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New Music Books 2015-2016 | University of Lincoln 09/29/21 New Music Books 2015-2016 | University of Lincoln New Music Books 2015-2016 View Online Adorno, Theodor W., Hanns Eisler, and Graham McCann. 2007. Composing for the Films. Vol. Continuum impacts. [New edition]. London: Continuum. Alessandrini, Gerard, and Bud Abbott. 1986. Diamonds. Vol. Samuel French acting edition. New York: Samuel French. Allain, Paul, and Jen Harvie. 2006. The Routledge Companion to Theatre and Performance. London: Routledge. Allison, Brian, Philip Race, and Myilibrary. 2004. The Student’s Guide to Preparing Dissertations and Theses. Vol. Routledge study guides. 2nd ed. London: Routledge Falmer. Anderson, Darran. 2013. Histoire de Melody Nelson. Vol. 33 1/3. New York: Bloomsbury. Anderson, Laurie. 1994. Stories from the Nerve Bible: A Retrospective, 1972-1992. New York: HarperPerennial. Anderson, Tim J. 2014. Popular Music in a Digital Music Economy: Problems and Practices for an Emerging Service Industry. Vol. Routledge research in music. New York: Routledge. Anon. 1970. ‘Woodstock: 3 Days of Peace and Music ; Director’s Cut.’ Anon. 2000. ‘The Filth and the Fury: A Sex Pistols Film.’ Anon. 2007a. ‘Pete Seeger: The Power of Song.’ Anon. 2007b. The Perfect Rehearsal: It’s a Trip! Nashville, TN: Shawnee Press, Inc. Anon. 2008a. ‘Kraftwerk and the Electronic Revolution.’ Anon. 2008b. ‘The Promise of Music: Simâon Bolâivar Youth Orchestra of Venezuela.’ Anon. 2010a. Song Charting Made Easy: A Play-along Guide to the Nashville Number System. Milwaukee, WI: Hal Leonard Corp. Anon. 2010b. ‘Who Killed Bill?: Sex Pistols on the News.’ Anon. 2012a. ‘John Cage: Journeys in Sound.’ 1/45 09/29/21 New Music Books 2015-2016 | University of Lincoln Anon. 2012b. The Music of Smash: Sheet Music Collection. Van Nuys, CA: Alfred Publishing Co., Inc. Anon. 2013a. ‘20 Feet from Stardom.’ Anon. 2013b. ‘Going Underground: Paul McCartney, the Beatles and the UK Counter Culture.’ Anon. 2013c. ‘Refuge in Music: Terezâin/Theresienstadt.’ Anon. 2013d. ‘The Punk Singer: A Film about Kathleen Hanna.’ Anon. 2014a. 21st Century Musical Theatre: 50 Songs from Shows since 2000. Women’s edition. Milwaukee, WI: Hal Leonard Publishing Corporation. Anon. 2014b. ‘British Sounds of the 60’s: Volume 1.’ Anon. 2014c. Broadway Hits for Baritone. New York: Music Minus One. Anon. 2014d. Broadway Hits for Bass. New York: Music Minus One. Anon. 2014e. Broadway Hits for Mezzo Soprano. New York: Music Minus One. Anon. 2014f. ‘He Wasn’t Just a Fifth Member of Joy Division: A Film about Martin Hannett Record Producer, Musician, Scientific Experimenter with Sound.’ Anon. 2015. Broadway Duets. New York: Music Minus One. Anon. n.d. ‘Live Forever.’ Anon. n.d. ‘Sound City.’ Appelbaum, Stanley, and James Camner. 1981. Stars of the American Musical Theater in Historic Photographs: 361 Portraits from the 1860s to 1950. New York. Appen, Ralf von, Andrâe Doehring, Dietrich Helms, and Allan F. Moore, eds. 2016. Song Interpretation in 21st-Century Pop Music. Vol. Ashgate popular and folk music series. Abingdon: Routledge. Arend, Paul Den, and Salvatore Benintende. 