SPARTAN SOCIETY Fall 2004
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'Gut-Madness': Gastrimargia in Plato and Beyond
‘GUT-MADNESS’: GASTRIMARGIA IN PLATO AND BEYOND Judy Stove (University of New South Wales) The classical Greeks’ and Romans’ ethical systems focused heavily on virtues, that is to say, on good human attributes. Human vices, in fact, always received much more thorough treatment from Christian writers than pagan writers gave them. Our very notion of a vice is heavily influenced by Christian views of sin. This should not overshadow the fact that pagan writers dealt, to some extent, with habits or actions which later entered the canon of vices or sins (for example, Aristotle in the work commonly called Virtues and Vices). My topic is gastrimargia: the bad habit which, in Greek, means ‘gut-madness’, and which came to be translated as gula in Latin and gluttony in English. Overeating and its visible outcome, obesity, are receiving, in our society, a high level of attention, both official and individual. Yet, to state the obvious, overeating (like drinking too much alcohol) is not something unprecedented in earlier societies. Perhaps not so obviously, it was a feature even of societies of the distant past, in times which we might think were insufficiently wealthy to allow it. Gastrimargia represented, of course, one of those bodily desires the denial of which was critical to both pagan and Christian virtue. In fact, the very commonness of the habit may have been the reason why it seems to have assumed quite an important role in some ethical discussions. Gastrimargia features in two key dialogues of Plato. The first I want to discuss appears in the Phaedo.It is easy to forget how very ascetic Plato makes Socrates, in this dialogue. -
The Nature of Hellenistic Domestic Sculpture in Its Cultural and Spatial Contexts
THE NATURE OF HELLENISTIC DOMESTIC SCULPTURE IN ITS CULTURAL AND SPATIAL CONTEXTS DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Craig I. Hardiman, B.Comm., B.A., M.A. ***** The Ohio State University 2005 Dissertation Committee: Approved by Dr. Mark D. Fullerton, Advisor Dr. Timothy J. McNiven _______________________________ Advisor Dr. Stephen V. Tracy Graduate Program in the History of Art Copyright by Craig I. Hardiman 2005 ABSTRACT This dissertation marks the first synthetic and contextual analysis of domestic sculpture for the whole of the Hellenistic period (323 BCE – 31 BCE). Prior to this study, Hellenistic domestic sculpture had been examined from a broadly literary perspective or had been the focus of smaller regional or site-specific studies. Rather than taking any one approach, this dissertation examines both the literary testimonia and the material record in order to develop as full a picture as possible for the location, function and meaning(s) of these pieces. The study begins with a reconsideration of the literary evidence. The testimonia deal chiefly with the residences of the Hellenistic kings and their conspicuous displays of wealth in the most public rooms in the home, namely courtyards and dining rooms. Following this, the material evidence from the Greek mainland and Asia Minor is considered. The general evidence supports the literary testimonia’s location for these sculptures. In addition, several individual examples offer insights into the sophistication of domestic decorative programs among the Greeks, something usually associated with the Romans. -
The Roles of Solon in Plato's Dialogues
The Roles of Solon in Plato’s Dialogues Dissertation Presented in partial fulfillment of the requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Samuel Ortencio Flores, M.A. Graduate Program in Greek and Latin The Ohio State University 2013 Dissertation Committee: Bruce Heiden, Advisor Anthony Kaldellis Richard Fletcher Greg Anderson Copyrighy by Samuel Ortencio Flores 2013 Abstract This dissertation is a study of Plato’s use and adaptation of an earlier model and tradition of wisdom based on the thought and legacy of the sixth-century archon, legislator, and poet Solon. Solon is cited and/or quoted thirty-four times in Plato’s dialogues, and alluded to many more times. My study shows that these