahn, and Anat Keidar. 2004. Care of the Professional Voice: A Guide to Voice Management for Singers, Actors and Professional Voice Users. 2nd ed. London: A. & C. Black.

Davis, Erik, and Led Zeppelin (Musical group). 2005. [Led Zeppelin IV]. Vol. 33 1/3. New York: Continuum.

9/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Davis, Richard. 2010. Complete Guide to Film Scoring: The Art and Business of Writing Music for Movies and TV. Vol. Berklee guide. 2nd edition. Boston, Mass: Berklee.

Davis, Sheila. 1988. Successful Lyric Writing: A Step-by-Step Course and Workbook. Cincinnati, Ohio: Writer’s Digest Books.

Dayal, Geeta. 2009. Brian Eno’s Another Green World. Vol. 33 1/3. New York, NY: Continuum.

Dean, R. T. 2011. The Oxford Handbook of Computer Music. Vol. Oxford handbooks. New York: Oxford University Press.

Decker, Todd R. 2013a. Show Boat: Performing Race in an American Musical. Vol. Broadway legacies. Oxford: Oxford University Press.

Decker, Todd R. 2013b. Show Boat: Performing Race in an American Musical. Vol. Broadway legacies. Oxford: Oxford University Press.

Decker, Todd R. 2015. Who Should Sing Ol’ Man River?: The Lives of an American Song. New York: Oxford University Press.

Deer, Joe. 2014. Directing in Musical Theatre: An Essential Guide. London: Routledge.

Deer, Joe, and Rocco Dal Vera. 2008a. Acting in Musical Theatre: A Comprehensive Course. London: Routledge.

Deer, Joe, and Rocco Dal Vera. 2008b. Acting in Musical Theatre: A Comprehensive Course. London: Routledge.

Demers, Joanna Teresa. 2010. Listening through the Noise: The Aesthetics of Experimental Electronic Music. New York: Oxford University Press.

Dettmar, Kevin J. H. 2014. Entertainment! Vol. 33 1/3. London: Bloomsbury.

DeVenney, David P. 2009. The New Broadway Song Companion: An Annotated Guide to Musical Theatre Literature by Voice Type and Song Style. [Rev. ed.]. Lanham [Md.]: Scarecrow Press.

DeVenney, David P., and David P. DeVenney. 2009. The New Broadway Song Companion: An Annotated Guide to Musical Theatre Literature by Voice Type and Song Style. [Rev. ed.]. Lanham [Md.]: Scarecrow Press.

Dineen, Joe, Mark Bridges, and Joe Bennett. 2013. The Little Black Book of Scales: 100s of Guitar Scales. Vol. Little black book series. edited by A. Hopkins. London: Wise Publications.

Dixon, Steve. 2007. Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. Vol. Leonardo. Cambridge, Mass: MIT.

Doane, Randal. 2014. Stealing All Transmissions: A Secret History of The Clash. Oakland, CA: PM Press.

10/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Donnelly, et al, eds., K. J. 2014. Music in Video Games: Studying Play. Vol. Routledge music and screen media series. edited by K. J. Donnelly, W. Gibbons, and N. W. Lerner. New York: Routledge.

Dougan, John M. 2006. The Who Sell out. Vol. 33 1/3. New York: Continuum.

Downes, Julia, ed. 2012. Women Make Noise: Girl Bands from Motown to the Modern. Twickenham: Supernova Books.

Dregni, Michael. 2008. Gypsy Jazz: In Search of Django Reinhardt and the Soul of Gypsy Swing. New York: Oxford University Press.

Duffett, Mark, ed. 2014. Popular Music Fandom: Identities, Roles and Practices. Vol. Routledge studies in popular music. New York: Routledge.

Dunn, Kevin C. 2016. Global Punk: Resistance and Rebellion in Everyday Life. New York: Bloomsbury Academic.

Dunsby, Jonathan. 1995. Performing Music: Shared Concerns. Oxford: Oxford University Press.

Early, Gerald Lyn. 2004. One Nation under a Groove: Motown and American Culture. Revised and updated edition. Ann Arbor, Mich: University of Michigan Press.

Eaton, Bruce. 2009. Radio City. Vol. 33 1/3. London: Continuum.

Eden, David, and Meinhard Saremba. 2009. The Cambridge Companion to Gilbert and Sullivan. Vol. Cambridge companions to music. Cambridge: Cambridge University Press.

Edwards, Terry. 2009. Madness’s One Step beyond. Vol. 33 1/3. New York: Continuum.

Ellfeldt, Lois, and Sue Powell. 1988. A Primer for Choreographers. Long Grove, IL: Waveland Press Inc.

Elsdon, Peter. 2013a. Keith Jarrett’s the Kèoln Concert. Vol. Oxford studies in recorded jazz. Oxford: Oxford University Press.

Elsdon, Peter. 2013b. Keith Jarrett’s the Kèoln Concert. Vol. Oxford studies in recorded jazz. Oxford: Oxford University Press.

Emerson, Ken. 1998. Doo-Dah!: Stephen Foster and the Rise of American Popular Culture. New York: Da Capo Press.

Engel, Lehman. 1977. The Making of a Musical. New York: Macmillan.

Engel, Lehman, and Howard Kissel. 2006. Words with Music: Creating the Broadway Musical Libretto. [Updated and revised edition]. New York: Applause.

Eschen, Penny M. Von. 2006. Satchmo Blows up the World: Jazz Ambassadors Play the Cold War. Cambridge, Mass: Harvard University Press.

Escrivâan Rincâon, Julio d’. 2012. Music Technology. Vol. Cambridge introductions to

11/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

music. Cambridge: Cambridge University Press.

Everett, William A. 2011. The Musical: A Research and Information Guide. Vol. Routledge music bibliographies. 2nd ed. New York: Routledge.

Everett, William A., and Paul R. Laird. 2008. Historical Dictionary of the Broadway Musical. Vol. Historical dictionaries of literature and the arts. Lanham, Md: Scarecrow Press.

Fairchild, Charles. 2014. The Grey Album. Vol. 33 1/3. New York: Bloomsbury.

Fanthome, Christine. 2004. Work Placements: A Survival Guide for Students. Vol. Palgrave study guides. Basingstoke: Palgrave Macmillan.

Farquharson, Michael. 2006. Writer, Producer, Engineer: A Handbook for Creating Contemporary Commercial Music. Boston, Mass: Berklee Press.

Fast, Susan. 2014. Dangerous. Vol. 33 1/3. New York: Bloomsbury.

Fauser, Annegret. 2015. The Politics of Musical Identity: Selected Essays. Vol. Ashgate contemporary thinkers on critical musicology. Farnham: Ashgate.

Feist, Jonathan. 2013. Project Management for Musicians: Recordings, Concerts, Tours, Studios, and More. Vol. Music business. Boston, MA: Berklee Press.

Feldman, Christine Jacqueline. 2009. ‘We Are the Mods’: A Transnational History of a Youth Subculture. Vol. Mediated youth. New York: Peter Lang.

Felts, Randy. 2002. Reharmonization Techniques. Vol. Arranging. Boston, MA: Berklee Press.

Ferguson, Jordan. 2014. Donuts. Vol. 33 1/3. New York: Bloomsbury Publishing.

Ferris, D. X. 2008. Reign in Blood. Vol. 33 1/3. London: Continuum.

Fischer-Lichte, Erika. 2008. The Transformative Power of Performance: A New Aesthetics. London: Routledge.

Fitzgerald, F. Scott. 1996. Fie! Fie! Fi-Fi!: A Facsimile of the 1914 Acting Script and Musical Score. Limited edition. Columbia, S.C.: University of South Carolina Press.

Flaherty, Stephen, and Lynn Ahrens. 2001. Seussical: The Musical. [Van Nuys, California]: Alfred Music Publishing.

Fleeger, Jennifer. 2014. Sounding American: Hollywood, Opera, and Jazz. Vol. The Oxford music/media series. Oxford: Oxford University Press.

Fleser, Jim. 2002. The Chord Wheel: The Ultimate Tool for All Musicians. Milwaukee, Wis: Hal Leonard Corporation.

Flinn, Denny Martin. 2005. Little Musicals for Little Theatres: A Reference Guide to the Musicals That Don’t Need Chandeliers or Helicopters to Succeed. Pompton Plains, NJ: Limelight.

12/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Flom, Jonathan. 2009. Get the Callback: The Art of Auditioning for Musical Theatre. Lanham, Md: Scarecrow Press.

Foley, Michael S. 2015. Fresh Fruit for Rotting Vegetables. Vol. 33 1/3. New York: Bloomsbury Academic.

Forster, Robert. 2011. The Ten Rules of Rock and Roll: Collected Music Writings 2005-11. Revised and updated edition. London: Jawbone Press.

Fournier, Michael T. 2007. Double Nickels on the Dime. Vol. 33 1/3. London: Continuum.

Frankel, Scott, Doug Wright, and Michael Korie. 2007. Grey Gardens: The Musical : The Complete Book and Lyrics of the Broadway Musical. New York: Applause Theatre & Cinema Books.

Friedman, Jonathan C., ed. 2013. The Routledge History of Social Protest in Popular Music. Vol. Routledge histories. New York: Routledge.

Frith, Simon. 1983. Sound Effects: Youth, Leisure and the Politics of Rock. Vol. Communication and society. Rev. version. London: Constable.

Frith, Simon. 1996. Performing Rites: On the Value of Popular Music. Oxford: Oxford University Press.

Frith, Simon. 2013. The History of Live Music in Britain: From Dance Hall to the 100 Club, Volume I: 1950-1967. Vol. Ashgate popular and folk music series. Farnham: Ashgate.

Frith, Simon, and Andrew Goodwin. 1990. On Record: Rock, Pop and the Written Word. London: Routledge.

Frith, Simon, Andrew Goodwin, and Lawrence Grossberg. 1993. Sound and Vision: The Music Video Reader. Routledge.

Frith, Simon, Will Straw, and John Street. 2001. The Cambridge Companion to Pop and Rock. Vol. Cambridge companions to music. Cambridge: Cambridge University Press.

Frostick, Richard. 2001. Sound Beginnings: Music Teaching at Key Stages 1 & 2. Vol. Confidence-boosting strategies for music teaching. London: Faber Music Ltd.

Fulcher, Jane F., ed. 2014. The Oxford Handbook of the New Cultural History of Music. Vol. Oxford handbooks in music. Oxford: Oxford University Press.

Fusilli, Jim. 2005. The Beach Boys’ Pet Sounds. Vol. 33 1/3. New York: Continuum.

Gaar, Gillian G. 2006. In Utero. Vol. 33 1/3. New York: Continuum.

Gabrielsson, Alf, and Rod Bradbury. 2011. Strong Experiences with Music: Music Is Much More than Just Music. English edition. Oxford: Oxford University Press.

Gagnâe, Jeannie. 2012. Your Singing Voice: Contemporary Techniques, Expression, and Spirit. edited by J. Feist. Boston, Mass: Berklee Press Publications.

13/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Gagnâe, Jeannie. 2015. Belting: A Guide to Healthy, Powerful Singing. Boston, MA: Berklee Press.

Gambale, Frank. 1994. The Frank Gambale Technique, Bk 2: The Essential Soloing Theory Course for All Guitarists, Book & CD.

Gambale, Frank, and Gene Dinkins. 1987. The Frank Gambale Technique Book 1: [The Essential Soloing Theory Course for All Guitarists]. Van Nuys, CA: Alfred Publishing Co., Inc.

Gardner, Abigail. 2016. PJ Harvey and Music Video Performance. Vol. Ashgate popular and folk music series. Abingdon: Routledge.

Gardyne, John. 2004. Producing Musicals. Ramsbury, Marlborough: Crowood Press.

