DOCSLIB.ORG

Download Camp Flyer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download Camp Flyer Scott Lee Faculty Members (alphabetically, a partial list) University of Missouri-Kansas City’s Conservatory Application Form 2015 Lynn Chang, music Director Viola Mai Motobuchi Name: (English) __________________ (Chinese, if any) __________________ New England Conservatory Borromeo String Quartet Birth Date: ____________Age ______ M□ F□ Instrument (major): ________________________________ Piano Instrument (2nd instrument if any): ____________________ Cello Mailing Address: ___________________________________________________ Tel:___________________ Mobile Phone:______________________ Email of applicant: ___________________ Names of Parents: ______________ www.biontsang.co m Telephone of parents: __________________ Laurence Lesser Master Class Email of parents:_______________________ President Emeritus, New England Conservatory Carol Ou 歐逸青 New England Conservatory Preparatory Current School and Grade: _________ Current Teacher: _________________ Sam Ou New England Conservatory Preparatory Honors received (use separate sheets if needed):__________________________ Bion Tsang 章雨亭 University of Texas at Austin Audition pieces: Tema Blackstone Juilliard Pre-College Double Bass List up to 4 pieces using a separate sheet if needed. At least two contrasting pieces or two contrasting Bruce Brubaker New England Conservatory, Chairman piano department Daxun Zhang 張達尋 movements of the same piece will be heard at the audition. Live audition is required for Taiwan and China. Wha Kyung Byun New England Conservatory Master Class University of Texas at Austin DVD audition is required for US, Canada, and other countries. Returning students have to contact Dr. Hung-Kuan Chen 陳宏寬 Juilliard School of Music, Yale university Catherine Chan directly about whether the live audition could be waived. Pi-Hsien Chen 陳必先 Hochschule für Musik Freiburg Pascale Delache-Feldman Yehudi Wyner 1:___________________________________2:____________________________ Ya- Fei Chuang 莊雅斐 Boston Conservatory Co-founder of Cello e Basso, Chamber Music and Composition Master New England Conservatory Preparatory Longy School of Music, Tufts, Rivers School 3:___________________________________4:____________________________ Class 2006 Pulitzer Alexander Korsantia New England conservatory Prize for Music Meng-Chieh Liu 劉孟捷 New England Conservatory, Curtis Institute of Music Robert Levin Harvard University Master Class Composition Release Statement (All applicants are required to sign ): Yong Yang 楊勇 Victor Rosenbaum New England Conservatory, Mannes School of Music Clarinet I, _______________________(Name), release the Foundation for Chinese Beijing Central Conservatory of Music Russell Sherman Master Class Thomas Hill Performing Arts and its’ agents and employees from any and all claims, Distinguished Artist-in-residence of New England Conservatory Flute Longy School demands, and cause of action on account of any injury, illness, or loss which Sue-Ellen Hershman-Tcherepnin th Minsoo Sohn Michigan State University of Music, may occur during my participation in The 24 Annual Music Festival at Tufts University and MIT Boston Chamber Walnut Hill, July 23 to August 16, 2015. Vivian Weilerstein New England Conservatory Bassoon Tracy McGinnis Music Society Signature of Applicant ____________________Date______________________ Percussion/ Marimba Signature of Parent or Guardian ________________ Pius Cheung Date _________________ if under 18 years of age. Winner of 2008 Young Concert Artists