Guest Artists 2009-10 : School of Music : Texas State University
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Edition 2 | 2018-2019
Terra Nova San Antonio 6983 Blanco Rd San Antonio, TX 78216 Ph: 210-349-4700 Fax: 210-349-4725 Terra Nova Austin 7795 Burnet Rd Austin, TX 78757 Ph: 512-640-4072 Fax: 512-879-6853 www.TerraNovaViolins.com Did You Know? Young people who participate in the arts for at least three hours on three days each week through at least one full year are: • 4 times more likely to be recognized for academic achievement • 3 times more likely to be elected to class office within their schools • 4 times more likely to participate in a math and science fair • 3 times more likely to win an award for school attendance • 4 times more likely to win an award for writing an essay or poem 2 AustinChamberMusic.org / 512.454.0026 AustinChamberMusic.org / 512.454.0026 3 Welcome to the 2018-2019 Concert Season: Landscapes 4 AustinChamberMusic.org / 512.454.0026 PERFORMANCES FRIDAY INTIMATE SEASON CONCERTS An up-close and personal setting for chamber music About ACMC in stylish Austin homes with post-concert reception. SATURDAY SYNCHRONISM SEASON CONCERTS MISSION Chamber music in public venues in tandem with The Austin Chamber Music Center (ACMC) is Intimate Concert performances. dedicated to serving Central Texans by expanding A CHARLIE BROWN CHRISTMAS knowledge, understanding, and appreciation of An annual holiday concert featuring all of your favorite chamber music through the highest quality instruction tunes from the TV classic. and performance. AUSTIN CHAMBER MUSIC FESTIVAL Featuring over 30 performances by internationally EDUCATION acclaimed local and visiting artists over three weeks. OPPORTUNITIES for musicians of all ages and A MOVEABLE FEAST CONCERT SERIES skill levels, including a Chamber Academy and A bi-annual series of adventurous programming ChamberFlex in the academic year, and an combining diverse music, visual art, cuisine, and a intensive Summer Workshop. -
Emily Dickinson in Song
1 Emily Dickinson in Song A Discography, 1925-2019 Compiled by Georgiana Strickland 2 Copyright © 2019 by Georgiana W. Strickland All rights reserved 3 What would the Dower be Had I the Art to stun myself With Bolts of Melody! Emily Dickinson 4 Contents Preface 5 Introduction 7 I. Recordings with Vocal Works by a Single Composer 9 Alphabetical by composer II. Compilations: Recordings with Vocal Works by Multiple Composers 54 Alphabetical by record title III. Recordings with Non-Vocal Works 72 Alphabetical by composer or record title IV: Recordings with Works in Miscellaneous Formats 76 Alphabetical by composer or record title Sources 81 Acknowledgments 83 5 Preface The American poet Emily Dickinson (1830-1886), unknown in her lifetime, is today revered by poets and poetry lovers throughout the world, and her revolutionary poetic style has been widely influential. Yet her equally wide influence on the world of music was largely unrecognized until 1992, when the late Carlton Lowenberg published his groundbreaking study Musicians Wrestle Everywhere: Emily Dickinson and Music (Fallen Leaf Press), an examination of Dickinson's involvement in the music of her time, and a "detailed inventory" of 1,615 musical settings of her poems. The result is a survey of an important segment of twentieth-century music. In the years since Lowenberg's inventory appeared, the number of Dickinson settings is estimated to have more than doubled, and a large number of them have been performed and recorded. One critic has described Dickinson as "the darling of modern composers."1 The intriguing question of why this should be so has been answered in many ways by composers and others. -
The 23Rd Annual Music Festival at Walnut Hill 胡桃山音樂營 July 24