references and allusions have deeper meaning when contextualized within the reception of Solon in the classical period. For Plato, Solon is a rhetorically powerful figure in advancing the relatively new practice of philosophy in Athens. While Solon himself did not adequately establish justice in the city, his legacy provided a model upon which Platonic philosophy could improve. Chapter One surveys the passing references to Solon in the dialogues as an introduction to my chapters on the dialogues in which Solon is a very prominent figure, Timaeus- Critias, Republic, and Laws. Chapter Two examines Critias’ use of his ancestor Solon to establish his own philosophic credentials. Chapter Three suggests that Socrates re- appropriates the aims and themes of Solon’s political poetry for Socratic philosophy. Chapter Four suggests that Solon provides a legislative model which Plato reconstructs in the Laws for the philosopher to supplant the role of legislator in Greek thought. -
Ancient History Sourcebook: 11Th Brittanica: Sparta SPARTA an Ancient City in Greece, the Capital of Laconia and the Most Powerful State of the Peloponnese
Ancient History Sourcebook: 11th Brittanica: Sparta SPARTA AN ancient city in Greece, the capital of Laconia and the most powerful state of the Peloponnese. The city lay at the northern end of the central Laconian plain, on the right bank of the river Eurotas, a little south of the point where it is joined by its largest tributary, the Oenus (mount Kelefina). The site is admirably fitted by nature to guard the only routes by which an army can penetrate Laconia from the land side, the Oenus and Eurotas valleys leading from Arcadia, its northern neighbour, and the Langada Pass over Mt Taygetus connecting Laconia and Messenia. At the same time its distance from the sea-Sparta is 27 m. from its seaport, Gythium, made it invulnerable to a maritime attack. I.-HISTORY Prehistoric Period.-Tradition relates that Sparta was founded by Lacedaemon, son of Zeus and Taygete, who called the city after the name of his wife, the daughter of Eurotas. But Amyclae and Therapne (Therapnae) seem to have been in early times of greater importance than Sparta, the former a Minyan foundation a few miles to the south of Sparta, the latter probably the Achaean capital of Laconia and the seat of Menelaus, Agamemnon's younger brother. Eighty years after the Trojan War, according to the traditional chronology, the Dorian migration took place. A band of Dorians united with a body of Aetolians to cross the Corinthian Gulf and invade the Peloponnese from the northwest. The Aetolians settled in Elis, the Dorians pushed up to the headwaters of the Alpheus, where they divided into two forces, one of which under Cresphontes invaded and later subdued Messenia, while the other, led by Aristodemus or, according to another version, by his twin sons Eurysthenes and Procles, made its way down the Eurotas were new settlements were formed and gained Sparta, which became the Dorian capital of Laconia. -
Art and Royalty in Sparta of the 3Rd Century B.C
HESPERIA 75 (2006) ART AND ROYALTY Pages 203?217 IN SPARTA OF THE 3RD CENTURY B.C. ABSTRACT a The aim of this paper is to demonstrate that revival of the arts in Sparta b.c. was during the 3rd century owed mainly to royal patronage, and that it was inspired by Alexander s successors, the Seleukids and the Ptolemies in particular. The tumultuous transition from the traditional Spartan dyarchy to a and to its dominance Hellenistic-style monarchy, Sparta's attempts regain in the P?loponn?se (lost since the battle of Leuktra in 371 b.c.), are reflected in the of the hero Herakles as a role model promotion pan-Peloponnesian at for the single king the expense of the Dioskouroi, who symbolized dual a kingship and had limited, regional appeal. INTRODUCTION was Spartan influence in the P?loponn?se dramatically reduced after the battle of Leuktra in 371 b.c.1 The history of Sparta in the 3rd century b.c. to ismarked by intermittent efforts reassert Lakedaimonian hegemony.2 A as a means to tendency toward absolutism that end intensified the latent power struggle between the Agiad and Eurypontid royal houses, leading to the virtual abolition of the traditional dyarchy in the reign of the Agiad Kleomenes III (ca. 235-222 b.c.), who appointed his brother Eukleides 1. For the battle of Leuktra and its am to and Ellen Millen 2005.1 grateful Graham Shipley Paul Cartledge and see me to am consequences, Cartledge 2002, and Ellen Millender for inviting der for historical advice. I also 251-259. -
