Spiritual Anorexia Starving for Meaning and Purpose: the Next Generation of Diagnosis and a Prescription for Hope

Total Page:16

File Type:pdf, Size:1020Kb

Spiritual Anorexia Starving for Meaning and Purpose: the Next Generation of Diagnosis and a Prescription for Hope Spiritual Anorexia Starving for Meaning and Purpose: The Next Generation of Diagnosis and a Prescription for Hope A Paper Presented to The Faculty of the Alfred Adler Graduate School In Partial Fulfillment of the Requirements for The Degree of Master of Arts in Adlerian Counseling and Psychotherapy By: Michelle Saari 2004 2 Acknowledgements Without the help 1 insightr prayers and support of so many people 1 this process would not have been completed. Thank you to the faculty members who have imparted more than knowledge and experience to my education: Dan Zenga, Dan Haugen 1 Bob Bartholow 1 and Trish Anderson. To my family 1 thanks could never be enough: Daryl 1 Kathy 1 and Jason Saari 1 Gilda Richards, Pete 1 Carol 1 Jim and Robin Licari. With unending gratitude to God... 3 Table of Contents Abstract Introduction The Problem Psychology Philosophy Theology My Hybrid Theory for Change Areas Requiring Further Study Summary Conclusion References 4 Abstract Mental illness and increasing reliance on psychopharmacological interventions are placing a strain on social service delivery systems, and taking a toll on relationships. Curiously there seems to be more diagnosis and treatment in the United States than any other culture. In a country with more opportunities and wealth than any other, we also see a hunger for "more." It is precisely this desire for more and the journey people take to find meaning and purpose that prompted me to research this paper. The timeless problem of searching for meaning has been compounded with pop culture demands and created a generation of starved for both meaning and purpose. How can we feed the starvation in a healthy way and maintain a balance of emotional, physical and spiritual health? In this paper I look at the spiritually anorexic client, the development of the problem, and contributions from three schools of thought. In the theoretical analysis of the contributions of psychology, philosophy and theology, I will propose a hybrid theory to help treat and encourage today's client. 5 "Jackson, Robert. Mr. Robert Jackson died yesterday of complications from doing a lifetime of crap that he didn't really want to do. His condition was further complicated because he also failed to do much, if any, of what he did want to do. Experts reported that he died from cramming someone else's idea of life into his body, his brain, and his life. Attempts by Mr. Jackson to fill the voids with work, cars, excessive eating, alcohol, three wives, two thousand rounds of golf, and meeting everyone else's expectancies but his own, were dismally unsuccessful. Unfortunately, this all took so much out of Mr. Jackson that he was just worn flat out and died about twenty years too soon." (McGraw 2001) 6 Introduction Common threads across varied disciplines are not new and not unusual. The process of drawing new and fresh connections is at the very core of the mind and learning process. However, the wisdom shared and affirmed by these commonalities is under-utilized. The cliche's about the world going to hell due to the impact of culture on our children is tired. It is as tired as the never ending, seemingly recycled speeches that make their appearances every election year. I would not be the first or the last person to comment on the state of the modern western world and all its pros and cons. The debate is timeless. The difference in my theoretical quilt is that I have knitted ideas from a three select disciplines, and propose a hybrid model for change and results in the therapeutic process. My proposal for therapeutic intervention is a combination of Adlerian Psychological theory, Existential Philosophy, and fundamental Christian Theology. Achieving a balance and agreement between the inner and outer self is crucial for the overall health and well being of the individual. 7 Seeking out, repairing and reorienting beliefs in the cognitive schema and life style are part of the Adlerian contribution. Exploring time-tested effectiveness of Biblical virtues can also set a framework and clear path for an individual to take. Healthy boundaries, safe environment for growth/change and accurate and functional knowledge of one's self in possibility and limitation can transform the psyche and bridge the way to a sense of peace and overall mental health. Like a scene from a movie there is a damp chill in the air, a slight drizzle and clouds circling in the sky. Taps is played in the distance, and then rifles fire in honor of a life. When the American flag and a salute were exchanged on the morning of my grandmother's funeral, life met me full on. For a very surreal moment I was face to face with mortality and meaning, as if they had snuck up on me. As I stared at the rose lying on the dirt I reflected on the profound impact my grandmother Carol made on so many people. As I saw the marble grave markers everywhere I was struck by the profound. 