2014. Complete Songwriting Manual: A Comprehensive Songwriting Guide for Beginners and Professionals. Haren, The Netherlands: VandiDesign. Arlen, Harold, and E. Y. Harburg. 2015. The Wizard of Oz: Selections from the Film Arranged for Piano, Voice and Guitar. London: Wise Publications. Armstrong, Billie Joe, and Green Day (Musical group). 2010. American Idiot. Van Nuys, CA: Alfred Music Publishing Co., Inc. Arnold, Gina. 2014. Exile in Guyville. Vol. 33 1/3. London: Bloomsbury. Aschmann, Lisa. 2008. 1000 Songwriting Ideas. Vol. Music Pro Guides. Milwaukee, WI: Hal 2/45 09/29/21 New Music Books 2015-2016 | University of Lincoln Leonard Corporation. Ashby, Arved Mark. 2013. Popular Music and the New Auteur: Visionary Filmmakers after MTV. Oxford: Oxford University Press. Astor, Peter. 2014. Blank Generation. Vol. 33 1/3. New York: Bloomsbury Publishing. Attfield, Nicholas William James. 2011. You’re Living All over Me. Vol. 33 1/3. London: Continuum. Audissino, Emilio. 2014. John Williams’s Film Music: Jaws, Star Wars, Raiders of the Lost Ark, and the Return of the Classical Hollywood Music Style. Vol. Wisconsin film studies. Madison, Wisconsin: The University of Wisconsin Press. Auslander, Philip. 2006a. Performing Glam Rock: Gender and Theatricality in Popular Music . Ann Arbor, Mich: University of Michigan Press. Auslander, Philip. 2006b. Performing Glam Rock: Gender and Theatricality in Popular Music . Ann Arbor, Mich: University of Michigan Press. Bailes, Sara Jane, and Nicholas Till, eds. 2014. Beckett and Musicality. Farnham: Ashgate. Bainbridge, Luke. 2013. Acid House: The True Story. London: Omnibus Press. Baker, Sarah, Andy Bennett, and Jodie Taylor. 2013. Redefining Mainstream Popular Music. London: Routledge. Baldy, Colin. 2010. The Student Voice: An Introduction to Developing the Singing Voice. Edinburgh: Dunedin Academic Press. Ball, Philip. 2011. The Music Instinct: How Music Works and Why We Can’t Do without It. London: Vintage Books. Banfield, Stephen. 1993. Sondheim’s Broadway Musicals. Vol. The Michigan American music series. Ann Arbor, Michigan: University of Michigan Press. Banks, Daniel. 2011. Say Word!: Voices from Hip Hop Theater : An Anthology. Vol. Critical performances. Ann Arbor, Mich: University of Michigan Press. Bannister, Matthew. 2006. White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock. Vol. Ashgate popular and folk music series. Aldershot: Ashgate. Barlow, Gary, and Eliot Kennedy. 2016. Finding Neverland: A New Broadway Musical. Milwaukee, WI: Hal Leonard Corporation. Barnes, Grace. 2015. Her Turn on Stage: The Role of Women in Musical Theatre. Jefferson, North Carolina: McFarland & Company. Barnett, David. 2015. Brecht in Practice: Theatre, Theory and Performance. Vol. Methuen Drama engage. London: Bloomsbury. Bayley, Amanda. 2010. Recorded Music: Performance, Culture and Technology. Cambridge: Cambridge University Press. 3/45 09/29/21 New Music Books 2015-2016 | University of Lincoln Beghtol, LD. 2006. 69 Love Songs: A Field Guide. Vol. 33 1/3. New York: Continuum. Bendjelloul, Malik, Stephen Segerman, Simon Chinn, and Craig Bartholomew-Strydom. 2012. ‘Searching for Sugar Man.’ Benford, Steve, and Gabriella Giannachi. 2011. Performing Mixed Reality. Cambridge, Mass: MIT Press. Bennett, Andy, Barry Shank, and Jason Toynbee. 