Aristippus and Xenophon As Plato's Contemporary Literary Rivals and The
E-LOGOS – Electronic Journal for Philosophy 2015, Vol. 22(2) 4–11 ISSN 1211-0442 (DOI 10.18267/j.e-logos.418),Peer-reviewed article Journal homepage: e-logos.vse.cz Aristippus and Xenophon as Plato’s contemporary literary rivals and the role of gymnastikè (γυμναστική) Konstantinos Gkaleas1 Abstrakt: Plato was a Socrates’ friend and disciple, but he wasn’t the only one. No doubt, Socrates had many followers, however, the majority of their work is lost. Was there any antagonism among his followers? Who succeeded in interpreting Socrates? Who could be considered as his successor? Of course, we don’t know if these questions emerged after the death of Socrates, but the Greek doxography suggests that there was a literary rivalry. As we underlined earlier, most unfortunately, we can’t examine all of them thoroughly due to the lack of their work, but we can scrutinize Xenophon’s and Aristippus’ work. All of them, Plato, Xenophon and Aristippus, presented to a certain extent their ideas concerning education. Furthermore, they have not neglected the matter of gymnastikè, but what is exactly the role of physical education in their work? Are there any similarities or any differences between them? Since, Xenophon and Aristippus (as well as Plato) seem to be in favor of gymnastikè, it is necessary to understand its role. Keywords: gymnastikè, Plato, Socrates, Xenophon, Aristippus. 1 Université Paris 1 Panthéon-Sorbonne, 12 place du Panthéon, 75231 Paris Cedex 05, France, [email protected] Volume 22 | Number 02 | 2015 E-LOGOS – ELECTRONIC JOURNAL FOR PHILOSOPHY 4 Plato is a prominent thinker, whose influence on philosophy is an incontestable fact. -
Life in Two City States--- Athens and Sparta
- . CHAPTER The city-states of Sparta (above) and Athens (below) were bitter rivals. Life in Two City-States Athens and Sparta 27.1 Introduction In Chapter 26, you learned that ancient Greece was a collection of city- states, each with its own government. In this chapter, you will learn about two of the most important Greek city-states, Athens and Sparta. They not only had different forms of government, but very different ways of life. Athens was a walled city near the sea. Nearby, ships came and went from a busy port. Inside the city walls, master potters and sculptors labored in work- shops. Wealthy people and their slaves strolled through the marketplace. Often the city's citizens (free men) gathered to loudly debate the issues of the day. Sparta was located in a farming area on a plain. No walls surrounded the city. Its buildings were simple and plain compared to those of Athens. Even the clothing of the people in the streets was drab. Columns of soldiers tramped through the streets, with fierce expressions behind their bronze helmets. Even a casual visitor could see that Athens and Sparta were very different. Let's take a closer look at the way people lived in these two city-states. We'll examine each city's government, economy, education, and treatment of women and slaves. Use this graphic organizer to help you compare various aspects of life in Athens and Sparta. Life in Two City-States: Athens and Sparta 259 27.2 Comparing Two City-States Peloponnesus the penin- Athens and Sparta were both Greek cities, and they were only sula forming the southern part about 150 miles apart. -
Ig V 1, 16 and the Gerousia of Roman Sparta