Garland, Jon, and Subcultures Network, eds. 2015. Youth Culture, Popular Music and the End of ‘Consensus’. London: Routledge.

Gasteier, Matthew. 2009. Illmatic. Vol. 33 1/3. London: Continuum.

Gates, Jerry. 2015. Arranging for Horns. Boston, MA: Berklee Press.

Gèanzl, Kurt. 2001. The Encyclopedia of the Musical Theatre. Second edition. New York: Schirmer Books.

Gendron, Bob. 2008. Gentlemen. Vol. 33 1/3. London: Continuum.

Gershwin, George, and Ira Gershwin. 2016. An American in Paris: A New Musical. Milwaukee, WI: Hal Leonard Publishing Corporation.

Gershwin, Ira, and Robert Kimball. 1998. The Complete Lyrics of Ira Gershwin. New York: Da Capo Press.

Gilbert, Steven E. 1995. The Music of Gershwin. Vol. Composers of the twentieth century. New Haven, CT: Yale University Press.

Gildart, Keith. 2013. Images of England through Popular Music: Class, Youth and Rock’n'roll, 1955-1976. New York: Palgrave Macmillan.

Gillett, Charlie. 1996. The Sound of the City: The Rise of Rock and Roll. Second edition, newly illustrated and expanded. New York: Da Capo Press.

Gilroy, Paul. 2010. Darker than Blue: On the Moral Economies of Black Atlantic Culture. Cambridge, Mass: Belknap Press of Harvard University Press.

Gioia, Ted. 2011. The History of Jazz. Second edition. New York: Oxford University Press.

Gioia, Ted. 2012. The Jazz Standards: A Guide to the Repertoire. New York: Oxford University Press.

Glass, Philip. 2015. Words without Music: A Memoir. London: Faber and Faber.

14/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Goldberg, RoseLee. 2000. Laurie Anderson. London: Thames & Hudson.

Gold, Russ. 2014. Phrasing: Advanced Rudiments for Creative Drumming. Boston, MA: Berklee Press.

Goodridge, Janet. 1999. Rhythm and Timing of Movement in Performance: Drama, Dance and Ceremony. London: Jessica Kingsley.

Gordon, Joanne Lesley. 1992. Art Isn’t Easy: The Theater of Stephen Sondheim. Updated edition, first Da Capo Press edition. New York: Da Capo Press.

Gottlieb, Robert. 2010. George Balanchine: The Ballet Maker. New York: Perennial.

Gourse, Leslie. 1996. Madame Jazz: Contemporary Women Instrumentalists. Oxford: Oxford University Press.

Govan, Guthrie. 2003a. Creative Guitar 1: Cutting-Edge Techniques. London: SMT.

Govan, Guthrie. 2003b. Creative Guitar 2: Advanced Techniques. London: SMT.

Gracyk, Theodore. 1996. Rhythm and Noise: An Aesthetics of Rock. London: I. B. Tauris.

Gracyk, Theodore. 2007. Listening to Popular Music, Or, How I Learned to Stop Worrying and Love Led Zeppelin. Vol. Tracking pop. Ann Arbor, Mich: University of Michigan Press.

Graves, Kirk Walker. 2014. My Beautiful Dark Twisted Fantasy. Vol. 33 1/3. New York: Bloomsbury Academic.

Green, Alex. 2006. The Stone Roses. Vol. 33 1/3. London: Continuum.

Green, Barry, and W. Timothy Gallwey. 1987. The Inner Game of Music. London: Pan Books.

Greenberg, Noah, W. H. Auden, and Chester Kallman. 1957. An Elizabethan Song Book: Lute Songs, Madrigals, and Rounds. London: Faber and Faber.

Greene, Ted. 2005. Chord Chemistry. Van Nuys, CA: Alfred Music.

Green, Ryan. 2015. Music Theatre: Concepts, Theories and Practices. Falmouth: Pineapple Music Productions.

Green, Stanley. 1984. The World of Musical Comedy: The Story of the American Musical Stage as Told through the Careers of Its Foremost Composers and Lyricists. Vol. A Da Capo paperback. Fourth edition, revised and enlarged. New York: Da Capo Press.

Grella, George. 2015a. Bitches Brew. Vol. 33 1/3. London: Bloomsbury.

Grella, George. 2015b. Bitches Brew. Vol. 33 1/3. London: Bloomsbury.

Griffiths, Dai. 2004. OK Computer. Vol. 33 1/3. New York: Continuum.

Grossman, Kathryn M., and Bradley Stephens, eds. 2015. Les Misâerables and Its

15/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Afterlives: Between Page, Stage, and Screen. Farnham, Surrey: Ashgate.

Guralnick, Peter. 2002. Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom. Edinburgh: Mojo Books.

Hahn, Tomie. 2007. Sensational Knowledge: Embodying Culture through Japanese Dance. Middletown, Conn: Wesleyan University Press.

Hal Leonard Publishing Corporation. 2010. Rhyming Dictionary: A Pocket Reference Guide for All Writers. Milwaukee, WI: Hal Leonard Publishing Corporation.

Hal Leonard Publishing Corporation. 2012. Guitar Chord Songbook: Folk Pop Rock ; [80 Songs ; Includes Complete Lyrics, Chord Symbols & Guitar Chord Diagrams]. Vol. Guitar chord songbook. Milwaukee, WI: Hal Leonard Corporation.

Hall, Mitchell K. 2014a. The Emergence of Rock and Roll: Music and the Rise of American Youth Culture. Vol. Critical moments in American history. New York: Routledge.

Hall, Mitchell K. 2014b. The Emergence of Rock and Roll: Music and the Rise of American Youth Culture. Vol. Critical moments in American history. New York: Routledge.

Hall, Rick. 2014. ‘Muscle Shoals.’

Hamlisch, Marvin, and Edward Kleban. 1975. A Chorus Line. [USA]: Edwin H. Morris & Company/MPL Communications, Inc.

Hamm, Charles. 1983a. Music in the New World. New York: W. W. Norton.

Hamm, Charles. 1983b. Yesterdays: Popular Song in America. New York: W. W. Norton.

Hamm, Charles. 1997. Irving Berlin: Songs from the Melting Pot : The Formative Years, 1907-1914. New York: Oxford University Press.

Hamm, Charles. 2006. Putting Popular Music in Its Place. Cambridge: Cambridge University Press.

Hammerstein, Oscar, and Amy Asch. 2008. The Complete Lyrics of Oscar Hammerstein II. New York: Knopf.

Hansard, Glen, and Markâeta Irglovâa. 2006. Sheet Music Selections from Once. Van Nuys, CA: Alfred Music Publishing.

Hansen, Adam. 2010. Shakespeare and Popular Music. London: Continuum.

Harker, Brian. 2011. Louis Armstrong’s Hot Five and Hot Seven Recordings. Vol. Oxford studies in recorded jazz. New York: Oxford University Press.

Harper-Scott, J. P. E., and Jim Samson. 2009. An Introduction to Music Studies. Cambridge: Cambridge University Press.

Harrison, Jeremy. 2016. Actor-Musicianship. London: Bloomsbury Methuen Drama.

16/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Harris, Paul. 2006. Improve Your Teaching!: An Essential Handbook for Instrumental and Singing Teachers. London: Faber Music.

Harris, Paul. 2008. Improve Your Teaching!: Teaching Beginners: A New Approach for Instrumental and Singing Teachers ; The Companion Book to Improve Your Teaching! London: Faber Music.

Harris, Paul. 2012. The Virtuoso Teacher: The Inspirational Guide for Instrumental and Singing Teachers. Vol. Improve Your Teaching! London: Faber Music Ltd.

Harris, Paul. 2014. Simultaneous Learning: The Definitive Guide. Vol. Improve Your Teaching! London: Faber Music Ltd.

Hart, Lorenz, Dorothy Hart, and Robert Kimball. 1986. The Complete Lyrics of Lorenz Hart. New York: Alfred A. Knopf.

Harvard, Joe. 2004a. The Velvet Underground and Nico. Vol. 33 1/3. New York: bloomsbury Academic.

Harvard, Joe. 2004b. The Velvet Underground and Nico. Vol. 33 1/3. New York: bloomsbury Academic.

Harvard, Paul. 2013. Acting through Song: Techniques and Exercises for Musical-Theatre Actors. London: Nick Hern Books.

Hausam, Wiley. 2003. The New American Musical: An Anthology from the End of the Century. New York: Theatre Communications Group.

Haworth, Catherine, and Lisa Colton, eds. 2015. Gender, Age and Musical Creativity. Farnham: Ashgate.

Hayden, Ethan. 2014. Sigur Ros’s ( ). Vol. 33 1/3. New York: Bloomsbury.

Heffley, Mike. 2005. Northern Sun, Southern Moon: Europe’s Reinvention of Jazz. New Haven, Conn: Yale University Press.

Helmholtz, Hermann von, and Alexander John Ellis. 2011. On the Sensations of Tone: As a Physiological Basis for the Theory of Music. Cambridge: Cambridge University Press.

Henderson, Richard. 2010a. Song Cycle. Vol. 33 1/3. New York: Continuum.

Henderson, Richard. 2010b. Song Cycle. Vol. 33 1/3. New York: Continuum.

Henshall, Ruthie, and Daniel Bowling. 2012. So You Want to Be in Musicals? London: Nick Hern Books.

Henson, David, and Kenneth Pickering. 2013. Musical Theatre: A Workbook. Basingstoke: Palgrave Macmillan.

Hersch, Charles. 2007. Subversive Sounds: Race and the Birth of Jazz in New Orleans. Chicago, Ill: University of Chicago Press.

17/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Hèubner, Falk, and HKU Research Centre Performative Processes. 2014. Shifting Identities: The Musician as Theatrical Performer. Leiden, Netherlands: Leiden University Academy of Creative and Performing Arts, Leiden University.

Hewitt, Michael. 2008. Music Theory for Computer Musicians. Boston, Mass: Course Technology PTR.

Hicks, Michael. 1999. Sixties Rock: Garage, Psychedelic, and Other Satisfactions. Urbana, Ill: University of Illinois Press.

Hill, Elizabeth, Catherine O’Sullivan, and Terry O’Sullivan. 2003. Creative Arts Marketing. 2nd ed. Boston, MA: Butterworth-Heinemann.

Himes, Geoffrey. 2005. Born in the U.S.A. Vol. 33 1/3. London: Continuum.

Hindemith, Paul. 1981. A Concentrated Course in Traditional Harmony: Book II: Exercises for Advanced Students. New York: Schott Music Corporation.

Hindemith, Paul, and Arthur Mendel. 1970. The Craft of Musical Composition: Book I: Theory. Fourth edition. Mainz: Schott.

Hindemith, Paul, and Otto Ortmann. 1941. The Craft of Musical Compositio: Book II: Exercises in Two-Part Writing. Mainz: Schott.

Hinton, Stephen. 2012. Weill’s Musical Theater: Stages of Reform. Berkeley, Calif: University of California Press.

Hischak, Thomas S. 2008. The Oxford Companion to the American Musical: Theatre, Film, and Television. Vol. Oxford companions series. New York: Oxford University Press.

Hischak, Thomas S. 2011. Off-Broadway Musicals since 1919: From Greenwich Village Follies to the Toxic Avenger. Lanham, MD: Scarecrow Press.

Hodgins, Paul. 1992. Relationships between Score and Choreography in Twentieth-Century Dance: Music, Movement and Metaphor. Lewiston, N.Y.: Edwin Mellen Press.

Hoffert, Paul, and Jonathan Feist. 2007. Music for New Media: Composing for Videogames, Web Sites, Presentations, and Other Interactive Media. Boston, Mass: Berklee Press.

