Holiday Band Gift Giving Guide

Total Page:16

File Type:pdf, Size:1020Kb

Holiday Band Gift Giving Guide HOLIDAY BAND GIFT GIVING GUIDE It’s holiday gift giving time and you may be thinking of purchasing an instrument for your band student. This is a great gift that can help your student enjoy successful music making for a long time. Unfortunately, not all band instrument brands are alike. They are companies out there that sell low- quality instruments at cheap prices. These may seem like a great option in the short term but will end up causing you more hassle than is necessary. They are made with low-quality parts, break easily, and most quality instrument repairmen will not touch them. It is worth investing the time and perhaps a little more money in a quality trusted instrument brand. Of course, I am an expert and am happy to help you find the best quality for your money! Please feel free to include me in your decision making. You will also want to consider the level of the instrument you are purchasing. Instruments are categorized into (1) Beginner, (2) Intermediate or Step-Up, and (3) Professional models. If your band student is looking to continue playing into high school it is worth the investment into an Intermediate Level Model. A beginner instrument will not be able to play as in tune and will end up holding your band student back skill-wise when they get into higher level music. NEW vs. USED INSTRUMENTS: Whether to purchase a new or a used instrument is another consideration. Obviously, a new instrument will give you many years of wonderful music making and should work well right out of the box. While you may want the instrument to be a surprise for your child I highly advise against this. They should play the instrument, and preferably try out a few instruments before you make the investment. Every instrument brand is made slightly different and some will play differently for each musician. Any quality music store will allow you to test out several instruments before purchasing one. Your child should bring some music to play that they are comfortable with to test the instruments. You can also find some great quality used instruments as well. When buying a used instrument you want to make sure that all the keys and parts move, that the pads look clean and intact (not ripped), and that it is in playing condition. Some repairs can cost more than you spent for the instrument! Your child can play the instrument and tell you if things are working properly or if you will need to take it to a repair shop. WHERE TO BUY: New: Music and Arts Center, Milano’s Music, The Music Store, Woodwind and Brasswind, Musician’s Friend, Cascio Music, Flute World, Used: Craigslist, Ebay, Pawn Shops, Woodwind and Brasswind, Milano’s Music (Contact Mrs. Bock about any used instrument you are thinking of purchasing and she can help you make the wisest choice!) Below are some instrument brands I recommend and some terms and things you should look for when purchasing a band instrument for your student. FLUTE: Recommended brands- Pearl, Azumi, Amadeus, Sonare, Yamaha Things to look for: solid silver (the more solid silver there is on the flute the better the tone quality) off-set G key (will be more comfortable for the hands) open hole (better tone quality and a definite must for a step-up flute) low B key/gizmo (adds an additional note and helps high note intonation) CLARINET: Recommended brands: Buffet (E11, R13, or Greenline), Selmer, LeBlanc, Yamaha Things to look for: Grenedilla wood (a wood clarinet will have a more resonant tone quality) Also: Mouthpiece upgrades are a great idea too! Vandoren B45 is a great trusted mouthpiece. Selmer, Yamaha, and Rico Reserve also have some good quality ones worth investigating. SAXOPHONE: Recommended brands: Selmer, Yamaha, Jupiter, Conn Things to look for: F# key is a must low A key for bari sax Also: Mouthpiece upgrades are a great idea too! The Selmer C* is the way to go! Yamaha has some nice ones too. TRUMPET: Recommended brands: Bach, Yamaha, Conn, Holton, Getzen Mouthpiece: Bach 7C or 5C for more advanced players FRENCH HORN: Recommended brands: Holton or Conn Things to look for: Trigger or Double Horn is a must! TROMBONE: Recommended brands: Bach, Conn, Yamaha, Holton, Besson, King, Jupiter (newer models) Mouthpiece: Bach 6 & 1/2AL Things to look for: an F-attachment is a must for a serious trombonist! EUPHONIUM/TUBA: Recommended brands: King, Conn, Besson, Jupiter (newer models) Things to look for: 4-valve instruments- at the intermediate and high school level this is a must! PERCUSSION: Recommended brands: Pearl, Vic Firth, Remo, Zildjian Mallets: Mike Balter, Innovative Sticks: Vic Firth (5B is recommended) Cymbals: Zildjian OTHER GENERALLY TRUST-WORTHY BRANDS: Gehmeinhardt, LeBlanc, Selmer, Yamaha, Jupiter, Armstrong, Olds, Conn, Bach, Bundy, Vito, King, Holton, Besson, Getzen, Keilwerth, King, Artley Remember: Mrs. Bock is HAPPY to help you find a great instrument for your student. Please do not hesitate to contact her for advice before you purchase. An email to [email protected] will go to her phone and most times she will respond to you immediately if she can. CAN’T AFFORD AN INSTRUMENT BUT WANT TO HELP YOUR BAND STUDENT BE MORE SUCCESSFUL? HERE ARE SOME OTHER GIFT IDEAS! Music Stand Tuner Metronome Neckstrap NEW Mouthpiece Valve Oil- Blue Juice Cork Grease Ligature Reeds- Rico Reserve, Vandoren, Legere Sticks/Mallets Practice Pads Percussion Stick Bag Mutes Silent Brass Mute (makes brass instruments quiet enough for only the player to hear) Cleaning Cloth Instrument Stand Private Lessons Sheet Music SmartMusic software Music writing software- Finale, Sibelius, Noteflight New instrument case Bike basket or hand cart for traveling to school with instrument CDs of professionals on their instrument, jazz or classical music .
