Lee Morgan Leeway Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Lee Morgan Leeway mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Leeway Country: US Released: 1966 Style: Hard Bop MP3 version RAR size: 1968 mb FLAC version RAR size: 1303 mb WMA version RAR size: 1881 mb Rating: 4.2 Votes: 617 Other Formats: VQF WMA XM MP2 AA VOX AUD Tracklist A1 These Are Soulful Days A2 The Lion And The Wolff B1 Midtown Blues B2 Nakatini Suite Companies, etc. Manufactured By – Toshiba EMI Ltd Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Credits Alto Saxophone – Jackie McLean Bass – Paul Chambers Design [Cover] – Reid Miles Drums – Art Blakey Liner Notes – Nat Hentoff Photography By [Cover Photo] – Francis Wolff Piano – Bobby Timmons Producer – Alfred Lion Recorded By [Recording By] – Rudy Van Gelder Trumpet – Lee Morgan Notes Recorded on April 28, 1960. Other versions Category Artist Title (Format) Label Category Country Year Leeway (LP, Album, BLP 4034 Lee Morgan Blue Note BLP 4034 US 1961 Mono, Dee) Leeway (LP, Album, BLP 4034 Lee Morgan Blue Note BLP 4034 US Unknown RE) Leeway (LP, Album, BLP 4034 Lee Morgan Blue Note BLP 4034 US 1962 Mono, Dee) Leeway (LP, Album, BST 84034 Lee Morgan Blue Note BST 84034 US 1972 RE) TOCJ-6483, Leeway (CD, Album, Blue Note, TOCJ-6483, Lee Morgan Japan 2005 BST-84034 Ltd, RE, RM) Blue Note BST-84034 Related Music albums to Leeway by Lee Morgan Lee Morgan - Cornbread Lee Morgan - Vol. 3 Lee Morgan - The Best Of Lee Morgan Lee Morgan - The Cooker Art Blakey & The Jazz Messengers - A Night In Tunisia Lee Morgan - The Sidewinder Lee Morgan - Delightfulee Art Blakey And The Jazz Messengers - The History Of Art Blakey And The Jazz Messengers Art Blakey & The Jazz Messengers - The Freedom Rider Lee Morgan - Search For The New Land.

Copy Link

Recommended publications

Spilleliste: Åtti Deilige År Med Blue Note Foredrag Oslo Jazz Circle, 14
Spilleliste: Åtti deilige år med Blue Note Foredrag Oslo Jazz Circle, 14. januar 2020 av Johan Hauknes Preludium BLP 1515/16 Jutta Hipp At The Hickory House /1956 Hickory House, NYC, April 5, 1956 Jutta Hipp, piano / Peter Ind, bass / Ed Thigpen, drums Volume 1: Take Me In Your Arms / Dear Old Stockholm / Billie's Bounce / I'll Remember April / Lady Bird / Mad About The Boy / Ain't Misbehavin' / These Foolish Things / Jeepers Creepers / The Moon Was Yellow Del I Forhistorien Meade Lux Lewis, Albert Ammons & Pete Johnson Jumpin' Blues From Spiritals to Swing, Carnegie Hall, NYC, December 23, 1938 BN 4 Albert Ammons - Chicago In Mind / Meade "Lux" Lewis, Albert Ammons - Two And Fews Albert Ammons Chicago in Mind probably WMGM Radio Station, NYC, January 6, 1939 BN 6 Port of Harlem Seven - Pounding Heart Blues / Sidney Bechet - Summertime 1939 Sidney Bechet, soprano sax; Meade "Lux" Lewis, piano; Teddy Bunn, guitar; Johnny Williams, bass; Sidney Catlett, drums Summertime probably WMGM Radio Station, NYC, June 8, 1939 Del II 1500-serien BLP 1517 Patterns in Jazz /1956 Gil Mellé, baritone sax; Eddie Bert [Edward Bertolatus], trombone; Joe Cinderella, guitar; Oscar Pettiford, bass; Ed Thigpen, drums The Set Break Van Gelder Studio, Hackensack, NJ, April 1, 1956 BLP 1521/22 Art Blakey Quintet: A Night at Birdland Clifford Brown, trumpet; Lou Donaldson, alto sax; Horace Silver, piano; Curly Russell, bass; Art Blakey, drums A Night in Tunisia (Dizzy Gillespie) Birdland, NYC, February 21, 1954 BLP 1523 Introducing Kenny Burrell /1956 Tommy Flanagan,