Hoffman, Warren. 2014. The Great White Way: Race and the Broadway Musical. New Brunswick, N.J.: Rutgers University Press.

Holland, Walter. 2015. A Live One. Vol. 33 1/3. New York: Bloomsbury Academic.

Hollingshaus, Wade J. 2013a. Philosophizing Rock Performace: Dylan, Hendrix, Bowie. Lanham, Maryland: The Scarecrow Press.

Hollingshaus, Wade J. 2013b. Philosophizing Rock Performace: Dylan, Hendrix, Bowie. Lanham, Maryland: The Scarecrow Press.

Hollmann, Mark, and Greg Kotis. 2014. Urinetown: The Musical. London: Nick Hern Books. Holmes, Karen. 2011. What Employers Want: The Work Skills Handbook. Richmond:

18/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Trotman.

Holmes, Thom, and Terence M. Pender. 2012. Electronic and Experimental Music: Technology, Music, and Culture. Fourth edition. New York: Routledge.

Home-Cook, George. 2015. Theatre and Aural Attention: Stretching Ourselves. Basingstoke: Palgrave Macmillan.

Hopps, Gavin. 2009. Morrissey: The Pageant of His Bleeding Heart. London: Continuum.

Horn, David, and Mervyn Cooke. 2002. The Cambridge Companion to Jazz. Vol. Cambridge companions to music. Cambridge: Cambridge University Press.

Howard, George. 2005. Music Publishing 101. Vol. Berklee in the pocket. Boston, MA: Berklee Press.

Howland, Jason, Mindi Dickstein, and Louisa May Alcott. 2012. Little Women: The Musical. Singer’s edition. Milwaukee, WI: Cherry Lane Music Company/Hal Leonard Corporation.

Hulbert, Jennifer, Kevin J. Wetmore, and Robert L. York. 2010. Shakespeare and Youth Culture. New York: Palgrave Macmillan.

Hultkrans, Andrew. 2003. Forever Changes. Vol. 33 1/3. New York: Continuum.

Iddon, Martin, and Melanie L. Marshall, eds. 2014. Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture. New York: Routledge.

Inglis, Sam. 2003. Harvest. Vol. 33 1/3. New York: Continuum.

Israels, Chuck. 2011. Exploring Jazz Arranging: An Interactive Guide to the Techniques and Aesthetics. [Milwaukee, WI]: Hal Leonard.

Janovitz, Bill. 2005. Exile on Main St. Vol. 33 1/3. New York: Continuum.

Jaques-Dalcroze, âemile. 2012. Rhythm, Music and Education. Memphis, TN: General Books.

Jarman-Ivens, Freya. 2007. Oh Boy!: Masculinities and Popular Music. New York: Routledge.

Jones, Dylan. 2012. When Ziggy Played Guitar: David Bowie and Four Minutes That Shook the World. London: Preface.

Jordan, Stephanie. 2000. Moving Music: Dialogues with Music in Twentieth-Century Ballet. London: Dance.

Joyce, Jimmy, and Francis Hobbs. 1990. Scoring for Voice: A Guide to Writing Vocal Arrangements. Los Angeles: Alfred Publishing Co., Inc.

Judd, F. C. 2013. Electronic Music and Musique Concráete. London: Foruli Classics.

Juusela, Kari. 2015. The Berklee Contemporary Dictionary of Music. Boston, MA: Berklee

19/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Press Publications.

Kachulis, Jimmy, and Jonathan Feist. 2003. The Songwriter’s Workshop: Melody. Boston, Mass: Berklee Press.

Kachulis, Jimmy, and Jonathan Feist. 2005. The Songwriter’s Workshop: Harmony. Boston, Mass: Berklee Press.

Kahn-Harris, Keith. 2007a. Extreme Metal: Music and Culture on the Edge. Oxford: Berg.

Kahn-Harris, Keith. 2007b. Extreme Metal: Music and Culture on the Edge. Oxford: Berg.

Kalinak, Kathryn Marie. 1992. Settling the Score: Music and the Classical Hollywood Film. Madison, WI: University of Wisconsin Press.

Kalmar, Bert, George S. Kaufman, Morrie Ryskind, and Harry Ruby. 1984. Animal Crackers. Vol. French’s musical library. New York: Samuel French.

Kaplan, Michael, and Jonathan Feist. 2014. Bebop Guitar Solos. Boston, Mass: Berklee Press.

Karlin, Fred, and Rayburn Wright. 2004. On the Track: A Guide to Contemporary Film Scoring. Second edition. New York: Routledge.

Katz, Mark. 2010. Capturing Sound: How Technology Has Changed Music. Revised edition. Berkeley, Calif: University of California Press.

Katz, Mark. 2012. Groove Music: The Art and Culture of the Hip-Hop DJ. New York: Oxford University Press.

Kaye, Deena, and James LeBrecht. 2009. Sound and Music for the Theatre: The Art and Technique of Design. 3rd ed. Oxford: Focal Press.

Kayes, Gillyanne. 2004a. Singing and the Actor. Vol. A Theatre Arts book. 2nd ed. London: Routledge.

Kayes, Gillyanne. 2004b. Singing and the Actor. Vol. A Theatre Arts book. 2nd ed. London: Routledge.

Kelley, Robin D. G. 2012. Africa Speaks, America Answers: Modern Jazz in Revolutionary Times. Vol. The Nathan I. Huggins lectures. Cambridge, Mass: Harvard University Press.

Kempton, Arthur. 2005. Boogaloo: The Quintessence of American Popular Music. Ann Arbor, Mich: University of Michigan Press.

Kendrick, Lynne, and David Roesner. 2011. Theatre Noise: The Sound of Performance. Newcastle: Cambridge Scholars.

Kern, Jerome, and Oscar Hammerstein. 1927. Showboat. London: Wise Publications.

Kimball, Carol. 2006. Song: A Guide to Art Song Style and Literature. Revised edition. Milwaukee, WI: Hal Leonard Corporation.

20/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Kimball, Carol. 2013. Art Song: Linking Poetry and Music. Milwaukee, Wis: Hal Leonard.

Kines, Tom, and William Shakespeare. 1964. Songs from Shakespeare’s Plays and Popular Songs of Shakespeare's Time. New York: Oak Archives/The Music Sales Group.

King, Carole, Gerry Goffin, Barry Mann, and Cynthia Weil. 2014. Beautiful: The Carole King Musical. Milwaukee, WI: Hal Leonard Corporation.

Kirchner, Bill, ed. 2005. The Oxford Companion to Jazz. New York: Oxford University Press.

Kirkpatrick, Wayne, and Karey Kirkpatrick. 2015. Something Rotten!: Vocal Selections. Milwaukee, WI: Hal Leonard Publishing Corporation.

Kitt, Tom, and Brian Yorkey. 2014. If/then: A New Musical. Milwaukee, Wisconsin: Hal Leonard.

Klickstein, Gerald. 2009. The Musician’s Way: A Guide to Practice, Performance, and Wellness. Oxford: Oxford University Press.

Knapp, Raymond. 2006. The American Musical and the Formation of National Identity. Princeton, N.J.: Princeton University Press.

Knapp, Raymond, Mitchell Morris, and Stacy Ellen Wolf. 2013. The Oxford Handbook of the American Musical. Vol. Oxford handbooks in music. New York: Oxford University Press.

Koestenbaum, Wayne. 2001. The Queen’s Throat: Opera, Homosexuality, and the Mystery of Desire. [USA]: Da Capo Press.

Kois, Dan. 2010. Facing Future. Vol. 33 1/3. New York: Continuum.

Kolb, Bonita M. 2013. Marketing for Cultural Organizations: New Strategies for Attracting and Engaging Audiences. Third edition. New York: Routledge.

Kotarba, Joseph A. 2013. Understanding Society through Popular Music. 2nd edition. London: Routledge.

Kutschke, Beate, and Barley Norton, eds. 2015. Music and Protest in 1968. Vol. Music Since 1900. edited by B. Kutschke and B. Norton. Cambridge: Cambridge University Press.

LaBelle, Brandon. 2010. Acoustic Territories: Sound Culture and Everyday Life. New York: Continuum.

Lamb, Andrew. 2000. 150 Years of Popular Musical Theatre. New Haven, Conn: Yale University Press.

Landy, Leigh. 2012. Making Music with Sounds. New York: Routledge.

Lane, Cathy, Angus Carlyle, and Creative Research in Sound Arts Practice (Organization). 2013. In the Field: The Art of Field Recording. Axminster, Devon: Uniform Books.

LaPorta, John. 2000a. A Guide to Jazz Improvisation: Bass Clef. Milwaukee, WI: Hal Leonard

21/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Corporation.

LaPorta, John. 2000b. A Guide to Jazz Improvisation: C Instruments. Milwaukee, WI: Hal Leonard Corporation.

Larson, Jonathan. 2008. Rent: The Complete Book and Lyrics of the Broadway Musical. New York: Applause Theatre and Cinema Books.

Laster, James. 2001. So You’re the New Musical Director!: An Introduction to Conducting a Broadway Musical. Lanham, Md: Scarecrow Press.

Latham, Alison. 2002. The Oxford Companion to Music. [Completely revised and updated new edition]. Oxford: Oxford University Press.

Lauper, Cyndi, and Harvey Fierstein. 2013. Kinky Boots: The New Musical Based on a True Story. Van Nuys, CA: Alfred Publishing Co., Inc.

Leblanc, Lauraine. 1999. Pretty in Punk: Girls’ Gender Resistance in a Boys' Subculture. New Brunswick, N.J.: Rutgers University Press.

Led Zeppelin (Musical group). 1993. Led Zeppelin V: Houses of the Holy. Vol. Alfred’s Classic Album Editions. Authentic guitar tab edition. Van Nuys, CA: Alfred Publishing Co., Inc.

Lehman, David. 2009. A Fine Romance: Jewish Songwriters, American Songs. Vol. Jewish encounters. 1st ed. New York: Nextbook/Schocken.

Leikin, Molly-Ann. 2003. How to Be a Hit Songwriter: Polishing and Marketing Your Lyrics and Music. [Third edition]. Milwaukee, WI: Hal Leonard.

LeMay, Matthew. 2009. Elliott Smith’s XO. Vol. 33 1/3. London: Continuum.

LeRoy, Dan. 2006. Paul’s Boutique. Vol. 33 1/3. London: Continuum.

Lethem, Jonathan. 2012. Fear of Music. Vol. 33 1/3. New York: Continuum.

Leve, James. 2016. American Musical Theater. New York: Oxford University Press.

Lewis, George E. 2009. A Power Stronger than Itself: The AACM and American Experimental Music. Chicago, Ill: University of Chicago Press.

Lewis, Miles Marshall. 2006. There’s a Riot Goin' on. Vol. 33 1/3. London: Continuum.

Lieb, Kristin. 2013. Gender, Branding, and the Modern Music Industry: The Social Construction of Female Popular Music Stars. London: Routledge.

Lindley, David. 2006. Shakespeare and Music. Vol. Arden critical companions. London: Bloomsbury Methuen Drama.

Lin, Marvin. 2011. Kid A. Vol. 33 1/3. London: Continuum.

Loesser, Frank, Robert Kimball, and Stephen Nelson. 2003. The Complete Lyrics of Frank

22/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Loesser. New York: Knopf.

Lord, Suzanne. 2003. Music from the Age of Shakespeare: A Cultural History. Westport, Conn: Greenwood Press.

Louppe, Laurence. 2010. Poetics of Contemporary Dance. Alton: Dance.

Lovensheimer, Jim. 2010a. South Pacific: Paradise Rewritten. Vol. Broadway legacies. New York: Oxford University Press.

Lovensheimer, Jim. 2010b. South Pacific: Paradise Rewritten. Vol. Broadway legacies. New York: Oxford University Press.

