DOCSLIB.ORG

È​²Çˆ¾â·Äºžä¼¯Æ‹‰Ç½• Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
È​²Çˆ¾â·Äºžä¼¯Æ‹‰Ç½• Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨) Phil Abraham 电影 串行 (大全) The Other Woman https://zh.listvote.com/lists/film/movies/the-other-woman-7755601/actors Over https://zh.listvote.com/lists/film/movies/over-20020605/actors The Hobo Code https://zh.listvote.com/lists/film/movies/the-hobo-code-17183919/actors Public Relations https://zh.listvote.com/lists/film/movies/public-relations-7257531/actors The Summer Man https://zh.listvote.com/lists/film/movies/the-summer-man-7767253/actors Chinese Wall https://zh.listvote.com/lists/film/movies/chinese-wall-5100680/actors Maidenform https://zh.listvote.com/lists/film/movies/maidenform-31395664/actors Lady Lazarus https://zh.listvote.com/lists/film/movies/lady-lazarus-6470322/actors The Fog https://zh.listvote.com/lists/film/movies/the-fog-31395755/actors The Jet Set https://zh.listvote.com/lists/film/movies/the-jet-set-27877433/actors From Up Here https://zh.listvote.com/lists/film/movies/from-up-here-16746205/actors Moscow Mule https://zh.listvote.com/lists/film/movies/moscow-mule-21714302/actors A Whole Other Hole https://zh.listvote.com/lists/film/movies/a-whole-other-hole-21714311/actors It Was the Change https://zh.listvote.com/lists/film/movies/it-was-the-change-21714319/actors We Can Be Heroes https://zh.listvote.com/lists/film/movies/we-can-be-heroes-21714332/actors Trust No Bitch https://zh.listvote.com/lists/film/movies/trust-no-bitch-21714334/actors Friends in Low Places https://zh.listvote.com/lists/film/movies/friends-in-low-places-24798355/actors Bunny, Skull, Bunny, https://zh.listvote.com/lists/film/movies/bunny%2C-skull%2C-bunny%2C-skull-24798358/actors Skull A New Birth of Freedom https://zh.listvote.com/lists/film/movies/a-new-birth-of-freedom-4658465/actors Soliloquy of Chaos https://zh.listvote.com/lists/film/movies/soliloquy-of-chaos-55806686/actors Royal Dragon https://zh.listvote.com/lists/film/movies/royal-dragon-55806937/actors Ogi Jun https://zh.listvote.com/lists/film/movies/ogi-jun-7080024/actors Remember When https://zh.listvote.com/lists/film/movies/remember-when-7311697/actors Save the Last One https://zh.listvote.com/lists/film/movies/save-the-last-one-7428116/actors Sayonara, Hiawatha https://zh.listvote.com/lists/film/movies/sayonara%2C-hiawatha-7429275/actors Super 8 https://zh.listvote.com/lists/film/movies/super-8-7642118/actors Norma Louise https://zh.listvote.com/lists/film/movies/norma-louise-81756545/actors 'Til Death Do You Part https://zh.listvote.com/lists/film/movies/%27til-death-do-you-part-81756556/actors Marion https://zh.listvote.com/lists/film/movies/marion-81756578/actors https://zh.listvote.com/lists/film/movies/%E7%BB%9D%E5%91%BD%E6%AF%92%E5%B8%88- ç»å​ ‘½æ¯’师 1079/actors 疑蹤 https://zh.listvote.com/lists/film/movies/%E7%96%91%E8%B9%A4-2527534/actors.
Load more

Recommended publications
  • Women and Work in Mad Men Maria Korhon
    “You can’t be a man. Be a woman, it’s a powerful business when done correctly:” Women and Work in Mad Men Maria Korhonen Master’s Thesis English Philology Faculty of Humanities University of Oulu Spring 2016 Contents 1. Introduction ................................................................................................................................................... 3 1.1. History of Working Women .................................................................................................................... 5 2. Appearance .................................................................................................................................................. 10 2.1. Appearance bias ................................................................................................................................... 10 2.1.1 Weight ................................................................................................................................................ 12 2.1.2. Beauty ideals ..................................................................................................................................... 15 2.1.3. 1960s Work Attire ............................................................................................................................. 18 2.1.4. Clothing and external image in the workplace .................................................................................. 20 2.1.5. Gender and clothing .........................................................................................................................