Recommended publications
  • Boosey & Hawkes
    City Research Online City, University of London Institutional Repository Citation: Howell, Jocelyn (2016). Boosey & Hawkes: The rise and fall of a wind instrument manufacturing empire. (Unpublished Doctoral thesis, City, University of London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16081/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Boosey & Hawkes: The Rise and Fall of a Wind Instrument Manufacturing Empire Jocelyn Howell PhD in Music City University London, Department of Music July 2016 Volume 1 of 2 1 Table of Contents Table of Contents .................................................................................................................................... 2 Table of Figures......................................................................................................................................
    [Show full text]
  • Soprano Cornet
    SOPRANO CORNET: THE HIDDEN GEM OF THE TRUMPET FAMILY by YANBIN CHEN (Under the Direction of Brandon Craswell) ABSTRACT The E-flat soprano cornet has served an indispensable role in the British brass band; it is commonly considered to be “the hottest seat in the band.”1 Compared to its popularity in Britain and Europe, the soprano cornet is not as familiar to players in North America or other parts of world. This document aims to offer young players who are interested in playing the soprano cornet in a brass band a more complete view of the instrument through the research of its historical roots, its artistic role in the brass band, important solo repertoire, famous players, approach to the instrument, and equipment choices. The existing written material regarding the soprano cornet is relatively limited in comparison to other instruments in the trumpet family. Research for this document largely relies on established online resources, as well as journals, books about the history of the brass band, and questionnaires completed by famous soprano cornet players, prestigious brass band conductors, and composers. 1 Joseph Parisi, Personal Communication, Email with Yanbin Chen, April 15, 2019. In light of the increased interest in the brass band in North America, especially at the collegiate level, I hope this project will encourage more players to appreciate and experience this hidden gem of the trumpet family. INDEX WORDS: Soprano Cornet, Brass Band, Mouthpiece, NABBA SOPRANO CORNET: THE HIDDEN GEM OF THE TRUMPET FAMILY by YANBIN CHEN Bachelor
    [Show full text]
  • A, Fl }J)-A?L~---- Dr
    A SURVEY OF ACTIVE BRASS BANDS IN THE STATE OF OHIO A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Diana Droste Herak, B.M.E. * * * * * The Ohio State University 1999 Master's Examination Committee: Approved by Dr. Jon Woods, Adviser Dr. Jere Forsythe __a,_fL_}j)-A?L~---- Dr. Russel Mikkelson v--- Adviser School of Music Copyright by Diana Droste Herak 1999 ABSTRACT In England, many adult amateur musicians continue playing their instruments throughout their lives in the brass band world. In contrast, American adult musicians rarely continue performing once their school days are over. By conducting a survey of the current status of active brass bands in Ohio, it is the intent of this study to offer an historical background of each band, bring more exposure to the brass band movement, and promote brass banding as a musically worthwhile activity for adult amateur musicians. Not much is known about the history and current status of the brass band movement in America. In 1992, Dr. Ned Mark Hosler completed a dissertation entitled “The Brass Band Movement in North America: A Survey of Brass Bands in the United States and Canada.” The intent of this thesis was to focus specifically on British-style brass bands in the state of Ohio. A questionnaire was administered to a sample population of British brass bands in Ohio. The categories covered in the survey included basic information, band origin, membership demographics, instrumentation, organizational structure, rehearsals/performances, public/community support, repertoire, the impact of the North American Brass Band Association, and general considerations.
