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Tracing the Evolution of Womanhood Into Selfhood in Select Contemporary Films
TRACING THE EVOLUTION OF WOMANHOOD INTO SELFHOOD IN SELECT CONTEMPORARY FILMS VIDHYA VIJAYAN Research Scholar Department of English M G University, Kottayam, Kerala INDIA Film, the most popular media, has a tremendous impact to carve out how individual can feel about a particular topic. Indian films portrayed women characters as doubly marginalized creatures. In earlier times women were featured as a commodity only to satisfy male urge and their bodies were featured in a way as if they are meant for male consumption with some few exceptions. Now changes occur and women begin to play the role of central characters. The audiences also begin to perceive the makeover from the conventional girl to an iconoclastic woman. The present study focuses on three movies ‘Queen’ (Hindi), ‘How Old Are You?’ (Malayalam), and ‘Rani Padmini’ (Malayalam) with giving due emphasis on how the women characters are transformed or how they are emancipated in this patriarchal world. Three films mentioned here are highly inspirational and motivational story of women’s empowerment. Keywords- commodity, iconoclastic woman, emancipation, empowerment INTRODUCTION Film and social reality do feed one another. Film has a tremendous impact to carve out how individual can feel about a particular topic. Indian films portray women characters as stereotypes. It is a double emphasized statement that women are often subjugated in every field and they are doubly marginalized. Films, the recently flourished scenario, also emphasize the same. In the olden days women have been relegated to the passive position in film after film. She merely becomes an adjunct to the man, the wielder of power. -
Invest in Dallas - Fort Worth Area Grab the Property Before It Is out in the Market Text: 219-588-1538
SEPTEMBER 2019 PAGE 1 Globally Recognized Editor-in-Chief: Azeem A. Quadeer, M.S., P.E. SEPTEMBER 2019 Vol 10, Issue 9 Federal agents can search your phone at the US border, even if you’re a US citizen Customs officers are legally allowed to before such an invasive search. search travelers’ personal electronics with- out a warrant — whether they’re visitors Travelers can refuse access to their devic- or American citizens. es, but customs officers are not obligated to allow someone into the country. A Harvard student said he was recently denied entry to the US after officers ques- For now, lawyers recom- tioned him about his religion and then mend that travelers carry searched his phone and laptop and burner phones, en- Elyas Mohammed State Executive Com- found that his friends had written crypt their devices, resident of Lebanon, when he tried to mittee Member at North Carolina Demo- anti-American social-media or simply not enter the US to start his first semester at cratic Party with Presidential hopeful Beto posts. bring electron- Harvard. O’Rourke ics at all. Rights groups have When Ajjawi told The Harvard Crimson that sued the US INSIDE you’re customs officers at Boston’s Logan Inter- government en- national Airport demanded he unlock over the his phone and laptop and then spent five prac- hours searching the devices. tice, He said the officers asked him about his ter- ISNA Convention 2019 P-2 religion and about political, anti-Ameri- ing the can posts his friends had made on social Visa availability Dates P-8 United media. -
Your 360° Guide to Stay Engaged Online