    [Show full text]
  • ENG 1131: Writing About American Prestige TV (Sec 4841)
    ENG 1131: Writing About American Prestige TV (sec 4841) Milt Moise MWF/R: Period 4: 10:40-11:30; E1-E3: 7:20-10:10 Classroom: WEIL 408E Office Hours: W, R Per. 7-8, or by appointment, TUR 4342 Course Website: CANVAS Instructor Email: [email protected] Twitter account: @milt_moise Course Description, Objectives, and Outcomes: This course examines the emergence of what is now called “prestige TV,” and the discourse surrounding it. Former FCC chairman Newton N. Minow, in a 1961 speech, once called TV “a vast wasteland” of violence, formulaic entertainment, and commercials. Television has come a long way since then, and critics such as Andy Greenwald now call our current moment of television production “the golden age of TV.” While television shows containing the elements Minow decried decades ago still exist, alongside them we now find television characterized by complex plots, moral ambiguity, excellent production value, and outstanding writing and acting performances. In this class, our discussions will center around, but not be limited to the aesthetics of prestige TV, and how AMC’s Mad Men and TBS’s Search Party conform to or subvert this framework. Students will learn to visually analyze a television show, and develop their critical reading and writing skills. By the end of the semester, students will be able to make substantiated arguments about the television show they have seen, and place it into greater social and historical context. They will also learn how to conduct formal research through the use of secondary sources and other relevant material to support their theses, analyses and arguments.
    [Show full text]
  • Representations of Traumatic Parent-Child Relationships in Mad Men
    Rhode Island College Digital Commons @ RIC Honors Projects Overview Honors Projects 4-12-2021 Mad Men, Troubled Mothers, and Scarred Children: Representations of Traumatic Parent-Child Relationships in Mad Men Katarina Dulude Follow this and additional works at: https://digitalcommons.ric.edu/honors_projects Part of the Film and Media Studies Commons Recommended Citation Dulude, Katarina, "Mad Men, Troubled Mothers, and Scarred Children: Representations of Traumatic Parent-Child Relationships in Mad Men" (2021). Honors Projects Overview. 187. https://digitalcommons.ric.edu/honors_projects/187 This Honors is brought to you for free and open access by the Honors Projects at Digital Commons @ RIC. It has been accepted for inclusion in Honors Projects Overview by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. MAD MEN, TROUBLED MOTHERS, AND SCARRED CHILDREN: REPRESENTATIONS OF TRAUMATIC PARENT-CHILD RELATIONSHIPS IN MAD MEN By Katarina Dulude An Honors Project Submitted in Partial Fulfillment Of the Requirements for Honors In The Department of English Dulude 2 Introduction In the fourth episode of the last season of the critically acclaimed series Mad Men, one of the protagonists, Roger, is forced to track down his daughter Margaret after she abandons her husband and her young child. He finds her in a commune, and he puts on a good show to appear more accepting than her mother, but the following day he insists she return home. She refuses. He tells her, “I know everyone your age is running away and screwing around, but you can’t, you’re a mother,” and when she still refuses, he picks her up and tries to carry her towards a truck as she struggles in his arms and demands he let her go.
    [Show full text]
  • Pontifícia Universidade Católica Mariana Ayres Tavares Mad
    Pontifícia Universidade Católica do Rio de Janeiro Mariana Ayres Tavares Mad Men: Uma história cultural da Publicidade Dissertação de Mestrado Dissertação apresentada como requisito parcial para obtenção do grau de Mestre pelo Programa de Pós- graduação em Comunicação Social do Departamento de Comunicação da PUC-Rio. Orientador: Prof. Everardo Pereira Guimarães Rocha Rio de Janeiro, Setembro de 2016 Pontifícia Universidade Católica do Rio de Janeiro Mariana Ayres Tavares Mad Men: Uma história cultural da Publicidade Dissertação de Mestrado Dissertação apresentada como requisito parcial para a obtenção do grau de Mestre pelo Programa de Pós- Graduação em Comunicação Social do Departamento de Comunicação Social do Centro de Ciências Sociais da PUC-Rio. Aprovada pela Comissão Examinadora abaixo assinada. Prof. Everardo Pereira Guimarães Rocha Orientador Departamento de Comunicação Social - PUC-Rio Profa. Lígia Campos de Cerqueira Lana Departamento de Comunicação Social - PUC-Rio Prof. Guilherme Nery Atem Departamento de Ciências Sociais - PUC-Rio Prof.ª Mônica Herz Vice-Decana de Pós-Graduação do CCS Rio de Janeiro, 23 de setembro de 2016 Todos os direitos reservados. É proibida a reprodução total ou parcial do trabalho sem autorização da universidade, da autora e do orientador. Mariana Ayres Tavares Graduou-se em Comunicação Social, com habilitação em Publicidade, na Universidade Federal Fluminense em 2012. Cursou especialização em Pesquisa de Mercado e Opinião Pública na Universidade do Estado do Rio de Janeiro, em 2014. Ficha Catalográfica Tavares, Mariana Ayres Mad Men : uma história cultural da publicida- de / Mariana Ayres Tavares Vasconcelos ; orien- tadora: Everardo Pereira Guimarães Rocha. – 2016. 118 f. : il. color. ; 30 cm Dissertação (mestrado)–Pontifícia Universi- dade Católica do Rio de Janeiro, Departamento de Comunicação Social, 2016.