    [Show full text]
  • Check It out Here
    www.musictrades.com DECEMBER 2017 THE GLOBAL ISSUE KANSTUL FAMILY-OWNED BRASSWINDS MAKER CARRIES ON TRADITION OF CRAFTSMANSHIP GLOBAL COMPANY PROFILES ducing a quality sound.” Trumpets have been arguably KMI’s KANSTUL highest-profile segment since that first contract to build the Besson line, yet Family-owned brasswinds maker carries on many of its other entries have found their tradition of craftsmanship own place in musical lore. KMI’s Model 1531 cornet was used by Doc Severinsen to record his famous Trumpet Spectacu- lar album, while its flagship 1525 cop- per-bell flugelhorn was used on the album Flight To Freedom by Arturo San- doval, who called it “the most incredible instrument I’ve ever played.” Three Kanstul contrabass trombones were used in Disney’s Alice In Wonderland. And as for tubas: the last major project of Zig Kanstul’s career was bringing back the York line sometimes known as the “Great American Tuba.” KMI even de- veloped an Eb tenor horn, used mostly in the U.K., so it could supply British-style brass bands with all their instruments. In one of its newest projects, KMI has re- created the iconic “Committee” trumpet played by greats including Wallace Roney, who plays a custom version of the instrument. In another new entry, it’s developed travel tubas in the key of C or Bb, both sized for modern airline re- WITH THE 1981 CLOSURE of the brasswinds company manufacturing en- quirements but drawing on the DNA of Benge brass instruments factory, a crew tirely in the United States. Although Zig classic models from the Kanstul line.
    [Show full text]
  • Instrument Making of the Salvation Army
    30 The Galpin Society Journal LXXIII (2020) ARNOLD MYERS Instrument Making of the Salvation Army he Salvation Army was formed as such in contribute to Army events across Britain; in 1880 the September 1878 as a development of the first corps (local congregation) band was established: earlier Christian Mission in the East End of 14 instrumentalists at Northwich.2 The 1880s were a London,T with origins in the Methodist Church, and period of remarkable growth of the Salvation Army became a separate Christian church. It was primarily across Britain (and overseas), and saw brass bands evangelical, and adopted military organisational develop an essential role for the Army in recruitment structures and metaphorical language as an effective and worship. The Salvation Army brass band stratagem. The poor were seen as neglected by the tradition and repertoire have been discussed in depth established churches, and converting the poor to by Boon,3 Herbert,4 Holz5 and Cox,6 allowing us to Christianity was the chief aim of the Salvation Army. focus here on instruments. Conversion was largely brought about by preaching Playing in brass bands was a widely practised the gospel in meetings, and people were attracted pastime for many, so the recruits to the early to meetings by street demonstrations and open- Salvation Army were often already brass band air acts of witness. These demonstrations featured musicians. Some brought their own instruments gospel singing which was usually accompanied by which they then had to sell to the local Army corps: instruments of different kinds. Brass instruments for the others the corps provided instruments which proved to be particularly effective, and the had to be bought from Headquarters.
    [Show full text]
  • MUTES by You Do BESSON That 'DEAL' Better If You with Th·E Deal
    PER AA ANNUAL SU3SCRIPTION REGISTERED FOR LIVERPOOL, FEBRU ARY 1, 1946 PRICE POST�· • No. 773 TRANSMISSION ABROAD 3d. Post Free 4/- QUARTETS POPULAR CORNET SOLOS BESSON FOR BRASS INSTRUMENTS NOW AVAILABLE (With Pianoforte Accompaniment) WILL BU Y YOUR ACCESSORIES s. d. 15 3 SURPLU S INSTRUMENTS Complete with Score and Parts New Standard Cornet Mouthpiece ... ... ... ... of 3 5 3 H. Moss "Mosquito" Trombone Valve Springs for Cornet, " N.V. A." ... per set 2 CORNETS 2 TROMBONES Valve Springs made of phosphor bronze- H. Moss " The Joker " Send particulars to : The Phantom Brigade . .. 2 6 3 6 Trumpets-Cornets-Horns ... ... ... set of I ­ Demande et Reponse .. .. 2 6 Sutton " The Joy Wheel " BESSON, Department 19, West Street Baritone and Euphonium, 3 valve . ... ... 2 3 valve . .. 2 9 Clough "Winning Spurt" Charing 4 CORNETS Euphonium, 4 Cross Road, LONDON, W.C. 2 .. ... .. 2 9 Bal Masque 2 6 Eb and BBb Bass, 3 valves . .. Hartman "Facilita " Cornet . .. .. 3 3 Eb and BBb Bass, 4 valves .. .. TROMBONES 6 6 Percy Code "Lucille " 4 Waterkey Springs for all of above ... ... ... doz. Awake, Aeolian Lyre inside and outside, · · · · · above, complete sets "Zanette" · 2 o Corks for all of Percy Code Band Teachers, Adjudicators and Soloists Comrades in Arms } cork ... ... .. ... ... 2 6 including waterkey "Zelda" The Box of Soldiers ... ... 2 6 ... doz. 2 9 Percy Code Corks for waterkey, shellaced ready for fixing Baby's Sweetheart .. ... ... 2 6 11 "Triple Trumpeter" WILLIAM POLLAR Corks for waterkey, plain ... ... ... ... ... doz. I Grant D ... ... ... ... 10 3 2 CORNETS, HORN and EUPHONIUM Shanks for Cornet, Bb, silver-plated Templeton " Sonia" CORNET SOLOIST, BAND TEACHER, bottle I 6 Valve Oil ..