Lowell, Dick, Ken Pullig, and Michael Jacob Gold. 2003. Arranging for Large Jazz Ensemble. Vol. Arranging: jazz. Boston, Mass: Berklee Press.

Lundskaer-Nielsen, Miranda. 2008. Directors and the New Musical Drama: British and American Musical Theatre in the 1980s and 90s. Vol. Palgrave studies in theatre and performance history. Basingstoke: Palgrave Macmillan.

Lundy, Zeth. 2007. Songs in the Key of Life. Vol. 33 1/3. New York: Continuum.

Machin, David. 2010. Analysing Popular Music: Image, Sound, Text. Los Angeles, [Calif.]: SAGE.

Maconie, Stuart. 2014. The People’s Songs: The Story of Modern Britain in 50 Songs. London: Ebury Press.

Magee, Jeffrey. 2014. Irving Berlin’s American Musical Theater. Vol. Broadway legacies. Oxford: Oxford University Press.

De Mallet Burgess, Thomas, and Nicholas Skilbeck. 2000. The Singing and Acting Handbook: Games and Exercises for the Performer. London: Routledge.

Mancewicz, Aneta. 2014. Intermedial Shakespeares on European Stages. Vol. Palgrave studies in performance and technology. Basingstoke: Palgrave Macmillan.

Marcus, Greil, and Greil Marcus. 1999. In the Facist Bathroom: Punk in Pop Music, 1977-1992. Cambridge, Mass: Harvard University Press.

Marshall, Lee, ed. 2014. The International Recording Industries. London: Routledge.

Marvuglio, David. 2015. Metal Bass Lines. Boston, Mass: Berklee Press.

Masciotra, David. 2015. Metallica. Vol. 33 1/3. London: Bloomsbury.

Maslon, Laurence, ed. 2014a. American Musicals 1927-1949: The Complete Books and Lyrics of Eight Broadway Classics. New York: Library of America.

Maslon, Laurence. 2014b. American Musicals 1950-1969: The Complete Books and Lyrics of Eight Broadway Classics. edited by L. Maslon. New York: Library of America.

23/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Mason, Dorothy E. 1958. Music in Elizabethan England. Vol. Folger booklets on Tudor and Stuart civilization. Washington D.C.: The Folger Shakespeare Library/Amherst College.

Mast, Gerald. 1987. Can’t Help Singin': The American Musical on Stage and Screen. Woodstock, NY: Overlook Press.

Matos, Michaelangelo. 2004. Sign ‘O’ the Times. Vol. 33 1/3. New York: Continuum.

Matteo, Stephen. 2004. Let It Be. Vol. 33 1/3. New York: Continuum.

McClendon, Alphonso. 2015. Fashion and Jazz: Dress, Identity and Subcultural Improvisation. Vol. Dress, body, culture. London: Bloomsbury Academic.

McGee, Paul. 2003. Writing a CV That Works: A Concise, Thorough and Comprehensive Guide to Writing an Effective CV. Vol. How to books. [Indian ed.]. New Delhi: Indus Publishing Company.

McGonigal, Mike. 2007. Loveless. Vol. 33 1/3. New York, N.Y.: Continuum.

McGrain, Mark. 1986. Music Notation: Theory and Technique for Music Notation. Vol. Berklee guide. Boston, Mass: Berklee.

McHugh, Dominic. 2014. Loverly: The Life and Times of My Fair Lady. Vol. Broadway legacies. Oxford: Oxford University Press.

McKay, George. 2006. Circular Breathing: The Cultural Politics of Jazz in Britain. Durham, N.C.: Duke University Press.

McKay, George, ed. 2015. The Pop Festival: History, Music, Media, Culture. New York: Bloomsbury Academic.

McLeese, Don. 2005. Kick out the Jams. Vol. 33 1/3. London: Continuum.

McLeod, Kembrew. 2016. Parallel Lines. Vol. 33 1/3. London: Bloomsbury.

McMillin, Scott. 2006. The Musical as Drama: A Study of the Principles and Conventions behind Musical Shows from Kern to Sondheim. Princeton: Princeton University Press.

McWaters, Debra, and Broadway Theatre Project. 2009. Musical Theatre Training: The Broadway Theatre Project Handbook. Gainesville, Fla: University Press of Florida.

Meadows, Eddie S. 2010. Blues, Funk, Rhythm and Blues, Soul, Hip Hop, and Rap: A Research and Information Guide. Vol. Routledge music bibliographies. London: Routledge.

Meizel, Katherine. 2011. Idolized: Music, Media, and Identity in American Idol. Bloomington, Ind: Indiana University Press.

Melnick, Jeffrey Paul. 2001. A Right to Sing the Blues: African Americans, Jews, and American Popular Song. Cambridge, Mass: Harvard University Press.

Meloy, Colin. 2007. Let It Be. Vol. 33 1/3. New York: Continuun.

24/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Melton, Joan. 2007. Singing in Musical Theatre: The Training of Singers and Actors. New York: Allworth Press.

Menck, Ric. 2007. The Notorious Byrd Brothers. Vol. 33 1/3. New York: Continuum.

Mercer, Johnny. 2009. The Complete Lyrics of Johnny Mercer. 1st ed. edited by R. Kimball. New York: Alfred A. Knopf.

Merlin, Bella. 2014. The Complete Stanislavsky Toolkit. Revised edition. London: Nick Hern Books.

Middleton, Richard. 1990. Studying Popular Music. Milton Keynes: Open University Press.

Middleton, Richard. 2006. Voicing the Popular: On the Subjects of Popular Music. New York: Routledge.

Miller, Andy. 2003. The Kinks Are the Village Green Preservation Society. Vol. 33 1/3. New York: Continuum.

Miller, D. A. 1998. Place for Us: Essay on the Broadway Musical. Cambridge, Mass: Harvard University Press.

Miller, Jane. 2015. Introduction to Jazz Guitar. Boston, Mass: Berklee Press.

Miller, Janice. 2011. Fashion and Music. Oxford: Berg.

Miller, Scott. 2007. Strike up the Band: A New History of Musical Theatre. Portsmouth, NH: Heinemann.

Miller, Scott. 2011. Sex, Drugs, Rock & Roll, and Musicals. Boston, Mass: Northeastern University Press.

Mills, Peter. 2012. Media and Popular Music. Vol. Media topics. Edinburgh: Edinburgh University Press.

Minchin, Tim. 2012. Roald Dahl’s Matilda: The Musical. London: Wise Publications.

Miranda, Lin-Manuel, and Quiara Alegrâia Hudes. 2013a. In the Heights: The Complete Book and Lyrics of the Broadway Musical. Vol. The Applause libretto library series. Milwaukee, WI: Applause Theatre & Cinema Books.

Miranda, Lin-Manuel, and Quiara Alegrâia Hudes. 2013b. In the Heights: The Complete Book and Lyrics of the Broadway Musical. Vol. The Applause libretto library series. Milwaukee, WI: Applause Theatre & Cinema Books.

Miranda, Lin-Manuel, and Jeremy McCarter. 2016. Hamilton: The Revolution. New York: Grand Central Publishing.

Mitchell, Katie, and Nicholas Hytner. 2009. The Director’s Craft: A Handbook for the Theatre. London: Routledge.

Moore, Allan F. 2004. Aqualung. Vol. 33 1/3. New York: Continuum.

25/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Moore, Allan F. 2008. Analyzing Popular Music. Cambridge: Cambridge University Press.

Moore, Allan F. 2012. Song Means: Analysing and Interpreting Recorded Popular Song. Vol. Ashgate popular and folk music series. Farnham: Ashgate.

Moore, Tracey, and Allison Bergman. 2008. Acting the Song: Performance Skills for the Musical Theatre. New York: Allworth Press.

Morley, Stuart. 2011. The Musical Director’s Handbook. Sandy: Authors Online Ltd.

Morra, Irene. 2014. Britishness, Popular Music, and National Identity: The Making of Modern Britain. Vol. Routledge studies in popular music. New York: Routledge.

Morrish, John, and English Folk Dance and Song Society. 2007. The Folk Handbook: Working with Songs from the English Tradition. New York: Backbeat Books.

Most, Andrea. 2004. Making Americans: Jews and the Broadway Musical. Cambridge, Mass: Harvard University Press.

Mulholland, Joe, and Thomas Hojnacki. 2013. The Berklee Book of Jazz Harmony. Boston, MA: Berklee Press.

Mullen, John. 2015. The Show Must Go on!: Popular Song in Britain during the First World War. Vol. Ashgate popular and folk music series. Farnham, Surrey: Ashgate.

Murtha, Tara. 2015. Ode to Billie Joe. Vol. 33 1/3. London: Bloomsbury Academic.

Nadel, Myron Howard, and Marc Strauss, eds. 2014. The Dance Experience: Insights into History, Culture, and Creativity. 3rd edition. edited by M. H. Nadel and M. Strauss. Hightstown, N.J.: Princeton Book Company.

Nagy, Evie. 2015. Freedom of Choice. Vol. 33 1/3. New York: Bloomsbury Academic.

Napolitano, Marc. 2014a. Oliver!: A Dickensian Musical. New York: Oxford University Press.

Napolitano, Marc. 2014b. Oliver!: A Dickensian Musical. New York: Oxford University Press.

Neate, Wilson. 2008. Pink Flag. Vol. 33 1/3. New York: Continuum.

Negus, Keith. 1996. Popular Music in Theory: An Introduction. Polity Press.

Neighbarger, Randy L. 1992. An Outward Show: Music for Shakespeare on the London Stage, 1660-1830. Vol. Contributions to the study of music and dance. Westport, Conn: Greenwood Press.

Nelson, Sean. 2007. Court and Spark. Vol. 33 1/3. New York: Continuum.

Neumeyer, David, ed. 2015. The Oxford Handbook of Film Music Studies. New York: Oxford University Press.

26/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Newhouse, Ben. 2004. Producing Music with Digital Performer. Boston, MA: Berklee Press.

Nicholl, Matthew, Richard Grudzinski, and Jonathan Feist. 2007. Music Notation: Preparing Scores and Parts. Boston, MA: Berklee Press.

Nicholson, Stuart. 2005. Is Jazz Dead?: (or Has It Moved to a New Address). London: Routledge.

Nicholson, Stuart. 2014. Jazz and Culture in a Global Age. Boston, Mass: Northeastern University Press.

Niebur, Louis. 2010. Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop. Vol. The Oxford music/media series. New York: Oxford University Press.

Niimi, J. 2005. Murmur. Vol. 33 1/3. New York: Continuum.

Niven, Alex. 2014. Definitely Maybe. Vol. 33 1/3. New York: Bloomsbury Academic.

Niven, John. 2005. Music from Big Pink: A Novella. Vol. 33 1/3. New York: Continuum.

Noel-Hartley, Jo. 2013. Dream Street: The Musical. London: Samuel French.

Norton, Richard C. 2002. A Chronology of American Musical Theater: [3 Volumes]. Oxford: Oxford University Press.

Novak, Elaine Adams, and Deborah Novak. 1996. Staging Musical Theatre. 1st ed. Cincinnati, Ohio: Betterway Books.

Novelly, Maria C., and Adele Firth. 2004. Staging Musicals for Young Performers: How to Produce a Show in 36 Sessions or Less. Colorado Springs, CO: Meriwether Publishing.

Nyman, Michael. 1999. Experimental Music: Cage and beyond. Vol. Music in the 20th century. Second edition. Cambridge: Cambridge University Press.

O’Dair, Marcus. 2014. Different Every Time: The Authorised Biography of Robert Wyatt. London: Serpent’s Tail.

Oddey, Alison. 1996. Devising Theatre: A Practical and Theoretical Handbook. London: Routledge.