International Auditions Saxophone Violin Robert Schulz Kenneth Radnofsky Brandeis, Harvard, and Tufts Please return the application form, the release form, and a New England Conservatory, non-refundable Application fee of US $70, before April 10, 2015, to: Boston Conservatory, Trombone Brian L. Diehl Boston University, (Taiwan) (China) New England Conservatory Preparatory, Longy School The 23rd Music Festival at Walnut Ameri-China International Music Principal, Hartford Symphony Orchestra of Music 美華國際音樂基金會 Hill Foundation 黃楚芳 c/o Mrs. Meir Chen 陳美娥 C/o Ms. Chu-Fang Huang Tai Chi Tai-Chun Pan 11696 台北市文山區興隆路三段112巷 Address: 湖北武漢巿礄口區崇仁路 5號 4樓, Tel:+886- 2- 22302162, Other faculty members who have taught in the previous years: 集賢書香苑 -1-1501 Piano: David Deveau, (the late) Anthony di Bonaventura, (the late) Luise Vosgerchian, Fax: +886- 2 -22306222, James Buswell Mobile: 886-910-381-528 Phone: +86 186-2780-3778 Lynn Chang 張萬鈞 Boston Conservatory, New England Conservatory (the late) T. Krafchenko, Cheng-Zong Yin殷承宗, Sylvia Chambless. Violin: (the late) Text: +86 137-2019-1407 Masuko Ushioda, (the late) Marylou Speaker Churchill. Viola: Gillian Rogell, Email: [email protected] Preparatory, Boston University, MIT Email: [email protected] Cello: Michael Bonner, Mark Churchill. Double bass: Edwin Barker. Nai-Yuan Hu 胡乃元 French horn : Neil DeLand. Oboe: Kathy Lord. Flute: Doriot Anthony Dwyer, Jean (US, Canada, and others) Dr. Catherine Tan Chan 譚嘉陵 Nicholas Kitchen New England Conservatory, Borromeo String Quartet DeMart. Voice: Maxwell Li, Guping Deng鄧桂萍, Patty Thom, Ree –Ven Wang 王麗文. Foundation for Chinese Performing Arts, Magdalena Richter New England Conservatory Preparatory Chair String Composition: Samuel Headrick, Shih-Huei Chen陳士惠. 3 Partridge Lane, Lincoln, MA 01773, USA , Tel: 781-259-8195, Department, Director String and Chamber Orchestra of Rivers School Conservatory Clarinet: David Samour. Dulcimer: Ping Li. Erhu: Zhan-Tao Lin Mobile: 617-968-7094 [email protected] Donald Weilerstein New England Conservatory Master Class This program is made possible by the donation from the general public, and the support from www.ChinesePerformingArts.net The Tan Family Cultural Fund. Photos, updated concert activities and other information are online at: www.ChinesePerformingArts.net Audition and Contact: Taiwan: Applicants from Taiwan will be auditioned in Taipei by Professors 黃維明, 林明慧, 鍾曉青. The exact date and location will be arranged by Mrs. Meir Chen 陳美娥 Tel:+886 -2 - 22302162, Fax: +886- 2- 22306222, Mobile: 886-910-381-528, Email: [email protected] or her assistant, Ms. Cecilia Tan 譚璧輝: 886-2-2362-9115. China: Ameri-China International Music Foundation 美華國際音樂基金會 C/o Ms. Chu-Fang Huang 黃楚芳 Address: 湖北武漢巿礄口區崇仁路集賢書香苑1501年1月1日 Phone: +86 186-2780-3778 Text: +86 137-2019-1407 Email: [email protected] US, Canada and other countries: APPLICATION Applicants should submit a recently prepared CD or DVD to the Foundation for Chinese Dates: July 23, 2015 (check in) – August 16, 2015 (check out) Performing Arts, at 3 Partridge Lane, Lincoln, MA 01773. It will be presented to faculty members for evaluation. Walnut Hill School, 12 Highland St., Natick, MA 01760 胡桃山音樂營 Location: About 15 miles west of Boston, Massachusetts. www. WalnutHillArts.org Piano Concerto Competition: The 24th Annual Music Festival Deadline for Application: April 10, 2015. Submit with a non-refundable fee Every year we select one pianist to perform a concerto concert. This year 2015, it will of US $ 70. Late applications will be considered depending upon space availability. be Beethoven's