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Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
May • June 2013 Jazz Issue 348
may • june 2013 jazz Issue 348 &blues report now in our 39th year May • June 2013 • Issue 348 Lineup Announced for the 56th Annual Editor & Founder Bill Wahl Monterey Jazz Festival, September 20-22 Headliners Include Diana Krall, Wayne Shorter, Bobby McFerrin, Bob James Layout & Design Bill Wahl & David Sanborn, George Benson, Dave Holland’s PRISM, Orquesta Buena Operations Jim Martin Vista Social Club, Joe Lovano & Dave Douglas: Sound Prints; Clayton- Hamilton Jazz Orchestra, Gregory Porter, and Many More Pilar Martin Contributors Michael Braxton, Mark Cole, Dewey Monterey, CA - Monterey Jazz Forward, Nancy Ann Lee, Peanuts, Festival has announced the star- Wanda Simpson, Mark Smith, Duane studded line up for its 56th annual Verh, Emily Wahl and Ron Wein- Monterey Jazz Festival to be held stock. September 20–22 at the Monterey Fairgrounds. Arena and Grounds Check out our constantly updated Package Tickets go on sale on to the website. Now you can search for general public on May 21. Single Day CD Reviews by artists, titles, record tickets will go on sale July 8. labels, keyword or JBR Writers. 15 2013’s GRAMMY Award-winning years of reviews are up and we’ll be lineup includes Arena headliners going all the way back to 1974. Diana Krall; Wayne Shorter Quartet; Bobby McFerrin; Bob James & Da- Comments...billwahl@ jazz-blues.com vid Sanborn featuring Steve Gadd Web www.jazz-blues.com & James Genus; Dave Holland’s Copyright © 2013 Jazz & Blues Report PRISM featuring Kevin Eubanks, Craig Taborn & Eric Harland; Joe No portion of this publication may be re- Lovano & Dave Douglas Quintet: Wayne Shorter produced without written permission from Sound Prints; George Benson; The the publisher. -
Biography-George-ROBERT.Pdf
George ROBERT Born on September 15, 1960 in Chambésy (Geneva), Switzerland, George Robert is internationally reCognized as one of the leading alto saxophonists in jazz today. He started piano at a very early age and at age 10 he began Clarinet lessons at the Geneva Conservatory with LuC Hoffmann. In 1980 he moved to Boston and studied alto saxophone with Joe Viola at the Berklee College of MusiC. In 1984 he earned a Bachelor of Arts in Jazz Composition & Arranging and moved to New York where he enrolled at the Manhattan SChool of MusiC. He studied with Bob Mintzer and earned a Master’s Degree in Jazz PerformanCe in 1987. He played lead alto in the Manhattan SChool of MusiC Big Band for 2 years, whiCh earned in 1985 the 1st Prize in the College Big Band Category in the Down Beat Magazine Jazz Awards In July 1984 he performed on the main stage of the Montreux Jazz Festival and earned an Outstanding PerformanCe Award from Down Beat Magazine. In 1985 & 1986 he toured Europe extensively. In 1987 he met Tom Harrell and together they founded the George Robert-Tom Harrell Quintet (with Dado Moroni, Reggie Johnson & Bill Goodwin). The group Completed 125 ConCerts worldwide between 1987 & 1992, and reCorded 5 albums. He remained in New York City and free-lanCed for 7 years, playing with Billy Hart, Buster Williams, the Lionel Hampton Big Band, the Toshiko Akiyoshi-Lew Tabackin Jazz OrChestra, Joe Lovano, and many others. He met Clark Terry and started touring with him extensively, Completing a 16- week, 65-ConCert world tour in 1991. -
Charles Mcpherson Leader Entry by Michael Fitzgerald
