DOCSLIB.ORG

Français 2 Nom: ______Unité 4

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Français 2 Nom: ______Unité 4 Français 2 nom: _____________________ Unité 4 Revue d’un film Imaginez que vous êtes critique de films qui écrit un revue d’un film français. Le magazine francais pour lequel vous écrivez est destiné aux adolescents. Imagine that you are a movie critique writing a review for a French movie. The French magazine that you are writing for is for a teen audience. 1. Choisissez un film français (voir quelques suggestions au verso) que vous n’avez pas vu en classe. Pick a French film (see some suggestions on the back) that you haven’t watched in class. 2. Recherchez les détails importants en concernant le film. Research important details about the movie. le genre l’année les acteurs les personnages (characters) le réalisateur/la réalisatrice (director) le lieu (setting) le scénario/l’intrique (story/plot) 3. Faites un critique du film. Write a critique of the movie. Paragraphe 1 : résumé (summary) Résumez le film pour vos lecteurs (readers). Summarize the film for your readers. Ce n’est pas nécessaire de nous raconter tout– il faut encourager les autres à le voir sans leur donner le dénouement (ending). It’s not necessary to describe everything – you should encourage others to see it without giving away the ending. Paragraphe 2 : opinion Donnez votre opinion du film. Give your opinion of the movie. Est-ce une bonne histoire ? Is it a good story ? Aimez-vous les acteurs ? Do you like the actors ? La cinématographie vous a plu ? Do you like the cinematagraphy ? Y a-t-il des différences de ce film et un film américain typique ? Are there any differences between this movie and a typical American movie ? Conseillez (advise)-nous de le voir ou non et les raisons pour le voir ou non. Give your advice if we should see this movie and give the reasons why or why not. 4. Créez une page d’un magazine. Mettez une photo de ce film. Donnez les renseignements que vous avez researchés du film. Vous pouvez nous donner un rating sur 4 (). Create a page of a magazine. Provide an image. Provide a list with the elements you resaerched about the film. You can give a rating out of 4. date limite: ________________ quelques mots utiles : à mon avis in my opinion sortir to open (movie) avoir lieu to take place (location) tourner to shoot (a movie) se passer to take place un personnage character il s’agit de… it’s about une scène a scene interpreter to interpret/act le réalisateur director selon moi in my opinion Le Chat Potté Genre : Film d'animation / Comédie Date de sortie : 30 novembre 2011 Réalisé par : Chris Miller Durée : 1h31min Pays de production :Etats-Unis Titre original : Puss in boots Distributeur : Paramount Pictures France Personnages principaux : Antonio Chat Potté (voix) Banderas... Kitty Softpaws Salma Hayek (voix) Humpty Dumpty Zach Galifianakis (voix) Billy Bob Jack (voix) Thornton Amy Sedaris Jill (voix) Constance Marie Imelda (voix) Guillermo del Moustache Man / Toro Comandate (voix) Bounty Hunter Rich Dietl (voix) Critique de Gael Golhen de Premiere.fr Ryan Crego Luis (voix) oute la force de ream orks nimation est l : splendeur visuelle on sent chaque plan Synopsis : C’était bien avant que notre la griffe de Guillermo Del Toro, conseiller mythique Chat Potté ne croise la route de artistique), animation virtuose (la course- Shrek… Le légendaire félin, et non moins poursuite sur les toits de la ville) et hommage redoutable amant, s’était alors embarqué dans malin au western. Le probl me, c’est le script. un périple riche en rebondissements, avec la libi justifiant la débauche graphique, le récit ravissante et rusée Kitty Pattes de Velours et de la rédemption du chat fonctionne Humpty Alexandre Dumpty, véritable merveille pendant une demi-heure. Mais, "cerveau" de l’opération. Leur objectif : quand le film bifurque et se met ressembler s’emparer de la fameuse Oie aux Œufs d’Or un conte de fées sous acide des haricots pour sauver la ville où le Chat Potté a grandi. radioactifs un uf dur machiavélique un Voici l’histoire véridique du Chat, du Mythe, de poussin muet qui louche et pond des ufs la Légende et… des Bottes ! d’or , Le Chat... perd son équilibre, sa logique et le spectateur. as si grave cependant car