8 So many relationships, memories, and choices result in a final resting place and one hour of ceremony. What is life truly about? Is it possible to make it to that overcast morning and realize that you or your loved one may have missed it? Although a little extreme, somewhere between the strength and struggle of life lie a story and a series of choices. A legacy is left and the world is changed. Death is inevitable, but living is not. Living is an active choice and a journey. Living with purpose and sense of meaning is no accident. It requires hard work, choices, and a level of self-awareness sometimes not for the faint of heart. The passage of time between birth and death is of unknown length and full of decisions. What we do, how we live, what we pursue, accomplish and cultivate is our unique choice and of our own free will. The question plaguing humanity, and one that plagued my heart that day, was "what is the real meaning of life?" The human race is a people with tradition and fleeting fads. Each of us is personally held accountable for our participation/non-participation in it. 9 Those pivotal moments or events that spur us to ask those deep and personal existential questions are key change agents. They can be alarming enough that someone has a moment of clarity that they need help, want to change, or strive to be more. A moment of complete brokenness and deep vulnerability that rocks us to the core is the invitation and opportunity to reach for more and be more. I would assert that getting to a point in the helping process where a client asks those kinds of questions is the only time the path to deep healing can occur. Serious persistent mental illness can start well before these moments, and due to a variety of factors from environmental, biological to socialization. At times these questions generating a "crisis of faith" are the trigger points for intervention, and the birthplace of hope. For the purposes of this paper, I am not including potential biological and organic causes of mental illness in my discussion of symptoms, interventions or techniques. The global community knows all generations for various advancements and contributions. My "generation" so to speak is no different. 10 The great things that have been contributed in the way of scientific, medical and technological advancements are unmatched. We go faster, further and do so more efficiently than any of our predecessors. Even still, what I find so intriguing is that we still ask the same questions that have been with us for thousands of years. "Who am I?" "What is the meaning of life?" and so on. Buried in those questions is a growing list of diagnoses in the upcoming revisions of the DSM (Diagnostic Statistic Manual) . Within those questions also lies pharmacological intervention, insurance premiums, broken families, increased physical disease, spiritual crises, suicide, lost productivity and a multitude of complex issues. One would think in a time with almost endless options, opportunities, and potential, people would have found the elusive meaning to living by now. Amazingly, we have not found it, and so we continue to struggle, sometimes to new depths. Wade Clark Roof 1999 wrote an interesting book called, Spiritual Marketplace, baby boomers and the remaking of American religion. I will refer to this book often throughout this paper. 11 Roof addresses this growing problem, "Many within this generation feel they have been both blessed and cursed: blessed because in their lifetime they have had more opportunities for education and better-paying jobs than did their parents, but also cursed because no matter how hard they work or succeed in jobs and careers, life continues to be pretty tough (Roof 1999) . " The current American generation has more wealth, education, and longevity than ever before, and yet is consuming psychopharmacological intervention and self help at astronomical rates. What is happening? People are always striving for some type of superiority and meaning based upon their own definition of success. The perception of success is rooted in early childhood development, cultural, environmental, social experience. The formed character is never 100% actualized although the more rooted and bonded in others we are, typically the healthier we are. 12 The rise and fall and changing face of the American family dynamic, complexity of urban sprawl and the terms such as soccer mom and metro sexual still fail to accurately compartmentalize the depth of the human spirit. Such richness lies dormant in old texts scratched out by wordy philosophers, prolific theological teachings or the practical yet insightful writings of pre-twenty first century psychologists.