IG V 1, 16 AND THE GEROUSIA OF ROMAN SPARTA (PLATE 46) G Vi 1,16 is embeddedupside down in the apseof the Katholikonin the monasteryof hJI[ the Agioi Saranta,the Forty Martyrsof Sebaste,some nine kilometerseast of Sparta.1Kolbe, the editor of the Laconian section of the corpus, based his edition on tran- scriptionsof the text in the works of antiquariantravelers, among them Col. William Leake and Ludwig Ross. Although the inscription, thanks to a restorationAdolf Wilhelm pro- posed and Kolbe adopted, is directly relevant to the vexatious problem of the size of the Spartan gerousia in the Roman period, no one has examined the stone since the 19th cen- tury.2A new edition based on autopsy is required. p. ante vel p. post A.D. 61 NON-ITOIX. Height 0.205 m. Width 0.277 m. Letter height 0.01 1-0.01 9 m. COL. I [o betva--------office ------------------------------------?IN]I ~[pwvosvJKAavbliov Katoapos----------------------------------]OIO I-----------------------------------------------------]II[--] ?-- 5 [--------------------------------------------------------- ?I] ?I] ?I] COL. II vacat Iro b Aou,oi j cvavo[ov? -?----------------------------------- SOY aL'-rcZoat.vacat [ vacat ] Aztarovtrov -rovi KocaAalov[ --------------------------------------[ rovtrovsyap o Aev 1c8ao[rs0] ------------------------------------? I An earlier version of this article was given as the paper "FortySaints, But How Many Gerontes?"at the 1989 annual meeting of the ArchaeologicalInstitute of America in Boston, Massachusetts. I would like to thank this journal's referees for their useful comments. Works frequently cited are abbreviatedas follows: Cartledgeand = P. Cartledge and A. Spawforth, Hellenistic and Roman Sparta. A Tale of Two Cities, Spawforth London 1989 Oliver = J. H. Oliver, GreekConstitutions of Early Roman Emperorsfrom Inscriptionsand Papy- ri, Philadelphia 1989 Kennell = N. -
1 Reading Athenaios' Epigraphical Hymn to Apollo: Critical Edition And
Reading Athenaios’ Epigraphical Hymn to Apollo: Critical Edition and Commentaries DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Corey M. Hackworth Graduate Program in Greek and Latin The Ohio State University 2015 Dissertation Committee: Fritz Graf, Advisor Benjamin Acosta-Hughes Carolina López-Ruiz 1 Copyright by Corey M. Hackworth 2015 2 Abstract This dissertation is a study of the Epigraphical Hymn to Apollo that was found at Delphi in 1893, and since attributed to Athenaios. It is believed to have been performed as part of the Athenian Pythaïdes festival in the year 128/7 BCE. After a brief introduction to the hymn, I provide a survey and history of the most important editions of the text. I offer a new critical edition equipped with a detailed apparatus. This is followed by an extended epigraphical commentary which aims to describe the history of, and arguments for and and against, readings of the text as well as proposed supplements and restorations. The guiding principle of this edition is a conservative one—to indicate where there is uncertainty, and to avoid relying on other, similar, texts as a resource for textual restoration. A commentary follows, which traces word usage and history, in an attempt to explore how an audience might have responded to the various choices of vocabulary employed throughout the text. Emphasis is placed on Athenaios’ predilection to utilize new words, as well as words that are non-traditional for Apolline narrative. The commentary considers what role prior word usage (texts) may have played as intertexts, or sources of poetic resonance in the ears of an audience. -
The Same Yet Different
W 771 THE SAME YET DIFFERENT Comparing Ancient Athens and Sparta Wendy York, Middle School Teacher, McDougle Middle School James Swart, Graduate Assistant, Tennessee 4-H Youth Development Jennifer Richards, Curriculum Specialist, Tennessee 4-H Youth Development Tennessee 4-H Youth Development This lesson plan has been developed as part of the TIPPs for 4-H curriculum. The Same, Yet Different Comparing Ancient Athens and Sparta Skill Level Intermediate, 6th Grade Introduction to Content Learner Outcomes The two rivals of ancient Greece that The learner will be able to: made the most noise and gave us the most Explain the differences and similarities traditions were Athens and Sparta. They between two Greek City-States List the important contributions of each City- were close together on a map, yet far apart State in what they valued and how they lived their lives. In this lesson, students will Educational Standard(s) Supported explore the differences between these two city-states. Social Studies 6.43 Success Indicator Introduction to Methodology Learners will be successful if they: Students work in small groups to read a Identify similarities and differences of Athens and Sparta passage about the similarities and Compare and contrast information about the differences between Athens and Sparta. two city-states Students then complete a Venn Diagram outlining their findings to share with the Time Needed class. The lesson concludes by having 45 Minutes students decide on a city-state in which Materials List they would like to have lived. Student Handout- The Same, yet different Student Handout- Venn Diagram Authors York, Wendy. -
