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Index of Schubert's Works

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Index of Schubert's Works Cambridge University Press 978-1-107-44258-0 - Harmony in Schubert David Damschroder Excerpt More information Index of Schubert’s works “Die Allmacht” (D. 852) 19–21, 273 “Gesang der Geister über den Wassern” “Am Feierabend” from Die schöne Müllerin (D. 714) 99–100 (D. 795/5) 34–35, 85–86, 273 “Das Grab” (D. 330) 294 “Am Flusse” (D. 160) 116–121 “An die Nachtigall” (D. 497) 21–22 “Hagars Klage” (D. 5) 8–10, 22, 23, 30, 83, “An Emma” (third version, D. 113) 66–67 152, 269 “Auf dem Flusse” from Winterreise (D. “Das Heimweh” (D. 851) 55–58, 71–72 911/7) 236–244, 298–299 “Auf dem Strom” (D. 943) 11–12, 272 “Ihr Bild” from Schwanengesang (D. “Aufl ösung” (D. 807) 30–32, 272 957/9) 300 “Aus Heliopolis II” (D. 754) 54–55, 83–84, Impromptus in C Minor, Eb, Gb Major, and Ab 282, 291 Major (D. 899) 201–235, 286, 293, 294–298 “Beim Winde” (D. 669) 272 Impromptu in Bb Major (D. 935/3) 294 “Die Berge” (D. 634) 97–99 “Die böse Farbe” from Die schöne Müllerin “Der Jäger” from Die schöne Müllerin (D. 795/17) 102–104, 298 (D. 795/14) 92–93, 99, 281 “Die junge Nonne” (D. 828) 191–200, Characteristic March No. 2 in C Major for 293–294, 300 Four-Hand Piano (D. 968b [886]) 52–54 Ländler in D Major from Zwölf Ländler (D. 790/1) 15–18 “Das war ich” (D. 174) 28–29, 73–74 Ländler in Gs Minor from Zwölf Ländler Divertissement à la Hongroise for Four-Hand (D. 790/6) 126–131, 284 Piano (D. 818), mvmt. 3 55 “Der Leidende” (D. 432a) 18, 20 “Die Einsiedelei” (D. 337) 113–116, 220, 230, “Die Liebe hat gelogen” (D. 751) 81–82 302 “Liebesbotschaft ” from Schwanengesang (D. 957/1) 268 “Erinnerungen” (D. 98) 77–78, 289 “Liebesrauch” (D. 179) 72, 272 “Erlkönig” (D. 328) 207, 214 “Lied der Mignon” (D. 877/3) 58–59 “Erster Verlust” (D. 226) 121–126, 234, 238, 283 Mass No. 2 in G Major (D. 167), Credo 34 “Die Erwartung” (D. 159) 44–45 Mass No. 6 in Eb Major (D. 950), Sanctus 70–71 Fantasie in C Major (“Wanderer,” D. 760), Menuet in C Major (D. 995/1) 68–69 mvmt. 4 41–44 Moment Musical in Ab Major (D. 780/2) “Fülle der Liebe” (D. 854) 58 104–107, 282 Moment Musical in Ab Major (D. 780/6) “Ganymed” (D. 544) 135–148, 284–286, 287 67 “Gefror’ne Th ränen” from Winterreise Moment Musical in Cs Minor (D. (D. 911/3) 300 780/4) 93–95, 96–97 “Das Geheimniss” (D. 250) 20–21, 23 “Morgengruß” from Die schöne Müllerin “Geist der Liebe” (D. 414) 33 (D. 795/8) 270 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-44258-0 - Harmony in Schubert David Damschroder Excerpt More information Index of Schubert’s works 317 “Der Müller und der Bach” from Die schöne “Schwertlied” (D. 170) 11–12 Müllerin (D. 795/19) 108–110 String Quartet No. 14 in D Minor (D. 810), mvmt. 1 83–85, 99–100; mvmt. 3 284; “Nachthymne” (D. 687) 41–42, 268 mvmt. 4 16–18, 295–296 String Quintet in C Major (D. 956), mvmt. Piano Sonata in A Major (D. 664), mvmt. 1 65–66, 78–80, 83, 280; mvmt. 2 298 1 73–74; mvmt. 2 65–66, 72 “Suleika I” (D. 720) 75–77 Piano Sonata in A Major (D. 959), mvmt. Symphony No. 1 in D Major (D. 82), mvmt. 3 26–28 1 75 Piano Sonata in A Minor (D. 537), mvmt. Symphony No. 3 in D Major (D. 200), mvmt. 1 281; mvmt. 3 3–8, 8, 9, 85, 268, 280 3 44–47, 300 Piano Sonata in A Minor (D. 784), mvmt. Symphony No. 4 in C Minor (“Tragic,” 2 179–190, 278, 291–293 D. 417), mvmt. 1 48 Piano Sonata in A Minor (D. 845), mvmt. Symphony No. 6 in C Major (D. 589), mvmt. 1 72–73, 86–87 4 275 Piano Sonata in Bb Major (D. 960), mvmt. Symphony No. 8 in B Minor (“Unfi nished,” 1 48–49, 245–263, 299–305 D. 759), mvmt. 1 159–178, 289–291, 295, Piano Sonata in C Minor (D. 958), mvmt. 304 1 12–13, 15, 24–26; mvmt. 2 80–81; Symphony No. 9 (7) in C Major (“Th e Great,” mvmt. 4 108 D. 944), mvmt. 3 95, 100 Piano Sonata in D Major (D. 850), mvmt. 1 50–52; mvmt. 2 87–88, 110–113, 294; “Todtengräber-Weise” (D. 869) 68–70 mvmt. 3 60–64, 181, 195–196, 274–275, “Tränenregen” from Die