CABARET DINNER Hosted by EDDIE PERFECT the OLD & the NEW 25
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Tickets You Can Either Subscribe with a Friend Or Buy Guest Tickets for Them to Join You (They’Ll Get Your Discount Too!)
2020 WELCOME Photo: Alana Dimou THEJOAN.COM.AU 2 HOW TO SUBSCRIBE 6 PENRITH ARTS LOVER 8 SEASON AT A GLANCE 10 80S FILM FESTIVAL 12 SEASON 2020 14 – 60 KIDS & FAMILIES 20, 30, 44, 54, 58, 60 YOUNG ADULTS 26, 42 SPIEGELESQUE 14 GRACE UNDER PRESSURE 16 EASTER ORATORIO – BACH AKADEMIE AUSTRALIA 18 ANN-DROID THE WONDERFUL ADVENTURES OF A ROBOT GIRL 20 JEKYLL & HYDE 22 PLAYLIST 24 30 SOMETHING 26 MY ROBOT 28 THE SENTIMENTAL BLOKE 30 MICF ROADSHOW 32 THE SPOOKY MEN’S CHORALE 34 THE GOSPEL ACCORDING TO PAUL 36 THE MELL-O-TONES 38 THE WHARF REVUE 2020 40 LIGHTS IN THE PARK 42 BEEP 44 CARMEN 46 CONTENTS KANGAROO 48 DADS 50 30TH ANNIVERSARY CONCERT 52 LOOSE ENDS 54 LAMB 56 JUST LIVE ON STAGE! 58 EDWARD THE EMU 60 Q THEATRE 62 – 64 MORNING MELODIES 65 – 66 FOR SENIORS 67 – 68 ALSO AT THE JOAN 69 WHO WE ARE 70 IN RESIDENCE: 71 – 72 PENRITH SYMPHONY ORCHESTRA PENRITH MUSICAL COMEDY COMPANY SUPPORT US 73 ACKNOWLEDGEMENTS 74 – 76 ATTENDING THE JOAN 77 SEATING MAPS 78 SUBSCRIPTION STEPS 79 ORDER FORM 80 EASY WAYS TO BOOK 82 Penrith Performing & Visual Arts acknowledges the unique status of Aboriginal and Torres Strait Islander people as the original custodians of lands and waters, including the land and waters of Western Sydney. THEJOAN.COM.AU 4 ave your calendar handy and read through this guide. This year we’ve ordered it chronologically, so you can make it work for you: Hholidays first, shows next, everything else later. Some people like to bring friends and family together and make plans as a group, others prefer to make plans for themselves; and gifts and surprises are always good. -
Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Summary of Development Approved Applications February 2014 Summary of Development Approved Applications February 2014
Summary of Development Approved Applications February 2014 Summary of Development Approved Applications February 2014 Printed - 11/03/2014 10:13:47 AM Application 1: DA / 543 / 2013 / A / 1 Lodged: 21/02/2014 Description: Vary previous authorisation to carry out internal and external alterations and change the use from office to licensed premises with entertainment including signage - VARIATION - To permit the development to be undertaken in stages - Stage 1 - building modifications and use of premises (without music entertainment after 10pm)Stage 2 - Use of premises with music entertainment after 10pm **STAGE 1 ONLY** Property Address: Mr Goodbar Applicant : FUNDAMENTAL FLOW P/L 12-16 Union Street ADELAIDE SA 5000 Owner : Ms E Duff-Tytler Estimated Cost of Dev: To Be Advised Private Certifier : PBS AUSTRALIA P/L Consent: Development Approval Decision: Development Approval Granted Authority: Delegated to Administration Date: 27/02/2014 CITB Reference: 52739 Application 2: DA / 133 / 2014 Lodged: 21/02/2014 Description: Tenancy fitout (Chinese BBQ cafe) Property Address: 29 Field Street Applicant : BOCLOUD INTERNATIONAL ADELAIDE SA 5000 Owner : Mr C Karapetis Estimated Cost of Dev: $11,500 Private Certifier : BUILDING CERTIFICATION APPROVALS (SA) P/L Consent: Development Approval Decision: Development Approval Granted Authority: Delegated to Administration Date: 25/02/2014 CITB Reference: Application 3: DA / 132 / 2014 Lodged: 19/02/2014 Description: Shop fitout Property Address: La Vie En Rose - G.06 Applicant : CHECKPOINT Ground 77-91 Rundle Mall ADELAIDE SA 5000 Owner : ALTEMAN (SA) P/L Estimated Cost of Dev: $200,000 Private Certifier : PBS AUSTRALIA P/L Consent: Development Approval Decision: Development Approval Granted Authority: Delegated to Administration Date: 21/02/2014 CITB Reference: 52617 Application 4: DA / 131 / 2014 Lodged: 20/02/2014 Description: Erect wrap around temporary fencing 24/2/14 to 1/3/14. -