Politics and Policy in Corinth 421-336 B.C. Dissertation
POLITICS AND POLICY IN CORINTH 421-336 B.C. DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University by DONALD KAGAN, B.A., A.M. The Ohio State University 1958 Approved by: Adviser Department of History TABLE OF CONTENTS Page FOREWORD ................................................. 1 CHAPTER I THE LEGACY OF ARCHAIC C O R I N T H ....................7 II CORINTHIAN DIPLOMACY AFTER THE PEACE OF NICIAS . 31 III THE DECLINE OF CORINTHIAN P O W E R .................58 IV REVOLUTION AND UNION WITH ARGOS , ................ 78 V ARISTOCRACY, TYRANNY AND THE END OF CORINTHIAN INDEPENDENCE ............... 100 APPENDIXES .............................................. 135 INDEX OF PERSONAL N A M E S ................................. 143 BIBLIOGRAPHY ........................................... 145 AUTOBIOGRAPHY ........................................... 149 11 FOREWORD When one considers the important role played by Corinth in Greek affairs from the earliest times to the end of Greek freedom it is remarkable to note the paucity of monographic literature on this key city. This is particular ly true for the classical period wnere the sources are few and scattered. For the archaic period the situation has been somewhat better. One of the first attempts toward the study of Corinthian 1 history was made in 1876 by Ernst Curtius. This brief art icle had no pretensions to a thorough investigation of the subject, merely suggesting lines of inquiry and stressing the importance of numisihatic evidence. A contribution of 2 similar score was undertaken by Erich Wilisch in a brief discussion suggesting some of the problems and possible solutions. This was followed by a second brief discussion 3 by the same author. -
Athenaeus' Reading of the Aulos Revolution ( Deipnosophistae 14.616E–617F)
The Journal of Hellenic Studies http://journals.cambridge.org/JHS Additional services for The Journal of Hellenic Studies: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here New music and its myths: Athenaeus' reading of the Aulos revolution ( Deipnosophistae 14.616e–617f) Pauline A. Leven The Journal of Hellenic Studies / Volume 130 / November 2010, pp 35 - 48 DOI: 10.1017/S0075426910000030, Published online: 19 November 2010 Link to this article: http://journals.cambridge.org/abstract_S0075426910000030 How to cite this article: Pauline A. Leven (2010). New music and its myths: Athenaeus' reading of the Aulos revolution ( Deipnosophistae 14.616e– 617f). The Journal of Hellenic Studies, 130, pp 35-48 doi:10.1017/S0075426910000030 Request Permissions : Click here Downloaded from http://journals.cambridge.org/JHS, IP address: 147.91.1.45 on 23 Sep 2013 Journal of Hellenic Studies 130 (2010) 35−47 DOI: 10.1017/S0075426910000030 NEW MUSIC AND ITS MYTHS: ATHENAEUS’ READING OF THE AULOS REVOLUTION (DEIPNOSOPHISTAE 14.616E−617F) PAULINE A. LEVEN Yale University* Abstract: Scholarship on the late fifth-century BC New Music Revolution has mostly relied on the evidence provided by Athenaeus, the pseudo-Plutarch De musica and a few other late sources. To this date, however, very little has been done to understand Athenaeus’ own role in shaping our understanding of the musical culture of that period. This article argues that the historical context provided by Athenaeus in the section of the Deipnosophistae that cites passages of Melanippides, Telestes and Pratinas on the mythology of the aulos (14.616e−617f) is not a credible reflection of the contemporary aesthetics and strategies of the authors and their works.