Recommended publications
  • The Authenticity of Ambiguity: Dada and Existentialism
    THE AUTHENTICITY OF AMBIGUITY: DADA AND EXISTENTIALISM by ELIZABETH FRANCES BENJAMIN A thesis submitted to The University of Birmingham For the degree of DOCTOR OF PHILOSOPHY Department of Modern Languages College of Arts and Law University of Birmingham August 2014 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ii - ABSTRACT - Dada is often dismissed as an anti-art movement that engaged with a limited and merely destructive theoretical impetus. French Existentialism is often condemned for its perceived quietist implications. However, closer analysis reveals a preoccupation with philosophy in the former and with art in the latter. Neither was nonsensical or meaningless, but both reveal a rich individualist ethics aimed at the amelioration of the individual and society. It is through their combined analysis that we can view and productively utilise their alignment. Offering new critical aesthetic and philosophical approaches to Dada as a quintessential part of the European Avant-Garde, this thesis performs a reassessment of the movement as a form of (proto-)Existentialist philosophy. The thesis represents the first major comparative study of Dada and Existentialism, contributing a new perspective on Dada as a movement, a historical legacy, and a philosophical field of study.
    [Show full text]
  • 16: the Up-And-Coming Metro Phoenix Bands to Watch This Year
    1/28/2016 16 Metro Phoenix Bands to Watch in 2016 | Phoenix New Times 16 FOR '16: THE UP-AND-COMING METRO PHOENIX BANDS TO WATCH THIS YEAR BY AMY YOUNG, LAUREN WISE, JARON IKNER, TOM REARDON, JEFF MOSES, ROGER CALAMAIO, GARYN KLASEK, SERENE DOMINIC, JASON KEIL, JASON P. WOODBURY, MITCHELL HILLMAN WEDNESDAY, JANUARY 27, 2016 | 1 DAY AGO Couples Fight Jim Louvau The new year means new beginnings, fresh ideas, and more chances to give birth to new projects. In such a populous area, we are privy to a tremendous amount of ambition and diversity when it comes to the local music scene. The area's creative class constantly churns out new music. The city overflows with talent, from bands with members not old enough to drink to veterans with decades of music experience in the scene. With that in mind, we present to you 16 promising local bands to watch in 2016. These bands span a range of genres, from noisy punk to electro pop to surf-tinged garage rock, but they all share a common drive to create great music and share it with the world. Don't be surprised to see these bands popping up on lineups at venues around town and filling out the local slots once festival season hits. Give these bands a listen. We don't think you'll be disappointed. http://www.phoenixnewtimes.com/music/16­for­16­the­up­and­coming­metro­phoenix­bands­to­watch­this­year­8001905 1/10 1/28/2016 16 Metro Phoenix Bands to Watch in 2016 | Phoenix New Times Molly and the Molluscs Dani Perez Molly and the Molluscs These band members are having a better time than you.
    [Show full text]
  • Race, Youth, and the Everyday Rebellion of Rock and Roll, Cleveland, Ohio, 1952-1966
    Cleveland State University EngagedScholarship@CSU ETD Archive 2010 The Only Common Thread: Race, Youth, and the Everyday Rebellion of Rock and Roll, Cleveland, Ohio, 1952-1966 Dana Aritonovich Cleveland State University Follow this and additional works at: https://engagedscholarship.csuohio.edu/etdarchive Part of the History Commons How does access to this work benefit ou?y Let us know! Recommended Citation Aritonovich, Dana, "The Only Common Thread: Race, Youth, and the Everyday Rebellion of Rock and Roll, Cleveland, Ohio, 1952-1966" (2010). ETD Archive. 714. https://engagedscholarship.csuohio.edu/etdarchive/714 This Thesis is brought to you for free and open access by EngagedScholarship@CSU. It has been accepted for inclusion in ETD Archive by an authorized administrator of EngagedScholarship@CSU. For more information, please contact [email protected]. THE ONLY COMMON THREAD: RACE, YOUTH, AND THE EVERYDAY REBELLION OF ROCK AND ROLL, CLEVELAND, OHIO, 1952-1966 DANA ARITONOVICH Bachelor of Arts in Communications Lake Erie College May, 2006 submitted in partial fulfillment of requirements for the degree MASTER OF ARTS IN HISTORY at the CLEVELAND STATE UNIVERSITY May, 2010 This thesis has been approved for the Department of HISTORY and the College of Graduate Studies by _____________________________________________ Thesis Chairperson, Dr. Karen Sotiropoulos ___________________________ Department & Date _____________________________________________ Dr. David Goldberg ___________________________ Department & Date _____________________________________________ Dr. Thomas Humphrey ___________________________ Department & Date THE ONLY COMMON THREAD: RACE, YOUTH, AND THE EVERYDAY REBELLION OF ROCK AND ROLL, CLEVELAND, OHIO, 1952-1966 DANA ARITONOVICH ABSTRACT This thesis is a social and cultural history of young people, race relations, and rock and roll music in Cleveland between 1952 and 1966.