l’abattage hallucinant d’ ntonio Banderas suffit maintenir les sens en éveil. amais un film d’animation n’avait été aussi bien incarné . n félin f lé, l’ic ne ib re tient l’un de ses meilleurs r les. please check with your parents before selecting your movie 1. L’Argent de poche/Pocket Money (1976) PG In this poignant and humorous film set in France in the summer of 1976, director François Truffaut chronicles the journey of childhood through the eyes of children aged two weeks to 14 years in. Among the joys and pains the kids experience are a double date at the movies, brothers who give a friend a haircut, first love, teenage rebellion and a toddler who falls from a window. One of the highlights is a soliloquy delivered by a schoolteacher. 2. Jean de Florette (1986) R 3. Manon des sources (1986) R Claude Berri directs this pair of award-winning French dramas. In Jean de Florette, two men (Yves Montand and Daniel Auteuil) scheme to acquire a neighboring farm by preventing a natural spring from flowing, a water source that the new owner, Jean (Gérard Depardieu), needs for his crops. In Manon of the Spring, Jean's grown daughter (Emmanuelle Beart) goes after the two men with a fierce vengeance worthy of her proud and courageous heritage. 4. Au Revoir, les enfants (1987) PG As World War II rages on, two students at a boarding school, the French-Catholic Julien Quintin (Gaspard Manesse) and the Jewish Jean Bonnet (Raphael Fejto), form an unlikely friendship in director Louis Malle's powerfully moving drama based on events from his own life. Although the boys begin as adversaries, they soon find common ground, especially when it becomes clear that Jean is merely trying to survive the tyranny of the Nazis. 5. Cyrano de Bergerac (1990) PG Cyrano de Bergerac (Gerard Depardieu) pines for his cousin Roxanne, but won't reveal his affections for fear that she'll find his ugly features off- putting. So, Cyrano instructs the studly but stupid Christian how to woo her. Roxanne is entranced by Christian's beautiful poetry and letters -- all ghosted by Cyrano. But Christian dies in battle before he can tell Roxanne the truth. Depardieu won the Best Actor award at Cannes for his performance. 6. Nikita/La Femme Nikita (1990) R Internationally acclaimed director Luc Besson delivers the action-packed story of Nikita (Anne Parillaud), a ruthless street junkie whose killer instincts could make her the perfect weapon. Recruited against her will into a secret government organization, Nikita is broken and transformed into a sexy, sophisticated "lethal weapon." Later remade in the United States as Point of No Return, starring Bridget Fonda. 7. Le Château de ma mère (1990) G This film based on the humorous best-selling memoirs of French novelist and filmmaker Marcel Pagnol highlights the alluring, magical country life of turn-of-the-century Provence. Young Marcel's mother longs for the tranquility of Bastide Neuve after spending a summer holiday there and encourages her family to make the 9-mile trek on foot. They try to shorten the journey by cutting across a private estate, which lands them in a bit of trouble. 8. La Gloire de mon père (1990) G (Sequel to Le Château de Ma Mère) Based on the best-selling memoirs of French novelist and filmmaker Marcel Pagnol, this humorous and captivating recollection of a young boy's life in turn-of-the-century southern France focuses on his memorable summer holidays. Mystified by nature, Marcel turns to his father for an education on the ways of the wild. But his father comes up short in Marcel's eyes when Uncle Jules, an experienced woodsman, proves to be far more knowledgeable. 9. La Haine (1995) NR French director Mathieu Kassovitz traces a fateful day in the lives of alienated ghetto youths Vinz (Vincent Cassel), Saïd (Saïd Taghmaoui) and Hubert (Hubert Koundé) -- a Jew, an Arab and an African, respectively -- who are grappling with the aftermath of unexpected tragedy. When their friend Abdel lies comatose after a police beating, Vinz vows to dispense rough justice, sealing the destiny of all three. 