[Show full text]
Polish Musicians Merge Art, Business the INAUGURAL EDITION of JAZZ FORUM SHOWCASE POWERED by Szczecin Jazz—Which Ran from Oct
DECEMBER 2019 VOLUME 86 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
[Show full text]
Midnight Blue File:///C:/Sonotheque/1 JAZZ/Kenny Burrell/Midnight Blue/Catalogue
Midnight Blue file:///C:/Sonotheque/1_JAZZ/Kenny Burrell/Midnight Blue/catalogue... Sonotheque/Jazz/Kenny Burrell/Midnight Blue 01 Chitlins Con Carne 04 Midnight Blue 06 Gee Baby, Ain't I Good To You 08 Kenny's Sound (Take 10) 02 Mule 05 Wavy Gravy 07 Saturday Night Blues 09 K Twist (Take 35) 03 Soul Lament Except where otherwise noted, all songs composed by Kenny Burrell. "Chitlins con Carne" – 5:30 "Mule" (Burrell, Major Holley, Jr.) – 6:56 "Soul Lament" – 2:43 "Midnight Blue" – 4:02 "Wavy Gravy" – 5:47 "Gee Baby, Ain't I Good to You" (Andy Razaf, Don Redman) – 4:25 "Saturday Night Blues" – 6:16 "Kenny's Sound" (reissue bonus track) – 4:43 "K Twist" (reissue bonus track)– 3:36 Performance Kenny Burrell – guitar Stanley Turrentine – tenor saxophone Major Holley – bass Billy Gene English – drums Ray Barretto – conga Rudy Van Gelder – engineer, remastering Released 1963 Recorded January 8, 1963 Van Gelder Studio, Englewood Cliffs Genre Jazz, Jazz blues, Hardbop Length 35:39 original LP 45:18 CD reissue Label Blue Note BST 84123 Producer Michael Cuscuna, Alfred Lion, Tom Vasatka "The blues," Duke Ellington wrote, "the blues ain't nothin' but a cold grey day, and all night long it stays that way . the blues is a one-way ticket from your love to nowhere; the blues ain't nothin' but a black crepe veil ready to wear." That's the way Kenny Burrell felt when he talked with Alfred Lion about the idea for the album. "I have always had a love for the blues," he said.
[Show full text]
For Additional Information Contact the Archives Center at 202.633.3270 Or
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. HANK JONES NEA Jazz Master (1989) Interviewee: Hank Jones (July 31, 1918 – May 16, 2010) Interviewer: Bill Brower Date: November 26-27, 2004 Repository: Archives Center, National Museum of American History Description: Transcript, pp. 134 Hank Jones: I was over there for about two and a half weeks doing a promotional tour. I had done a couple of CDs; one was with my brother Elvin and Richard Davis, the bass player. They made – – I think they made two releases from that date. And I did another date with Jack DeJohnette and John Patitucci. But, these two albums were the objects of the promotion. I mean, they promote very, very heavily everyday. I must have had 40 interviews and about 30 record signings at the record shops, plus all of the recording. We did seven concerts and people inevitably want the records, CDs of the concert for us to sign. I have a trio over there, with Jimmy Cobb and John Fink. It was called, “The Great Jazz Trio.” It was not my name, but the Japanese have special names for everything, you know? That's only one in a series of tree others which he called the great jazz trio. The first one was Ron Carter, Tony Williams and myself. But, there had been a succession of different changes in personnel. It changed about six times. The current one was Jimmy Cobb and Dave Fink--Oh, the cookies have arrived and not a minute too soon.