2006. The Popular Music Studies Reader. London: Routledge. Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. Los Angeles, CA: SAGE. Bennett, Robert Russell. 2001. The Broadway Sound: The Autobiography and Selected Essays of Robert Russell Bennett. Vol. Eastman studies in music. edited by G. J. Ferencz. Rochester, N.Y.: University of Rochester Press. Bernstein, Leonard, Joseph Fields, Jerome Chodorov, Betty Comden, and Adolph Green. 1953. Wonderful Town. [New York]: Leonard Bernstein Music Publishing Company. Bernstein, Leonard, Kiri Te Kanawa, Josâe Carreras, Tatiana Troyanos, and Kurt Ollmann. 2005. ‘The Making of “West Side Story”.’ Bernstein, Leonard, Stephen Sondheim, Arthur Laurents, and Jerome Robbins. 1957. West Side Story. [New York]: Leonard Bernstein Music Publishing Company. Berry, Cicely. 1973. Voice and the Actor. New York: Wiley Publishing. Berson, Misha. 2011. Something’s Coming, Something Good: West Side Story and the American Imagination. Milwaukee, WI: Applause Theatre & Cinema Books. Bess, Josh. 2015. Electronic Dance Music Grooves: Techno, Trance, Hip-Hop, Dubstep, and More! Vol. Quick pro guides. Milwaukee, WI: Hal Leonard Books. Birringer, Johannes H. 1998. Media & Performance: Along the Border. Vol. PAJ books. Baltimore, MD: Johns Hopkins University Press. Blatter, Alfred. 1997. Instrumentation and Orchestration. Second edition. Boston, Mass: Schirmer Cengage Learning. Blom, Lynne Anne, and L. Tarin Chaplin. 1989. The Intimate Act of Choreography. London: Dance. Bloom, Ken. 2001a. American Song: The Complete Companion to Tin Pan Alley Song, Volume 3: Songwriters. 2nd edition. New York: Schirmer Books. Bloom, Ken. 2001b. American Song: The Complete Companion to Tin Pan Alley Song, Volume 4: Indexes. 2nd edition. New York: Schirmer Books. Bonczek, Rose Burnett, and David Storck. 2013. Ensemble Theatre Making: A Practical Guide. London: Routledge. 4/45 09/29/21 New Music Books 2015-2016 | University of Lincoln Bonomo, Joe. 2010. AC/DC’s Highway to Hell. Vol. 33 1/3. London: Continuum. Borthwick, Stuart, and Ron Moy. 2004. Popular Music Genres: An Introduction. Edinburgh: Edinburgh University Press. Bowman, Wayne D., and Ana Lucâia Frega, eds. 2014. The Oxford Handbook of Philosophy in Music Education. Vol. Oxford handbooks. Oxford: Oxford University Press. Br2vig-Hanssen, Ragnhild, and Anne Danielsen. 2016. Digital Signatures: The Impact of Digitization on Popular Music Sound. Cambridge, Massachusetts: The MIT Press. Bradley, Lloyd. 2013. Sounds like London: 100 Years of Black Music in the Capital. London: Serpent’s Tail. Bragg, Billy. 2007. The Progressive Patriot: A Search for Belonging. London: Black Swan/Transworld Publishers. Braheny, John. 2006. The Craft and Business of Songwriting: A Practical Guide to Creating and Marketing Artistically and Commercially Successful Songs. Third edition. Cincinnati, Ohio: Writer’s Digest. Brayshaw, Teresa, Noel Witts, and Michael Huxley, eds. 2014. The Twentieth-Century Performance Reader. 3rd ed. London: Routledge. Breithaupt, Don. 2007. Aja. Vol. 33 1/3. New York: Continuum. Brend, Mark. 2012. The Sound of Tomorrow: How Electronic
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