The 23rd Annual Music Festival at Walnut Hill 胡桃山音樂營 July 24 – August 17, 2014 Boston, Massachusetts, USA Organized by Foundation for Chinese Performing Arts 3 Partridge Lane, Lincoln, MA 01773, USA Tel: 781-259-8195 Email: [email protected] Website: www.ChinesePerformingArts.net APPLICATION DATES: July 24, 2014 (check in) – August 17, 2014 (check out) LOCATION: Walnut Hill School, 12 Highland St.,Natick, MA 01760. About 15 miles west of Boston, Massachusetts. www.WalnutHillArts.org DEADLINE FOR APPLICATION April 10, 2014 Submit with a non-refundable fee of US$70. Late applications will be considered depending upon space availability. AGE AND ENROLLMENT: Age 14 or above. Total enrollment 40 students. No upper age limit. Special arrangement is required for applicant younger than 13. PROGRAM: . Two to Three private lessons per week for piano, violin, viola, cello, double bass, flute, clarinet, oboe, saxophone, trombone, voice, composition, and others (upon request). Chamber Ensembles . Orchestral Performances . Master Classes and Workshops . Stage presentation workshop . Concerts with faculty members and students . Attending concert at Tanglewood Music Center, visiting Norman Rockwell Museum, shopping in towns of the Berkshires . Visits to New England Conservatory, Harvard University, Museum of Fine Arts, and other historical sites in the metropolitan Boston area . English is the official language. Chinese translator available for the first week only if needed AUDITION Live audition and/or DVD audition is required for all applicants except students recommended by faculty members. Returning students should contact Director Dr. Catherine Chan for waving the audition. Application forms and fees are required for all applicants including returning students. Each applicant should prepare at least two contrasting pieces or two contrasting movements of the same piece of his/her own choice that will represent his/her musical level and achievement. -
The Ninth Season Through Brahms CHAMBER MUSIC FESTIVAL and INSTITUTE July 22–August 13, 2011 David Finckel and Wu Han, Artistic Directors
The Ninth Season Through Brahms CHAMBER MUSIC FESTIVAL AND INSTITUTE July 22–August 13, 2011 David Finckel and Wu Han, Artistic Directors Music@Menlo Through Brahms the ninth season July 22–August 13, 2011 david finckel and wu han, artistic directors Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 Through Brahms Program Overview 6 Essay: “Johannes Brahms: The Great Romantic” by Calum MacDonald 8 Encounters I–IV 11 Concert Programs I–VI 30 String Quartet Programs 37 Carte Blanche Concerts I–IV 50 Chamber Music Institute 52 Prelude Performances 61 Koret Young Performers Concerts 64 Café Conversations 65 Master Classes 66 Open House 67 2011 Visual Artist: John Morra 68 Listening Room 69 Music@Menlo LIVE 70 2011–2012 Winter Series 72 Artist and Faculty Biographies 85 Internship Program 86 Glossary 88 Join Music@Menlo 92 Acknowledgments 95 Ticket and Performance Information 96 Calendar Cover artwork: Mertz No. 12, 2009, by John Morra. Inside (p. 67): Paintings by John Morra. Photograph of Johannes Brahms in his studio (p. 1): © The Art Archive/Museum der Stadt Wien/ Alfredo Dagli Orti. Photograph of the grave of Johannes Brahms in the Zentralfriedhof (central cemetery), Vienna, Austria (p. 5): © Chris Stock/Lebrecht Music and Arts. Photograph of Brahms (p. 7): Courtesy of Eugene Drucker in memory of Ernest Drucker. Da-Hong Seetoo (p. 69) and Ani Kavafian (p. 75): Christian Steiner. Paul Appleby (p. 72): Ken Howard. Carey Bell (p. 73): Steve Savage. Sasha Cooke (p. 74): Nick Granito. -
WDR 3 Jazz & World, 25. Okt. 2016 Laufplan
WDR 3 Jazz & World, 25. Okt. 2016 From L.A. to Cologne 22:04-24:00 Stand: 20.10.2016 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de Moderation: Karsten Mützelfeldt Redaktion: Bernd Hoffmann Laufplan 1. Guarded Optimism K: Mintzer 6:25 YELLOWJACKETS Mack Avenue 1108 CD: Cohearance 2. Father Time K: Mintzer 7:07 WDR BIG BAND WDR-Mitschnitt 6999843177 3. Back Home K: Mintzer 7:42 WDR BIG BAND WDR-Mitschnitt 6999950286 4. Yo! K: Cimiotti 4:25 COLOGNE SAXOPHONE Neuklang 4006; LC: 13834 QUINTET feat. BOB MINTZER CD: Cologne Saxophone Quintet 5. Everything Happens To Me K: Dennis 4:45 MARTIN SASSE TRIO Natmusic 02; LC: 30702 feat. BOB MINTZER CD: Blue 6. Soul Intro/The Chicken K: Pastorius 6:50 JACO PASTORIUS Warner Bros.-Rhino 8122-73779-2 CD: Punk Jazz. The Jaco Pastorius Anthology 7. Tee Bag K: Mainieri 4:40 MIKE MAINIERI QUINTET NYC Records 6022-2 CD: Live at Seventh Avenue South 8. Lazy Day K: Mintzer 7:25 BOB MINTZER BIG BAND DMP 510; LC: 06967 CD: The First Decade 9. Camouflage K: Mintzer 7:45 BOB MINTZER BIG BAND DMP 456; LC: 06967 CD: Camouflage 10. Duo K: Mintzer 2:45 BOB MINTZER OWL 3800622; LC: 30472 CD: Hymn Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 1 WDR 3 Jazz & World, 25. Okt. 2016 From L.A. to Cologne 22:04-24:00 Stand: 20.10.2016 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de 11. -