    [Show full text]
  • Université De Montréal La Série Mad Men: Une Élégie De La Révolution
    Université de Montréal La série Mad Men: une élégie de la révolution créative dans les années soixante. Par Felicia Traistaru Département d’histoire Faculté des arts et des sciences Mémoire présenté à la Faculté des études supérieures En vue de l’obtention du grade de Maitre ès art (M.A) en histoire Août 2017 © Felicia Mihali, 2017 Université de Montréal Faculté des études supérieures Ce mémoire intitulé : La série Mad Men et la publicité dans les années soixante : une élégie de la révolution créative. Présenté par Felicia Traistaru A été évalué par un jury composé par les personnes suivantes : Yakov Rabkin Président-rapporteur Bruno Ramirez Directeur de recherche Marta Boni Membre du jury iii RÉSUMÉ Ce mémoire est consacré à l’analyse de la télésérie américaine Mad Men en tant que reflet de la révolution créative aux États-Unis. À travers la fictive agence de publicité Sterling Cooper & Partners et de son charismatique directeur artistique, Don Draper, la série personnifie la culture corporatiste des cols blancs et les nouveaux défis encourus par l’homme de l’organisation dans les années soixante. Basée sur la méthode de l’historicisme, cette analyse historique met en évidence la manière dont Mad Men incarne cette décennie à partir des sources populaires telles que les romans, les films ou les magazines. Ce type de documents sont pris par les créateurs de la série comme l’expression des certaines valeurs et attitudes des années soixante mais aussi bien comme outil pour la critique des idées consacrées. Mad Men nous permet de comprendre la manière dont la révolution des techniques publicitaires se déroule dans le décor d’une société où les grands enjeux restent encore non résolus.
    [Show full text]
  • UX Storytellers Andrew Hinton Andrea Rosenbusch Cennydd Bowles Connecting the Dots Chris Khalil Clemens Lutsch Colleen Jones Daniel Szuc Dave Malouf David St
    Aaron Marcus Abhay Rautela Andrea Resmini UX Storytellers Andrew Hinton Andrea Rosenbusch Cennydd Bowles Connecting the Dots Chris Khalil Clemens Lutsch Colleen Jones Daniel Szuc Dave Malouf David St. John David Travis Deborah J. Mayhew Eirik Hafver Rønjum Gennady Osipenko Harri Kiljander Henning Brau James Kalbach Jan Jursa James Kelway Jason Hobbs Jay Eskenazi Jiri Mzourek Ken Beatson Lennart Nacke Marianne Sweeny Mark Hurst Edited by Martin Belam Jan Jursa, Matthieu Mingasson Olga Revilla Stephen Köver Patrick Kennedy and Jutta Grünewald Paul Kahn Rob Goris Robert Skrobe Sameer Chavan Simon Griffin Sudhindra Venkatesha Sylvie Daumal Thom Haller Thomas Memmel Timothy Keirnan Umyot Boonmarlart UX Storytellers UX Storytellers Connecting the Dots Edited by: Jan Jursa Stephen Köver Jutta Grünewald Book layout by: Iris Jagow Jan Jursa Copyright All stories © 2010 by their respective authors. All images © 2010 by the respective authors. UX Storytellers v1.01 To Our Community Contents Acknowledgments xv Foreword xviii Chapter 1 Paul Kahn 25 Learning Information Architecture Jason Hobbs 37 Sex, Drugs and UX Marianne Sweeny 45 All Who Wander Are Not Lost Thomas Memmel 61 Watchmakers Jiri Mzourek 77 UX Goes Viral Sylvie Daumal 89 What I Know and Don’t Know Thom Haller 103 Journey into Information Architecture Jan Jursa 113 Building Arcs with Wall-Hung Urinals Olga Revilla 127 From Consultancy to Teaching Sameer Chavan 143 A Journey from Machine Design to Software Design Ken Beatson 161 UX the Long Way Round James Kalbach 179 Wine, Women and Song Chapter 2 Aaron Marcus 197 Almost Dead on Arrival: A Tale of Police, Danger, and UX Development Dave Malouf 205 Moving into Non-Linear Iteration David St.