[Show full text]
Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings.
[Show full text]
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.
[Show full text]
Hank Mobley Hank Mobley Mp3, Flac, Wma
Hank Mobley Hank Mobley mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Hank Mobley Country: Japan Released: 1989 Style: Bop MP3 version RAR size: 1240 mb FLAC version RAR size: 1780 mb WMA version RAR size: 1962 mb Rating: 4.2 Votes: 477 Other Formats: ASF APE AIFF AU XM MMF WAV Tracklist 1 Mighty Moe & Joe 2 Falling In Love With Love 3 Bags' Groove 4 Double Exposure 5 News Credits Alto Saxophone, Tenor Saxophone – Curtis Porter Bass – Paul Chambers Design – Tom Hannan Drums – Art Taylor Engineer – Rudy Van Gelder Liner Notes – Michael Cuscuna, Robert Levin , 和田政幸 Photography By – Francis Wolff Piano – Sonny Clark Producer – Alfred Lion Tenor Saxophone – Hank Mobley Transferred By – Yoshio Okazaki Trumpet – Bill Hardman Notes Recorded at the Van Gelder Studio, New Jersey on June 23, 1957. Unlike the BN Works 1500 edition from 1996, this edition is in mono. Barcode and Other Identifiers Barcode: 4988006639713 Other versions Category Artist Title (Format) Label Category Country Year Hank Mobley (LP, Hank BLP 1568 Album, Mono, Blue Note BLP 1568 US 1957 Mobley NY2) Music Hank Mobley MMBLP-1568, Hank Matters MMBLP-1568, (2xLP, Album, US 2009 BLP 1568 Mobley Ltd., Blue BLP 1568 Mono, RE, 180) Note Hank Mobley (CD, TOCJ-9064, Hank Blue Note, TOCJ-9064, Album, Ltd, RE, Japan 1999 BNLP-1568 Mobley Blue Note BNLP-1568 RM, Pap) Hank Hank Mobley (LP, BLP 1568 Blue Note BLP 1568 US Unknown Mobley Album, RE) Hank Mobley (CD, Hank TOCJ-7053 Album, Mono, RE, Blue Note TOCJ-7053 Japan 2007 Mobley RM) Related Music albums to Hank Mobley by Hank Mobley Hank Mobley - Hi Voltage Hank Mobley - Dig Dis Hank Mobley Quintet - Mobley's 2nd Message Hank Mobley - Dippin' Hank Mobley / Al Cohn / John Coltrane / Zoot Sims - Tenor Conclave Hank Mobley With Donald Byrd And Lee Morgan - Hank Mobley With Donald Byrd And Lee Morgan Hank Mobley Sextet - Hank Hank Mobley - Hank Mobley And His All Stars.
[Show full text]
Rudy Van Gelder in Hackensack: Defining the Jazz Sound in the 1950S
Rudy Van Gelder in Hackensack: Defining the Jazz Sound in the 1950s By Dan Skea Introduction To many jazz aficionados, the name Rudy Van Gelder is virtually syn onymous with jazz recording. Still active today, this reclusive self-taught craftsman is by far the most prolific and accomplished sound engineer in the history of jazz, recording many of the music's most acclaimed albums. In a career that has now spanned half a century and has paralleled devel opments in both modern jazz and recording technology, Van Gelder has contributed to advances in both areas, simultaneously shaping and being shaped by these new developments. Although not a creator of new equipment or technology, Van Gelder has consistently positioned himself at the forefront of technological ad vances and been among the first to embrace and fully exploit innovations as they appeared. His ability to adapt each new technology effectively to the recording of jazz has been an important factor in capturing stylistic changes in the art form over the last fifty years. It can also be argued that his skill in making the music more sonically attractive helped record com panies sell more product, thus providing them with a financial incentive to carry on their activities. Greater record sales also increased audiences for modern jazz, while more widely disseminating important new musical developments. Van Gelder is perhaps most famous for his role in establishing what is commonly referred to as the "Blue Note Sound." Not long after they first began appearing in the early 1950s, his recordings for that label, distin guished by their warmth, clarity, and sonic precision, set a new standard for the sound of small group jazz on record, a standard against which al most all subsequent efforts were measured.