Yellowjackets Club Nocturne Mp3, Flac, Wma
Yellowjackets Club Nocturne mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Club Nocturne Country: Germany Released: 1998 Style: Jazz-Rock, Fusion MP3 version RAR size: 1350 mb FLAC version RAR size: 1902 mb WMA version RAR size: 1680 mb Rating: 4.3 Votes: 897 Other Formats: ADX DTS AU WAV DMF AC3 VQF Tracklist Hide Credits Spirit Of The West 1 Composed By – Russell Ferrante Stick To It Ive Ness 2 Composed By – Russell Ferrante Up From New Orleans 3 Composed By – Bob MintzerVocals – Kurt Elling The Evening News 4 Composed By – Bob Mintzer, Russell Ferrante, William Kennedy Even In The Pain 5 Backing Vocals – Jonathan Butler, Richard PageComposed By – Richard PagePercussion – Munyungo JacksonVocals – Jonathan Butler Love And Paris Rain 6 Composed By – Brenda Russell , Russell Ferrante, William KennedyGuitar – James HarrahVocals – Brenda Russell The Village Church 7 Composed By – Russell Ferrante Twilight For Nancy 8 Composed By – Jimmy Haslip, Russell Ferrante Automat 9 Composed By – Jimmy Haslip, Russell Ferrante All Is Quiet 10 Composed By – Bob Mintzer, Kurt EllingVocals – Kurt Elling Companies, etc. Recorded At – Sunset Sound Recorded At – One On One Studios Recorded At – Royaltone Studios Mixed At – The Village Mixed At – Sony Music Studios, Los Angeles Mastered At – The Mastering Lab Credits Art Direction – Hillary Sunenshine, Margi Denton Bass – Jimmy Haslip Coordinator [Production Coordinator] – Sally G. Poppe Design – Hillary Sunenshine, Margi Denton Drums – William Kennedy Engineer [Assistant] – Curt Kroeger, David Nottingham, Doug Boehm, Jason Mauza, Jeff Robinette, Steve Harrison, Troy Gonzalez Keyboards – Russell Ferrante Mastered By – Doug Sax Mixed By – Rich Breen Photography – Marina Chavez Piano – Russell Ferrante Producer – Yellowjackets Recorded By – Rich Breen Soprano Saxophone – Bob Mintzer Tenor Saxophone – Bob Mintzer Barcode and Other Identifiers Barcode: 9362-47031-2 Other versions Category Artist Title (Format) Label Category Country Year Club Nocturne (CD, Warner Bros. -
WJCT Jacksonville Jazz Festival Official Program
University of North Florida UNF Digital Commons Jacksonville Jazz Festival Collection Materials Jacksonville Jazz Festival Collection 1999 WJCT Jacksonville Jazz Festival Official ogrPr am Jacksonville Magazine Follow this and additional works at: https://digitalcommons.unf.edu/jacksonville_jazz_text Part of the Music Performance Commons Official Program Presented by BELLSOUTH Special Section of the Jacksonville Ma azine Atlantic Builders and The World Golf Village Congratulate WJCT and the City of Jacksonville on the 20th Anniversary of the WJCT Jacksonville Jazz Festival. ORLD GOL VIL LAG 904.394.1900 www .atlanticbuilders.net CRC057570 19 ature 20th Anniversary Jazz Festival Celebrates the first winner of the Two Decades of Great American Jazz Piano Competition in Swinging Good Music 1983. Speaking of the Jazz ow in its 20th year, the WJCT Jack Piano Competition, the sonville Jazz Festival is a week-long historic Florida The celebration of great music that atre hosts the 17th draws thousands of fans to venues annual event on Thurs throughout the city. In fact, this day, November 11. Five year the Jazz Festival is expected to outstanding musicians attract more than 30,000 people for two days of music at will vie for cash prizes Metropolitan Park. In addition to international music and top honors during stars, the Jazz Festival is known to showcase the talents one of the country's of emerging local and regional artists. Festival produc most prestigious jazz ers have assembled another first-class lineup including piano competitions. jazz greats Grover Washington, Jr. and George Benson. Next, riverfront Met Jazz Festival week, November 6-13, is jam-packed ropolitan Park is the with activities, beginning with the Festival Patrons' scene for more great Party, Jacksonville & All That Jazz, Saturday, Novem music on Friday, Nov ber 6 at ALLTEL Stadium. -