Concerto No. 2 in B-flat Major Op. 19 with Mercury Orchestra on at Walnut Hill Age and Enrollment: Age 14 or above. Total enrollment 40 students. Saturday, 8/15/2015, 8 pm, at First Church Cambridge. We encourage all piano students No upper age limit. Special arrangement is required for applicant younger to try it out. The competition will be held on Friday, July 31, 2015, 2 pm before faculty than 13. members, invited jury, and Channing Yu, conductor of Mercury Orchestra. Here is a list of July 23- August 16, 2015 concerti performed since 1996. Lang Lang played Mozart No. 21 in C major, with Longwood Symphony Boston, Massachusetts, USA Orchestra. http://www.chineseperformingarts.net/contents/festival/index-LSO.htm Program: . Two to Three private lessons per week for piano, violin, viola, cello, double bass, flute, clarinet, oboe, saxophone, trombone, composition, and others (upon 中華表演藝術基金會 request). Foundation for Chinese Performing Arts . Chamber Ensembles 3 Partridge Lane, Lincoln, MA 01773, USA . Orchestral Performances Tel: 781-259-8195 . Master Classes and Workshops . Stage presentation workshop [email protected] . Concerts with faculty members and students www.ChinesePerformingArts.net . Attend concert at Tanglewood Music Center, visit Norman Rockwell Museum, sightseeing and shopping in towns of the Berkshires . Visits to New England Conservatory, Harvard University, Museum of Fine Arts, and other historical sites in the metropolitan Boston area. English is the official language, Chinese translator available if needed for the first week only. Audition: Live audition and/or DVD/YouTube audition is required for all applicants except students recommended by faculty members. Returning students should contact Director Dr. Catherine Tan Chan for waving the audition. Application forms and fees are required for all applicants including returning students. Rising Stars Each applicant should prepare at least two contrasting pieces or two contrasting Master Classes movements of the same piece of his/her own choice that will represent his/her Tuition: musical level and achievement. Live audition is required for Taiwan and China. There is a non-refundable application fee of US $70 for each application. DVD audition is required for US, Canada, and other countries. The tuition is US $3,000 per student that covers private and chamber lessons, room, meals, and fees to all activities during the festival period. Individual
Load more

Recommended publications
  • Boston Symphony Orchestra Concert Programs, Summer
    m^^^^j^^fjSjmggU ^^If0jisdii^ Accompanist to Boston Symphony Orchestra Berkshire Festival • Berkshire Music Center and to these Tanglewood 1971 artists Leonard Bernstein • Arthur Fiedler • Byron Janis • Ruth Laredo Seiji Ozawa • Gunther SchuIIer • Michael Tilson Thomas • Earl Wild BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETIETH ANNIVERSARY SEASON 1970-1971 TANGLEWOOD 1971 SEIJI OZAWA, GUNTHER SCHULLER Artistic Directors LEONARD BERNSTEIN Advisor THIRTY-FOURTH BERKSHIRE FESTIVAL THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President ABRAM T. COLLIER HENRY A. LAUGHLIN PHILIP K. ALLEN Vice-President MRS HARRIS FAHNESTOCK EDWARD G. MURRAY ROBERT H. GARDINER Vice-President THEODORE P. FERRIS JOHN T. NOONAN JOHN L. THORNDIKE Treasurer FRANCIS W. HATCH MRS JAMES H. PERKINS ALLEN G. BARRY HAROLD D. HODGKINSON IRVING W. RABB RICHARD P. CHAPMAN E. MORTON JENNINGS JR SIDNEY STONEMAN EDWARD M. KENNEDY TRUSTEES EMERITUS HENRY B. CABOT PALFREY PERKINS EDWARD A. TAFT THE BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA INC. ERWIN D. CANHAM Chairman HENRY B. DEWEY LAWRENCE K. MILLER VERNON ALDEN Vice-Chairman RICHARD A. EHRLICH FRANK E. MORRIS LEONARD KAPLAN Secretary/ BYRON K. ELLIOTT MRS STEPHEN V. C. MORRIS HAZEN H. AYER ARCHIE C. EPPS III JOHN T. G. NICHOLS MRS FRANK G. ALLEN PAUL FROMM LOUVILLE NILES ROBERT C. ALSOP CARLTON P. FULLER DAVID R. POKROSS LEO L. BERANEK MRS ALBERT GOODHUE MRS BROOKS POTTER DAVID W. BERNSTEIN MRS JOHN L. GRANDIN HERBERT W. PRATT MRS CURTIS B. BROOKS STEPHEN W. GRANT MRS FAIRFIELD E. RAYMOND J. CARTER BROWN SAMUEL A. GROVES PAUL C. REARDON MRS LOUIS W.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1961-1962
    Music Shed — Tanglewood Lenox, Massachusetts Thursday, August 2, 1962, at 8:00 For the Benefit of the Berkshire Music Center THE BOSTON POPS ARTHUR FIEDLER, Conductor Soloist EARL WILD, Piano PROGRAM *The Stars and Stripes Forever Sousa *Suite from "Le Cid" Massenet Castiliane — Aragonaise — Aubade — Navarraise #Mein Lebenslauf ist Lieb' und Lust, Waltzes Josef Strauss Pines of Rome Respighi I. The Pines of the Villa Borghese II. The Pines near a Catacomb III. The Pines of the Janiculum IV. The Pines of the Appian Way Intermission *Concerto in F for Piano and Orchestra Gershwin I. Allegro II. Adagio; Andante con moto III. Allegro agitato Soloist: Earl Wild *Selection from "West Side Story" Bernstein I Feel Pretty — Maria — Something's Coming — Tonight — One Hand, One Heart — Cool — A-mer-i-ca Mr. Wild plays the Baldwin Piano Baldwin Piano *RCA Victor Recording Special Event at Tanglewood Thursday, August 23 A GALA EVENING of Performances by the Students For the Benefit of the Berkshire Music Center ORDER OF EVENTS 4 :00 Chamber Music in the Theatre 5 :00 Music by Tanglewood Composers in the Chamber Music Hall 6:00 Picnic Hour 7 :00 Tanglewood Choir on the Main House Porch 8 :00 The Berkshire Music Center Orchestra Concert in the Shed In Mahler's Third Symphony, with the Festival Chorus and Florence Kopleff, Contralto Conductor—Richard Burgin Admission tickets . (All seats unreserved except boxes) $2.50 — Box Seats $5.00 Grounds open for admission at 3 :00 p.m. REMAINING FESTIVAL CONCERTS (The final concerts of Charles Munch as Music Director of the Boston Symphony Orchestra) EVENINGS — 8 :00 P.M.
    [Show full text]
  • A Sampling of Twenty-First-Century American Baroque Flute Pedagogy" (2018)
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Music, School of Performance - School of Music 4-2018 State of the Art: A Sampling of Twenty-First- Century American Baroque Flute Pedagogy Tamara Tanner University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Pedagogy Commons, and the Music Performance Commons Tanner, Tamara, "State of the Art: A Sampling of Twenty-First-Century American Baroque Flute Pedagogy" (2018). Student Research, Creative Activity, and Performance - School of Music. 115. https://digitalcommons.unl.edu/musicstudent/115 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. STATE OF THE ART: A SAMPLING OF TWENTY-FIRST-CENTURY AMERICAN BAROQUE FLUTE PEDAGOGY by Tamara J. Tanner A Doctoral Document Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Flute Performance Under the Supervision of Professor John R. Bailey Lincoln, Nebraska April, 2018 STATE OF THE ART: A SAMPLING OF TWENTY-FIRST-CENTURY AMERICAN BAROQUE FLUTE PEDAGOGY Tamara J. Tanner, D.M.A. University of Nebraska, 2018 Advisor: John R. Bailey During the Baroque flute revival in 1970s Europe, American modern flute instructors who were interested in studying Baroque flute traveled to Europe to work with professional instructors.