YOUR 360° GUIDE TO STAY ENGAGED ONLINE CULTURE & FASHION The world’s biggest film festivals, cultural mapping, dance, fashion and more WE ARE ONE: CANNES TO SUNDANCE & MORE The hosts of the international film festivals at Cannes, Tribeca, Sundance, Toronto, Berlin and Venice are coming together to host a 10-day free virtual event on YouTube, streaming free cinema for fans everywhere. With no ads, expect feature films, shorts, docus, music, comedy and panel discussions. May 29-June 7, 2020 CULTURAL MAPPING GOES VIRTUAL As part of an ongoing initiative to create educational and scholarly resources documenting local art, craft and music traditions in India, Sahapedia is hosting a series of lectures and interactive sessions online. The sessions will touch upon topics like cultural mapping, knowledge traditions, practices and rituals and more. Ongoing VISIT THE COMIC-CON MUSEUM@HOME Comic-Con Museum’s @Home website section is hosting exclusive new video content and coverage of past shows, as well as a Fun Book series for various age groups. Don’t miss the Online Exhibit Hall and Merch Store at the WonderCon@Home section. Also keep checking their social media handles for additional content. Ongoing LEARN BALLET AT ROYAL ACADEMY OF DANCE Sarah Platt’s Silver Swans class is aimed at adult beginners. Each video session is under 20 minutes, perfect for lunchtime or a quick break if you’re sitting at your kitchen table. The classes are aimed at older learners, but the Royal Academy of Dance will add new classes for all ages in the coming weeks. Ongoing WHERE IS FASHION IN INDIA HEADED? The Fashion Design Council of Indian has curated a series of online interactive sessions to discuss and deliberate where the Indian industry is heading after the pandemic. -
The Conference Brochure
The Many Lives of Indian Cinema: 1913-2013 and beyond Centre for the Study of Developing Societies, Delhi 9-11 January 2014 1 Credits Concept: Ravi Vasudevan Production: Ishita Tiwary Operations: Ashish Mahajan Programme coordinator: Tanveer Kaur Infrastructure: Sachin Kumar, Vikas Chaurasia Consultant: Ravikant Audio-visual Production: Ritika Kaushik Print Design: Mrityunjay Chatterjee Cover Image: Mrityunjay Chatterjee Back Cover Image: Shahid Datawala, Sarai Archive Staff of the Centre for the Study of Developing Societies We gratefully acknowledge support from the following institutions: Indian Council for Social Science Research; Arts and Humanities Research Council; Research Councils UK; Goethe Institute, Delhi; Indian Council for Historical Research; Sage Publishing. Doordarshan have generously extended media partnership to the conference. Images in the brochure are selected from Sarai Archive collections. Sponsors Media Partner 2 The Idea Remembering legendary beginnings provides us the occasion to redefine and make contemporary the history we set out to honour. We need to complicate the idea of origins and `firsts’ because they highlight some dimensions of film culture and usage over others, and obscure the wider network of media technologies, cultural practices, and audiences which made cinema possible. In India, it is a matter of debate whether D.G. Phalke's Raja Harishchandra (1913), popularly referred to as the first Indian feature film, deserves that accolade. As Rosie Thomas has shown, earlier instances of the story film can be identified, includingAlibaba (Hiralal Sen, 1903), an Arabian Nights fantasy which would point to the presence of a different cultural universe from that provided by Phalke's Hindu mythological film. Such a revisionary history is critical to our research agenda. -
JANUARY 2016 .Com/Civilsocietyonline `50
VOL. 13 NO. 3 JANUARY 2016 www.civilsocietyonline.com .com/civilsocietyonline `50 ssttrreeeett bbuussiinneessss How NASVI helps vendors upscale Arbind Singh, National Coordinator of NASVI anil swarup on coal SPECIAL FOCUS entering rural markets Pages 9-10 Delhi comes Pages 22-23 fat girls are smart low status of teachers Page 14 full circle on Pages 25-26 air pollution chilD health sinks the kerala film fest Page 15 Pages 6-8 Pages 29-31 ConTenTS READ U S. WE READ YO U. give vendors their due enDorS work hard and brave many odds to earn a living. They deserve to be given their due as entrepreneurs. Small businesses like Vtheirs are tough to run and have all the challenges of providing quality and value to customers. From their carts and stalls they derive incomes on which their families depend. It is estimated that there are 10 million vendors in the country. It would be impossible to replace so many livelihoods. efforts to push them off the streets are misconceived and a vio - coVer storY lation of their rights. Vendors also add colour and diversity to our cities and towns with their range of wares and food items. They are essential to an street business urban mosaic. It is fortunate that a central law passed in 2014 bestows recognition on india has an estimated 10 million street vendors who earn a living vending. Credit for getting the law passed by Parliament must go to nASVI selling wares and serving up meals. They are a uniquely plural or the national Association of Street Vendors of India. -
