GENDER & FASHION Autumn 2018 INSTRUCTOR
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Do We Really Suffer for Fashion
University of Huddersfield Repository Almond, Kevin You have to suffer for Fashion Original Citation Almond, Kevin (2009) You have to suffer for Fashion. In: Public Lecture University Centre Barnsley, July 2009, University Centre Barnsley. (Unpublished) This version is available at http://eprints.hud.ac.uk/id/eprint/9663/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ You have to suffer for Fashion Introduction: ‘You have to suffer fashion,’ has been a much used phrase throughout the history of fashion. Degrees of suffering and discomfort have varied and we have probably all endured agonies, in some way, when constructing our appearance, in order to face the world. This could range from a simple cut from shaving, to the discomfort and pain of folding tender flesh into a girdle! These are only two, of numerous possible examples. -
Fifty Shades of Leather and Misogyny: an Investigation of Anti- Woman Perspectives Among Leathermen
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sociology Department, Faculty Publications Sociology, Department of 5-2020 Fifty Shades of Leather and Misogyny: An Investigation of Anti- Woman Perspectives among Leathermen Meredith G. F. Worthen University of Oklahoma, [email protected] Trenton M. Haltom University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/sociologyfacpub Part of the Family, Life Course, and Society Commons, and the Social Psychology and Interaction Commons Worthen, Meredith G. F. and Haltom, Trenton M., "Fifty Shades of Leather and Misogyny: An Investigation of Anti-Woman Perspectives among Leathermen" (2020). Sociology Department, Faculty Publications. 707. https://digitalcommons.unl.edu/sociologyfacpub/707 This Article is brought to you for free and open access by the Sociology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sociology Department, Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. digitalcommons.unl.edu Fifty Shades of Leather and Misogyny: An Investigation of Anti-Woman Perspectives among Leathermen Meredith G. F. Worthen1 and Trenton M. Haltom2 1 University of Oklahoma, Norman, OK, USA; 2 University of Nebraska–Lincoln, Lincoln, NE, USA Corresponding author — Meredith G. F. Worthen, University of Oklahoma, 780 Van Vleet Oval, KH 331, Norman, OK 73019; [email protected] ORCID Meredith G. F. Worthen http://orcid.org/0000-0001-6765-5149 Trenton M. Haltom http://orcid.org/0000-0003-1116-4644 Abstract The Fifty Shades books and films shed light on a sexual and leather-clad subculture predominantly kept in the dark: bondage, discipline, submission, and sadomasoch- ism (BDSM). -
School of Fashion Program Brochure
School of Fashion academyart.edu SCHOOL OF FASHION Contents Program Overview ...................................................5 What We Teach ......................................................... 7 Faculty .....................................................................11 Degree Options ..................................................... 15 Our Facilities ........................................................... 17 Student & Alumni Testimonials ........................... 19 Partnerships ......................................................... 23 Career Paths ......................................................... 25 Additional Learning Experiences ......................... 27 Awards and Accolades ......................................... 29 Online Education ................................................... 31 Academy Life ........................................................ 33 San Francisco ....................................................... 35 Athletics ................................................................ 37 Apply Today .......................................................... 39 3 SCHOOL OF FASHION Program Overview As a student at Academy of Art’s School of Fashion, you can go after the fashion career of your dreams. Aspiring designer? Learn to turn your fashion concepts into relevant, responsible, and beautiful work. More interested in the business of fashion? Future entrepreneurs thrive in our fashion-specific business and communications programs. FIND YOUR PLACE WHAT SETS US APART Academy -
Urban Representation in Fashion Magazines