[Show full text]
Side-Steps-Digital-Booklet.Pdf
SIDE STEPS Disc One 1. WEEJA 11:13 3. WOODY’N YOU 6:51 2. POLKA DOTS AND MOONBEAMS 8:40 4. I’VE GOT IT BAD 6:17 3. ON IT 9:04 5. UNDECIDED 6:54 4. AVALON 9:40 6. SOUL JUNCTION 15:31 5. MATING CALL 5:36 7. WHAT IS THERE TO SAY? 5:59 6. SOULTRANE 5:24 8. BIRK’S WORKS 7:37 7. GNID 5:07 9. HALLELUJAH 6:29 8. SUPER JET 5:53 Disc Four 9. ON A MISTY NIGHT 6:21 10. ROMAS 6:50 1. ALL MORNING LONG 20:21 2. BILLIE’S BOUNCE 9:24 Disc Two 3. SOLITUDE 8:33 1. TENOR MADNESS 12:18 4. TWO BASS HIT 8:51 2. POTPOURRI 6:38 5. SOFT WINDS 13:47 3. J.M.’s DREAM DOLL 8:40 6. LAZY MAE 16:06 4. DON’T EXPLAIN 6:59 Disc Five 5. BLUE CALYPSO 8:58 6. FALLING IN LOVE WITH LOVE 11:40 1. UNDER PARIS SKIES 7:47 7. THE WAY YOU LOOK TONIGHT 8:26 2. CLIFFORD’S KAPPA 9:16 8. FROM THIS MOMENT ON 6:16 3. FILIDE 7:16 9. ONE BY ONE 9:39 4. TWO SONS 5:23 5. PAUL’S PAL 7:14 Esmond Edwards/CTS Images Disc Three 6. AMMON JOY 13:17 1. OUR DELIGHT 6:21 7. GROOVE BLUES 9:34 2. THEY CAN’T TAKE THAT 8. THE REAL McCOY 8:34 AWAY FROM ME 10:26 9. IT MIGHT AS WELL BE SPRING 11:32 ORIGINAL SESSIONS SUPERVISED BY BOB WEINSTOCK Recorded by RUY VAN GELDER at VAN GELDER STUDIO, Hackensack, NJ.
[Show full text]
JTM1711 Insidecombo 170920.Indd
On May 31, drummer Louis Hayes celebrated his 80th birthday and a new album at Dizzy’s Club Coca-Cola in New York, surrounded by friends, collaborators and acolytes, including drummers Michael Carvin, Nasheet Waits and Eric McPherson, and trumpeters Jimmy Owens and Jeremy Pelt, the latter of whom sat in. Another presence loomed large: pianist-composer Horace Silver, the subject of Hayes’ recent Blue Note debut, Serenade for Horace, a heartfelt tribute to the man who gave Hayes his start in 1956 with “Señor Blues.” It was the beginning of a three-year col- laboration that helped codify both hard bop and the Rudy Van Gelder sound over five albums. Hayes left Silver in 1959 to join the Cannonball Adderley Quintet, but the two re- mained close until the hard-bop progenitor’s passing in 2014. Stints followed with Oscar Peterson, the Louis Hayes-Woody Shaw Quintet, Stan Getz, McCoy Tyner and the Can- nonball Legacy Band, which Hayes leads. Throughout his career he’s solidified a place as one of jazz’s most soulfully swinging drummers, and become a cornerstone of the legacy of Detroit-born percussionists that includes Elvin Jones, Roy Brooks, Frank Gant and Oliver Jackson, and extends forward to Gerald Cleaver. At Dizzy’s, Hayes used his hyper-responsive left hand to goose the soloists in his sextet while keeping the fugitive spirit alive with his right on the ride cymbal. His approach seemed to declare the ensemble’s m.o., which balanced rhythmic ferocity and harmonic adventurousness with a reverence for the Silver sprezzatura.