Charles McPherson Leader Entry by Michael Fitzgerald Generated on Sun, Oct 02, 2011 Date: November 20, 1964 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Carmell Jones (t), Barry Harris (p), Nelson Boyd (b), Albert 'Tootie' Heath (d) a. a-01 Hot House - 7:43 (Tadd Dameron) Prestige LP 12": PR 7359 — Bebop Revisited! b. a-02 Nostalgia - 5:24 (Theodore 'Fats' Navarro) Prestige LP 12": PR 7359 — Bebop Revisited! c. a-03 Passport [tune Y] - 6:55 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! d. b-01 Wail - 6:04 (Bud Powell) Prestige LP 12": PR 7359 — Bebop Revisited! e. b-02 Embraceable You - 7:39 (George Gershwin, Ira Gershwin) Prestige LP 12": PR 7359 — Bebop Revisited! f. b-03 Si Si - 5:50 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! g. If I Loved You - 6:17 (Richard Rodgers, Oscar Hammerstein II) All titles on: Original Jazz Classics CD: OJCCD 710-2 — Bebop Revisited! (1992) Carmell Jones (t) on a-d, f-g. Passport listed as "Variations On A Blues By Bird". This is the rarer of the two Parker compositions titled "Passport". Date: August 6, 1965 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Clifford Jordan (ts), Barry Harris (p), George Tucker (b), Alan Dawson (d) a. a-01 Eronel - 7:03 (Thelonious Monk, Sadik Hakim, Sahib Shihab) b. a-02 In A Sentimental Mood - 7:57 (Duke Ellington, Manny Kurtz, Irving Mills) c. a-03 Chasin' The Bird - 7:08 (Charlie Parker) d. -
Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach. -
10700990.Pdf
The Dolby era: Sound in Hollywood cinema 1970-1995. SERGI, Gianluca. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20344/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20344/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University jj Learning and IT Services j O U x r- U u II I Adsetts Centre City Campus j Sheffield Hallam 1 Sheffield si-iwe Author: ‘3£fsC j> / j Title: ^ D o ltiu £ r a ' o UJTvd 4 c\ ^ £5ori CuCN^YTNCa IQ IO - Degree: p p / D - Year: Q^OO2- Copyright Declaration I recognise that the copyright in this thesis belongs to the author. I undertake not to publish either the whole or any part of it, or make a copy of the whole or any substantial part of it, without the consent of the author. I also undertake not to quote or make use of any information from this thesis without making acknowledgement to the author. Readers consulting this thesis are required to sign their name below to show they recognise the copyright declaration. They are also required to give their permanent address and date. -
Hollywood Studio Magazine (November 1971)
NOVEMBER 1971/50CENTS the fi'ightened Swedish Citing Director Marvin Paige pave| the pmeback trail Hortywobd Par^rama-an artist's tribute lOlTm^OblVie Studio in a garage "Gunsmoke’s” Doc Adams Milburn Stone's 50 years of Showbiz wmgmMrn ■ Cpafted Colop Another Don Ray TV Super Special iS'^'rir ...gathered from around the world into an exciting collection of high-fashion jewelry for both men and women, (^ome in soon and THE FERNDALE let us tell yoii about these lovely stones. Our membership in the American Gem Society GP-600 23 inch diagonal picture $495 is your assurance of correct gem identifica¬ Reg. $659, Special tion and value. The (SMtobelli^eivelers 3 generations of master craftsmen 4479 LANKERSHIM- (at Moorpark) NEW 1972 BUICKS AND OPELS ON DISPLAY FLEET DISCOUNT TO ALL STUDIO EMPLOYEES See me about our Lease Plan THE HAVILAND This dealership has been personally contacted and has agreed to GP-618 give employees of all Studios the best possible deal, consistent 23 inch diagonal picture $475 with ethical business practices. Reg. $625, Special YOU MUST SEE or call me personally NO DOWN for a "Studio employees' deal." Low monthly payments Harry L. Harris Special consideration to STUDIO employees FINE SELECTION OF USED CARS 21 YEARS DEPENDABLE SERVICE Harvey Tyrrell Buick BUICK AND OPEL AUTHORIZED SALES & SERVICE DON RAY & SERVICE KADETT tT AND APPLIANCES ■■uMaBankamerica . Easy FinancingaH COMPLETE MECHANICAL REPAIRS • BODY AND PAINT DEPT. FREE PICK-UP and DELIVERY Poplar 3-9431 TR 7-4692 4645 Lankershim Blvd. North Hollywood, Calif. 4257 LANKERSHIM BLVD. North Hollywood* Los Angejes* West Valley NORTH HOLLYWOOD 766-521 1 - 877-5361 - 984-3430 STUDIO I P.O. -