    [Show full text]
  • Consumables Besson Professional Instruments
    Consumables Besson Professional Instruments Sovereign/Prestige • Valve Springs • Valve Felts • Valve Spring Pads • Valve Guides • Finger Button Inlays 2016 Consumables Besson Sovereign/Prestige SP445360 SP445370 old codes: STD701A-26, ACP90940 old code: STD701A-17 ~ 40x9 mm ~ 41x15 mm Cornet 927/928/2028 (3x) Cornet 723/7023 (3x) Valve Tenor 950/2050 (currently) (3x) Tenor 752/7052 (3x) Tenor 950/2050 (previously) (3x) Springs 1:1 SP445260 SP640105 STD701A-21 old code: STD701A-13 old code: STD701A-11 NO LONGER AVAILABLE! ~ 44x13 mm ~ 57x17 mm ~ 56x16 mm Bariton 757/7057 (3x) Euphonium 762/7062/765/7065 (4x) Tuba 784/7084/794/7094 (1x) Baritone 955 (3x), 956/2056 (4x) (previously) Euphonium 967/968/2051/2052 (3x or 4x) Euphonium 967/968/2051/2052 (1x) (previously) (previously) Tuba 784/7084/794/7094 (3x or 4x) Tuba 983/984/993 (previously) (3x or 4x) SP640115 SP640125 SP445290 old code: STD701A-25 ~ 45x16 mm ~ 58x18 mm ~ 57x16 mm Tuba 980/981/982/994 (previousiy) (4th valve) Tuba 995 (4x) Tuba 980/981/982/994 (previousiy) (1st-3rd valve) 2016 MOL Consumables Besson Sovereign/Prestige SP640145 ~ 65x20 mm Euphonium 967/968/2051/2052 (1st valve) Plastic Tuba 980/981/982/983/984/993/994 (1st valve) Coated Springs 1:1 SP640155 SP640165 ~ 65x20 mm ~ 64x20 mm Euphonium 967/968/2051/2052 (2nd valve) Euphonium 967/968/2051/2052 (3rd valve) Tuba 980/981/982/983/984/993/994 (2nd valve) Tuba 980/981/982/983/984/993/994 (3rd valve) SP640175 SP640185 ~ 60x20 mm ~ 55x16 mm Euphonium 967/968/2051/2052 (4th valve) Baritone 955 (3x), 956/2056 (4x) (currently)
    [Show full text]
  • Kanstul Trumpet & Cornet Models
    Kanstul Trumpet & Cornet Models Moonlighting for Benge while working for F.E. Olds, Zigmant Kanstul met Irving Bush and Byron Autry. Later, after succeeding his mentor Foster Reynolds as head of the F.E. Olds factory, he worked with R. Dale Olson and came to know William Cardwell. Zig Kanstul’s career brought him into contact with these great figures in trumpet design and the business of making them, but his apprenticeships marked the end point of a long string of master to student knowledge transfer that encompassed names such as James Keat, Elbridge Wright, Samuel Graves, Henry Esbach, JW York, Pops Johnson, Foster Reynolds, HN White, Ory Berdan, HE McMillin, Frank Olds, RB Olds, Elden Benge, Renold Schilke, and through Schilke, the masters at Frank Holton & Co. wh.o redefined the trumpet in the 1920s. As Olson titled Kanstul’s biography, he was the last of the great masters. Together with Olson, Autry, Hal Oringer and others, he mastered the art of not just replicating the greatest horns of the past, but perfecting and then evolving those designs. Zig Kanstul left FE Olds in 1972 to run the Benge facility in California that, following the transfer of Benge to Eastlake Ohio, he ultimately purchased tooling from and founded Kanstul Musical Instruments in 1981. Zig Kanstul committed himself 100% to the company and even moved into an apartment in the plant, literally being at work 24 hours a day. Following in the shoes of Foster Reynolds, Zig Kanstul passed away in his plant in the fall of 2017. In March of 2019, his son Mark, the last Kanstul still at the plant daily, though son Jack continued the marketing from his Arizona home, made the decision to cease operations and liquidate the assets of the company.