98Th ISPA Congress Melbourne Australia May 30 – June 4, 2016 Reimagining Contents
98th ISPA Congress MELBOURNE AUSTRALIA MAY 30 – JUNE 4, 2016 REIMAGINING CONTENTS ACKNOWLEDGEMENT OF PEOPLE & COUNTRY 2 MESSAGE FROM THE MINISTER FOR CREATIVE INDUSTRIES, 3 STATE GOVERNMENT OF VICTORIA MESSAGE FROM THE CHIEF EXECUTIVE OFFICER, ARTS CENTRE MELBOURNE 4 MESSAGE FROM THE DIRECTOR OF PROGRAMMING, ARTS CENTRE MELBOURNE 5 MESSAGE FROM THE CHAIR, INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS (ISPA) 6 MESSAGE FROM THE CHIEF EXECUTIVE OFFICER, INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS (ISPA) 7 LET THE COUNTDOWN BEGIN: A SHORT HISTORY OF ISPA 8 MELBOURNE, AUSTRALIA 10 CONGRESS VENUES 11 TRANSPORT 12 PRACTICAL INFORMATION 13 ISPA UP LATE 14 WHERE TO EAT & DRINK 15 ARTS CENTRE MELBOURNE 16 THE ANTHONY FIELD ACADEMY SCHEDULE OF EVENTS 18 THE ANTHONY FIELD ACADEMY SPEAKERS 22 CONGRESS SCHEDULE OF EVENTS 28 CONGRESS PERFORMANCES 37 CONGRESS AWARD WINNERS 42 CONGRESS SESSION SPEAKERS & MODERATORS 44 THE ISPA FELLOWSHIP CHALLENGE 56 2016 FELLOWSHIP PROGRAMS 57 ISPA FELLOWSHIP RECIPIENTS 58 ISPA STAR MEMBERS 59 ISPA OUT ON THE TOWN SCHEDULE 60 SPONSOR ACKNOWLEDGEMENTS 66 ISPA CREDITS 67 ARTS CENTRE MELBOURNE CREDITS 68 We are committed to ensuring that everyone has the opportunity to become immersed in ISPA Melbourne. To help us make the most of your experience, please ask us about Access during the Congress. Cover image and all REIMAGINING images from Chunky Move’s AORTA (2013) / Photo: Jeff Busby ACKNOWLEDGEMENT OF PEOPLE MESSAGE FROM THE MINISTER FOR & COUNTRY CREATIVE INDUSTRIES, Arts Centre Melbourne respectfully acknowledges STATE GOVERNMENT OF VICTORIA the traditional owners and custodians of the land on Whether you’ve come from near or far, I welcome all which the 98th International Society for the Performing delegates to the 2016 ISPA Congress, to Australia’s Arts (ISPA) Congress is held, the Wurundjeri and creative state and to the world’s most liveable city. -
Af20-Booking-Guide.Pdf
1 SPECIAL EVENT YOU'RE 60th Birthday Concert 6 Fire Gardens 12 WRITERS’ WEEK 77 Adelaide Writers’ Week WELCOME AF OPERA Requiem 8 DANCE Breaking the Waves 24 10 Lyon Opera Ballet 26 Enter Achilles We believe everyone should be able to enjoy the Adelaide Festival. 44 Between Tiny Cities Check out the following discounts and ways to save... PHYSICAL THEATRE 45 Two Crews 54 Black Velvet High Performance Packing Tape 40 CLASSICAL MUSIC THEATRE 16 150 Psalms The Doctor 14 OPEN HOUSE CONCESSION UNDER 30 28 The Sound of History: Beethoven, Cold Blood 22 Napoleon and Revolution A range of initiatives including Pensioner Under 30? Access super Mouthpiece 30 48 Chamber Landscapes: Pay What You Can and 1000 Unemployed discounted tickets to most Cock Cock... Who’s There? 38 Citizen & Composer tickets for those in need MEAA member Festival shows The Iliad – Out Loud 42 See page 85 for more information Aleppo. A Portrait of Absence 46 52 Garrick Ohlsson Dance Nation 60 53 Mahler / Adès STUDENTS FRIENDS GROUPS CONTEMPORARY MUSIC INTERACTIVE Your full time student ID Become a Friend to access Book a group of 6+ 32 Buŋgul Eight 36 unlocks special prices for priority seating and save online and save 15% 61 WOMADelaide most Festival shows 15% on AF tickets 65 The Parov Stelar Band 66 Mad Max meets VISUAL ART The Shaolin Afronauts 150 Psalms Exhibition 21 67 Vince Jones & The Heavy Hitters MYSTERY PACKAGES NEW A Doll's House 62 68 Lisa Gerrard & Paul Grabowsky Monster Theatres - 74 IN 69 Joep Beving If you find it hard to decide what to see during the Festival, 2020 Adelaide Biennial . -
2013 Helpmann Awards Winners Announced! Full List of Winners At