    [Show full text]
  • Edition 2 | 2018-2019
    Terra Nova San Antonio 6983 Blanco Rd San Antonio, TX 78216 Ph: 210-349-4700 Fax: 210-349-4725 Terra Nova Austin 7795 Burnet Rd Austin, TX 78757 Ph: 512-640-4072 Fax: 512-879-6853 www.TerraNovaViolins.com Did You Know? Young people who participate in the arts for at least three hours on three days each week through at least one full year are: • 4 times more likely to be recognized for academic achievement • 3 times more likely to be elected to class office within their schools • 4 times more likely to participate in a math and science fair • 3 times more likely to win an award for school attendance • 4 times more likely to win an award for writing an essay or poem 2 AustinChamberMusic.org / 512.454.0026 AustinChamberMusic.org / 512.454.0026 3 Welcome to the 2018-2019 Concert Season: Landscapes 4 AustinChamberMusic.org / 512.454.0026 PERFORMANCES FRIDAY INTIMATE SEASON CONCERTS An up-close and personal setting for chamber music About ACMC in stylish Austin homes with post-concert reception. SATURDAY SYNCHRONISM SEASON CONCERTS MISSION Chamber music in public venues in tandem with The Austin Chamber Music Center (ACMC) is Intimate Concert performances. dedicated to serving Central Texans by expanding A CHARLIE BROWN CHRISTMAS knowledge, understanding, and appreciation of An annual holiday concert featuring all of your favorite chamber music through the highest quality instruction tunes from the TV classic. and performance. AUSTIN CHAMBER MUSIC FESTIVAL Featuring over 30 performances by internationally EDUCATION acclaimed local and visiting artists over three weeks. OPPORTUNITIES for musicians of all ages and A MOVEABLE FEAST CONCERT SERIES skill levels, including a Chamber Academy and A bi-annual series of adventurous programming ChamberFlex in the academic year, and an combining diverse music, visual art, cuisine, and a intensive Summer Workshop.
    [Show full text]
  • N Ew Y O R K F Lu T E F a Ir 2021
    The New York Flute Club Nancy Toff, President Deirdre McArdle, Flute Fair Program Chair The New York Flute Fair 2021 A VIRTUAL TOOLBOX with guest artist Julien Beaudiment Principal flutist, Lyon (France) Opera Orchestra Saturday and Sunday, April 10 and 11, 2021 via Zoom NEW YORK FLUTE FAIR 2021 BOARD OF DIRECTORS NANCY TOFF, President PATRICIA ZUBER, First Vice President KAORU HINATA, Second Vice President DEIRDRE MCARDLE, Recording Secretary KATHERINE SAENGER, Membership Secretary MAY YU WU, Treasurer AMY APPLETON JEFF MITCHELL JENNY CLINE NICOLE SCHROEDER RAIMATO DIANE COUZENS LINDA RAPPAPORT FRED MARCUSA JAYN ROSENFELD JUDITH MENDENHALL RIE SCHMIDT MALCOLM SPECTOR ADVISORY BOARD JEANNE BAXTRESSER ROBERT LANGEVIN STEFÁN RAGNAR HÖSKULDSSON MICHAEL PARLOFF SUE ANN KAHN RENÉE SIEBERT PAST PRESIDENTS Georges Barrère, 1920-1944 Eleanor Lawrence, 1979-1982 John Wummer, 1944-1947 John Solum, 1983-1986 Milton Wittgenstein, 1947-1952 Eleanor Lawrence, 1986-1989 Mildred Hunt Wummer, 1952-1955 Sue Ann Kahn, 1989-1992 Frederick Wilkins, 1955-1957 Nancy Toff, 1992-1995 Harry H. Moskovitz, 1957-1960 Rie Schmidt, 1995-1998 Paige Brook, 1960-1963 Patricia Spencer, 1998-2001 Mildred Hunt Wummer, 1963-1964 Jan Vinci, 2001-2002 Maurice S. Rosen, 1964-1967 Jayn Rosenfeld, 2002-2005 Harry H. Moskovitz, 1967-1970 David Wechsler, 2005-2008 Paige Brook, 1970-1973 Nancy Toff, 2008-2011 Eleanor Lawrence, 1973-1976 John McMurtery, 2011-2012 Harold Jones, 1976-1979 Wendy Stern, 2012-2015 Patricia Zuber, 2015-2018 FLUTE FAIR STAFF Program Chair: Deirdre McArdle
    [Show full text]
  • Boston Symphony Orchestra