10. Ponette (1996) NR When her mother dies in a car accident, 4-year-old Ponette (Victoire Thivisol) is left physically and emotionally scarred and in the care of her grief-stricken father. Sent to live with family for a while, Ponette sullenly navigates a world made up mostly of children's faces and slowly comes to terms with her loss. Thivisol's powerful, haunting performance earned her a Best Actress award at the Venice Film Festival in 1996. 11. Le fabuleux destin d’Amélie Poulain/Amélie 2001 R Impish gamine Amélie (Audrey Tautou) lives alone and works in a café. When she finds a trove of toys hidden for 40 years behind a baseboard in her apartment, she's inspired to repatriate the items, an impulse of generosity that sparks more benevolent acts. A celebration of life, Amélie reminds us of the small wonders that abound around us … if only we paused to look. 12. Être et avoir (2002) NR The once-acclaimed French school system is under siege, with overcrowding making it impossible for children to receive the education they deserve. But there's one place that's trying to buck the tide.
Load more

Recommended publications
  • Before the Forties
    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
    [Show full text]
  • Cedric Jimenez
    THE STRONGHOLD Directed by Cédric Jimenez INTERNATIONAL MARKETING INTERNATIONAL PUBLICITY Alba OHRESSER Margaux AUDOUIN [email protected] [email protected] 1 SYNOPSIS Marseille’s north suburbs hold the record of France’s highest crime rate. Greg, Yass and Antoine’s police brigade faces strong pressure from their bosses to improve their arrest and drug seizure stats. In this high-risk environment, where the law of the jungle reigns, it can often be hard to say who’s the hunter and who’s the prey. When assigned a high-profile operation, the team engages in a mission where moral and professional boundaries are pushed to their breaking point. 2 INTERVIEW WITH CEDRIC JIMENEZ What inspired you to make this film? In 2012, the scandal of the BAC [Anti-Crime Brigade] Nord affair broke out all over the press. It was difficult to escape it, especially for me being from Marseille. I Quickly became interested in it, especially since I know the northern neighbourhoods well having grown up there. There was such a media show that I felt the need to know what had happened. How far had these cops taken the law into their own hands? But for that, it was necessary to have access to the police and to the files. That was obviously impossible. When we decided to work together, me and Hugo [Sélignac], my producer, I always had this affair in mind. It was then that he said to me, “Wait, I know someone in Marseille who could introduce us to the real cops involved.” And that’s what happened.
    [Show full text]
  • A Film Watcher's Guide to Multicultural Films
    (Year) The year stated follows the TPL catalogue, based on when the film was released in DVD format. DRAMA CONTINUED Young and Beautiful (2014) [French] La Donation (The Legacy) (2010) [French] Yureru (Sway) (2006) [Japanese] Eccentricities of a Blonde-Haired Girl (2010) FAMILY [Portuguese] Amazonia (2014) [no dialogue] Ekstra (2014) [Tagalog] Antboy (2014) [English] Everyday (2014) [English] A Film Watcher’s The Book of Life (2014) [English/Spanish/French] Force Majeure (2014) [Swedish/English/French] Jack and the Cuckoo-Clock Heart (2013) Gerontophilia (2014) [French/English] Guide To Gett: The Trial of Viviane Amsalem (2015) [English/French] Khumba (2013) [English] [French/Hebrew/Arabic] Song of the Sea (2015) [English/French] Girlhood (2015) [French] Happy-Go-Lucky (2009) [English] HORROR The hundred year-old man who climbed out of a (*includes graphic scenes/violence) window and disappeared (2015) [Swedish/English] Berberian Sound Studio (2012) [English] The Hunt (2013) [Danish] *Borgman (2013) [Dutch/English] I am Yours (2013) [Norwegian/Urdu/Swedish] *Kill List (2011) [English] Ida (2014) [Polish] The Loved Ones (2012) [English] In a Better World (2011) [Danish/French] The Wild Hunt (2010) [English/French] The Last Sentence (2012) [Swedish] Les Neiges du Kilimanjaro (The Snows of ROMANCE Kilimanjaro) (2012) [French] All about Love (2006) [Cantonese/Mandarin] Leviathan (2015) [Russian/English/French] Amour (2013) [French] Like Father, Like Son (2014) [Japanese] Cairo Time (2010) [English/French] Goodbye First Love (2011) [French]
    [Show full text]
  • Feature Films
    NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 ..........................