Foundation for Chinese Performing Arts 中華表演藝術基金會
中華表演藝術基金會 FOUNDATION FOR CHINESE PERFORMING ARTS [email protected] www.ChinesePerformingArts.net The Foundation for Chinese Performing Arts, is a non-profit organization registered in the Commonwealth of Massachusetts in January, 1989. The main objectives of the Foundation are: * To enhance the understanding and the appreciation of Eastern heritage through music and performing arts. * To promote Asian musicians and performing arts through performances. * To provide opportunities and assistance to young Asian artists. The Founder and the President is Dr. Catherine Tan Chan 譚嘉陵. AWARDS AND SCHOLARSHIPS The Foundation held its official opening ceremony on September 23, 1989, at the Rivers School in Weston. Professor Chou Wen-Chung 周文中 of Columbia University lectured on the late Alexander Tcherepnin and his contribution in promoting Chinese music. The Tcherepnin Society, represented by the late Madame Ming Tcherepnin, an Honorable Board Member of the Foundation, donated to the Harvard Yenching Library a set of original musical manuscripts composed by Alexander Tcherepnin and his student, Chiang Wen-Yeh. Dr. Eugene Wu, Director of the Harvard Yenching Library, was there to receive the gift that includes the original orchestra score of the National Anthem of the Republic of China commissioned in 1937 to Alexander Tcherepnin by the Chinese government. The Foundation awarded Ms. Wha Kyung Byun as the outstanding music educator. In early December 1989, the Foundation, recognized Professor Sylvia Shue-Tee Lee 李淑德 for her contribution in educating young violinists. The recipients of the Foundation's artist scholarship award were: 1989 Jindong Cai 蔡金冬, MM conductor ,New England Conservatory, NEC (conductor and Associate Professor of Music, Stanford University, and currently the director of the US-China Music Institute and professor of music and arts at Bard College.). -
GRAMMY® Award-Winning Quartet Yellowjackets Presents Jackets XL Available November 6 Via Mack Avenue Records
GRAMMY® Award-winning Quartet Yellowjackets Presents Jackets XL Available November 6 Via Mack Avenue Records In Celebratory 25th Album, the Time-Honored Jazz Ensemble Joins Forces with the WDR Big Band to Create a Dynamic New Sound As a tight, longstanding jazz ensemble, Yellowjackets has explored a universe all its own of electro- acoustic soundscapes in its nearly four-decade history. Since the band’s eponymous 1981 debut album, Yellowjackets has consistently forged ahead with innovative and challenging artistic statements. For Jackets XL, its 25th album and fourth for Mack Avenue Music Group, the band continues to stretch and reinvent itself with an exciting, full-bodied collaboration with the superb WDR Big Band of Cologne, Germany. The project combines the shapeshifting, multiple GRAMMY® Award-winning quartet with the renowned big band, re-imagining well-known band originals with dynamic new arrangements that feature twists and turns, textures and colors, moving harmonies and bold solos. “This band has never been one to rest on its laurels,” says tenor saxophonist/EWI player Bob Mintzer, a Yellowjacket since 1990 and the WDR Big Band principal conductor since 2016. “The Yellowjackets are very adept at reinventing. The four of us are the most adaptable musicians I’ve ever worked with. Any setting, any style, we know we can do it. As for the WDR, they’re one of the best large jazz ensembles in the world. I knew the two groups would make for a nice marriage.” The band also comprises founder, keyboardist Russell Ferrante, drummer Will Kennedy and electric bassist Dane Alderson in his third recording for the group. -
Guest Recital: Bion Tsang, Violoncello Bion Tsang