    ABRAHAM cf ..."' c ="' HOODS UP TO THE AMERICAN WAY WITH WOOL Blanket plaid ... toggle terrific, either way you coat it this fall ... A&S says do it with pure wool fabric made in America! PURE WOOL® "The Wool mark is your assurance of a quality tested product made of pure wool" -----------------------------------OCTOBER, 1971 I BROOKLYN ACADEMY OF MUSIC I 3 Thursday Evening, October 28, 1971 , 8:30 p.m. Subscription Performance The Brooklyn Institute of Arts and Sciences presents the Boston Symphony Orchestra \X:'illiam Steinberg, Music Director Michael Tilson Thomas, Associate Conductor Michael Tilson Thomas, Conducting Polonaise and Krakoviak from 'A Life for the Tsar' MIKHAIL GLINKA Symphony in C IGOR STRAVINSKY Mode.rato alia breve Larghetto concertante Allegretto Largo - tempo giu sto, alia breve IN TERMISSION Concerto for flute, oboe, piano and percussion EDISON DENISOV Overture: allegro moderato Cadenza: Iento rubato - allegro Coda: allegro giusto DORIOT ANTHONY DWYER, flute RALPH GOMBERG, oboe GILBERT KALISH, piano EVERETT FIRTH, percussion Symphony No. 2 in B minor, Op. 5 ALEXANDER BORODIN Allegro Scherzo: prestissimo - allegretto Andante Finale: allegro The Boston Symphony Orchestra records exclusively for Deutsche Grammophon. BALDWIN PIANO DEUTSCHE GRAMMOPHON AND RCA RECORDS 4 I BROOKLYN ACADEMY OF MUSIC I OCTOBER, 1971 The Brooklyn Academy of Mus 1 c The t. Felix Street Corporation Administrative Staff Board of Directors : Harvey Lichtenstein, Director Seth S. Faison, Chairman Lewis L. Lloyd, General Manager Donald M. Blinken, President John V. Lindsay, Honorary Chairman Charles Hammock, Asst. General Manager M arti·n P. Carter Jane Yackel, Comptroller Barbaralce Diamonstein Thomas Kerrigan, Assistant to the Director Mrs.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 77, 1957-1958, Subscription
    *l'\ fr^j BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON 24 G> X will MIIHIi H tf SEVENTY-SEVENTH SEASON 1957-1958 BAYARD TUCEERMAN. JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT 8. TUCEERMAN J. DEANE SOMERVILLE It takes only seconds for accidents to occur that damage or destroy property. It takes only a few minutes to develop a complete insurance program that will give you proper coverages in adequate amounts. It might be well for you to spend a little time with us helping to see that in the event of a loss you will find yourself protected with insurance. WHAT TIME to ask for help? Any time! Now! CHARLES H. WATKINS & CO. RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. Insurance of Every Description 108 Water Street Boston 6, Mast. LA fayette 3-5700 SEVENTY-SEVENTH SEASON, 1957-1958 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, 1958, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine Treasurer Talcott M. Banks Michael T. Kelleher Theodore P. Ferris Henry A. Laughlin Alvan T. Fuller John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Charles H. Stockton C. D. Jackson Raymond S. Wilkins E. Morton Jennings, Jr. Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Edward A. Taft Thomas D.
    [Show full text]
  • Emily Dickinson in Song
    1 Emily Dickinson in Song A Discography, 1925-2019 Compiled by Georgiana Strickland 2 Copyright © 2019 by Georgiana W. Strickland All rights reserved 3 What would the Dower be Had I the Art to stun myself With Bolts of Melody! Emily Dickinson 4 Contents Preface 5 Introduction 7 I. Recordings with Vocal Works by a Single Composer 9 Alphabetical by composer II. Compilations: Recordings with Vocal Works by Multiple Composers 54 Alphabetical by record title III. Recordings with Non-Vocal Works 72 Alphabetical by composer or record title IV: Recordings with Works in Miscellaneous Formats 76 Alphabetical by composer or record title Sources 81 Acknowledgments 83 5 Preface The American poet Emily Dickinson (1830-1886), unknown in her lifetime, is today revered by poets and poetry lovers throughout the world, and her revolutionary poetic style has been widely influential. Yet her equally wide influence on the world of music was largely unrecognized until 1992, when the late Carlton Lowenberg published his groundbreaking study Musicians Wrestle Everywhere: Emily Dickinson and Music (Fallen Leaf Press), an examination of Dickinson's involvement in the music of her time, and a "detailed inventory" of 1,615 musical settings of her poems. The result is a survey of an important segment of twentieth-century music. In the years since Lowenberg's inventory appeared, the number of Dickinson settings is estimated to have more than doubled, and a large number of them have been performed and recorded. One critic has described Dickinson as "the darling of modern composers."1 The intriguing question of why this should be so has been answered in many ways by composers and others.