    [Show full text]
  • Film & Event Calendar
    1 SAT 17 MON 21 FRI 25 TUE 29 SAT Events & Programs Film & Event Calendar 12:00 Event 4:00 Film 1:30 Film 11:00 Event 10:20 Family Gallery Sessions Tours for Fours: Art-Making Warm Up. MoMA PS1 Sympathy for The Keys of the #ArtSpeaks. Tours for Fours. Daily, 11:30 a.m. & 1:30 p.m. Materials the Devil. T1 Kingdom. T2 Museum galleries Education & 4:00 Film Museum galleries Saturdays & Sundays, Sep 15–30, Research Building See How They Fall. 7:00 Film 7:00 Film 4:30 Film 10:20–11:15 a.m. Join us for conversations and T2 An Evening with Dragonfly Eyes. T2 Dragonfly Eyes. T2 10:20 Family Education & Research Building activities that offer insightful and Yvonne Rainer. T2 A Closer Look for 7:00 Film 7:30 Film 7:00 Film unusual ways to engage with art. Look, listen, and share ideas TUE FRI MON SAT Kids. Education & A Self-Made Hero. 7:00 Film The Wind Will Carry Pig. T2 while you explore art through Research Building Limited to 25 participants T2 4 7 10 15 A Moment of Us. T1 movement, drawing, and more. 7:00 Film 1:30 Film 4:00 Film 10:20 Family Innocence. T1 4:00 Film WED Art Lab: Nature For kids age four and adult companions. SUN Dheepan. T2 Brigham Young. T2 This Can’t Happen Tours for Fours. SAT The Pear Tree. T2 Free tickets are distributed on a 26 Daily. Education & Research first-come, first-served basis at Here/High Tension.
    [Show full text]
  • World War II Meets French 331: Using Au Revoir Les Enfants to Discuss Religion, Ethics, And
    World War II Meets French 331: Using Au revoir les enfants to Discuss Religion, Ethics, and Values _________________________________ Laura Dennis-Bay University of the Cumberlands Williamsburg, Kentucky Abstract This paper examines the treatment of religious and ethical themes in relation to the holocaust in Louis Malle’s film Au revoir les enfants, and suggests ways in which the film can enable discussion of religion, ethics and values in the French classroom.The film raises issues of philosophical and spiritual significance as it forces the viewer to grapple with some of the most atrocious events in human history. “Can we watch a movie?” Many college foreign language profes- sors hear all too often some variation of this refrain. Whatever the response, it seems that more often than not, the request is followed by something like “my high school teacher let us watch Beauty and the Beast in French.” Already suspecting, perhaps fearing the answer, the instructor might re- spond “Oh, the beautiful black and white film by Surrealist director and poet Jean Cocteau?” The answer, too many times, is a perplexed “No, I mean the Disney cartoon,” at which point it’s time to move on. This is not to argue against the use of film in the classroom. In fact, in the past few years I have added an increasing number of films at the Intermediate level and beyond, and even developed an entire course on film adaptations of literary works. Not only do films in the target language en- courage development of linguistic skills, particularly listening, in some cases they also serve as valuable cultural and historical artifacts.