Here in the United Online Premieres Too
Image : Self- portrait by Chila Kumari Singh Burman Welcome back to the festival, which this Dive deep into our Extra-Ordinary Lives strand with amazing dramas and year has evolved into a hybrid festival. documentaries from across South Asia. Including the must-see Ahimsa: Gandhi, You can watch it in cinemas in London, The Power of The Powerless, a documentary on the incredible global impact of Birmingham, and Manchester, or on Gandhi’s non-violence ideas; Abhijaan, an inspiring biopic exploring the life of your own sofa at home, via our digital the late and great Bengali actor Soumitra Chatterjee; Black comedy Ashes On a site www.LoveLIFFatHome.com, that Road Trip; and Tiger Award winner at Rotterdam Pebbles. Look out for selected is accessible anywhere in the United online premieres too. Kingdom. Our talks and certain events We also introduce a new strand dedicated to ecology-related films, calledSave CARY RAJINDER SAWHNEY are also accessible worldwide. The Planet, with some stirring features about lives affected by deforestation and rising sea levels, and how people are meeting the challenge. A big personal thanks to all our audiences who stayed with the festival last We are expecting a host of special guests as usual and do check out our brilliant year and helped make it one of the few success stories in the film industry. This online In Conversations with Indian talent in June - where we will be joined year’s festival is dedicated to you with love. by Bollywood Director Karan Johar, and rapidly rising talented actors Shruti Highlights of this year’s festival include our inspiring Opening Night Gala Haasan and Janhvi Kapoor, as well as featuring some very informative online WOMB about one woman gender activist who incredibly walks the entire Q&As on all our films. -
Movies of Feroz Khan
1 / 2 Movies Of Feroz Khan Feroze Khan (born July 11, 1990) is famous for being tv actor. ... Padmavati is undeniably the most awaited movie of the year and it won't be hard to call it a hit .... Feroz Khan Movies List. Thambi Arjuna (2010)Ramana, Aashima. Welcome (2007)Feroz Khan, Anil Kapoor. Ek Khiladi Ek Haseena (2005)Fardeen Khan, .... See more ideas about actors, pakistani actress, feroz khan. ... Khushbo is Pakistani film and stage Actress. c) On some minimal productions (e. Want to Become .... Tasveer Full Hindi Movie (1966) Film cast : Feroz Khan, Kalpana, Helen, Sajjan, Rajendra Nath, Nazir Hasain, Leela Mishra, Raj Mehra, Lalita Pawar, Sabeena. MUMBAI, India (Agence France-Presse) — Feroz Khan, a Bollywood ... he made “Dharmatma,” the first Hindi-language movie shot on location .... Actor Rishi Kapoor tweeted that the two actors, who worked together in three films, died of Cancer on the same date. Known for his flamboyant persona, Feroz Khan was an actor, director and producer who had a long innings in the Hindi film industry. The actor .... Feroz Khan was born at Bangalore in India to an Afghan Father, Sadiq Khan and an Iranian mother Fatima. After schooling from Bangalore he shifted to Bombay .... He would have turned 79 on September 25. However, actor, director and producer Feroz Khan – one of his kind in the Hindi film industry .... Feroz Khan All Movies List · Ek Khiladi Ek Haseena - 2005 · Ek Khiladi Ek Haseena (2005)Feroz Khan , Fardeen Khan , Koena Mitra , Gulshan Grover , Kay Kay , .... India's answer to Clint Eastwood, Feroz Khan is known as the most stylish bollywood actor. -
India's Entertainment Quotient Is Back in 2019 with 'Show Off the Year'