    [Show full text]
  • Instrument Recommendations
    MUSICAL INSTRUMENT REQUIREMENTS FOR HIGH SCHOOL MUSICIANS ALL PLAYERS: Metronome: Korg MA30 (about $30) or better Tuner: Korg CA30 (about $20) or better Prop-It Music Stand (for table top or bed) (about $10) FLUTE: Professional Flutes Emerson 88B (about $2250) Pearl Quantz 765 Series (about $1700) Pearl Elegante 795 Series ($3200 - $3750) Yamaha 600 Series ($2500 to $2700) Intermediate Flutes Emerson Model EF6 ($600 - $700) Gemeinhardt KGM Series (about $1200) Emerson Model EF8 $1100 - $1200) Pearl Quantz 665 Series ($775 - $900) Gemeinhardt Model 3SB or 3OSB (about $875) Yamaha 400 or 500 Series Flutes ($1600 - $1850) Good Student Flutes Pearl 505 Series Flutes (about $500 - $600) Gemeinhardt Model 3B or 3OB ($400 - $500) Emerson EF1 Series (about $400) FLUTE ACCESSORIES Flute Stand: BG Flute Stand (about $10) Pad Guard: LaVoz Pad Guard (about $10) Swab (goes on cleaning rod): (about $7 to $10) New Case: ProTec Pro Pac Classic case (about $45) OBOE: Professional Oboes Fox Model 400 ($3950) Larilee 400W ($2000) Intermediate Oboes Buffet 4052 ($2300) Patricola Student Oboe ($2100) Fox Renard 330 ($2600) Selmer 122F ($2650) Larilee 210W ($1500) Yamaha YOB441 ($2350) Good Student Oboes Bulgheroni Student Model ($1700) Larilee 125 Series ($950) Buffet 4011 or 4012 ($1400 or $1650) Selmer 123FB ($2400) Fox Renard 333 ($2000) Yamaha YOB241 ($1900) BASSOON: Professional Bassoons Fox Model 1 ($13000) Fox Model 101 ($14000) Intermediate Bassoons Fox 220 Artist ($5400) Schreiber S16 ($4750) Good Student Bassoons Fox Renard 41 ($3300) Fox Renard 222 ($3900) Fox Renard 51 ($3000) Selmer 1432 ($2900) DOUBLE REED ACCESSORIES (for Oboe & Bassoon) Reeds: Jones or Fox Reeds – Med.
    [Show full text]
  • The Brasswind Production of Marthe Besson's London Factory
    The Galpin Society Journal LIX, pp.43-75 ARNOLD MYERS AND NILES ELDREDGE The Brasswind Production of Marthe Besson’s London Factory he establishment of a brass instrument F. Besson in the late nineteenth century, especially manufactory at 198 Euston Road, London in the period from 1874 (following the death of by Gustave Auguste Besson in 1858 and its Gustave Besson) to June 1895 (when the London continuation by his widow, Florentine Besson née factory passed into British ownership and separated T 3 Ridoux, and then by their daughter Marthe have from the French Besson firm). From 1877 to 1895 been described in the literature.1 The history of the both the Paris and London branches of the firm London Besson firm has been sketched anecdotally were managed by Marthe Josephine Besson. Marthe by Charles Timms, a long time employee and latterly Besson married Adolphe Fontaine in 1880 but Chairman and Managing Director of Besson & Co.2 continued to use the Besson name.4 An outline of the This article draws on Stock Books in the Boosey subsequent history of the company and its purchase and Hawkes archive and other documents to throw by Boosey and Hawkes (completed 1 July 1968) has light on the instruments produced by the firm of been given by one of the present authors.5 1 Constant Pierre, Les Facteurs d’Instruments de Musique, (Paris, 1893) (Reprint: Minkoff, 1972). William Waterhouse, The New Langwill Index: a Dictionary of Musical Wind Instrument Makers and Inventors, (London: Tony Bingham, 1993), pp.29-30. Niles Eldredge, ‘Mme. F.
