VITTORI FRANCESCO Senior Business/IT Consultant - Banking and Finance

Total Page:16

File Type:pdf, Size:1020Kb

VITTORI FRANCESCO Senior Business/IT Consultant - Banking and Finance VITTORI FRANCESCO Senior Business/IT Consultant - Banking and Finance Address: 51 avenue de la Republique, 94300 Vincennes (France) Mobile: +33788837827 E-mail: [email protected] Sex Male | Date of birth 25 June 1984 Nationality Italian. WORK EXPERIENCE Jan 2020 – Senior Business/IT Consultant - Banking and Finance today Freelance – Paris Stream leader Hedge Accounting for a MX3 implementation at Caisse des depots et consig- nations. Nov 2016 – Senior Business analyst Jan 2020 Murex sas – Paris Stream leader agile and SME (scoping to go-live) for Murex3 implementation projects (mi- gration and green fields), with focus on P&L, accounting and hedge accounting topics, for EMEA clients. EMEA global reviewer of Product Control client business requirements. Oct 2014 – Murex Business analyst Oct 2016 Accenture spa – Siena/Milan/Paris I carried on a MX3 migration/installation project for the main merchant bank in Italy as an Accounting and Hedge Accounting specialist at Murex, Paris. I have been a Murex consultant for Banca Monte dei Paschi di Siena (MPS), providing user support for both MX2 and MX3. I worked on requirements definition, design, building and testing, with a special focus on MO/BO modules, risk modules and FO reconciliation. I have worked on Accounting, Fixing and Realtime (RTBS), Simulation and PLVAR, Re- porting (Datamart and MReport), Hedge Accounting, Post-trade and pre-trade workflows, FO tools. April 2012 – Board member – founder – former CTO today Noivion srl / start-up - P.zza della Manifattura 1, 38068 Rovereto (TN) (Italy) Noivion srl is a company in the field of Thin Film Deposition Equipment and industrial Na- notechnology. February 2010 – Prototyping Engineer - Project Engineer –March 2012 Siena Solar Nanotech (2SN) S.p.A. - Light4tech srl - Florence (FI) (Italy) New prototype development; Maintenance engineer; Scientist. July 2009 – Software Engineer January 2010 IDS S.p.A - Via livornese 1019, 56122 Pisa (Italy) Calculation libraries development in C++; Jan 2008 – Thesist at CNR Pisa – Laser Plasma interactions and computer simulations May 2009 Area della ricerca di Pisa Via G. Moruzzi,1 – 56124 Pisa (Italia) OTHER JOBS June 2012 – Principal consultant at DoppioBinario Srl (Gym and dance school) Jan 2014 DoppioBinario Srl - Via 4 luglio 156, 53036 Poggibonsi (SI) (Italy) May 2013 – Front office manager at “Tenuta Pometti” agriturismo Tenuta Pometti - Via D. Minzoni 5, 53100 Siena (Italy) September 2013 EDUCATION Apr 14 – May 14 Advanced English course in London Kaplan International – London 1 month advanced English course in Leicester Square Kaplan school, London. Nov 13 – Mar 15 Master Program in Project and Program Management MIP Business School - Politecnico di Milano 16 months executive program: (IT, New Product Development, Open Innovation and En- gineering & Contracting), CAPM models. Soft skills: leadership, communication, team playing, change management. During this program I got the IPMA International Certific- ation level D. Sep 06 – May 09 MSc in Physics: score 110/110 cum laude Università degli Studi di Pisa, Pisa Sep 03 – Jul 06 Bachelor Degree in Physics and Advanced Technology: score of 110/110 cum laude Università degli Studi di Siena, Siena Sep 98 – Jul 03 High school diploma: score of 100/100 with merit Liceo Scientifico Tecnologico Tito Sarrocchi, Siena PERSONAL SKILLS Mother tongue(s) Italian Other language(s) English (advanced level C1), French (advanced level C1+) Soft skills Strongly adaptive communication skills with people with very different mind-sets: Good team playing and leadership skills. Multicultural management. Change management. Good public speaking skills. Financial skills Front to Back Capital Market experience: trading and banking book, balance sheet manage- ment, P&L reporting and analysis, Risk Based PL projections, Accounting for derivatives and listed products, Hedge accounting techniques, middle and back office processes (trade life cycle, settlements, interfaces, confirmation), Business Process Re-engineering. Finan- cial valuation of assets and companies, Tender evaluation. Computer skills Javascript, Node.js, React, Express, MongoDB, SQL, C, C++, PHP, Html, CSS, XML, Unix shell scripting. Visual Studio IDE. Mathematical modelling with Mathematica, Matlab; Data analysis with Origin, and Excel; Reporting in Tex, MS Word, PowerPoint; Operating System: Linux, Windows, Unix. Physics simulation tools. Mechanical design software.; Management skills Management of small teams of resources (2to4 people) as stream leader in the context of different projects. Line manager. Project Management techniques. Other I have a FISAR sommelier diploma. I have strong interests in economics and finance. I am an amateur photographer and I am passionate about technology and coding. In trust Francesco Vittori .