    [Show full text]
  • LITTLE WHITE LIES Press
    EuropaCorp Presents Written and directed by Guillaume Canet Starring: François Cluzet, Marion Cotillard, Benoit Magimel, Gilles Lellouche, Laurent Lafitte, Jean Dujardin, Valérie Bonneton, Pascale Arbillot, Anne Marivin, Louise Monot, Joel Dupuch and Hocine Merabet Produced by: Alain Attal and Hugo Sélignac Sales Contacts: EuropaCorp Marie- Laure Montironi / Pascal Degove / Yohann Comte [email protected] / [email protected] / [email protected] Press Contacts: MPRM Communications Clay Dollarhide / Brooke Medansky [email protected] / [email protected] Cells: 323-428-7460 / 323-314-9553 EUROPACORP LES PRODUCTIONS DU TRÉSOR PRESENT LITTLE WHITE LIES A coproduction CANEO FILMS LES PRODUCTIONS DU TRESOR EUROPACORP M6 FILMS With the participation of CANAL + CINECINEMA M6 In association with COFINOVA 6 and COMPAGNIE CINEMATOGRAPHIQUE EUROPEENNE PANACHE PRODUCTIONS FRANÇOIS CLUZET MARION COTILLARD BENOÎT MAGIMEL GILLES LELLOUCHE JEAN DUJARDIN LAURENT LAFITTE VALÉRIE BONNETON PASCALE ARBILLOT ANNE MARIVIN LOUISE MONOT JOEL DUPUCH HOCINE MERABET With the friendly participation of MATTHIEU CHEDID AND MAXIM NUCCI Director of Photography CHRISTOPHE OFFENSTEIN EDITING HERVÉ DE LUZE SOUND PIERRE GAMET JEAN GOUDIER JEAN-PAUL HURIER MARC DOISNE PRODUCTION DESIGNER PHILIPPE CHIFFRE COSTUMES CARINE SARFATI SCREENPLAY AND DIALOGUES BY GUILLAUME CANET LINE PRODUCER HUGO SÉLIGNAC PRODUCED BY ALAIN ATTAL A FILM BY GUILLAUME CANET SYNOPSIS: Despite a traumatic event, a group of friends decide to go ahead with their annual beach vacation. Their relationships, convictions, sense of guilt and friendship are sorely tested. They are finally forced to own up to the little white lies they have been telling each other. Directed by Guillaume Canet and starring: François Cluzet, Marion Cotillard, Benoît Magimel, Gilles Lellouche, Jean Dujardin, Laurent Lafitte, Valérie Bonneton and Pascale Arbillot DIRECTORS STATEMENT: Les Petits Mouchoirs (Little White Lies) is my third feature as a director and the most personal of the three.
    [Show full text]
  • Ciné-Parvis 65 Argeles-Gazost
    CINÉ-PARVIS 65 ARGELES-GAZOST CINÉMA LE CASINO TEL. : 05 62 97 29 65 -*°*- PIRATES DES CARAÏBES, JUSQU'AU BOUT DU MONDE (2007 - 2H20 - USA - V.F.) SORTIE NATIONALE Film de Gore Verbinski avec Johnny Depp, Orlando Bloom, Keira Knightley MERCREDI 23 MAI - 17H & 21H DIMANCHE 27 MAI - 17H & 21H ----------------------------------------------------------------------- LES CHANSONS D'AMOUR (2007 - 1H40 - France) Sélection Officielle Cannes 2007 SORTIE NATIONALE Film de Christophe Honoré avec Louis Garrel, Ludivine Sagnier, Clotilde Hesme JEUDI 24 MAI - 21H ----------------------------------------------------------------------- CINÉ-SÉNIORS ENSEMBLE, C'EST TOUT (2007 - 1H37 - France) Film de Claude Berri avec Audrey Tautou, Guillaume Canet, Laurent Stocker, Françoise Bertin VENDREDI 25 MAI - 14H30 ----------------------------------------------------------------------- GOODBYE BAFANA (2007 - 1H58 - Grande-Bretagne - V.O.) Sélection officielle - Festival de Berlin 2007 Un film de Bille August avec Dennis Haysbert, Joseph Fiennes, Diane Kruger VENDREDI 25 MAI - 21H ----------------------------------------------------------------------- 300 (2007 - 1H55 - USA - V.F. - Interdit aux moins de 12 ans) Film de Zack Snyder avec Gerard Butler, Lena Headey, Rodrigo Santoro, David Wenham MARDI 29 MAI - 21H ----------------------------------------------------------------------- CINÉ-PARVIS 65 ARRENS-MARSOUS « MAISON DU VAL D’AZUN » TEL. : 05 62 97 49 49 -*°*- SPIDER-MAN 3 (2007 - 2H36 - USA - V.F.) Film de Sam Raimi avec Tobey Maguire, Kirsten Dunst, James
    [Show full text]
  • Animation Pedagogique Ecole Et Cinema Mardi 9 Mars 2012
    ANIMATION PEDAGOGIQUE ECOLE ET CINEMA MARDI 9 MARS 2012 Argent de poche (L') Son : Michel Laurent TRUFFAUT François Décors : Jean-Pierre Kohut-Svelko France 1976 Costumes : Monique Dury Genre : Comédie Dramatique Montage : Yann Dedet Ecriture cinématographique : Fiction Musique : Maurice Jaubert Ecole et cinéma 2004-2005 Chanson : Les Enfants s'ennuient le GÉNÉRIQUE dimanche, Charles Trenet Titre primitif : Abel et câlins Orchestre : Patrice Mestral Réalisation : François Truffaut Conseiller musical : François Porcile Scénario original : François Truffaut et Production : Les Films du Carrosse et les Suzanne Schiffman Artistes associés Scripte : Christine Pellé Producteur exécutif : Richard Hashimoto Image : Pierre-William Glenn Film 35 mm Couleurs M. Riffle / Francis Devlaeminck Format : 1/1,66 Le Commissaire, père de Sylvie / Jean- Durée : 1h43 Marie Carayon Distribution : AAA Distribution Sa femme / Kathy Carayon N° de Visa : 43 719 Patrick Desmouceaux/ Grégory Tournage : Juillet / août 1975, à Thiers Desmouceaux Sortie en France : 17 mars 1976 Bruno Rouillard / Bruno Staab Interprétation Julien Leclou Philippe Goldmann J.F. Richet, l'instituteur / Jean-François Corinne / Corinne Boucart Stevenin Patricia / Eva Truffaut Lydie Richet, sa femme / Virginie Thévenet Sylvie / Sylvie Grézel Mlle Petit / Chantal Mercier Laurent Riffle / Laurent Devlaeminck Nico / Nico Félix Madeleine Doinel / Laura Truffaut Mme Riffle / Tania Torrens Martine / Pascale Bruchon AVANT LA PROJECTION 1) Emission d’hypothèses à partir du titre: «L’argent de poche» La séquence vise à dépasser la première lecture du titre pour aller vers une lecture plus experte. Quand on demandera aux élèves d’émettre des hypothèses par rapport au titre, on peut anticiper des réponses d’élèves très centrées sur une histoire d’argent de poche.