    [Show full text]
  • The Sixties Counterculture and Public Space, 1964--1967
    University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • UNIVERS ZERO Title: CLIVAGES (Cuneiform Rune 295)
    Bio information: UNIVERS ZERO Title: CLIVAGES (Cuneiform Rune 295) Cuneiform publicity/promotion dept.: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com [Press & world radio]; radio [-at-] cuneiformrecords.com [North American radio] www.cuneiformrecords.com FILE UNDER: ROCK / CHAMBER ROCK / EXPERIMENTAL / CLASSICAL “...an indispensable release for anyone who believes that "Bartók" and "rock" can fit comfortably in the same sentence.” – All Music Guide “Univers Zero's vision (is) pretty much unique & for those touched by it, nothing else will quite do...a sound that really couldn't be any other band in the world.'” – The Rough Guide To Rock The Belgian band Univers Zero is legendary for their uncompromising musical vision – a sound and stance Keyboard described as “Chamber music for the Apocalypse”. Simultaneously medieval & modern, its distinctive, dark and elegantly beautiful music has set the standard for “chamber rock”, a New Music hybrid of Francophone origin and worldwide appeal that UZ pioneered. UZ’s singular sound derives from its unique instrumentation (piano and keyboards, violin, clarinets saxophone, oboe, bassoon, English horn, electric bass, drums) combined with brooding gothic imagery, elements of European folk and other world musics, the iconoclasm and intensity of rock, the relentless sonic experimentation of the avant garde, and leader and composer Daniel Denis’ classically-inspired writing style, influenced by early 20th Century avant garde classical composers. In the hands of some of the best musicians in Europe, these factors result in a group on the cutting edge of creating a new, vital, and unique fusion of classical and rock music. The band has remained on the cutting edge of New Music throughout the course of a career that began in the ‘70s and continues today, stretching and disintegrating the boundaries of classical and rock music alike to create a new, vital, and unique fusion.
    [Show full text]
  • The Commune Movement During the 1960S and the 1970S in Britain, Denmark and The
    The Commune Movement during the 1960s and the 1970s in Britain, Denmark and the United States Sangdon Lee Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of History September 2016 i The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement ⓒ 2016 The University of Leeds and Sangdon Lee The right of Sangdon Lee to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 ii Abstract The communal revival that began in the mid-1960s developed into a new mode of activism, ‘communal activism’ or the ‘commune movement’, forming its own politics, lifestyle and ideology. Communal activism spread and flourished until the mid-1970s in many parts of the world. To analyse this global phenomenon, this thesis explores the similarities and differences between the commune movements of Denmark, UK and the US. By examining the motivations for the communal revival, links with 1960s radicalism, communes’ praxis and outward-facing activities, and the crisis within the commune movement and responses to it, this thesis places communal activism within the context of wider social movements for social change. Challenging existing interpretations which have understood the communal revival as an alternative living experiment to the nuclear family, or as a smaller part of the counter-culture, this thesis argues that the commune participants created varied and new experiments for a total revolution against the prevailing social order and its dominant values and institutions, including the patriarchal family and capitalism.
    [Show full text]
  • Hipster Black Metal?