HELPMANN AWARDS MEDIA RELEASE MONDAY 29TH JULY 2013 2013 HELPMANN AWARDS WINNERS ANNOUNCED! FULL LIST OF WINNERS AT www.helpmannawards.com.au The 13th Annual Helpmann Awards were presented tonight live in Sydney at the Joan Sutherland Theatre, Sydney Opera House and broadcast on Foxtel’s Arena. Co-hosts Eddie Perfect and Christie Whelan Browne kicked off the night’s proceedings with an incredibly entertaining opening number written specifically for the occasion by the multi-talented Mr Perfect himself. The Helpmann Awards recognise distinguished artistic achievement and excellence across the major disciplines of Australia's live performance industry. In total 43 awards were presented this evening by some of Australia’s most celebrated talent including, Tina Arena, Baz Luhrmann, Sarah Murdoch, John Waters, Hugh Sheridan, Marcus Graham, Elizabeth Debicki, Patrick Brammall, Chloe Dallimore, Erika Heynatz, Ashley Zukerman, Miranda Tapsell, Rob Mills, Sharon Millerchip, Toby Schmitz, Alison Bell, David Harris, Wayne Scott Kermond, Lynette Curran, Christen O’Leary, Russell Dykstra, Esther Hannaford, The Hon. George Souris, Ewen Leslie, Jennifer Vuletic and Helen Thomson. Further showcasing Australia’s unique and diverse live performance industry, show highlights included live performances by Tim Minchin, the casts of GREASE and HOT SHOE SHUFFLE, Sydney Dance Company, Silvie Paladino and the Sydney Children’s Choir, Emma Birdsall and Timomatic. In addition, as previously announced pop music icon Kylie Minogue OBE and Arts philanthropist David Blenkinsop CBE AM were co-recipients of the 2013 JC WILLIAMSON AWARD. By bestowing this award, Live Performance Australia (LPA) recognises individuals who have made an outstanding contribution to the Australian live entertainment industry and shaped the future of our industry for the better. -
Brett Sheehy CONFESSIONS of a GATEKEEPER
Address To The Inaugural Currency House/ Australia Business Arts Foundation 2009 Arts And Public Life Breakfast 31 March At The Sofi tel, Melbourne On Collins Brett Sheehy CONFESSIONS OF A GATEKEEPER Hello and welcome everyone. I quickly want to thank Harold for introducing me today. Harold barely knew me when, in November 2001, he fl ew from Melbourne to Sydney to attend my fi rst ever festival launch in Customs House down at Sydney’s Circular Quay. His reason was simple - he loves the arts, I was a fairly new kid on the festival block, and he wanted to show his support. And that support has continues to this day, unabated. I appreciate it tremendously, and it’s a privilege to fi nally share a stage with him, in what is now, mutually, our hometown. So thank you Harold. These confessions of an arts gatekeeper which I’m going to share this morning are personal, frequently intuitive, born of 25 years of observation and experience in the arts, but also not absolutes – all are debatable, but not one, I think, is disprovable. An arts gatekeeper is really a kind of artistic ‘door bitch’, someone charged with the responsibility of deciding when the ‘velvet rope’ is lifted, and which art will, and will not, be seen by the public of Australia. And while the metaphor of the ‘velvet rope’ makes light of it here, the role is actually riven with anxiety and stress – so important do I think the responsibility is, and so potentially charged with hubris. Gatekeepers come in many guises – festival directors, artistic directors of theatre and dance companies, museum and gallery curators, music directors of opera houses and orchestras, arts centre programmers, book publishers and record producers. -
Annual Report 2017–2018