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 1-31-1991 Guest Recital: Bion Tsang, violoncello Bion Tsang Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Tsang, Bion, "Guest Recital: Bion Tsang, violoncello" (1991). All Concert & Recital Programs. 5477. https://digitalcommons.ithaca.edu/music_programs/5477 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Ithaca College ITHACA School of Music Presented in cooperation with the ITIIACA VIOLONCELLO INSTITUTE GUEST RECITAL Bion Tsang, violoncello Richard Bishop, piano SONATA in A Minor, "Arpeggione", D. 821 Franz Schubert (1797-1828) Allegro moderato Adagio - Allegretto FOR CELLO SOLO (1986) Leon Kirchner (b. 1919) INIBRMISSION SONATA INC MAJOR, op. 65 Benjamin Britten (1913-1976) Dialogo: Allegro Scherzo - Pizzicato; Allegretto Elegia: Lento Marcia: Energico Moto Perpetuo: Presto ADAGIO AND ALLEGRO, op. 70 Robert Schumann (1810-1856) Walter Ford Hall Auditorium Thursday, January 31, 1991 8:15 p.m. Bion Tsang performs on the same instrument he took to the Tschaikovsk:>1 Competition, a Giovanni Gracino cello made in Milan, Italy in 1705, which is graciously on loan from the EINAR HOLM COLLECTION, Ithaca College. A CELLO MASTER CLASS will be given by Mr. Tsang on Friday, February I at 4:00 p.m. in the Nabenhauer Recital Room. Richard Bishop is a pianist of many facets: soloist, duo-recitalist, chamber musician, teacher and coach. -
WMMC - Member Highlight - Virginia Kneisner
NNoottee WWoorrtthhyy A publication of The Wednesday Morning Music Club (Austin) Website: musicclubaustin.org Oct. 19, 2016 WMMC - Member Highlight - Virginia Kneisner My father and mother played violin. They bought me a concertina as my first musical instrument. It came with an instruction booklet. I learned to play it while I was in Our Lady of Angels Catholic elementary school in Cleveland, Ohio. At 9 years of age I started studying the piano on my next-door neighbor’s piano. I was her only student. The trombone and string bass were two instruments I learned to play in high school. I played string bass in the St. Joseph’s Academy orchestra, and trombone in the Cleveland Catholic Diocesan High School Orchestra. I also played piano in the diocesan high school piano trio. I took music theory and solfege lessons from Starling Cumberworth at the Cleveland Music School Settlement and music composition lessons from Rudolph Bubalo, President of the Cleveland Composers’ Guild. I spent the summer of my sophomore year studying piano and trombone at a high school music camp at Bowling Green State University. The summer of my junior year in high school was spent studying music theory at the Chautauqua Institution in New York. I enjoyed playing the trombone, and played it in the Kent State University marching band. I entered the School of Music with a four-year music scholarship, and worked in the music library part-time. I did music outreach at a mental health and retardation facility. I joined the Delta Omicron music fraternity while at K.S.U. -
February 2011 Jazz Schedule Heartfelt Solo
Stone Alliance was a fusion band of the late ‘70s with its tie-in to Sam Rivers (“Fuschsia Swing Song”), and early ‘80s centered around electric bassist Gene is where things get hot and heavy. But only halfway Perla, with personnel that varied over time. This 1980 through, after a long, subdued piano intro that belies set at the Berlin Jazz Festival is previously unissued, the hot modal workout to follow. featuring Mintzer (tenor and soprano saxophones, Hot tension and competition is indeed suggested bass clarinet, flute and percussion), Kenny Kirkland on Reciprocal Uncles. The competition is recreational, as (piano, keyboards and percussion), Don Alias (drums it were, and pianist Gianni Lenoci and saxist Gianni and congas), plus guest Jan Hammer on keyboards. Mimmo never come to blows. Rather, they are as This fusion-oriented set suffers from rather muddy sporting as two fencing partners. What it lacks for in sound, at times sounding like a bootleg, plus rather grand, communal emotion it makes up for in uneven songwriting, with many of the songs not really percussive and lyrical invention. In the earlier La Vita è Bella holding one’s interest. Alias’ compositions are numbers the tensions are often resolved by one player Bob Mintzer/Dado Moroni/Riccardo Fioravanti/ particularly dated, especially the tedious funky allowing the other to dominate or, sometimes, in Joe La Barbera (Abeat) “Georgia O’” and the Weather Report-flavored “Risa” standoffs, where one will drop out entirely as the other Canyon Cove Bob Mintzer (Pony Canyon/Cheetah) Live in Berlin Stone Alliance (PM) with flashy yet uninspired keyboards and what sounds solos.