Chair of Urban Studies and Social Research Faculty of Architecture and Urbanism Bauhaus-University Weimar Fashion in the City and The City in Fashion: Urban Representation in Fashion Magazines Doctoral dissertation presented in fulfillment of the requirement for the degree of Doctor philosophiae (Dr. phil.) Maria Skivko 10.03.1986 Supervising committee: First Supervisor: Prof. Dr. Frank Eckardt, Bauhaus-University, Weimar Second Supervisor: Prof. Dr. Stephan Sonnenburg, Karlshochschule International University, Karlsruhe Thesis Defence: 22.01.2018 Contents Acknowledgements ................................................................................................................................. 5 Thesis Introduction .................................................................................................................................. 6 Part I. Conceptual Approach for Studying Fashion and City: Theoretical Framework ........................ 16 Chapter 1. Fashion in the city ................................................................................................................ 16 Introduction ....................................................................................................................................... 16 1.1. Fashion concepts in the perspective ........................................................................................... 18 1.1.1. Imitation and differentiation ................................................................................................ 18 1.1.2. Identity -
Translating the Fashion Story: Analyzing Fashion Captions in Two Women's Magazines Ehimwenma O
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2013 Translating the fashion story: analyzing fashion captions in two women's magazines Ehimwenma O. Vosper-Woghiren Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Human Ecology Commons Recommended Citation Vosper-Woghiren, Ehimwenma O., "Translating the fashion story: analyzing fashion captions in two women's magazines" (2013). LSU Master's Theses. 831. https://digitalcommons.lsu.edu/gradschool_theses/831 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. TRANSLATING THE FASHION STORY: ANALYZING FASHION CAPTIONS IN TWO WOMEN’S FASHION MAGAZINES A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Science in School of Human Ecology Department of Textiles, Apparel Design and Merchandising by Ehimwenma ‘Yuwa’ Vosper-Woghiren B.A., Loyola University New Orleans, 2004 December 2013 © 2013 Copyright Ehimwenma Vosper-Woghiren All Rights Reserved ii I would like to dedicate my thesis to my grandfather, the late Joseph Henry Tyler, Sr. Throughout my life, my grandfather always stressed the importance of looking your best despite your social status. Growing up in the rural and segregated South, my grandfather did not have many opportunities. -
Fashion Media and Sustainability
FASHION MEDIA AND SUSTAINABILITY FASHION MEDIA AND SUSTAINABILITY Encouraging Ethical Consumption via Journalism and Influencers Encouraging Ethical Consumption via Fashion is among the biggest polluters, yet the media still promote throwaway fast fashion. The growing fashion public relations industry Journalism and Influencers encourages and enables this media coverage. This policy brief identifies patterns in the way journalists and influencers cover fashion which contribute to unsustainable buying behaviours. Recent research recommends practical steps to improve media coverage to make consumption sustainable, by changing consumers’ understanding and reducing the pressure on them to buy ‘fast’ satisfaction. Policy recommendations here suggested are based on original analysis of 1,000+ media artefacts in the UK – from magazines to newspapers, gossip weeklies to Instagram influencers. Researcher Anastasia Denisova proposes regulation of vocabulary and of affiliated links in journalism and social media, greater discussion of the psychology of buying and a ‘paid advertisement label’. Also recommended is a more proactive approach to be taken by magazines and other media with the aim of promoting restyling advice and more sustainable coverage for readers of differing financial means www.uwestminsterpress.co.uk ANASTASIA DENISOVA CAMRI Policy Briefs 6 THE AUTHOR SERIES DESCRIPTION ANASTASIA DENISOVA is Senior Lecturer and Course Leader BA The CAMRI Policy Brief series provides rigorous and evidence-based policy advice (Hons) Journalism at the University of Westminster. Her monograph and policy analysis on a variety of media and communication related topics. In an age Internet Memes and Society was published in 2019. She researches where the accelerated development of media and communications creates profound opportunities and challenges for society, politics and the economy, this series cuts viral online communication and digital journalism, fashion media and through the noise and offers up-to-date knowledge and evidence grounded in original sustainability. -
What’S Your Fetish?