    [Show full text]
  • Missenharter & Coleman Surviving Brass Instruments
    Missenharter & Coleman Surviving Brass Instruments Serial # Date Instrument Model Description 5313 1874 Cornet Bb SWK; snake on lead pipe; L&P awards 5420 1875 Cornet Bb single water key (SWK); London & Paris awards 5462 1875 Cornet Bb SWK; L&P awards 1876 wins award at Philadelphia Expo in December 5500 1877 Euphonium presentation inscription from 12-23-1877; Phil. award 5512 1877 Cornet Eb 5512 1877 Cornet Bb SWK 1877 wins award at the “American Institute” 5564 1877 Cornet Bb Dual water key (DWK); “American Institute” award added 5594 1877 Ballad Horn 3 PV; no SF award 1878 wins award at San Francisco Expo 5618 1878 Cornet Bb DWK; SF award added 5643 1878 Cornet Bb SWK; Besson style 5462 1878 Cornet Bb London & Paris [NMM] 5692 1878 Cornet Bb DWK 5724 1878 Cornet Bb 5731 1878 Cornet Bb SWK; Besson style 5735 1878 Cornet Bb SWK; Besson style 5736 1878 Cornet Bb SWK; Besson style; Kohler & Chase agents in SF 5755 1878 Cornet Bb SWK; Besson style; SF & AI awards; Leland & Co agents Worcester 5784 1878 Cornet Bb SWK; Besson style 5823 1878 Cornet Bb SWK; Besson style 5824 1878 Cornet Bb SWK; Besson style 5851 1878 Cornet Bb SWK; Besson style; Bowker agent in Worcester, MA 5862 1878 Cornet Bb DWK 5881 1878 Cornet Bb DWK 5906 1878 Cornet Bb DWK 5930 1878 Bass Trumpet 6058 1879 Cornet Bb SWK; Besson style 6068 1879 Cornet Bb SWK; Besson style 6075 1879 Tuba Eb NY; 13” bell; 32” tall 6095 1879 Cornet Bb DWK 6169 1879 Cornet Bb SWK; Besson style; Bowker agent in Worcester, MA 6350 1880 Cornet Bb DWK 6387 1880 Cornet Bb DWK; Bowker agent 6391
    [Show full text]
  • Rcs Brief List
    ROYAL CONSERVATOIRE OF SCOTLAND BRIEF LIST OF THE HISTORIC MUSICAL INSTRUMENT COLLECTION Including the John Webb Collection Contents Instruments of Regional Cultures Flageolets and Recorders Transverse Flutes Oboes Bassoons Clarinets French Horns Bugles, Flugelhorns, Serpents and Ophicleides Post horns, Cornets and Ballad Horns Althorns, Tenor Horns and Baritones Euphoniums and Tubas Trumpets Trombones Small Mouthpieces for Brasswind Large Mouthpieces for Brasswind Miscellaneous Instruments Return to Contents Instruments of Regional Cultures (555) Small buchel or alphorn (557) Birch bark trumpet (558) Birch bark trumpet Return to Contents Flageolets and Recorders (80) Wind-cap English flageolet, 0 keys England. (81) Wind-cap English flageolet, 1 key England. (82) Wind-cap English flageolet, 1 key England. (83) Wind-cap English flageolet, 6 keys England. (84) English flageolet, 1 key, boxwood Willis & Goodlad, London, 1825-34. (85) English flageolet, 1 key, boxwood Moffat, c 1815. (86) English flageolet, 1 key, boxwood George French, London, c 1850. (87) English flageolet, 1 key “D”, England, c 1810. (88) English flageolet, 5 keys, with piccolo head Butler, Dublin or London, c 1870. (89) English flageolet, 6 keys with piccolo head England, c 1870. (90) English flageolet, 6 keys with piccolo head Circa 1870. (91) English flageolet, 4 keys, beak mouthpiece England, c 1860. (92) French flageolet, 4 keys, wind-cap France, c 1840. (93) French flageolet, 7 keys, wind-cap France, c 1860. (94) Double flageolet, small Bainbridge & Wood, London, 1808-21. (95) Double flageolet, small John Briggs, London, 1812-45. (96) Double flageolet, large William Bainbridge, London, 1821-31. (52) Double flageolet, boxwood; large Bainbridge, London.
    [Show full text]