Recommended publications
  • The Master of the Unruly Children and His Artistic and Creative Identities
    The Master of the Unruly Children and his Artistic and Creative Identities Hannah R. Higham A Thesis Submitted to The University of Birmingham For The Degree of DOCTOR OF PHILOSOPHY Department of Art History, Film and Visual Studies School of Languages, Art History and Music College of Arts and Law The University of Birmingham May 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis examines a group of terracotta sculptures attributed to an artist known as the Master of the Unruly Children. The name of this artist was coined by Wilhelm von Bode, on the occasion of his first grouping seven works featuring animated infants in Berlin and London in 1890. Due to the distinctive characteristics of his work, this personality has become a mainstay of scholarship in Renaissance sculpture which has focused on identifying the anonymous artist, despite the physical evidence which suggests the involvement of several hands. Chapter One will examine the historiography in connoisseurship from the late nineteenth century to the present and will explore the idea of the scholarly “construction” of artistic identity and issues of value and innovation that are bound up with the attribution of these works.
    [Show full text]
  • ED063516.Pdf
    DOCUMENT RESUME ED 063 516 VT 015 725 TITLE ItalyThe gklucation, Training and Functions of Technicians. Scientific and Technical Personnel. INSTITUTION Organisation tor Economic Cooperation and Development, Paris (France). Directorate fur Scientific Aifairs. PUB DATE 29 Sep 70 NOTE 113p. EDRS PRICE MF-$0.65 HC-$6.58 DESCRIPTCRS Articulation (Program); Economic Development; *Foreign Countries; Job Analysis; Vcb Training; Manpower Development; *Manpower Utilitation; *National Surveys; Tables (Data); Teacher Education; *Technical Education; Vocational Education IDENTIFIERS Italy ABSTRACT To identity problems regarding eccnonic development, the Committee for Scientific and Technical Personnelconducted an educational and occupational survey of each membercountry of the Organisation for Economic Cooperation and Development(Olim). The specific purpose of the surveys was to gather comparativedata on the training and utilization of technicians in each membercountry. Major sections of each survey are:(1) The Structure of the Educational System,(2) Training of Technicians and Other TechnicalManpower, and (3) Functions of Technicians. Relatedsurveys for each of the following countries, Canada, Denmark, Spain,France, Netherlands, Switzerland, Yugoslavia, United Kingdom, and Portugal,are available in this issue as VT 015 716-VT 015 724 respectively* CIS) ; - , . 1, 1,0 s .. .1 p. N4.it N 47.11'TN1' re\ 3,41i ;." ..i:f.to' e 11 , :C T ?V4Cej%11;..."'l : If -/ .. 4*'" .S.11 LIP - 7'.3 3 ff .g1 .:1M1 , e ,-. .. -,4 - , ..,4 ,,,,,,,V. (36,.. nfr ' ,, ..4..sfnt . ft... ,.',(;.,..:. -,-,....,t-- -v ., ...,,,+Z., :..-F,.': F. .? 1. -4 0 ..--t - -e- ,- ''--- ..., -..1.;.-.-/Y.,,v: , .....s. '''.-'-t ",--W:, 9-e..o,( ' 0.1 ' ' ". ' -. 2-..,4;'{ :-".'-`-ritr''';. , le ,. -..e. i:t.: 41; .1.--"'A 1 -e- --, V -, .,- -,-,-.4,- %,,,,,-,,--#4-,'-- .>,;',-.."- ,-*- -..
    [Show full text]
  • Observing Protest from a Place
    VISUAL AND MATERIAL CULTURE, 1300-1700 Hohti Erichsen Paula Hohti Erichsen Artisans, Objects, and Everyday Life in Renaissance Italy The Material Culture of the Middling Class in Renaissance Italy Life Everyday and Objects Artisans, Artisans, Objects, and Everyday Life in Renaissance Italy Visual and Material Culture, 1300–1700 A forum for innovative research on the role of images and objects in the late me- dieval and early modern periods, Visual and Material Culture, 1300–1700 publishes monographs and essay collections that combine rigorous investigation with critical inquiry to present new narratives on a wide range of topics, from traditional arts to seemingly ordinary things. Recognizing the fluidity of images, objects, and ideas, this series fosters cross-cultural as well as multi-disciplinary exploration. We consider proposals from across the spectrum of analytic approaches and methodologies. Series Editor Dr. Allison Levy, an art historian, has written and/or edited three scholarly books, and she has been the recipient of numerous grants and awards, from the National Endowment for the Humanities, the American Association of University Women, the Getty Research Institute, the Dumbarton Oaks Research Library of Harvard Uni- versity, the Whiting Foundation and the Bogliasco Foundation, among others. www. allisonlevy.com. Artisans, Objects, and Everyday Life in Renaissance Italy The Material Culture of the Middling Class Paula Hohti Erichsen Amsterdam University Press The research leading to the completion of this book has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation program (grant agreement No. 726195) Cover illustration: Il Sodoma, Scenes from the Life of Saint Benedict (detail), sixteenth century.