    [Show full text]
  • Convert Finding Aid To
    An Inventory of the Collection at the Harry Ransom Center Descriptive Summary Creator: Weiner, Matthew, 1965- Title: Mad Men Collection Dates: 1912-2016 (bulk 1957-2014) Extent: 189 document boxes, 4 serial boxes, 31 oversize boxes (osb) (79.38 linear feet), 9 oversize folders (osf), 1 bound volume (bv), 99 computer disks Abstract: The Mad Men Collection documents the work of Mad Men creator Matthew Weiner and his writing and production team behind the scenes of the acclaimed television drama. Scripts, production materials, and publicity materials date from 2001 to 2016, while clippings, magazines, and other materials collected for research primarily date from the late 1950s to the early 1970s. Also present in the collection are four boxes of scripts and production materials from Weiner’s 2013 feature film Are You Here. Call Number: Film Collection FI-05249 Language: English, with publicity materials in French, German, Italian, Japanese, Spanish, and Swedish Access: Open for research. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. To request access to electronic files, please email Reference. Documents containing personal information are restricted due to privacy concerns during the lifetime of individuals mentioned in the documents; in many instances, these documents have been replaced with redacted photocopies. Use Policies: Ransom Center collections may contain material with sensitive or confidential information that is protected under federal or state right
    [Show full text]
  • China and the International System, 1840-1949
    CHINA AND THE INTERNATIONAL SYSTEM, 1840–1949 Power, Presence, and Perceptions in a Century of Humiliation DAVID SCOTT China and the International System, 1840–1949 CHINA AND THE INTERNATIONAL SYSTEM, 1840–1949 Power, Presence, and Perceptions in a Century of Humiliation DAVID SCOTT State University of New York Press Published by State University of New York Press, Albany © 2008 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, contact State University of New York Press, Albany, NY www.sunypress.edu Production, Laurie Searl Marketing, Anne M. Valentine Library of Congress Cataloging-in-Publication Data Scott, David, 1952– China and the international system, 1840–1949 : power, presence, and perceptions in a century of humiliation / David Scott. p. cm. Includes bibliographical references and index. ISBN 978-0-7914-7627-7 (hardcover : alk. paper) 1. China—Foreign relations—1644–1912. 2. China—Foreign relations—1912–1949. I. Title. DS754.18.S4 2009 327.51009'034—dc22 2007052938 10 9 8 7 6 5 4 3 2 1 China is a sleeping giant. Let her lie and sleep, for when she awakens, she will shake the world. Napoleon Bonaparte, (apocryphal) Contents
    [Show full text]
  • MAD MANNERS Courtesy, Conflict, and Social Change
    Chapter 3 MAD MANNERS Courtesy, Conflict, and Social Change —SARAH CONRAD SOURS strange little scene occurs late in the first season ofMad Men. One A would be hard-pressed to justify isolating any one strange little scene in a series full of them, especially to justify the claim that one’s pet scene re- veals what the series is “all about.” The series is about many things, and there are many strange little scenes to tip us viewers off to the writers’ interests and to engage and encourage our own. Our most compelling interests are always ourselves, of course,SAMPLE and the strangeness of strange scenes provides a thin barrier to our seeing ourselves in them or through them. Like good science fiction and speculative fiction, good period fiction is as much about the creator’s period as about the period depicted; we must meet ourselves as strangers in order better to understand ourselves. The strange scene I mean takes place during the overnight festivities accompanying the 1960 presidential election.1 Two supporting characters enact a parody for the rest of the office, a one-scene play that will show the gathered crowd its own fundamental conflict—what Dr. Miller will later describe as the fundamental conflict of “what I want versus what’s expected 1. “Nixon vs. Kennedy,” S1/E12. 52 © 2017 The Lutterworth Press MAD MANNERS 53 of me.”2 Ken Cosgrove and Allison the secretary3 enact the scene. She walks by, and he initiates a chase: “You better run.” She accepts (that is, she starts giggling and running).
    [Show full text]