Joe Lovano and Dave Douglas Quintet : Sound Prints( Us
mit dem schottischen Kollegen Alan Purves und aber avanciert experimentierfreudig bis kollektiv- dem langjährigen Partner, Sänger und Perkussio- freigeistig. Vielmehr klingen hier – von linearen wie nisten Molla Sylla. Neben einer Vielzahl von Klang- modularen Strukturen griffig gehalten – die Gross- möglichkeiten überrascht Ernst Reijseger auch mit Geister der Jazz-Vergangenheit mit strahlenden Me- seiner eigenen, expressiven Stimme. Das vorliegen- lodien, klanglichen Raffinessen, solistischen Aus- de Album enthält tatsächlich hervorstechende Ei- brüchen und knackigen Grooves zusammen. Lane genschaften (i.e. Feature) des Cellisten Ernst Reij- nennt Namen wie Ellington, Mingus, Muhal Richard seger. Obwohl im Zeitraum der vergangenen vier Adams John Carter, Parliament, Vinny’s Large En- Dave Douglas Jahre aufgenommen, wirkt es wie aus einem Guss. semble, Cecil Taylor Unit und Luigi Nono als Ein- Happy Birthday! rk flüsse. Mit andern Worten: Die Musik ist so ab- wechslungsreich wie gehaltvoll. Sie hat Tempera- ment und sie langweilt nicht. Dazu kommt die Spielfreude des Full Throttle Orchestra, die anste- ckend wirkt. pb TUMBANDO LO HABITUAL Michael Fleiner & Septeto Internacional Michael Fleiner (p), Thomas Maeder (ts), Juan Munguia (tp, flh), Bernhard Bamert (tb), Peter Balazs (db), ”Mambi” Arüelles Puey (perc), Jean-Baptiste Baldazza (dr, timba) JAZZATOR (Altrisuoni/PBR) Nonagon Marina Sobyanina (p, synth, voc), Sergey Balashov (dr), Oleg Mariakhin (bs), Maximilian Grossenbacher (dr) ”Die Leute sind manchmal überrascht, wenn sie un- -
SFJAZZ Announces 2019-2020 Season Programming September 5, 2019 – May 31, 2020
FOR IMMEDIATE RELEASE SFJAZZ Announces 2019-2020 Season Programming September 5, 2019 – May 31, 2020 Tickets on Sale to SFJAZZ Members, Friday, June 28 at 11:00amPST Tickets on Sale to Public, Thursday, July 12 at 11:00amPST SFJAZZ.ORG (SAN FRANCISCO, CA, June 6, 2019) -- SFJAZZ announces artist programming for the 2019-20 season running September 5, 2019 to May 31, 2020 presenting concerts at the SFJAZZ Center’s Robert N. Miner Auditorium and Joe Henderson Lab, Herbst Theatre, Grace Cathedral, and Paramount Theatre in Oakland. Tickets on sale to SFJAZZ Members, Friday, June 28 at 11:00amPST and on sale to public on Thursday, July 12 at 11:00amPST. For more information, visit sfjazz.org. “This is our 8th Season in the Center: we opened in January of 2013. And it is SFJAZZ’s 37th year: we debuted in 1983 as Jazz in the City,” says SFJAZZ Founder and Artistic Director Randall Kline. “At the time of our founding, neither I, nor anyone who was a part of it, could have imagined that here at the corner of Franklin Street and Fell Street, in one of the world’s greatest cities, a dedicated community center built expressly for the appreciation and development of jazz would be thriving. The key elements of this vitality are the intersection of our dedicated audiences, our superb artists, and the Center itself—we work together to create this community.” The SFJAZZ Resident Artistic Director program was established to give today’s most innovative and influential artists the chance to curate exclusive programming at the SFJAZZ Center often featuring unprecedented collaborations and world premiere projects between world-renowned artists. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Vol II, No. 3, 1991