    [Show full text]
  • The 23Rd Annual Music Festival at Walnut Hill 胡桃山音樂營 July 24
    The 23rd Annual Music Festival at Walnut Hill 胡桃山音樂營 July 24 – August 17, 2014 Boston, Massachusetts, USA Organized by Foundation for Chinese Performing Arts 3 Partridge Lane, Lincoln, MA 01773, USA Tel: 781-259-8195 Email: [email protected] Website: www.ChinesePerformingArts.net APPLICATION DATES: July 24, 2014 (check in) – August 17, 2014 (check out) LOCATION: Walnut Hill School, 12 Highland St.,Natick, MA 01760. About 15 miles west of Boston, Massachusetts. www.WalnutHillArts.org DEADLINE FOR APPLICATION April 10, 2014 Submit with a non-refundable fee of US$70. Late applications will be considered depending upon space availability. AGE AND ENROLLMENT: Age 14 or above. Total enrollment 40 students. No upper age limit. Special arrangement is required for applicant younger than 13. PROGRAM: . Two to Three private lessons per week for piano, violin, viola, cello, double bass, flute, clarinet, oboe, saxophone, trombone, voice, composition, and others (upon request). Chamber Ensembles . Orchestral Performances . Master Classes and Workshops . Stage presentation workshop . Concerts with faculty members and students . Attending concert at Tanglewood Music Center, visiting Norman Rockwell Museum, shopping in towns of the Berkshires . Visits to New England Conservatory, Harvard University, Museum of Fine Arts, and other historical sites in the metropolitan Boston area . English is the official language. Chinese translator available for the first week only if needed AUDITION Live audition and/or DVD audition is required for all applicants except students recommended by faculty members. Returning students should contact Director Dr. Catherine Chan for waving the audition. Application forms and fees are required for all applicants including returning students. Each applicant should prepare at least two contrasting pieces or two contrasting movements of the same piece of his/her own choice that will represent his/her musical level and achievement.
    [Show full text]
  • The Ninth Season Through Brahms CHAMBER MUSIC FESTIVAL and INSTITUTE July 22–August 13, 2011 David Finckel and Wu Han, Artistic Directors
    The Ninth Season Through Brahms CHAMBER MUSIC FESTIVAL AND INSTITUTE July 22–August 13, 2011 David Finckel and Wu Han, Artistic Directors Music@Menlo Through Brahms the ninth season July 22–August 13, 2011 david finckel and wu han, artistic directors Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 Through Brahms Program Overview 6 Essay: “Johannes Brahms: The Great Romantic” by Calum MacDonald 8 Encounters I–IV 11 Concert Programs I–VI 30 String Quartet Programs 37 Carte Blanche Concerts I–IV 50 Chamber Music Institute 52 Prelude Performances 61 Koret Young Performers Concerts 64 Café Conversations 65 Master Classes 66 Open House 67 2011 Visual Artist: John Morra 68 Listening Room 69 Music@Menlo LIVE 70 2011–2012 Winter Series 72 Artist and Faculty Biographies 85 Internship Program 86 Glossary 88 Join Music@Menlo 92 Acknowledgments 95 Ticket and Performance Information 96 Calendar Cover artwork: Mertz No. 12, 2009, by John Morra. Inside (p. 67): Paintings by John Morra. Photograph of Johannes Brahms in his studio (p. 1): © The Art Archive/Museum der Stadt Wien/ Alfredo Dagli Orti. Photograph of the grave of Johannes Brahms in the Zentralfriedhof (central cemetery), Vienna, Austria (p. 5): © Chris Stock/Lebrecht Music and Arts. Photograph of Brahms (p. 7): Courtesy of Eugene Drucker in memory of Ernest Drucker. Da-Hong Seetoo (p. 69) and Ani Kavafian (p. 75): Christian Steiner. Paul Appleby (p. 72): Ken Howard. Carey Bell (p. 73): Steve Savage. Sasha Cooke (p. 74): Nick Granito.