Ostwald, David. 2005a. Acting for Singers: Creating Believable Singing Characters. Oxford: Oxford University Press.

Ostwald, David. 2005b. Acting for Singers: Creating Believable Singing Characters. Oxford: Oxford University Press.

Ott, Chris. 2004. Unknown Pleasures. Vol. 33 1/3. New York: Continuum.

Palfrey, Simon. 2011. Doing Shakespeare. 2nd ed. London: Arden Shakespeare.

Palmer, Scott. 2000. Essential Guide to Stage Management, Lighting, and Sound. London:

27/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Hodder & Stoughton.

Palmer, Willard A., Morton Manus, and Amanda Vick Lethco. 1994. The Complete Book of Scales, Chords, Arpeggios & Cadences: Includes All the Major, Minor (natural, Harmonic, Melodic) & Chromatic Scales - plus Additional Instructions on Music Fundamentals. Vol. Alfred’s basic piano library. Sherman Oaks, CA: Alfred Publishing Co.

Paris, Anika. 2011. Making Your Mark in Music: Stage Performance Secrets : Behind the Scenes of Artist Development. Vol. MusicPRO guides. Milwaukee, WI: Hal Leonard Books.

Parker, Bryan C. 2015. Beat Happening. Vol. 33 1/3. London: Bloomsbury.

Parker, Trey, Robert Lopez, and Matt Stone. 2011. The Book of Mormon: [the Complete Book and Lyrics of the Broadway Musical]. New York: Newmarket Press.

Parker, Trey, and New Cannibal Society. 2014. Trey Parker’s Cannibal!: The Musical. A Samuel French acting edition. New York: Samuel French.

Parsons, Alan, and Julian Colbeck. 2014. Alan Parsons’ Art & Science of Sound Recording: The Book. Milwaukee, Wisconsin: Hal Leonard Books.

Passman, Donald S., and Randy Glass. 2015. All You Need to Know about the Music Business. Ninth edition. New York: Simon & Schuster.

Patell, Cyrus R. K. 2011. Some Girls. Vol. 33 1/3. London: Continuum.

Pattison, Pat. 1991. Songwriting: Essential Guide to Lyric Form and Structure : Tools and Techniques for Writing Better Lyrics. Vol. Berklee guide. Boston, MA: Berklee Press.

Pattison, Pat. 2014. Pat Pattison’s Songwriting: Essential Guide to Rhyming: A Step-by-Step Guide to Better Rhyming for Poets and Lyricists. 2nd edition. Boston, Mass: Berklee Press.

Pavis, Patrice. 2013. Contemporary Mise En Scáene: Staging Theatre Today. London: Routledge.

Pease, Frederick, and Rick Mattingly. 2003. Jazz Composition: Theory and Practice. Boston, Mass: Berklee Press.

Pease, Frederick, Ken Pullig, and Michael Jacob Gold. 2001a. Modern Jazz Voicings: Arranging for Small and Medium Ensembles. Vol. Arranging. Boston, MA: Berklee Press.

Pease, Frederick, Ken Pullig, and Michael Jacob Gold. 2001b. Modern Jazz Voicings: Arranging for Small and Medium Ensembles. Vol. Arranging. Boston, MA: Berklee Press.

Peckham, Anne. 2006. Vocal Workouts for the Contemporary Singer. Boston, MA: Berklee Press.

Peckham, Anne. 2010. The Contemporary Singer: Elements of Vocal Technique. Vol. Berklee guide. Second edition. Boston, MA: Berklee Press.

Pedelty, Mark, and Kristine Weglarz, eds. 2013. Political Rock. Vol. Ashgate popular and

28/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

folk music series. Burlington, VT: Ashgate.

Pernice, Joseph T. 2003. Meat Is Murder. Vol. 33 1/3. New York: Continuum.

Perricone, Jack. 2000. Melody in Songwriting: Tools and Techniques for Writing Hit Songs. Vol. Berklee guide. Boston, Mass: Berklee.

Perry, John. 2004. Electric Ladyland. Vol. 33 1/3. New York: Continuum.

Petrusich, Amanda. 2007. Pink Moon. Vol. 33 1/3. London: Continuum.

Phull, Hardeep. 2008. Story behind the Protest Song: A Reference Guide to the 50 Songs That Changed the 20th Century. Westport, Conn: Greenwood.

Pinch, T. J., and Frank Trocco. 2002. Analog Days: The Invention and Impact of the Moog Synthesizer. Cambridge, Mass: Harvard University Press.

Piston, Walter. 1947. Counterpoint. Vol. Books that live. New York: W. W. Norton & Company.

Piston, Walter. 1955. Orchestration. London: W. W. Norton & Company.

Piston, Walter, and Mark DeVoto. 1987. Harmony. 5th edition. New York: W. W. Norton.

Plagenhoef, Scott. 2007. If You’re Feeling Sinister. Vol. 33 1/3. London: Continuum.

Plasketes, George. 2010. Play It Again: Cover Songs in Popular Music. Vol. Ashgate popular and folk music series. Farnham: Ashgate.

Platt, Len. 2004a. Musical Comedy on the West End Stage, 1890-1939. Basingstoke: Palgrave Macmillan.

Platt, Len. 2004b. Musical Comedy on the West End Stage, 1890-1939. Basingstoke: Palgrave Macmillan.

Platt, Len, Tobias Becker, and David Linton. 2014a. Popular Musical Theatre in London and Berlin, 1890 to 1939. edited by L. Platt, T. Becker, and D. Linton. Cambridge: Cambridge University Press.

Platt, Len, Tobias Becker, and David Linton, eds. 2014b. Popular Musical Theatre in London and Berlin, 1890 to 1939. Cambridge: Cambridge University Press.

Poizat, Michel. 1992. The Angel’s Cry: Beyond the Pleasure Principle in Opera. Ithaca, NY: Cornell University Press.

Polizzotti, Mark. 2006. Highway 61 Revisited. Vol. 33 1/3. New York: Continuum.

Pollock, Michael. 2004. Musical Direction: For Improv and Sketch Comedy. Los Angeles, CA: Masteryear Publishing.

Poole, Buzz. 2016. Workingman’s Dead. Vol. 33 1/3. London: Bloomsbury.

29/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Porter, Cole, and Robert Kimball. 1992. The Complete Lyrics of Cole Porter. New York: Da Capo Press.

Poskitt, Kjartan. 1990. Sammy’s Magic Garden: A Ghost Musical. London: Samuel French. Potter, John. 2000. The Cambridge Companion to Singing. Vol. Cambridge companions to music. Cambridge: Cambridge University Press.

Potter, John. 2006. Vocal Authority: Singing Style and Ideology. Cambridge: Cambridge University Press.

Potter, John, and Neil Sorrell. 2014. A History of Singing. Cambridge: Cambridge University Press.

Powell, John. 2010. How Music Works: A Listener’s Guide to the Science and Psychology of Beautiful Sounds. London: Particular Books/Penguin.

Proehl, Bob. 2008. The Gilded Palace of Sin. Vol. 33 1/3. London: Continuum.

Prosser, Steve. 2000. Essential Ear Training for Today’s Musician. Boston, MA: Berklee Press.

Quiänones, Marta Garcâia, Anahid Kassabian, and Elena Boschi, eds. 2013. Ubiquitous Musics: The Everyday Sounds That We Don’t Always Notice. Vol. Ashgate popular and folk music series. Farnham: Ashgate.

Radano, Ronald Michael, and Tejumola Olaniyan, eds. 2016. Audible Empire: Music, Global Politics, Critique. Vol. Refiguring American music. Durham, North Carolina: Duke University Press.

Radosavljeviâc, Duéska. 2013. Theatre-Making: Interplay between Text and Performance in the 21st Century. Basingstoke: Palgrave Macmillan.

Radosavljeviâc, ed., Duéska. 2013. The Contemporary Ensemble: Interviews with Theatre-Makers. edited by D. Radosavljeviâc. London: Routledge.

Raelin, Joseph A., and Myilibrary. 2008. Work-Based Learning: Bridging Knowledge and Action in the Workplace. New ed. San Francisco, CA: Jossey-Bass.

Rahaim, Matthew. 2012. Musicking Bodies: Gesture and Voice in Hindustani Music. Vol. Music/culture. Middletown, Conn: Wesleyan University Press.

Raines, Robert. 2015. Composition in the Digital World: Conversations with 21st-Century American Composers. New York: Oxford University Press.

Ranson, Jana. n.d. Hal Leonard Pocket Rhyming Dictionary. Milwaukee, Wis: Hal Leonard. Rawlins, Robert, Nor Eddine Bahha, and Barrett Tagliarino. 2005. Jazzology: The Encyclopedia of Jazz Theory for All Musicians. Milwaukee, WI: Hal Leonard.

Rawlins, Steve. 1996. How to Get Real with a Fake Book: A Guide for the Piano Arranger. [Ventura, Calif.]: Creative Concepts.

Reece, Robert, F. C. Burnand, B. D. Stephenson, A. C. Torr, Horance Mills, George R. Sims,

30/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Henry Pettitt, and Gaiety Theatre (London, England). 2015a. Musicals from the Gaiety Theatre 1880-1888: Complete Librettos. Vol. Historical libretto series. [U.S.A.]: Theatre Arts Press.

Reece, Robert, F. C. Burnand, B. D. Stephenson, A. C. Torr, Horance Mills, George R. Sims, Henry Pettitt, and Gaiety Theatre (London, England). 2015b. Musicals from the Gaiety Theatre 1880-1888: Complete Librettos. Vol. Historical libretto series. [U.S.A.]: Theatre Arts Press.

Reed, S. Alexander, and Phillip Sandifer. 2014. They Might Be Giants’ Flood. Vol. 33 1/3. 1st edition. New York: Bloomsbury Academic.

Reeves, Sims. 2010. On the Art of Singing. New York: Kessinger Publishing.

Reich, Steve, and Paul Hillier. 2002. Writings on Music, 1965-2000. Oxford: Oxford University Press.

Reid, Francis. 2001. The Stage Lighting Handbook. 6th ed. New York: Routledge.

Reynolds, Simon. 1999. Generation Ecstasy: Into the World of Techno and Rave Culture. New York: Routledge.

Reynolds, Simon. 2007. Bring the Noise: 20 Years of Writing about Hip Rock and Hip Hop. London: Faber.

Richardson, John. 2012. An Eye for Music: Popular Music and the Audiovisual Surreal. Vol. The Oxford music/media series. New York: Oxford University Press.

Richardson, John, Claudia Gorbman, and Carol Vernallis, eds. 2013. The Oxford Handbook of New Audiovisual Aesthetics. Oxford: Oxford University Press.

Richardson, Mark. 2010. Flaming Lips’ Zaireeka. Vol. 33 1/3. London: Continuum.

Ricker, Ramon. 1976a. Pentatonic Scales for Jazz Improvisation. Vol. The Ramon Ricker jazz improvisation series. Van Nuys, CA: Alfred Publishing Co., Inc.

Ricker, Ramon. 1976b. Technique Development in Fourths for Jazz Improvisation. Vol. The Ramon Ricker jazz improvisation series. Van Nuys, CA: Alfred Publishing Co., Inc.

Roads, Curtis. 2015. Composing Electronic Music: A New Aesthetic. New York: Oxford University Press.

Rockwell, Eric, and Joanne Bogart. 2005. The Musical of Musicals: The Musical! New York: Samuel French.

Rodgers, Jeffrey Pepper. 2003. The Complete Singer-Songwriter: A Troubadour’s Guide to Writing, Performing, Recording & Business. San Francisco, Calif: Backbeat Books.

Rodgers, Richard, and Oscar Hammerstein. 2007. Musical Scene Study: The Musicals of Rodgers & Hammerstein. edited by T. Briggs. New York: Applause Theatre and Cinema Books.