Vol. II, Number 3 1221 Wendell Ave., Sche 12308 Butch Conn. Editor Sweet S,ummer of Jazz Smash Fall Line-tlp ! Great JsLz Nl Over In the FaIl of 1991 we'll present first-class musicians/compos- There'll be a small orgr of Jazz ers in a festival of Jaz-z that lasts for two months. You'Il not only over the Summer which should be able to see and hear these musicians in concerts, but you'll please the palates of almost have a chance to audit or take Master Classes with some of the every Jaz-zfan. world's truly great Jazz Musicians. You'll also have a chance to hear them talk about new ideas inJaz-z and the History of Jazz,. Of course there's the well- known and well advertised Great instrumentalists comlng thls season lnelude ) Jazz Festival at SPAC Drummers : Akira Tana (whose played with almost everybody), (which has many fine musi- Marvin Smith (who is the favorite of many for dmmmer on re- cians. You'llreally love Geoff cordirrg dates), Portinho (one of the great BraziJiar: Drummers); Keezer and several ofthe other Brass players: Jay Ashby (trombonist with Claudio Rodlti, Tania less prominent acts) Maria and much in demand in Brazilian and Latin groups) Jimmy Owens (trumpet and one of the world's best kept secrets. There's lots of other activity as He's worked with Mingus, Dbzy.Kenny Baron, Hubert Laws, well. There's the Skip Parsons Shirley Scott, Herbie Mann and Archie Shepp and is in constant boat ride (mentioned in the last demand all over Europe); issue) of course. -
Guest Artists 2009-10 : School of Music : Texas State University
School of Music Guest Artists 2009-10 Texas State School of Music maintains a faculty of 70 outstanding musicians/scholars/teachers. That makes it an extraordinary bonus that so many leading professionals come to the campus each year to add to the artistic mix, giving guest recitals, master classes, and lectures. Below is just a sample of this amazing array of expert guests. 2009-2010 Dr. David Littrell guest clinician with Symphony Orchestra Monday, January 25, 2010, 2:00-4:00 pm in MUS 224 Served as national President of the American String Teachers Association in 2002-2004. conducts the University Orchestra and teaches strings at Kansas State University conducts the “Gold Orchestra”, 58 Manhattan KS area string students in grades 5-10. The “Gold Orchestra” toured England in 1997, Seattle and British Columbia in 1999, and performed at Carnegie Hall in 2001 and 2006. They performed at the ASTA National Orchestra Festival in Dallas in March 2004. served six years as Editor of the Books and Music Reviews section of the American String Teacher; editor of ASTA’s two-volume String Syllabus Dr. David Littrell Editor and Compiler of GIA Publications’ two volumes of Teaching Music through Performance in Orchestra Bob Mintzer Bob Mintzer debuts and performs a new Big Band composition commissioned by Texas State Jazz for the Hill Country Jazz Festival Saturday, February 6. Bob also appears as guest artist with the Hehmsoth Project at the Elephant Jazz Club, Austin, Friday, February 5, 9:30PM. In the jazz world Bob Mintzer is a household name, usually associated with being a saxophonist, bass clarinetist, composer, arranger, leader of a Grammy winning big band, member of the Yellowjackets, and educator.