What’s Your Fetish? Recently, everyone has been telling me that I look great. “Did you dye your hair?” asked my co-worker. “Have you lost weight?” asked my best friend. “You finally found a boyfriend, didn’t you?!” shrieked my Jewish mother. “No,” I said, “I went to the Fetish Fair Fleamarket – the largest, and longest running BDSM event in New England.” It must be the afterglow. I was honored to model in The Fetish Fashion Show, which has been the kick off to the winter flea for the past seven years. The audience was packed full of people and I walked the aisle with hundreds of models wearing outifts from some of the best up-and-coming fetish wear designers as well as the more established ones. The audience was also treated to a dazzling feast for the eyes featuring aeriel silks, aeriel hoops and play piercing: Miss Mischief had majestic, bright blue feather wings (the exact same color as her hair) inserted straight through the flesh in her back. It was a sight to behold. Once the fashion show was over and the flea began, I was like a child in a candy shop with over 60 classes on kink and over 100 vendors selling everything from sex toys to kinky clothing (to even kinkier sex toys). There were so many classes that I wanted to check out like Erotic Hypnosis 101, Kink Yoga and Kissing for Maximum Erotic Effect, but I found myself caught up in meeting all the interesting people who came from all over the East Coast. -
101 CC1 Concepts of Fashion
CONCEPT OF FASHION BFA(F)- 101 CC1 Directorate of Distance Education SWAMI VIVEKANAND SUBHARTI UNIVERSITY MEERUT 250005 UTTAR PRADESH SIM MOUDLE DEVELOPED BY: Reviewed by the study Material Assessment Committed Comprising: 1. Dr. N.K.Ahuja, Vice Chancellor Copyright © Publishers Grid No part of this publication which is material protected by this copyright notice may be reproduce or transmitted or utilized or store in any form or by any means now know or here in after invented, electronic, digital or mechanical. Including, photocopying, scanning, recording or by any informa- tion storage or retrieval system, without prior permission from the publisher. Information contained in this book has been published by Publishers Grid and Publishers. and has been obtained by its author from sources believed to be reliable and are correct to the best of their knowledge. However, the publisher and author shall in no event be liable for any errors, omission or damages arising out of this information and specially disclaim and implied warranties or merchantability or fitness for any particular use. Published by: Publishers Grid 4857/24, Ansari Road, Darya ganj, New Delhi-110002. Tel: 9899459633, 7982859204 E-mail: [email protected], [email protected] Printed by: A3 Digital Press Edition : 2021 CONTENTS 1. Introduction to Fashion 5-47 2. Fashion Forecasting 48-69 3. Theories of Fashion, Factors Affecting Fashion 70-96 4. Components of Fashion 97-112 5. Principle of Fashion and Fashion Cycle 113-128 6. Fashion Centres in the World 129-154 7. Study of the Renowned Fashion Designers 155-191 8. Careers in Fashion and Apparel Industry 192-217 9. -
Fashion's Destruction of Unsold Goods: Responsible Solutions for an Environmentally Conscious Future
Fordham Intellectual Property, Media and Entertainment Law Journal Volume 30 XXX Number 2 Article 5 2020 Fashion's Destruction of Unsold Goods: Responsible Solutions for an Environmentally Conscious Future Ariele Elia Fordham University School of Law, [email protected] Follow this and additional works at: https://ir.lawnet.fordham.edu/iplj Part of the Intellectual Property Law Commons Recommended Citation Ariele Elia, Fashion's Destruction of Unsold Goods: Responsible Solutions for an Environmentally Conscious Future, 30 Fordham Intell. Prop. Media & Ent. L.J. 539 (2020). Available at: https://ir.lawnet.fordham.edu/iplj/vol30/iss2/5 This Note is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Intellectual Property, Media and Entertainment Law Journal by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. Fashion's Destruction of Unsold Goods: Responsible Solutions for an Environmentally Conscious Future Cover Page Footnote M.S.L., Fashion Law, 2019, Fordham University School of Law; M.A., 2011, Fashion and Textiles: History, Theory, Museum Practice; B.A. Art History, 2008, Saint Mary’s College of California; Assistant Director, Fashion Law Institute. This Note is dedicated to my parents Stephanie Meyer and Allen Elia. I am grateful to Professor Trexler for inspiring the topic of this capstone paper. The first day of your ethics course you challenged me to look beyond the headline of H&M burning their products and to find a solution. -