    Hipster Black Metal? Deafheaven’s Sunbather and the Evolution of an (Un) popular Genre Paola Ferrero A couple of months ago a guy walks into a bar in Brooklyn and strikes up a conversation with the bartenders about heavy metal. The guy happens to mention that Deafheaven, an up-and-coming American black metal (BM) band, is going to perform at Saint Vitus, the local metal concert venue, in a couple of weeks. The bartenders immediately become confrontational, denying Deafheaven the BM ‘label of authenticity’: the band, according to them, plays ‘hipster metal’ and their singer, George Clarke, clearly sports a hipster hairstyle. Good thing they probably did not know who they were talking to: the ‘guy’ in our story is, in fact, Jonah Bayer, a contributor to Noisey, the music magazine of Vice, considered to be one of the bastions of hipster online culture. The product of that conversation, a piece entitled ‘Why are black metal fans such elitist assholes?’ was almost certainly intended as a humorous nod to the ongoing debate, generated mainly by music webzines and their readers, over Deafheaven’s inclusion in the BM canon. The article features a promo picture of the band, two young, clean- shaven guys, wearing indistinct clothing, with short haircuts and mild, neutral facial expressions, their faces made to look like they were ironically wearing black and white make up, the typical ‘corpse-paint’ of traditional, early BM. It certainly did not help that Bayer also included a picture of Inquisition, a historical BM band from Colombia formed in the early 1990s, and ridiculed their corpse-paint and black cloaks attire with the following caption: ‘Here’s what you’re defending, black metal purists.
    [Show full text]
  • Ashbury Neighborhood the Haight
    Wool 1 Sophie Wool Professor Vilja Hulden HIST 4435 9 April 2019 The Death of the Haight- Ashbury Neighborhood The Haight Ashbury neighborhood in San Francisco was the center of counterculture in the 1960’s. The counterculture of San Francisco in the 1960’s worked to reMove itself from MainstreaM society by creating their own realM on the outside of “normal”. The counterculture aMong the youth in San Francisco, contrary to popular belief, was a highly disorganized MoveMent with little to no political motives. It was an oddly unified chaos fueled by the idea of trying to find oneself and dig deeper into the individual. While many other youth moveMents were focused on the ideas of coming together in society, the counterculture in Haight-Ashbury focused on the individual. The counterculture moveMent that evolved in the Haight during the 1960’s was doomed to end from the start as the ideals of dropping out of society could never fully be achieved. Once the moveMent was picked up by the main streaM media, the people of the neighborhood felt that they were in a zoo as people from all over flocked to San Francisco to witness and sometiMes even try and take part in their culture. The music and events that evolved within the Haight neighborhood becaMe one of the main outlets of expression for the hippies as it works hand in hand with the culture that they created there. The music scene and sound showcase ideals of individuality and the uniqueness of it all shows how the hippies were trying to create their own reality and separate from the mainstreaM.
    [Show full text]
  • Shawyer Dissertation May 2008 Final Version
    Copyright by Susanne Elizabeth Shawyer 2008 The Dissertation Committee for Susanne Elizabeth Shawyer certifies that this is the approved version of the following dissertation: Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 Committee: Jill Dolan, Supervisor Paul Bonin-Rodriguez Charlotte Canning Janet Davis Stacy Wolf Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 by Susanne Elizabeth Shawyer, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2008 Acknowledgements There are many people I want to thank for their assistance throughout the process of this dissertation project. First, I would like to acknowledge the generous support and helpful advice of my committee members. My supervisor, Dr. Jill Dolan, was present in every stage of the process with thought-provoking questions, incredible patience, and unfailing encouragement. During my years at the University of Texas at Austin Dr. Charlotte Canning has continually provided exceptional mentorship and modeled a high standard of scholarly rigor and pedagogical generosity. Dr. Janet Davis and Dr. Stacy Wolf guided me through my earliest explorations of the Yippies and pushed me to consider the complex historical and theoretical intersections of my performance scholarship. I am grateful for the warm collegiality and insightful questions of Dr. Paul Bonin-Rodriguez. My committee’s wise guidance has pushed me to be a better scholar.