31/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Rodgers, Richard, Oscar Hammerstein, and Joshua Logan. 2014. South Pacific: The Complete Book and Lyrics of the Broadway Musical. Vol. The Applause libretto library series. Milwaukee, WI: Applause Theatre & Cinema Books.

Rodgers, Richard, and Lorenz Hart. 1995. Rodgers and Hart: A Musical Anthology : Piano, Vocal. Milwaukee, Wis: Hal Leonard.

Roesgen, Jeffrey T. 2008. Rum, Sodomy, and the Lash. Vol. 33 1/3. New York: Continuum. Roesner, David. 2014a. Musicality in Theatre: Music as Model, Method and Metaphor in Theatre-Making. Vol. Ashgate interdisciplinary studies in opera. Farnham: Ashgate Publishing Group.

Roesner, David. 2014b. Musicality in Theatre: Music as Model, Method and Metaphor in Theatre-Making. Vol. Ashgate interdisciplinary studies in opera. Farnham: Ashgate Publishing Group.

Roesner, David, and Matthias Rebstock. 2012a. Composed Theatre: Aesthetics, Practices, Processes. Bristol: Intellect.

Roesner, David, and Matthias Rebstock. 2012b. Composed Theatre: Aesthetics, Practices, Processes. Bristol: Intellect.

Roesner, David, and Matthias Rebstock. 2012c. Composed Theatre: Aesthetics, Practices, Processes. Bristol: Intellect.

Rojek, Chris. 2011. Popular Music: [volumes 1to 4]. Vol. SAGE benchmarks in culture and society. Los Angeles: SAGE.

Rokem, Freddie. 2010. Philosophers and Thespians: Thinking Performance. Vol. Cultural memory in the present. Stanford, California: Stanford University Press.

Rombes, Nicholas. 2005. Ramones. Vol. 33 1/3. New York: Continuum.

Rooksby, Rikky. 2004. Melody: How to Write Great Tunes. Milwaukee, WI: Backbeat Books.

Rooksby, Rikky. 2005. How to Write Songs on Keyboards: A Complete Course. First edition. Milwaukee, WI: Backbeat Books.

Rooksby, Rikky. 2006. Lyrics: Writing Better Words for Your Songs. Milwaukee, WI: Backbeat Books.

Rooksby, Rikky. 2007. Arranging Songs: How to Put the Parts Together. New York: Backbeat Books.

Rooksby, Rikky. 2010a. How to Write Songs in Altered Guitar Tunings. Milwaukee, Wis: Backbeat Books.

Rooksby, Rikky. 2010b. How to Write Songs in Altered Guitar Tunings. Milwaukee, Wis: Backbeat Books.

Rooksby, Rikky. 2010c. Riffs: How to Create and Play Great Guitar Riffs. [Fully updated and

32/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

expanded edition]. Milwaukee, WI: Backbeat Books.

Rooksby, Rikky. 2011. The Songwriting Sourcebook: How to Turn Chords into Great Songs. Second edition, updated and expanded. Milwaukee, WI: Backbeat.

Rooksby, Rikky. 2014. Songs and Solos: Creating the Right Solo for Every Song. Milwaukee, WI: Backbeat Books.

Rose, Bob. 2003. Contemporary Singing Techniques. Men’s edition. Milwaukee, WI: Hal Leonard Corporation.

Rosenberg, Bernard, and Ernest Harburg. 1993. The Broadway Musical: Collaboration in Commerce and Art. New York: New York University Press.

Rose, Tricia. 1994. Black Noise: Rap Music and Black Culture in Contemporary America. Middletown, CT: Wesleyan University Press.

Royster, Francesca T. 2013. Sounding like a No-No: Queer Sounds and Eccentric Acts in the Post-Soul Era. Ann Arbor: University of Michigan Press.

Rudinow, Joel. 2010. Soul Music: Tracking the Spiritual Roots of Pop from Plato to Motown. Vol. Tracking pop. Ann Arbor, MI: University of Michigan Press.

Rudolph, Thomas E., and Vincent A. Leonard. 2001. Recording in the Digital World: Complete Guide to Studio Gear and Software. Boston, Mass: Berklee Press.

Rudolph, Thomas E., and Vincent A. Leonard. 2012. Finale: An Easy Guide to Music Notation. Third edition. edited by J. Feist. Boston, MA: Berklee Press.

Runswick, Daryl. 1992. Rock, Jazz and Pop Arranging: All the Facts and All the Know-How. London: Faber Music.

Rupprecht, Philip Ernst. 2015. British Musical Modernism: The Manchester Group and Their Contemporaries. Vol. Music Since 1900. Cambridge: Cambridge University Press.

Rutherford, Paris. 2013. Basics in Jazz Arranging. Milwaukee, WI: Hal Leonard Corporation.

Sadie, Stanley, and Alison Latham. 2007. The Cambridge Music Guide. Cambridge: Cambridge University Press.

Salzman, Eric, and Thomas Desi. 2008. The New Music Theater: Seeing the Voice, Hearing the Body. New York: Oxford University Press.

Salzman, Eric, and Thomas Dézsy. 2008. The New Music Theater: Seeing the Voice, Hearing the Body. New York: Oxford University Press.

Sanchez, Luis A. 2014. Smile. Vol. 33 1/3. London: Bloomsbury.

Sanders, Julie. 2007. Shakespeare and Music: Afterlives and Borrowings. Cambridge: Polity Press.

33/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Saul, Scott. 2005. Freedom Is, Freedom Ain’t: Jazz and the Making of the Sixties. Cambridge, Mass: Harvard University Press.

Savage, Steve. 2013. Bytes and Backbeats: Repurposing Music in the Digital Age. Vol. Tracking pop. Ann Arbor, MI: The University of Michigan Press.

Sawyer, R. Keith. 2003. Group Creativity: Music, Theater, Collaboration. Mahwah, N.J.: Lawrence Erlbaum Associates.

Schaeffer, Pierre, Christine North, and John Dack. 2012. In Search of a Concrete Music. Vol. California studies in 20th-century music. Berkeley, CA: University of California Press.

Schafer, R. Murray. 1977. The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester, Vt: Destiny Books.

Schartmann, Andrew. 2015. Koji Kondo’s Super Mario Bros. Soundtrack. Vol. 33 1/3. New York: Bloomsbury Academic.

Schatz, Kate, and Polly Jean Harvey. 2007. Rid of Me: A Story. Vol. 33 1/3. New York: Continuum.

Schifrin, Lalo. 2011. Music Composition for Film and Television. edited by J. Feist. Boston, MA: Berklee Press.

Schmeling, Paul, and Susan Gedutis Lindsay. 2011a. Berklee Music Theory: Book 1: Basic Principles of Rhythm, Scales, and Intervals. Second edition. Boston, MA: Berklee Press.

Schmeling, Paul, and Susan Gedutis Lindsay. 2011b. Berklee Music Theory: Book 2: Fundamentals of Harmony. Second edition. Boston, MA: Berklee Press.

Schmidt, Elaine. 2012. Vocal Warm-Ups. Vol. Pro Vocal. Milwaukee, WI: Hal Leonard Corporation.

Schmidt, Harvey, and Tom Jones. 1990. The Fantasticks. 30th anniversary edition. New York: Applause Theatre Book Publishers.

Schmidt, Joshua, Jason Loewith, and Elmer Rice. 2008. Adding Machine: A Musical. New York: Samuel French.

Schoenfeld, Mark, and Barri McPherson. 2003. Brooklyn: The Musical. Milwaukee, WI: Hal Leonard Corporation.

Schuller, Gunther. 1986. Early Jazz: Its Roots and Musical Development. Vol. The history of jazz. New York: Oxford University Press.

Schuller, Gunther. 1989. The Swing Era: The Development of Jazz, 1930-1945. Vol. The history of jazz. New York: Oxford University Press.

Schur, Danny, and Rick Chafe. 2007. Strike!: The Musical. Toronto: Playwrights Canada Press.

Schwartz, Stephen. 1971. Godspell: A Musical Based upon the Gospel according to St

34/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Matthew. London: Music Sales Ltd.

Schwartz, Stephen, and Gregory Maguire. 2004. Wicked: A New Musical : Piano/vocal Selections. Milwaukee, WI: Hal Leonard Corporation.

Schwartz, Stephen, and Hans Zimmer. 1998. The Prince of Egypt. New York: Cherry Lane Music Company.

Scorsese, Martin. 2005. ‘No Direction Home.’

Scorsese, Martin, and Peter Guralnick. 2003. Martin Scorsese Presents the Blues: A Musical Journey. New York: HarperCollins.

Seabright, James. 2010. So You Want to Be a Theatre Producer? Vol. So you want to series. London: Nick Hern.

Seabrook, John. 2015. The Song Machine: Inside the Hit Factory. London: Jonathan Cape.

Sevsay, Ertugrul. 2013. The Cambridge Guide to Orchestration. Cambridge: Cambridge University Press.

Shaiman, Marc, Mark O’Donnell, Thomas Meehan, Scott Wittman, and John Waters. 2002. Hairspray: [the Complete Book and Lyrics of the Hit Broadway Musical]. Montclair, NJ: Applause Theatre & Cinema Books.

Shaiman, Marc, and Scott Wittman. 2001. Hairspray. Vol. Broadway singer’s edition. Milwaukee, WI: Hal Leonard.

Shaiman, Marc, and Scott Wittman. 2013. Charlie and the Chocolate Factory. Milwaukee, WI: Hal Leonard Corporation.

Shaiman, Marc, Scott Wittman, and Smash (Television programme). 2013. Bombshell: The New Marilyn Musical. Van Nuys CA: Alfred Music Publishing Co.

Shakespeare, William, and Charles Robinson. 2014. The Songs and Sonnets of William Shakespeare. Mineola, New York: Calla Editions/Dover Publications.

Shapiro, Eddie. 2015. Nothing like a Dame: Conversations with the Great Women of Musical Theater. New York: Oxford University Press.

Sharon, Deke, and Dylan Bell. 2012. A Cappella Arranging. Vol. MusicPRO guides. Milwaukee, WI: Hal Leonard Books.

Shaw, Philip. 2008. Horses. Vol. 33 1/3. New York: Continuum.

Sheed, Wilfrid. 2008. The House That George Built: With a Little Help from Irving, Cole, and a Crew of about Fifty. New York: Random House Trade Paperbacks.

Shelton, Robert, Elizabeth Thomson, and Patrick Humphries. 2011. No Direction Home: The Life and Music of Bob Dylan. Revised and updated edition. London: Omnibus Press.

Shipton, Alyn. 2007. A New History of Jazz. Revised and updated edition. London:

35/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Bloomsbury Academic.

Shneidman, Jack. 2000. 1001 Jazz Licks: A Complete Jazz Vocabulary for the Improvising Musician. New York: Cherry Lane Music Co.

Shteamer, Hank. 2011. Chocolate and Cheese. Vol. 33 1/3. London: Continuum.

Shuker, Roy. 2012. Popular Music Culture: The Key Concepts. Vol. Routledge key guides. 3rd ed. London: Routledge.

Sider, Larry, Diane Freeman, Jerry Sider, and School of Sound. 2010. Soundscape: The School of Sound Lectures 1998-2001. London: The School of Sound.

Sifter, Suzanna. 2015. Berklee Jazz Keyboard Harmony: Using Upper-Structure Triads. Second Edition. Boston, MA: Berklee Press.

Silver, Fred. 1988. Auditioning for the Musical Theatre. New York: Penguin Books.

Silverlight, Terry, and Felipe Orozco. 2011. Jazz, Funk & Fusion: Over 60 Classic Grooves in Standard Notation. Vol. Rhythm guides. London: Wise Publications.