GENDER & FASHION Autumn 2018 INSTRUCTOR
Department of Women’s Studies and Feminist Research Course Outline WS 2164F: GENDER & FASHION Autumn 2018 INSTRUCTOR: Dr. K. Olson ([email protected]) OFFICE: Lawson Hall 3227 (661-2111 x 84525) OFFICE HOURS: TBA TIME AND PLACE OF CLASS: Mondays, 1:30-4:30, SEB 1200 REQUIRED TEXT: • J. Craik. 2009. Fashion: The Key Concepts. Berg/Bloomsbury Academic. Ppk. • Other readings will be available on our OWL site COURSE OBJECTIVES: This course is designed to give students an introduction to the role played by fashion in the construction of gendered identities (in addition to learning about fashion history, fashion in relation to sexuality, and fashion as identity). Topics to be covered include: what clothing can tell us about empire, gender, sexuality, class, race, industry, revolution, nation-building, identity politics and globalization; fashion as art; drag queens and kings; fashion and sustainability; fashion journalism; the metrosexual; the history of the stiletto; veiling; and fashion subcultures such as goth and punk. We will also examine the trends of athleisure, anti-fashion, slow fashion, and normcore. Although the focus of much of the course will be on Western fashion, we will also look at Asian and African designers and influences (Harajuku fashion, Pei and Yamamoto; hip-hop and The Black Panther), as well as indigenous fashion. LEARNING OBJECTIVES: On successful completion of this course students are expected to be able to: *Reflect upon and communicate the ways that individuals use fashion to make statements about gender and identity -
Newspaper Fashion Editors in the 1950S and 60S Kimberly Wilmot Voss Newspaper Fashion Editors in the 1950S and 60S
Newspaper Fashion Editors in the 1950s and 60s Kimberly Wilmot Voss Newspaper Fashion Editors in the 1950s and 60s Women Writers of the Runway Kimberly Wilmot Voss Nicholson School of Communication and Media University of Central Florida Orlando, FL, USA ISBN 978-3-030-73623-1 ISBN 978-3-030-73624-8 (eBook) https://doi.org/10.1007/978-3-030-73624-8 © The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerland AG 2021 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifcally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microflms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifc statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affliations. -
Fashion Journalism and PR by Carole Watson Introduction You Won't
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sunderland University Institutional Repository Fashion journalism and PR By Carole Watson Introduction You won't survive for very long as a fashion journalist if you don't understand the importance of public relations (PR for short) to anyone working in the media. There won't be a day that goes by when you aren't communicating with a PR by email, telephone, social media or, if you're lucky, over a glass of bubbly or a posh breakfast. Fashion journalists need to communicate with PRs for a whole host of reasons: to provide them with sample clothes and accessories to shoot or review, for images and prices to use on product pages, for information for news stories and trends, to request interviews with designers or celebrities involved in high street collaborations, and of course for invitations to press events and fashion shows. But what is public relations, what do PRs do, and how can you make excellent contacts who will give you exclusive stories? And what about the much-discussed argument that fashion journalists are merely PR poodles who mindlessly write what they're told to write, namely gushing positive editorial, in exchange for expensive designer freebies and long lunches? This chapter will give you an overview of the fashion PR industry so you can gain an understanding of all these issues, with useful hints and advice from both PR practitioners and fashion journalists. What is PR? The word PR is thrown about a lot but you really need to have a keen insight into what it means and what public relations executives and press officers do if you are to succeed as a fashion journalist.