    [Show full text]
  • Revolutionary Theatricality: Dramatized American Protest, 1967-1968
    Revolutionary Theatricality: Dramatized American Protest, 1967-1968 Angela Rothman University of Oregon Rothman 1 American protest against the political and social establishment grew between the years 1967 and 1968 because dramatic aspects of rebellion manifested in theatrical methods. Prominent examples of these protests include the San Francisco Mime Troupe, the production of Paradise Now by the Living Theatre, the Broadway cast production of the musical Hair, and the Festival of Life by the Yippie Movement1 at the Chicago Democratic National Convention. During this intense period of domestic conflict, these activists embraced the revolutions of radical theater as visible forms of protest. Theatrical performance is a major presentation performed by actors and interpreted by audiences, both politically and socially. In an America embroiled in war and cultural conflict, the actors in social groups used revolutionary strategies to express the need for changes in society. Naomi Feigelson’s The Underground Revolution: Hippies, Yippies, and Others argues that politics meshed with theater in “the insistence on involvement, the need for each person to feel part of life.” 2 Doing so made “the spectator part of the action, [in] a drive for liberation and personal expression.” 3 Both Broadway and off-Broadway theater companies, as well as activists like the Yippies, created a platform for their messages and invited spectators to join the drama. While political theater was not a new art form, experimental theater methods decisively influenced performative protests in the late 1960s. They demonstrated their theatrical protest in the call to, and act of, revolution. Stephan Mark Halpern writes that as “the war in Vietnam dragged on and on it seemed to expose the unresponsiveness of government and the weaknesses in American society;” this instability coupled with social repression made a volatile mixture.
    [Show full text]
  • From Happening to Performance
    Philosophica 30, 1982 (2). pp. 61-74. 61 FROM HAPPENING TO PERFORMANCE Tadeusz Pawlowski Differences and Similarities The presence of the artist who in front of an audience perso­ nally carries out some actions is a feature shared by both manifes­ tations of contemporary art mentioned in the little, and at the same. time one of their important constitutive characters. There are more such common features; also, performance co-existed for some time together with happening, pushing it out gradually from the scene of world-art. In the face of such similarities and connections the more surprising are the essential differences which separate performance from happening. These differences refer to basic aims and functions as well as to artistic means used to realize them. Happeners strived to change the world: to make more humane the existing framework of social life; to abolish authoritarian conventic-~~ and customs which impoverished interhuman relations. They hoped to achieve this aim by penetrating the objective social world with their artistic actions. To make the actions maximally efficient it was necessary to integrate art in real life, to abolish the dividing line separating them. That is why happeners often carried out their actions at public places, frequented by great numbers of people : on busy streets 'and squares, at railway stations, airports, etc. Also at places where phenomena of common life provoked happeners' protests, because of their absurdity or cruelty, e.g. at slaughter-houses, in slums, at places of exuberant wealth. In· their effort to assimilate art to real life happeners admitted chance as. a factor determining their artistic decisions, because, as .they say, life is also governed by chance.
    [Show full text]
  • ED311449.Pdf
    DOCUMENT RESUME ED 311 449 CS 212 093 AUTHOR Baron, Dennis TITLE Declining Grammar--and Other Essays on the English Vocabulary. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-1073-8 PUB DATE 89 NOTE :)31p. AVAILABLE FROM National Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 10738-3020; $9.95 member, $12.95 nonmember). PUB TYPE Books (010) -- Viewpoints (120) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *English; Gr&mmar; Higher Education; *Language Attitudes; *Language Usage; *Lexicology; Linguistics; *Semantics; *Vocabulary IDENTIFIERS Words ABSTRACT This book contains 25 essays about English words, and how they are defined, valued, and discussed. The book is divided into four sections. The first section, "Language Lore," examines some of the myths and misconceptions that affect attitudes toward language--and towards English in particular. The second section, "Language Usage," examines some specific questions of meaning and usage. Section 3, "Language Trends," examines some controversial r trends in English vocabulary, and some developments too new to have received comment before. The fourth section, "Language Politics," treats several aspects of linguistic politics, from special attempts to deal with the ethnic, religious, or sex-specific elements of vocabulary to the broader issues of language both as a reflection of the public consciousness and the U.S. Constitution and as a refuge for the most private forms of expression. (MS) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** "PERMISSION TO REPRODUCE THIS MATERIAL HAS BEEN GRANTED BY J. Maxwell TO THE EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC)." U S.
    [Show full text]