Silvestri, Martin, Nicholas Van Hoogstraten, and Joel Higgins. 2004. Johnny Guitar: The Musical. Milwaukee, WI: Hal Leonard Corporation.

Simeone, Nigel. 2009. Leonard Bernstein: West Side Story. Vol. Landmarks in music since 1950. Farnham: Ashgate.

Simos, Mark. 2014. Songwriting Strategies: A 360À Approach. Boston, MA: Berklee Press.

Singleton, Brian. 2004. Oscar Asche, Orientalism, and British Musical Comedy. Vol. Contributions in drama and theatre studies. Lives of the theatre. Westport, Conn: Praeger.

Sisario, Ben. 2006. Doolittle. Vol. 33 1/3. London: Continuum.

Sloboda, John A. 1985. The Musical Mind: The Cognitive Psychology of Music. Vol. Oxford psychology series. Oxford: Clarendon Press.

Small, Christopher. 1998. Musicking: The Meanings of Performing and Listening. Vol. Music/culture. Hanover, NH: Wesleyan/University Press of New England.

Smay, David. 2007. Swordfishtrombones. Vol. 33 1/3. New York: Continuum.

Smith, A. C. H. 1972. Orghast at Persepolis: An Account of the Experiment in Theatre Directed by Peter Brook and Written by Ted Hughes. London: Eyre Methuen.

Smith, Chris. 2009. 101 Albums That Changed Popular Music. New York: Oxford University Press.

Smith, Christopher. 2015. Amazing Grace. Milwaukee, WI: Hal Leonard Corporation.

Smith, Susan. 2005. The Musical: Race, Gender and Performance. Vol. Short cuts. London:

36/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Wallflower Press.

Snelson, John. 2004. Andrew Lloyd Webber. Vol. Yale Broadway masters. New Haven, Conn: Yale University Press.

Snoman, Rick. 2013. Dance Music Manual: Tools, Toys, and Techniques. Third edition. Burlington, MA: Focal Press.

Solis, Gabriel. 2014. Thelonious Monk Quartet Featuring John Coltrane at Carnegie Hall. Vol. Oxford studies in recorded jazz. New York: Oxford University Press.

Sondheim, Stephen, and James Goldman. 2001. Follies. New York, N.Y.: Theatre Communications Group.

Sondheim, Stephen, and James Lapine. 1989. Into the Woods. New York: Theatre Communications Group.

Sondheim, Stephen, James Lapine, and Andrâe Bishop. 1991. Sunday in the Park with George. Vol. The Applause musical library. New York, N.Y: Applause Theatre Books.

Soto-Morettini, Donna. 2014. Popular Singing and Style. 2nd edition. London: Bloomsbury Methuen Drama.

Spellman, Peter. 2013. The Self-Promoting Musician: Strategies for Independent Music Success. 3rd edition. Boston, MA: Berklee Press.

Spelman, Nicola. 2012. Popular Music and the Myths of Madness. Vol. Ashgate popular and folk music series. Farnham, Surrey: Ashgate.

Spier, Steven. 2011. William Forsythe and the Practice of Choreography: It Starts from Any Point. London: Routledge.

Springsteen, Bruce, and Thom Zimmy. 2010. ‘The Promise: The Making of Darkness on the Edge of Town.’

Stanislavsky, Konstantin, and Pavel Rumyantsev. 1998. Stanislavski on Opera. New York: Routledge.

Stanley, Bob. 2013. Yeah Yeah Yeah: The Story of Modern Pop. London: Faber & Faber.

Stark, Scott Hunter. 2005. Live Sound Reinforcement: A Comprehensive Guide to P. A. and Music Reinforcement Systems and Technology. Boston, MA: Thomson Course Technology.

Stearns, Matthew. 2007. Daydream Nation. Vol. 33 1/3. New York: Continuum.

Steinel, Mike. 1995. Building a Jazz Vocabulary: A Resouce for Learning Jazz Improvisation. Milwaukee, WI: Hal Leonard Corporation.

Stein, John. 2012. Berklee Jazz Standards for Solo Guitar. edited by J. Feist. Boston, Mass: Berklee Press Publications.

37/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Stenham, Polly. 2008. That Face. Vol. Faber plays. Revised edition. London: Faber.

Sterne, Jonathan. 2012. The Sound Studies Reader. New York: Routledge.

Stevens, John Luke, John Lennon, and Susan Gedutis Lindsay. 2002. The Songs of John Lennon: The Beatles Years. Boston, MA: Berklee Press.

Stewart, John. 2014. Broadway Musicals, 1943-2004: Volume 1. Jefferson, North Carolina: McFarland & Company, Inc., Publishers.

Stoloff, Bob. 2012. Vocal Improvisation: And Instru-Vocal Approach for Soloists, Groups, and Choirs. Vol. Voice: improvisation. edited by J. Feist. Boston, Mass: Berklee Press.

Stolpe, Andrea. 2007. Popular Lyric Writing: 10 Steps to Effective Storytelling. edited by J. Feist. Boston, MA: Berklee Press.

Stolpe, Andrea, and Jan Stolpe. 2015. Beginning Songwriting: Writing Your Own Lyrics, Melodies, and Chords. Boston, Mass: Berklee Press Publications.

Storr, Anthony. 1993. Music and the Mind. [New edition]. Flamingo.

Stowe, David W. 1994. Swing Changes: Big-Band Jazz in New Deal America. Cambridge, Mass: Harvard University Press.

Stras, Laurie. 2011. She’s so Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music. Vol. Ashgate popular and folk music series. Farnham: Ashgate.

Street, John. 1997. Politics and Popular Culture. Cambridge: Polity Press.

Streeton, Jane, Philip Raymond, and Royal Academy of Dramatic Art (Great Britain). 2014. Singing on Stage: An Actor’s Guide. London: Bloomsbury Methuen Drama.

Stump, Joe. 2014. Joe Stump’s Metal Guitar Chop Shop: Building Shred & Metal Technique. Boston, MA: Berklee Press.

Styne, Jule, Bob Merrill, and Isobel Lennart. 1963. Funny Girl. Van Nuys, CA: Alfred Music Publishing Co., Inc.

Styne, Jule, Stephen Sondheim, and Arthur Laurents. 1960. Gypsy. [New York]: Chappell & Co. Inc.

Suisman, David. 2012. Selling Sounds: The Commercial Revolution in American Music. Cambridge, Mass: Harvard University Press.

Suskin, Steven. 2009. The Sound of Broadway Music: A Book of Orchestrators and Orchestrations. New York: Oxford University Press.

Suskin, Steven. 2010. Show Tunes: The Songs, Shows, and Careers of Broadway’s Major Composers. Rev. and expanded 4th ed. New York: Oxford University Press.

Swann, Darryl. 2015. Essential Guide to Songwriting, Producing and Recording. Milwaukee, WI: Hal Leonard Corporation.

38/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Swayne, Steve. 2007a. How Sondheim Found His Sound. First paperback edition. Ann Arbor, Mich: University of Michigan Press.

Swayne, Steve. 2007b. How Sondheim Found His Sound. First paperback edition. Ann Arbor, Mich: University of Michigan Press.

Symonds, Dominic. 2015. We’ll Have Manhattan: The Early Work of Rodgers and Hart. Vol. The Broadway legacies series. Oxford: Oxford University Press.

Symonds, Dominic, and Millie Taylor, eds. 2014. Gestures of Music Theater: The Performativity of Song and Dance. Oxford: Oxford University Press.

Tackley, Catherine. 2012. Benny Goodman’s Famous 1938 Carnegie Hall Jazz Concert. Vol. Oxford studies in recorded jazz. New York: Oxford University Press.

Taylor, Eric Robert, and Associated Board of the Royal Schools of Music (Great Britain). 1989. The AB Guide to Music Theory: Part I. London: Associated Board of the Royal Schools of Music.

Taylor, Eric Robert, and Associated Board of the Royal Schools of Music (Great Britain). 1991. The AB Guide to Music Theory: Part II. London: Associated Board of the Royal Schools of Music.

Taylor, Jodie. 2012. Playing It Queer: Popular Music, Identity and Queer World-Making. Bern, Switzerland: Peter Lang.

Taylor, Millie. 2012. Musical Theatre, Realism and Entertainment. Vol. Ashgate interdisciplinary studies in opera. Farnham: Ashgate.

Taylor, Millie, and Dominic Symonds. 2014. Studying Musical Theatre: Theory and Practice. Basingstoke: Palgrave Macmillan.

Taylor, Shawn. 2007. People’s Instinctive Travels and the Paths of Rhythm. Vol. 33 1/3. New York: Continuum.

Teck, Katherine. 2011. Making Music for Modern Dance: Collaboration in the Formative Years of a New American Art. New York: Oxford University Press.

Tennent, Scott. 2011a. Spiderland. Vol. 33 1/3. London: Continuum.

Tennent, Scott. 2011b. Spiderland. Vol. 33 1/3. London: Continuum.

Tesori, Jeanine, and Tony Kushner. 2006. Caroline, or Change: A Musical. London: Nick Hern.

Tesori, Jeanine, David Lindsay-Abaire, and John Nicholas. 2009. Shrek: The Musical. [New York]: Cherry Lane Music Company.

Tesori, Jeanine, and Dick Scanlan. 2003. Thoroughly Modern Millie. [New York?]: Cherry Lane Music Company.

Tester, Michael. 1996. The Mummy Musical: An Adventure into Imagination. Woodstock, Ill:

39/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Dramatic Publishing.

Tester, Michael. 2010. The Pirate Musical!: Buccaneer’s Edition. Los Angeles, CA: Baker’s Plays.

Thompson, Alfred, and Gaiety Theatre (London, England). 2015. Aladdin II: The 1870 Gaiety Theatre Musical: Complete Libretto. Vol. Historical libretto series. [U.S.A.]: Theatre Arts Press.

Till, Nicholas. 2012. The Cambridge Companion to Opera Studies. Vol. Cambridge companions to music. Cambridge: Cambridge University Press.

Tompkins, Dave. 2011. How to Wreck a Nice Beach: The Vocoder from World War II to Hip-Hop : The Machine Speaks. New York: Melville House.

Toop, David. 1995. Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds. London: Serpent’s Tail.

Tost, Tony. 2011. American Recordings. Vol. 33 1/3. London: Continuum.

Toynbee, Jason. 2007. Bob Marley: Herald of a Postcolonial World? Cambridge: Polity Press.

Trucks, Rob. 2010. Tusk. Vol. 33 1/3. London: Continuum.

Turner, Katherine L., ed. 2015. This Is the Sound of Irony: Music, Politics and Popular Culture. Vol. Ashgate popular and folk music series. Farnham: Ashgate.

Vail, Mark. 2014. The Synthesizer: A Comprehensive Guide to Understanding, Programming, Playing, and Recording the Ultimate Electronic Music Instrument. New York: Oxford University Press.

Vaughan, David, ed. 2013. Merce Cunningham: Creative Elements. Vol. Choreography and dance. New York: Routledge.

Vaughan, ed., David. 2013. Merce Cunningham: Creative Elements. Vol. Choreography and dance. edited by D. Vaughan. New York: Routledge.

Vermette, Margaret. 2006. The Musical World of Boublil & Schèonberg: The Creators of Les Misâerables, Miss Saigon, Martin Guerre, and the Pirate Queen. New York: Applause Theatre & Cinema Books.

Viertel, Jack. 2016. The Secret Life of the American Musical: How Broadway Shows Are Built. First edition. New York: Sarah Crichton Books.

Vincentelli, Elisabeth. 2004. ABBA Gold. Vol. 33 1/3. New York: Continuum.