    [Show full text]
  • Guest Artists 2009-10 : School of Music : Texas State University
    School of Music Guest Artists 2009-10 Texas State School of Music maintains a faculty of 70 outstanding musicians/scholars/teachers. That makes it an extraordinary bonus that so many leading professionals come to the campus each year to add to the artistic mix, giving guest recitals, master classes, and lectures. Below is just a sample of this amazing array of expert guests. 2009-2010 Dr. David Littrell guest clinician with Symphony Orchestra Monday, January 25, 2010, 2:00-4:00 pm in MUS 224 Served as national President of the American String Teachers Association in 2002-2004. conducts the University Orchestra and teaches strings at Kansas State University conducts the “Gold Orchestra”, 58 Manhattan KS area string students in grades 5-10. The “Gold Orchestra” toured England in 1997, Seattle and British Columbia in 1999, and performed at Carnegie Hall in 2001 and 2006. They performed at the ASTA National Orchestra Festival in Dallas in March 2004. served six years as Editor of the Books and Music Reviews section of the American String Teacher; editor of ASTA’s two-volume String Syllabus Dr. David Littrell Editor and Compiler of GIA Publications’ two volumes of Teaching Music through Performance in Orchestra Bob Mintzer Bob Mintzer debuts and performs a new Big Band composition commissioned by Texas State Jazz for the Hill Country Jazz Festival Saturday, February 6. Bob also appears as guest artist with the Hehmsoth Project at the Elephant Jazz Club, Austin, Friday, February 5, 9:30PM. In the jazz world Bob Mintzer is a household name, usually associated with being a saxophonist, bass clarinetist, composer, arranger, leader of a Grammy winning big band, member of the Yellowjackets, and educator.
    [Show full text]
  • Foundation for Chinese Performing Arts 中華表演藝術基金會
    中華表演藝術基金會 FOUNDATION FOR CHINESE PERFORMING ARTS [email protected] www.ChinesePerformingArts.net The Foundation for Chinese Performing Arts, is a non-profit organization registered in the Commonwealth of Massachusetts in January, 1989. The main objectives of the Foundation are: * To enhance the understanding and the appreciation of Eastern heritage through music and performing arts. * To promote Asian musicians and performing arts through performances. * To provide opportunities and assistance to young Asian artists. The Founder and the President is Dr. Catherine Tan Chan 譚嘉陵. AWARDS AND SCHOLARSHIPS The Foundation held its official opening ceremony on September 23, 1989, at the Rivers School in Weston. Professor Chou Wen-Chung 周文中 of Columbia University lectured on the late Alexander Tcherepnin and his contribution in promoting Chinese music. The Tcherepnin Society, represented by the late Madame Ming Tcherepnin, an Honorable Board Member of the Foundation, donated to the Harvard Yenching Library a set of original musical manuscripts composed by Alexander Tcherepnin and his student, Chiang Wen-Yeh. Dr. Eugene Wu, Director of the Harvard Yenching Library, was there to receive the gift that includes the original orchestra score of the National Anthem of the Republic of China commissioned in 1937 to Alexander Tcherepnin by the Chinese government. The Foundation awarded Ms. Wha Kyung Byun as the outstanding music educator. In early December 1989, the Foundation, recognized Professor Sylvia Shue-Tee Lee 李淑德 for her contribution in educating young violinists. The recipients of the Foundation's artist scholarship award were: 1989 Jindong Cai 蔡金冬, MM conductor ,New England Conservatory, NEC (conductor and Associate Professor of Music, Stanford University, and currently the director of the US-China Music Institute and professor of music and arts at Bard College.).
    [Show full text]