Annual Report 2017–2018 LIVE PERFORMANCE AUSTRALIA Cover: 2018 Helpmann Awards Act II Finale - Funny Girl - The Musical Inside: 2018 Helpmann Award Winner - Mona Foma In 2017, the Australian live performance industry generated $1.88 billion in ticket sales with over 23 million attendances - that is more than the combined attendances at AFL, NRL, soccer, Super Rugby and cricket.* ( LPA Ticket Attendance and Revenue Survey 2017) *Australian Sporting Attendances 2017, Stadiums Australia ANNUAL REPORT 2017 – 2018 1 Contents About About Page 3 President & Chief Executive’s Report 4 Major Achievements 5 Industry Wide Initiatives 6 Workplace Relations 8 Live Performance Australia (LPA) is the peak body for Australia’s Policy & Programs 10 live performance industry. Established 101 years ago in 1917 Annual Ticket Attendance and registered as an employers’ organisation under the Fair and Revenue Report 11 Work (Registered Organisations) Act 2009, LPA has over 400 2017 Centenary Awards 12 Members nationally. We represent commercial producers, music 2018 Helpmann Awards 14 promoters, major performing arts companies, small to medium Member Services 18 companies, independent producers, major performing arts LPA Staff 20 centres, metropolitan and regional venues, commercial theatres, Financial Report 21 stadiums and arenas, arts festivals, music festivals, and service Executive Council 42 providers such as ticketing companies and technical suppliers. Members 44 Our membership spans from small to medium and not-for-profit Acknowledgements 46 organisations to large commercial entities. Current LPA Member Resources 48 LPA’s strategic direction is driven by our Members. LPA Members are leaders in our industry and their expertise is crucial to ensuring positive industry reform, whether by providing input to submissions or serving as a Member of LPA’s Executive Council. -
Let Me Be Your Star Online
XqVcP (Mobile ebook) Let Me Be Your Star Online [XqVcP.ebook] Let Me Be Your Star Pdf Free Rachel Shukert *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook #211328 in Audible 2013-12-05Format: UnabridgedOriginal language:EnglishRunning time: 70 minutes | File size: 29.Mb Rachel Shukert : Let Me Be Your Star before purchasing it in order to gage whether or not it would be worth my time, and all praised Let Me Be Your Star: 2 of 2 people found the following review helpful. The Best Kind of Personal EssayBy Xenon Dead Timea fast- moving, very funny kind of personal essay, that describes an elbow-bend in the author's life (one she likens, in an aside of Dorothy Parker-esque self deprecation, to being a fitfully idiosyncratic, more Broadway-infused personal Eat, Pray Love scenario). The unexpected way Shukert unspools her thoughts, and draws connections between her experiences, and simultaneously peppers it all with her huge knowledge of culture, make it a real pleasure to read. It's like being in the presence of an extravagantly gifted conversationalist, or a fiendishly entertaining monologuist, or some other kind of theatrically adroit sleek-talker.Quoting it will show much better what I mean; the piece is full of these gems, and also has longer-form humorous/thematic effects that are a pleasure to encounter."It was a whole new world. I felt like the part of the movies where the newspapers start spinning and you see me, in clothing of increasing elegance, going from burlesque to vaudeville to the -
Two Brothers Running Music Credits
Original Music by Phillip Scott Lyrics: Opening to camera: The film begins with Tom Conti’s Moses Bornstein upside down on screen. The camera begins a slow swivel and zoom in so that it ends up on Moses’ face the right way up, still talking direct to camera. As the camera does its move, Moses speaks to the viewer. Moses: “Okay, the brother … er, our parents died. We’re orphans. We move into a flat, and I look after him for a year, a year and a half… except I’m going crazy. So I leave him with an uncle for three months, except I can’t look the young boy in the face, because I know it’s … it’s really forever. I go to Europe, I write, I publish, I marry … a son… er, maybe three years, a letter arrives. The brother is coming… er, he’s coming by boat, which is what you did in those days. Terrific. He arrives at the docks, Southampton. We station ourselves at the foot of the gangplank, er, we’re early, we’re the first, no one’s come off .. and they start … a lot of people, a lot of people …er, two, maybe three