Wadhams, Wayne, David Nathan, and Susan Gedutis Lindsay. 2001. Inside the Hits. Vol. Pop culture. Boston, MA: Berklee Press.

Wald, Elijah. 2014. Talking ’Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap. New York: Oxford University Press.

40/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Walker, Dave. 2015. How to Write Your First Song. Milwaukee, WI: Hal Leonard Corporation.

Wallwork, Rebecca. 2016. New Kids on the Block’s Hangin' Tough. Vol. 33 1/3. London: Bloomsbury.

Walser, Robert. 1993. Running with the Devil: Power, Gender, and Madness in Heavy Metal Music. Middletown, CT: Wesleyan University Press.

Walsh, David F., and Len Platt. 2003. Musical Theater and American Culture. Westport, Conn: Praeger.

Walsh, Enda, Glen Hansard, and Markâeta Irglovâa. 2013. Once. London: Nick Hern Books.

Walters, Richard. 2006. The Singer’s Musical Theatre Anthology: Volume 1: Duets. Vol. Singer’s Musical Theatre Anthology (Songbooks). Milwaukee, WI: Hal Leonard Publishing Corporation.

Walters, Richard. 2015a. The Singer’s Musical Theatre Anthology: Volume 6: Baritone/Bass. Vol. Singer’s Musical Theatre Anthology (Songbooks). Milwaukee, WI: Hal Leonard Publishing Corporation.

Walters, Richard. 2015b. The Singer’s Musical Theatre Anthology: Volume 6: Mezzo soprano/Belter. Vol. Singer’s Musical Theatre Anthology (Songbooks). Milwaukee, WI: Hal Leonard Publishing Corporation.

Walters, Richard. 2015c. The Singer’s Musical Theatre Anthology: Volume 6: Soprano. Vol. Singer’s Musical Theatre Anthology (Songbooks). Milwaukee, WI: Hal Leonard Publishing Corporation.

Walters, Richard. 2015d. The Singer’s Musical Theatre Anthology: Volume 6: Tenor. Vol. Singer’s Musical Theatre Anthology (Songbooks). Milwaukee, WI: Hal Leonard Publishing Corporation.

Walters, Richard, and Hal Leonard Publishing Corporation. 2007. The Singer’s Musical Theatre Anthology: Volume 2: Duets. Vol. Singer’s Musical Theatre Anthology (Songbooks). Milwaukee, WI: Hal Leonard Publishing Corporation.

Walters, Richard, and Hal Leonard Publishing Corporation. 2012. The Singer’s Musical Theatre Anthology: Volume 3: Duets. Vol. Singer’s Musical Theatre Anthology (Songbooks). Milwaukee, WI: Hal Leonard Publishing Corporation.

Warner, Alan. 2015. Tago Mago: Permission to Dream. Vol. 33 1/3. 1st edition. New York: Bloomsbury Academic.

Warwick, Jacqueline C. 2007. Girl Groups, Girl Culture: Popular Music and Identity in the 1960s. New York: Routledge.

Waterman, Bryan. 2011. Marquee Moon. Vol. 33 1/3. London: Continuum.

Waters, Keith. 2011. The Studio Recordings of the Miles Davis Quintet, 1965-68. Vol.

41/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Oxford studies in recorded jazz. New York: Oxford University Press.

Watkins, S. Craig. 2005. Hip Hop Matters: Politics, Pop Culture, and the Struggle for the Soul of a Movement. Boston, Mass: Beacon Press.

Weidenbaum, Marc. 2014. Selected Ambient Works Volume II. Vol. 33 1/3. New York: Bloomsbury.

Weill, Kurt, Bertolt Brecht, Ed Harsh, John Gay, and Kurt Weill Foundation for Music. 1996. Die Dreigroschenoper: A Facsimile of the Holograph Full Score, Series IV, Volume 1. Vol. Kurt Weill Edition, Series IV, Miscellanea. New York: Kurt Weill Foundation for Music, Inc.

Weill, Kurt, Elisabeth Hauptmann, Bertolt Brecht, Stephen Hinton, Ed Harsh, John Gay, and Kurt Weill Foundation for Music. 2000a. Die Dreigroschenoper: Ein Stèuck Mit Musik in Einem Vorspiel Und Acht Bildern Nach Dem Englischen Des John Gay ; èUbersetzt von Elisabeth Hauptmann, Series I, Volume 5. Vol. Kurt Weill Edition, Series I, Stage. New York: Kurt Weill Foundation for Music, Inc.

Weill, Kurt, Elisabeth Hauptmann, Bertolt Brecht, Stephen Hinton, Ed Harsh, John Gay, and Kurt Weill Foundation for Music. 2000b. Die Dreigroschenoper: Ein Stèuck Mit Musik in Einem Vorspiel Und Acht Bildern Nach Dem Englischen Des John Gay ; èUbersetzt von Elisabeth Hauptmann, Series I, Volume 5: Critical Report. Vol. Kurt Weill Edition, Series I, Stage. New York: Kurt Weill Foundation for Music, Inc.

Weingarten, Christopher R. 2010. It Takes a Nation of Millions to Hold Us Back. Vol. 33 1/3. London: Continuum.

Weinstein, Deena. 2000. Heavy Metal: The Music and Its Culture. Revised edition. [Boulder, Colo.]: Da Capo Press.

Weinstein, Larry, and Valeriæi Gergiev. 2005. ‘Shostakovich against Stalin: The War Symphonies.’

Weisbard, Eric. 2007. Use Your Illusion I & II. Vol. 33 1/3. New York: Continuum.

Weis, Elisabeth, John Belton, Elisabeth Weis, and John Belton. 1985. Film Sound: Theory and Practice. New York: Columbia University Press.

Wells, Elizabeth Anne. 2011. West Side Story: Cultural Perspectives on an American Musical. Lanham, Md: Scarecrow Press.

Wheaton, R. J. 2011. Dummy. Vol. 33 1/3. London: Continuum.

Whitehead, Kevin. 2011. Why Jazz?: A Concise Guide. Oxford: Oxford University Press.

Whiteley, Sheila. 2005a. Too Much Too Young: Popular Music, Age and Gender. London: Routledge.

Whiteley, Sheila. 2005b. Too Much Too Young: Popular Music, Age and Gender. London: Routledge.

Whiteley, Sheila, and Shara Rambarran, eds. 2016. The Oxford Handbook of Music and

42/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Virtuality. Vol. Oxford handbooks. Oxford: Oxford University Press.

Whiteley, Sheila, and Jennifer Rycenga. 2006. Queering the Popular Pitch. New York, N.Y.: Routledge.

Whiteley, Sheila, and Jedediah Sklower. 2014. Countercultures and Popular Music. Vol. Ashgate popular and folk music series. Farnham: Ashgate.

White, Matthew. 1999. Staging a Musical. London: A. & C. Black.

Whyton, Tony. 2013. Jazz Icons: Heroes, Myths and the Jazz Tradition. Cambridge: Cambridge University Press.

Wicke, Peter. 1990. Rock Music: Culture, Aesthetics, and Sociology. Cambridge: Cambridge University Press.

Wilcken, Hugo. 2005. Low. Vol. 33 1/3. London: Continuum.

Wilder, Eliot. 2005. Endtroducing. Vol. 33 1/3. London: Continuum.

Wildhorn, Frank, Leslie Bricusse, and Robert Louis Stevenson. 1997. Jekyll & Hyde: The Musical. [New York?]: Cherry Lane Music Company.

Williams, Justin A. 2013. Rhymin’ and Stealin': Musical Borrowing in Hip-Hop. Ann Arbor, Michigan: The University of Michigan Press.

Williams, Michael. 2014. Blues Guitar Technique: In the Style of B. B. King, Albert Collins, T-Bone Walker and Other Blues Guitar Masters. Boston, Mass: Berklee Press.

Williamson, Nigel. 2006. The Rough Guide to Bob Dylan. 2nd ed. London: Rough Guides.

Williams, Paul. 2004. Bob Dylan Performing Artist, 1960-1973: The Early Years. London: Omnibus Press.

Williams, Paul, Garry Marshall, and John McDaniel. 2010. Happy Days: A New Musical. Samuel French acting ed. New York: Samuel French.

Wilson, Carl. 2007. Let’s Talk about Love: A Journey to the End of Taste. Vol. 33 1/3. New York, N.Y.: Continuum.

Wilson, Christopher R. 2011. Shakespeare’s Musical Imagery. Vol. Continuum Shakespeare studies. London: Continuum.

Wilson, Christopher R., and Michela Calore. 2005. Music in Shakespeare: A Dictionary. Vol. Athlone Shakespeare dictionary series. London: Thoemmes Continuum.

Wilson, Pat. 1997. The Singing Voice: An Owner’s Manual : For Singers, Actors, Dancers and Musicians. London: Nick Hern Books.

Wiseman-Trowse, Nathan. 2008. Performing Class in British Popular Music. Basingstoke: Palgrave Macmillan.

43/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Wishart, Trevor, and Simon Emmerson. 1996. On Sonic Art. New and revised edition. New York: Routledge.

Witt, Stephen Richard. 2015. How Music Got Free: The End of an Industry, the Turn of the Century, and the Patient Zero of Piracy. New York: Viking.

Wolf, Stacy Ellen. 2011. Changed for Good: A Feminist History of the Broadway Musical. New York: Oxford University Press.

Wolk, Douglas. 2004. Live at the Apollo. Vol. 33 1/3. New York: Continuum.

Woll, Allen. 1989. Black Musical Theatre: From Coontown to Dreamgirls. Baton Rouge: Louisiana State University Press.

Wollman, Elizabeth L. 2013a. Hard Times: The Adult Musical in 1970s New York City. New York: Oxford University Press.

Wollman, Elizabeth L. 2013b. Hard Times: The Adult Musical in 1970s New York City. New York: Oxford University Press.

Wong, Herb. 1988. The Ultimate Jazz Fakebook. ‘C’ edition. Milwaukee, Wis: Hal Leonard. Wood, David. 1972. The Plotters of Cabbage Patch Corner: A Musical Play. Vol. French’s acting edition. London: French.

Wood, David. 1981. Aladdin: A Family Musical. Vol. French’s acting edition. London: Samuel French.

Woodworth, Marc. 2006. Bee Thousand. Vol. 33 1/3. New York: Continuum.

Woolford, Julian. 2012. How Musicals Work: And How to Write Your Own. London: Nick Hern Books.

Wright, Adrian. 2010. A Tanner’s Worth of Tune: Rediscovering the Post-War British Musical . Woodbridge: Boydell.

Wright, Adrian. 2012. West End Broadway: The Golden Age of the American Musical in London. Woodbridge: Boydell Press.

Wyner, Jonathan. 2013. Audio Mastering: Essential Practices. Vol. Music : recording. edited by J. Feist. Boston, MA: Berklee Press.

Yazbek, David, and Terrence McNally. 2002. The Full Monty: [the Complete Book & Lyrics of the Hit Broadway Musical]. New York: Applause.

Yeston, Maury. 1997. Titanic: A New Musical. New York: Cherry Lane Music Company.

Young, David. 1995. How to Direct a Musical: Broadway--Your Way! : With Special Material for Working with Youth, Teens, the Disabled, Challenged, Retired, and Computers. New York: Routledge.

Zak, Albin. 2012. I Don’t Sound like Nobody: Remaking Music in 1950s America. Vol. Tracking pop. Ann Arbor, MI: University of Michigan Press.

44/45 09/29/21 New Music Books 2015-2016 | University of Lincoln

Zanes, Warren. 2003. Dusty in Memphis. Vol. 33 1/3. New York: Continuum.

Zollo, Paul. 2003. Songwriters on Songwriting. Expanded 4th edition ; Second Da Capo Press edition. Cambridge, Mass: Da Capo.

45/45