Lee Morgan Leeway Mp3, Flac, Wma

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Lee Morgan Leeway mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Leeway Country: Japan Released: 2008 Style: Hard Bop MP3 version RAR size: 1617 mb FLAC version RAR size: 1520 mb WMA version RAR size: 1982 mb Rating: 4.5 Votes: 823 Other Formats: ASF MPC AHX RA MIDI AAC AU Tracklist A1 These Are Soulful Days A2 The Lion And The Wolff B1 Midtown Blues B2 Nakatini Suite Companies, etc. Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Credits Alto Saxophone – Jackie McLean Bass – Paul Chambers Design [Cover] – Reid Miles Drums – Art Blakey Liner Notes – Nat Hentoff Photography By [Cover Photo] – Francis Wolff Piano – Bobby Timmons Producer – Alfred Lion Recorded By [Recording By], Mastered By – Rudy Van Gelder Trumpet – Lee Morgan Notes "BLUE NOTE RECORDS INC - NEW YORK USA" labels with RVG stamped in deadwax. The following address at the bottom of the back cover: BLUE NOTE RECORDS INC., 43 West 61st St., New York 23 Lee Morgan and Paul Chambers perform by courtesy of Vee-Jay Records, Bobby Timmons performs by courtesy of Riverside Records. Recorded on April 28, 1960. Other versions Category Artist Title (Format) Label Category Country Year Leeway (LP, Album, BLP 4034 Lee Morgan Blue Note BLP 4034 US 1961 Mono, Dee) Leeway (LP, Album, BLP 4034 Lee Morgan Blue Note BLP 4034 US Unknown RE) Leeway (LP, Album, BLP 4034 Lee Morgan Blue Note BLP 4034 US 1962 Mono, Dee) Leeway (LP, Album, BST 84034 Lee Morgan Blue Note BST 84034 US 1972 RE) TOCJ-6483, Leeway (CD, Album, Blue Note, TOCJ-6483, Lee Morgan Japan 2005 BST-84034 Ltd, RE, RM) Blue Note BST-84034 Related Music albums to Leeway by Lee Morgan Jackie McLean - Capuchin Swing Jackie McLean - Let Freedom Ring Art Blakey & The Jazz Messengers - Indestructible Eric Dolphy - Out To Lunch! Art Blakey & The Jazz Messengers - The Big Beat Jackie McLean - Action Lee Morgan - The Gigolo Art Blakey And The Jazz Messengers - Art Blakey And The Jazz Messengers.

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Spilleliste: Åtti Deilige År Med Blue Note Foredrag Oslo Jazz Circle, 14
Spilleliste: Åtti deilige år med Blue Note Foredrag Oslo Jazz Circle, 14. januar 2020 av Johan Hauknes Preludium BLP 1515/16 Jutta Hipp At The Hickory House /1956 Hickory House, NYC, April 5, 1956 Jutta Hipp, piano / Peter Ind, bass / Ed Thigpen, drums Volume 1: Take Me In Your Arms / Dear Old Stockholm / Billie's Bounce / I'll Remember April / Lady Bird / Mad About The Boy / Ain't Misbehavin' / These Foolish Things / Jeepers Creepers / The Moon Was Yellow Del I Forhistorien Meade Lux Lewis, Albert Ammons & Pete Johnson Jumpin' Blues From Spiritals to Swing, Carnegie Hall, NYC, December 23, 1938 BN 4 Albert Ammons - Chicago In Mind / Meade "Lux" Lewis, Albert Ammons - Two And Fews Albert Ammons Chicago in Mind probably WMGM Radio Station, NYC, January 6, 1939 BN 6 Port of Harlem Seven - Pounding Heart Blues / Sidney Bechet - Summertime 1939 Sidney Bechet, soprano sax; Meade "Lux" Lewis, piano; Teddy Bunn, guitar; Johnny Williams, bass; Sidney Catlett, drums Summertime probably WMGM Radio Station, NYC, June 8, 1939 Del II 1500-serien BLP 1517 Patterns in Jazz /1956 Gil Mellé, baritone sax; Eddie Bert [Edward Bertolatus], trombone; Joe Cinderella, guitar; Oscar Pettiford, bass; Ed Thigpen, drums The Set Break Van Gelder Studio, Hackensack, NJ, April 1, 1956 BLP 1521/22 Art Blakey Quintet: A Night at Birdland Clifford Brown, trumpet; Lou Donaldson, alto sax; Horace Silver, piano; Curly Russell, bass; Art Blakey, drums A Night in Tunisia (Dizzy Gillespie) Birdland, NYC, February 21, 1954 BLP 1523 Introducing Kenny Burrell /1956 Tommy Flanagan,
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On May 31, drummer Louis Hayes celebrated his 80th birthday and a new album at Dizzy’s Club Coca-Cola in New York, surrounded by friends, collaborators and acolytes, including drummers Michael Carvin, Nasheet Waits and Eric McPherson, and trumpeters Jimmy Owens and Jeremy Pelt, the latter of whom sat in. Another presence loomed large: pianist-composer Horace Silver, the subject of Hayes’ recent Blue Note debut, Serenade for Horace, a heartfelt tribute to the man who gave Hayes his start in 1956 with “Señor Blues.” It was the beginning of a three-year col- laboration that helped codify both hard bop and the Rudy Van Gelder sound over five albums. Hayes left Silver in 1959 to join the Cannonball Adderley Quintet, but the two re- mained close until the hard-bop progenitor’s passing in 2014. Stints followed with Oscar Peterson, the Louis Hayes-Woody Shaw Quintet, Stan Getz, McCoy Tyner and the Can- nonball Legacy Band, which Hayes leads. Throughout his career he’s solidified a place as one of jazz’s most soulfully swinging drummers, and become a cornerstone of the legacy of Detroit-born percussionists that includes Elvin Jones, Roy Brooks, Frank Gant and Oliver Jackson, and extends forward to Gerald Cleaver. At Dizzy’s, Hayes used his hyper-responsive left hand to goose the soloists in his sextet while keeping the fugitive spirit alive with his right on the ride cymbal. His approach seemed to declare the ensemble’s m.o., which balanced rhythmic ferocity and harmonic adventurousness with a reverence for the Silver sprezzatura.
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