hundred …and every person that comes off … I can’t see him. I can’t see him … did he come off? He must have! People are milling, you know, I, I, I’m in a real panic. Suddenly Barbara darts into the crowd. She’s, she’s got him … she’s holding his hand! But how, how did you recognise him? She stares at me … Moses … he’s just like you … (almost a whisper) … just like you …” The camera cuts to a Citroën pulling into the driveway of a suburban Melbourne house, and the story begins … It will turn out that Moses is, like his brother, unfaithful, and will lose his wife by end of movie, but his brother will provide him with the ending to the screenplay he keeps telling everybody about throughout the movie, a shaggy dog story with a Jewish hero, who wants to be a thief like his father. -
Cocktails Cabaret
DEDICATION CHARITY CONCERT 2018 Zak Quappé 100% PROCEEDS TO May 3, 1992 - May 18, 2013 ZAK QUAPPÉ MEMORIAL Tonight’s performance is dedicated SCHOLARSHIP FUND to Zak Quappé, who not only loved to Zak was passionate about seeing fly he also enjoyed performing arts his young friends working and doing assisting at the Prospect Playhouse for things they loved, his family felt this many productions and even treading was the best way to continue his the boards himself during the premier of legacy. Depending on how quickly an Adult Colin Wilson’s Watler’s War. individual performs, it costs roughly Content Zak showed an interest in flying $15,000 to obtain the necessary flight from age 12 and attended summer hours and training to obtain a Private Cocktails&cabaret camps every year for 5 years at Pilot’s license. Embry-Riddle University in Daytona We are extremely proud to FEATURING Beach, Florida; enjoying his first solo announce that two young flight at age 17. When he was 18 years Caymanians, Sam Whitney and Brian old he told his parents he wanted to Emmanual Watler have been melanieEBANKS make flying a career and as such successful in obtaining their private AND FRIENDS attended ATP Flight School in FT pilots licences. These two young with Chuck & Barrie Lauderdale, Florida where he obtained men, Sam in 2016 and Brian in 2017, a Commercial License with a worked hard, attending Wayman multi-engine and instrument rating. Aviation in Florida, to do both their Date Once graduating with that license, he examinations and flight training. -
Robyn Archer 4-15 July
GRIFFIN THEATRE COMPANY PRESENTS ROBYN ARCHER 4-15 JULY European Cabaret really began in Paris in the 1880s and While the word cabaret has been then rapidly spread to Vienna at the fin de siècle, thence to stretched over the last few decades to Zurich, St Petersburg, Barcelona, Munich and Berlin, cover comedy, review, variety and where it coincided with the rise of national socialism and burlesque, there have been recent sniffs provided a necessary platform for voicing concern and of a return to something more akin to the criticism. Que Reste-t’Il starts with songs from the 1880s form’s noble origins, with Tim Minchin’s in Paris, and Dancing on the Volcano covers that brief rapid response to George Pell as a good period when Berlin cabaret was at first light-headed with example. Perhaps as the times again relief after World War I, and then traced the dramatic become more fraught, more complex, descent into despair and horror. The power of serious more difficult to understand and to poets and composers to record such histories is negotiate, ‘ the art of small forms’ (as undeniable, and reinforces the words of Brecht’s poem: Peter Alternberg described cabaret) will come into its own again. My young son asks Will there be singing in the bad times? Robyn Archer AO Yes, there will be singing About the bad times When the cabaret form crossed into English language- speaking countries, it tended to morph into something A NOTE FROM more polite, such as revue, and its bite was less at politics and corruption, and more to social mores and foibles.