[Show full text]
HOUSTON PERSON BIOGRAPHY – Courtesy of Highnote Records
HOUSTON PERSON BIOGRAPHY – Courtesy of HighNote Records He’s one of the best . He’s got bull chops!” – Dizzy Gillespie Dubbed “the natural heir to the Boss Tenor crown worn so long and so well by Gene Ammons” (Bob Porter), global performer Houston Person knows the music business inside out, from booking his own tours to producing his own albums. As eclectic as he is talented, Person has recorded everything from disco and gospel to pop and r&b, in addition to his trademark, soulful hard bop. After years as producer and house tenor for HighNote Records and touring with the late Etta Jones, Person is now known as a master of popular songs played in a relaxed, highly accessible style reminiscent of the great Ben Webster. Person grew up in Florence, South Carolina, and remembers his parents listening to lots of music at home, including jazz. First playing piano before switching to the tenor sax at age 17, he went on to study music at South Carolina State College (where he is included in the school’s Hall of Fame), and later pursued advanced studies at Hartt College of Music in Hartford, Connecticut. As a member of the United States Air Force band stationed in Germany, he played with Eddie Harris, Cedar Walton, and Don Ellis, later working as a sideman for organist Johnny "Hammond" Smith in the mid 1960s. Person built his reputation as a leader with a series of soulful recordings for Prestige in the 60s. However, for a large part of his career he was best-known for his legendary partnership with the great vocalist, Etta Jones, which lasted over 30 years until her death in 2001.
[Show full text]
Jackie Mclean New Soil Mp3, Flac, Wma
Jackie McLean New Soil mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: New Soil Country: Japan Released: 2009 Style: Hard Bop MP3 version RAR size: 1427 mb FLAC version RAR size: 1960 mb WMA version RAR size: 1531 mb Rating: 4.6 Votes: 169 Other Formats: ADX VQF ASF AC3 WAV VOX AHX Tracklist 1 Hip Strut 2 Minor Apprehension 3 Greasy 4 Sweet Cakes 5 Davis Cup Companies, etc. Recorded At – Van Gelder Studio, Hackensack, New Jersey Credits Alto Saxophone – Jackie McLean Bass – Paul Chambers Design [Cover] – Reid Miles Drums – Pete La Roca Liner Notes – Joe Goldberg Photography By [Cover Photo] – Francis Wolff Piano – Walter Davis Jr. Producer – Alfred Lion Recorded By – Rudy Van Gelder Trumpet – Donald Byrd Notes Recorded on May 2, 1959. Barcode and Other Identifiers Barcode: 4988006875111 Other versions Category Artist Title (Format) Label Category Country Year Jackie New Soil (LP, BLP 4013 Blue Note BLP 4013 US 1959 McLean Album, Mono) New Soil (CD, TOCJ-9169, Jackie Blue Note, Blue TOCJ-9169, Album, Ltd, RE, Japan 1999 BNST-84013 McLean Note BNST-84013 RM, Pap) Jackie New Soil (CD, CDP 7 84013 2 Blue Note CDP 7 84013 2 US 1988 McLean Album, RE) New Soil Analogue AP-84013, Jackie AP-84013, (2x12", Album, Productions, US 2008 ST-84013 McLean ST-84013 TP) Blue Note Jackie New Soil (LP, BST 84013 Blue Note BST 84013 US Unknown McLean Album, RE) Related Music albums to New Soil by Jackie McLean Jackie McLean - New And Old Gospel Jackie McLean Quintet - Jackie McLean Quintet Jackie McLean - It's Time! Lee Morgan - Leeway Jackie McLean - Swing, Swang, Swingin' McCoy Tyner & Jackie McLean - It's About Time Jackie McLean - Bluesnik Walter Davis Jr.
[Show full text]