    [Show full text]
  • Approaching the Altar: Art, Agency and Appreciation at the Cathedral of the Blessed Sacrament, Christchurch a Thesis Submitted I
    Approaching the Altar: Art, Agency and Appreciation at the Cathedral of the Blessed Sacrament, Christchurch A Thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in Art History and Theory at the University of Canterbury by Alison Ruth Flett University of Canterbury 2016 i Dedicated to the memory of the late Bishop Barry Jones, D.D., ninth Roman Catholic Bishop of Christchurch (28.08.41 - 13.02.16), worthy successor of the first bishop, John Joseph Grimes, D.D., S.M. In thanks for his wise leadership after the earthquakes. ii Table of Contents Acknowledgements ......................................................................................................... viii Abstract ............................................................................................................................... x Introduction ......................................................................................................................... 1 Chapter One ....................................................................................................................... 12 The predecessors of the cathedral altar: the Henley and Kimbell/Button altars in context .................................................................................. 12 Chapter Two ...................................................................................................................... 22 1900 - 1905: The Altar in the Mind of the Bishop and the Architect ........................... 22 Chapter Three ...................................................................................................................
    [Show full text]
  • Bilancio Di Missione 2016 Organization of the Governing Bodies Fondazione Accademia Musicale Chigiana Onlus
    BILANCIO DI MISSIONE 2016 ORGANIZATION OF THE GOVERNING BODIES FONDAZIONE ACCADEMIA MUSICALE CHIGIANA ONLUS Board of Directors seated on 12.21.2016 President Nominating entity Prof. Avv. Marcello CLARICH Presidente Fondazione Monte dei Paschi di Siena Vice President Prof. Marco COMPORTI Società Esecutori Pie Disposizioni Councillors Dott. Davide USAI Direttore Generale Provveditore Fondazione Monte dei Paschi di Siena Dott.ssa Marco FANFANI Fondazione Monte dei Paschi di Siena Dott. Miriam GROTTANELLI DE SANTI Fondazione Monte dei Paschi di Siena Dott. Mario Luigi TORSELLO Fondazione Monte dei Paschi di Siena Prof. Michele NAPOLITANO Ministero per i Beni e le Attività Culturali e del Turismo Dott. Bruno VALENTINI Mayor - Comune di Siena Dott. Riccardo BACCHESCHI Comune di Siena Dott. Claudio FERRARI Università degli Studi di Siena / Università per Stranieri di Siena Dott. Sergio ASCOLANI Chigiana Honorary Board Board of Auditors Dott. Marco BAGLIONI Fondazione Monte dei Paschi di Siena presidente Dott. Giuseppe MASTRANDREA Comune di Siena Rag. Fabio COVIELLO Ministero per i Beni e le Attività Culturali Dott.ssa Lucia MANGANI Fondazione Monte dei Paschi di Siena supplente Dott.ssa Donatella GAVIOLI Ministero per i Beni e le Attività Culturali supplente PRINCIPAL RESULTS OF 2016 (vs. 2015) Summer Academy Courses 19 (+6%) Students 306 (+16%) Local Impact 2.9 € M Concert Attendance 11.425 (+16%) Choir Members 124 (+226%) Total Users 17.237 Communication (+33%) Followers +475% (+9.419 total) Palazzo Chigi Saracini, Salone dei Concerti 1. INTRODUCTION 7 2. ACCADEMIA CHIGIANA 2.1 History, Objectives and Scope 2.2 Governing Bodies 2.3 Organization 9 2.4 Stakeholders 3. TEACHING 3.1 Advanced Level Summer Music Courses (Summer Academy) 19 3.2 Workshop - Tell me Chigiana 4.