schöne Müllerin 278, 281, 300, 301 (D. 795/10) 100–101 Piano Sonata in F Minor (D. 625), Trio 269 “Ungeduld” from Die schöne Müllerin (D. 795/7) 36–40, 82, 273 Quintet in A Major (“Trout,” D. 667), mvmt. 1 149–158, 286–289 Variation on a Waltz by Diabelli (D. 718) 89–91 Rondo in B Minor for Violin and Piano “Von Ida” (D. 228) 92–93 (D. 895) 29–31 Walz in D Major from Zwanzig Walzer for “Der Sänger” (D. 149) 83–84 Piano (D. 146/20) 23–24 “Schlafl ied” (D. 527) 82 “Der Wanderer” (D. 649) 32–33 Die schöne Müllerin (D. 795) 147, 282–283 Winterreise (D. 911) 201 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-44258-0 - Harmony in Schubert David Damschroder Excerpt More information Index of names and concepts absent root 5, 29, 30, 37, 43, 66, 87–88, 92, bullet symbol xi, 5 284, 285 Burstein, L. P. 271, 272 Agawu, K. V. 278–279 6 Almén, B. 304 cadential 4 34, 167, 174, 197, 224–225, 274, antecedent/consequent 103, 117–118, 148, 286, 287, 298 161, 175–176, 191, 222, 237 Carpenter, P. 297 antipode 19, 64, 65, 113, 115, 157, 220, 271, Chopin, F. 266, 282 283 Piano Sonata in Bb Minor (“Funeral applied dominant 3, 5, 7, 10, 11, 196, 223, 225, March,” op. 35) 296 270, 271 chordal evolution 5, 10, 16–17, 36, 43, 123, arrow symbols (Æ and Æ) 7 126, 207, 221, 225, 239, 242, 268, 269, ascending 5–6 sequence 36, 44 –52, 68, 75–77, 270, 280, 285, 286, 296, 298 83–84, 90, 99–101, 100–101, 108, 140, chordal glide see parallel progression 148, 155–157, 161–162, 192, 193, 198, chordal ninth 5, 6, 10, 23, 29–30, 37, 43, 92, 224–225, 254, 274, 278, 281, 282, 290, 99, 112, 150, 169, 196, 207, 229, 235, 246, 291, 293 267, 268, 280, 281, 284, 287, 292, 294 assertion 6, 7, 15, 59, 65, 71, 73, 78, 80, 108, chordal seventh 5, 18, 29, 37, 43, 44, 71, 73, 113, 121, 152, 175, 177, 194, 222, 225, 77, 80, 99, 104, 112, 120, 154, 166, 195, 230, 271, 277, 280, 290, 294, 298 207, 224, 229, 253–254, 280, 283 associative harmony 297 chordal unfurling see unfurling augmented dominant 10 chromatic variant 56, 59–60, 64, 70, 105, 150, augmented sixth chords 5, 74, 78–80, 95, 112, 200, 222, 239, 242, 247–250, 254, 255, 115, 169–170, 193, 200, 228, 235, 249, 256, 258–259, 260–261, 269, 275, 276, 267, 274, 278, 287, 300 280, 283, 284, 287, 303 auxiliary progression 21, 222 chromaticism 3, 6, 7, 11, 15, 18, 19, 20, 23, 26, 29, 47, 48, 50–51, 63, 68, 70, 72, 75, 80, background 203 81, 85, 88, 90, 95, 96, 99, 100, 102, 103, Baker, J. M. 304 106, 107, 110, 121, 124, 128, 140, 143, Beach, D. 149–158, 275 150, 161, 168, 174, 191, 200, 216, 225, Beethoven, L. von 188 228, 233, 234, 239, 242, 243, 246–247, Piano Sonata in Ab Major (op. 26) 113, 220, 249, 252, 253, 254, 255, 257, 267, 270, 282 272, 280, 281, 282, 290, 292, 298, 301, String Quartet in C Major (op. 59, no. 3) 302, 304 293 circle of fi ft hs 14, 21, 52, 63–64, 73–74, 76–79, String Quartet in F Major (op. 18, no. 1) 91, 92–95, 100, 103, 104, 109, 126, 129, 295 136 137, 144, 151, 155–156, 170–171, 176, Symphony No. 8 in F Major (op. 93) 214, 222, 239, 255–257, 273, 275, 276, 288 280, 281, 282, 289, 301, 304 Trio for Violin, Cello and Piano in D Major circle of thirds 52–56, 70–71, 81, 86–87, 88, (op. 70, no. 1) 287 115, 176, 184, 250–252, 258, 276, 295, Variations on a Waltz by Diabelli (op. 301, 302 120) 89 Clark, S. 135, 141–148, 285–286, 287, 288 Berlioz, H. 270 Clementi, M. 283 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-44258-0 - Harmony in Schubert David Damschroder Excerpt More information Index of names and concepts 319 Cohn, R. 245–263, 275, 299–305 Everett, W. 284 collision 6, 11, 186, 235 exposition 73 common-tone augmented sixth chord 280, 294, 300 fi gured bass 5, 8, 32 common-tone diminished seventh chord 139, Fisk, C. 201–235, 294–298 182 Funktionstheorie 269 Cone, E. T. 270 Craigher de Jachelutta, J. N. 191 Ganymede 135–136, 139– 141, 146–147 Cube, F.-E. von 273 glide see parallel progression cyclic repetition 149–150, 172, 201, 203, 207, Goethe, J.
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