India’s Entertainment Quotient is back in 2019 with ‘Show Off The Year’ Throwback alert! BookMyShow reveals how Indians entertained themselves in the year gone by Mumbai, December 27, 2019: As we brace ourselves to bid adieu to 2019, BookMyShow, India’s leading entertainment destination takes entertainment enthusiasts on a throwback ride. 2019 saw Indians satiate their out-of-home entertainment appetite with options ranging from movies to theatricals and live events including sports, comedy, music concerts and more. 2019 witnessed an evolution in entertainment choices with BookMyShow introducing millions of its users to newer out- of-home experiences. Presenting to you, #ShowOffTheYear *Date range: December 1, 2018 – November 30, 2019 Movies In 2019, BookMyShow hosted over 1880 films across languages on its platform. The Marvel craze took over India as Avengers: Endgame broke all records to sell over 8.6 million tickets to become the highest-selling Hollywood movie on our platform. This was followed by URI - The Surgical Strike, with over 5.7 million tickets to the film sold on BookMyShow alone. Movie trends released in 2019 Demand for Hindi movies grew 12% from last year Movie buffs booked an average of 2.6 tickets per transaction Films in Telugu, Tamil, Malayalam, Kannada and Marathi were amongst the top rated regional language films Demand for Malayalam movies rose 108% followed by English at 45% and Hindi at 25% 2019 saw an 89% jump in the number of screens occupied by the widest circulated movies as compared to 2018 Advance -
Take a Sad Song and Make It Better: an Alternative Reading of Anglo-Indian Stereotypes in Shyamaprasad’S Hey Jude (2018)
TAKE A SAD SONG AND MAKE IT BETTER: AN ALTERNATIVE READING OF ANGLO-INDIAN STEREOTYPES IN SHYAMAPRASAD’S HEY JUDE (2018) Glenn D’Cruz ABSTRACT This Paper provides an alternative approach to understanding the function of Anglo- Indian culture in Shyamaprasad’s Malayalam language film Hey Jude (2018). Drawing on his theorization of Anglo-Indian Stereotypes in his book Midnight’s Orphans: Anglo-Indians in Post/Colonial Literature (Peter Lang, 2006), the author contests the reading of the film offered by Rajesh James and Priya Alphonsa Mathew in their recent article, ‘Between Two Worlds: Anglo-Indian Stereotypes and Malayalam Cinema.’ Rather than hastily dismissing representations of Anglo-Indians in Hey Jude as stereotypical and offensive, this critique of James and Mathew’s argument underscores the importance of situating the film in a broader context and paying more detailed attention to the cultural work performed by its themes and tropes. INTRODUCTION FADE IN: INT. Number 13 Charles Street, East London. Early Evening. 1968. A deep red lamp illuminates a framed picture of the Sacred Heart of Jesus. Thick trails of cigarette smoke waft into the frame from below, shrouding the ceremonial lamp in a fog that diminishes its glow. The deep, dulcet tones of Jim Reeves singing ‘Yonder Comes a Sucker’ can be heard over the sound of chatter, laughter, and clinking glasses. IJAIS Vol. 18, No. 2. 2018 pp. 32-47 www.international-journal-of-anglo-indian-studies.org Take a Sad Song and Make it Better 33 DISSOLVE TO: INT: Number 13 Charles Street. Front Room. The Room is populated by a group of young men and women in their late twenties and early thirties. -
Ivrcl Infrastructures & Projects Limited Unpaid List
IVRCL INFRASTRUCTURES & PROJECTS LIMITED UNPAID LIST OF DIVIDEND WARRANT FOR THE YEAR 2009-10 S.No. FOLIO MICR AMOUNT WARDATE NAME WARNO 0 IVR950007 60 2.00 06-10-2010 ANUJ BANSAL 600062 1 IVR950026 84 8.00 06-10-2010 K RAGHU KIRAN 600086 2 IVR950002 450 8.00 06-10-2010 DIPANKAR DAS 600452 3 IVR0057801 86 40.00 06-10-2010 SANJAY KUMAR SAMAL 600088 4 IVR0057840 101 40.00 06-10-2010 LAKSHMAN RAJU K 600103 5 IVR0058205 217 40.00 06-10-2010 SATISH BABU K 600219 6 IVR0058224 224 40.00 06-10-2010 KUMAR S 600226 7 IVR0058236 229 40.00 06-10-2010 BHUMESHWAR REDDY S 600231 8 IVR0058253 234 40.00 06-10-2010 RAJU P 600236 9 IVR0057988 156 40.00 06-10-2010 RAJESH PRASAD PANDEY 600158 10 IVR0058046 167 40.00 06-10-2010 