    [Show full text]
  • Educational Newsletter
    Educational Newsletter http://campaign.r20.constantcontact.com/render?llr=zg5n4wcab&v=001K... The content in this preview is based on the last saved version of your email - any changes made to your email that have not been saved will not be shown in this preview. February 2012 Educational Newsletter French Consulate in Boston Our Academic News In This Issue Formation pour professeurs de français Offre de formation "Réaliser une "Voyages en Francophonie" production audiovisuelle" Our 2011 Contest! Nous avons la possibilité de faire SPCD Grant intervenir à Boston un formateur du The Green Connection Centre de liaison de l'enseignement et des médias d'information (CLEMI) sur le CampusArt thème suivant : "Réaliser une production Hewmingway Grant Program audiovisuelle en classe de français langue étrangère" (détails ICI ). Elle La FEMIS pourrait accueillir une trentaine de Merrimack College Language professeurs de middle schools et high schools. La formation se Programs déroulerait sur deux fois 3 heures en "afterschool" les 27 et 28 "Voyages en Francophonie" février, ou le 28 février sur 6 heures en journée (il est possible de n'assister qu'à la première session, mais en faisant l'impasse Printemps des Poètes sur la partie pratique). Tous les frais sont pris en charge par les "A Preview of 2012 in France" services culturels de l'ambassade de France. Si cette formation Clermont-Ferrand International Short intéresse un nombre suffisant d'entre vous, nous serions Film Festival heureux de l'organiser. Dans ce cas, merci de le faire savoir rapidement à Guillaume Prigent compte tenu des délais très Providence French Film Festival courts.
    [Show full text]
  • LELLOUCHE TAUTOU a Film by CLAUDE Miller
    UGC PRESENTS AUDREY GILLES TAUTOU LELLOUCHE MANN T AR H A fILm BY Claude mILLER WITH ANAIS DEMOUSTIER PHOTOS : MARCEL PHOTOS PRODUCED BY YVES MARMION FOR UGC SCREENPLAY ADAPTATION DIALOGUE BY CLAUDE MILLER AND NATALIE CARTER BASED ON THE NOVEL BY FRANÇOIS MAURIAC « THERESE DESQUEYROUX » © 1927 EDITIONS GRASSET & FASQUELLE MUSIC ARRANGED BY MATHIEU ALVADO STARRING CATHERINE ARDITI ISABELLE SADOYAN STANLEY WEBER FRANCIS PERRIN PHOTOGRAPHY GERARD DE BATTISTA A.F.C. ASSISTANT DIRECTOR HERVE RUET SETS LAURENCE BRENGUIER EDITING VERONIQUE LANGE SOUND ERIC ROPHE GWENOLE LEBORGNE COSTUMES JACQUELINE BOUCHARD PRODUCTION MANAGER BRUNO BERNARD POST-PRODUCTION MANAGER ABRAHAM GOLDBLAT A UGC PRODUCTION IN COPRODUCTION WITH UGC IMAGES TF1 DROITS AUDIOVISUELS FRANCE 3 CINEMA AND COOL INDUSTRIE IN ASSOCIATION WITH SOFICA UGC 1 SOFICINEMA 8 LBPI 5 AND COFINOVA 7 WITH THE PARTICIPATION OF CANAL + CINE + AND FRANCE TELEVISIONS WITH THE SUPPORT OF LA REGION AQUITAINE IN PARTNERSHIP WITH LE CNC AND LA PROCIREP INTERNATIONAL SALES TF1 INTERNATIONAL FRENCH theatrical AND VIDEO RELEASE UGC © 2012 LES FILMS DU 24 UGC IMAGES TF1 DROITS AUDIOVISUELS FRANCE 3 CINEMA COOL INDUSTRIE UGC presents THERESE DESQUEYROUX baased on the novel by François Mauriac @1927.Editions Grasset et Fasquelle directed by CLAUDE MILLER with AUDREY TAUTOU Gilles LELLOUCHE Anais DEMOUSTIER French release by UGC DISTRIBUTION: November 21st, 2012 International Sales : TF1 INTERNATIONAL SYNOPSIS In the French region of Landes, near Bordeaux, marriages are arranged to merge land parcels and unite neighboring families. Thus, young Thérèse Larroque becomes Mrs. Desqueyroux. But her avant‐garde ideas clash with local conventions. In order to break free from the fate imposed upon her and live a full life, she will resort to tragically extreme measures..
    [Show full text]
  • Catalogue-2018 Web W Covers.Pdf
    A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz.
    [Show full text]