KARTHICK P 600169 11 IVR0058057 446 40.00 06-10-2010 MARIMUTHU R 600448 12 IVR0058420 282 40.00 06-10-2010 DASHARATHAM P 600284 13 IVR0058344 261 40.00 06-10-2010 SANJAYA KUMAR PRADHAN 600263 14 IVR0058489 306 40.00 06-10-2010 BRIJESH KUMAR SRIVASTAVA 600308 15 IVR0058108 186 40.00 06-10-2010 MANOJ KUMAR JHA 600188 16 IVR0058503 311 40.00 06-10-2010 VIJAY EKANATHRAO KALBENDE 600313 17 IVR0058560 327 40.00 06-10-2010 PRADEEP RAJU P 600329 18 IVR0058561 328 40.00 06-10-2010 VIJAYA BHASKAR M 600330 19 IVR0058681 362 40.00 06-10-2010 BENEDICT A 600364 20 IVR0058207 218 52.00 06-10-2010 KARTHIKEYAN M 600220 21 IVR0058249 233 52.00 06-10-2010 BHAGAVAN REDDY N 600235 22 IVR0058413 279 52.00 06-10-2010 SAHANI T.K. -
8Th Pune International Film Festival ( 7Th - 14Th January 2010 ) SR
8th Pune International Film Festival ( 7th - 14th January 2010 ) SR. NO. TITLE ORIGINAL TITLE RUNTIME YEAR DIRECTOR COUNTRY OPENING FILM 1 About Elly DARBAREYE ELLY 119 2009 ASGHAR FARHADI IRAN WORLD COMPETITION 1 WHITE LIGHTENIN' - WC WHITE LIGHTNIN' 90 2009 Dominic Murphy UK 2 THE LITTLEONE LA PIVELLINA 100 2009 Tizza Covi, Rainer Frimmel Italy-Austria Alejandro Fernández Almendras - 3 HUACHO - WC HUACHO 89 Chile-France GERMANY CONFIRMED 4 APPLAUSE APPLAUS 86 2009 Martin Zandvliet Denmark CEA MAI FERICITA FATA DIN 5 The happiest girl in the world 100 2009 Radu Jude Romania LUME KIELLETY HEDELMÄ , Dome 6 FORBIDDEN FRUIT -WC 98 2009 Dome Karukoski FINLAND sweden karukoski WHO IS AFRAID OF THE WOLF 7 KDOPAK BY SE VLKA BÁL 90 2008 Maria Procházková czech republic -WC 8 SCRATCH -WC RYSA 89 2009 Michal Rosa poland 9 THE OTHER BANK -WC GAGMA NAPIRI 90 2009 George Ovashvili poland 10 I SAW THE SUN -WC GÜNESI GÖRDÜM 120 2009 Mahsun Kirmizigül. TURKEY THE MAN BEYOND THE BRIDGE- 11 PALTADACHO MUNIS 96 2009 Laxmikant Shetgaonkar INDIA WC 12 FRONTIER BLUES- WC FRONTIER BLUES 95 2009 Babak Jalali Iran-UK-Italy 13 77 DORONSHIP-WC 77 DORONSHIP 90 2009 Pablo Agüero france 14 OPERATION DANUBE-WC OPERACE DUNAJ 104 2009 Jacek Glomb poland 15 THE STRANGER IN ME -WC DAS FREMDE IN MIR 99 2009 Emily Atef GERMANY Marathi competition 1 RITA 145 2009 RENUKA SHAHANE India 2 PAANGIRA 135 2009 RAJEEV PATIL India GOSHTA CHOTI DONGRA 3 GOSHTA CHOTI DONGRA EVDHI 120 2009 NAGESH BHOSALE India EVDHI 4 VIHIR 120 2009 UMESH KULKARNI India 5 A CUP OF TEA EK CUP CHYA 120 -
Macho Icons Going Places
J. Vis. Art & Des., Vol. 11. No. 1, 2019, 1-18 1 Macho Icons Going Places Muhammad Asghar1 & Muhammad Arshad Rehmani2 1Institute of Art and Design, Government College University, New Civil Lines Campus, Near Regency Plaza, 38000 Faisalabad, Pakistan 2Institute of Art and Design, University of Sargodha, University Road, 40100 Sargodha, Pakistan E-mail: [email protected] Abstract. This paper is an exploration of the increasing trend of popular macho representations on the back of three-wheeled auto rickshaws in the Punjab, Pakistan. Through an ethnographic field research it was observed that the painted visuals of popular icons in clichéd heroic poses are rampant on rickshaws, representing a mobile exhibition of urban folk art. These visuals are mostly taken from the local Punjabi film industry, which has eclipsed over the past two decades. This study further explored the reasons for the increase of male figures displayed on rickshaws (and other) popular art and the almost total extinction of female figures because of increased religious assertion in Pakistan over this two- decade period. Our analysis shows that the relationship between rickshaw drivers and a common male audience with these powerful visuals is so strong that it reinforces the ‘impulse to image’. The power of macho visuals satisfies the taste of cinemagoers who love to travel by rickshaws loaded with such visuals. We argue that these macho ideal representations have a strong impact on the beholders and they influence society through the power they convey. Finally, this study concludes that the popular macho visuals effectively communicate real emotions and please the mood of vast audiences in particular segments of society.