    [Show full text]
  • Curriculum Vitae Di Marco Pierini
    CURRICULUM VITAE DI MARCO PIERINI Marco Pierini via delle Province, 8 53100 Siena +39 3382267942 +39 057752028 [email protected] [email protected] FORMAZIONE Nel maggio 2003 ha conseguito presso l’Università degli Studi di Siena il titolo di Dottore di ricerca in Estetica discutendo una tesi dal titolo Une Iris en l’air. Il ritratto di Laura sotto la guida del tutor prof. Alberto Olivetti. Nell’anno accademico 1993-1994 ha conseguito, con il massimo dei voti e la lode, il Diploma di specializzazione in Archeologia e Storia dell’arte presso la Scuola di specializzazione dell’Università degli Studi di Siena con una tesi in Storia dell’arte contemporanea dal titolo Tito Sarrocchi scultore (1824-1900), relatore il prof. Enrico Crispolti. Nel luglio 1991 si è laureato in Estetica all’Università degli Studi di Siena con il massimo dei voti e la lode discutendo una tesi dal titolo Artemide, Selene, Ecate: 1870-1910, studio sull’iconografia della donna nell’arte della fine del secolo XIX, relatore il prof. Alberto Olivetti. Si è diplomato nel 1985 presso il Liceo classico Enea Silvio Piccolomini di Siena e successivamente si è iscritto al Corso di laurea in Lettere Moderne, indirizzo artistico, della Facoltà di Lettere e Filo- sofia dell’Università degli Studi di Siena. ATTIVITÀ PROFESSIONALE Dal 1 ottobre 2015 dirige la Galleria Nazionale dell’Umbria di Perugia e il Polo Museale Regionale dell’Umbria. Dal 1 giugno 2010 al 19 dicembre 2014 ha diretto la Galleria Civica di Modena. Dal gennaio 2002 al 15 marzo 2010 è stato direttore del Centro d’Arte Contemporanea Palazzo delle Papesse di Siena, divenuto – in seguito al trasferimento presso il complesso museale di Santa Maria della Scala, il 1 giugno 2008 – SMS Contemporanea.
    [Show full text]
  • Curriculum Vitae
    Dr.ssa MUGNAINI SONIA, PhD E-mail : [email protected] Curriculum Vitae Istruzione e formazione .................................................................................................. 2 Esperienza lavorativa e attività di ricerca ...................................................................... 3 Partecipazione a convegni ............................................................................................... 8 Elenco delle pubblicazioni .............................................................................................. 9 Attività didattica .............................................................................................................. 17 Attività di referaggio ....................................................................................................... 20 Conoscenza delle lingue .................................................................................................. 20 Competenze informatiche ............................................................................................... 20 Attitudini e disponibilità .................................................................................................. 20 Tutto quanto dichiarato nel presente documento corrisponde a verità ai sensi delle norme in materia di dichiarazioni sostitutive di cui agli artt. 46 e seguenti del D.P.R. 445/2000. Siena, 28 febbraio 2015 (Sonia Mugnaini) 1/20 Istruzione e formazione Consegue il titolo di Dottore di Ricerca in Scienza per la Conservazione dei Beni Culturali il 4 giugno
    [Show full text]
  • Francesco Poggialini – Curriculum Vitę
    Via Antonio Pesenti, 21 Francesco 56124 Pisa Italy Poggialini H +39 339 589 3790 B [email protected] Í www.researchgate.net/profile/Francesco_Poggialini Curriculum Vitæ Francesco Poggialini Education 2017–Present PhD, Scuola Normale Superiore, Pisa, Italy. Methods and Models for Molecular Sciences 2013–2016 Master of Chemistry, Università di Pisa, Pisa, Italy, 110/110 cum Laude. Analytical Chemistry 2009–2013 Bachelor of Chemistry, Università degli Studi di Siena, Siena, Italy, 110/110 cum Laude. Bachelor Thesis: "Structural Bioinformatics for the Study of the Correlation Between Genetic Mutations and Eyesight Pathologies" 2004–2009 High School Diploma, I.T.I.S. "Tito Sarrocchi", Siena, Italy, 100/100. Italian High School Scientific Diploma Master thesis Title "Green" Synthesis of Nanoparticles and their Application in Laser Induced Breakdown Spectroscopy (LIBS) Supervisors Prof. V. Palleschi, ALS Lab, ICCOM CNR Pisa – Prof. S. Giannarelli, Department of Chemistry, Università di Pisa Short In this work, we adapted a simple, fast, low cost method for the synthesis of silver nanoparticles using Abstract Coffee extract. The nanoparticles were used successfully for the enhancement of LIBS signal for metallic and non-metallic samples. Experience Vocational 2/2017– Research Fellow, ALS Lab, ICCOM CNR, Pisa, Italy. 11/2017 My work was focused on the operation and optimization of the LIBS instrumentation for both laboratory and field analysis. I also had the opportunity to collaborate in other projects, using a variety of analytical techniques.
    [Show full text]
  • COSA FARE in 1GIORNO a SIENA Una Sola Giornata È Decisamente Poco Per Scoprire La Città
    COSA FARE IN 1GIORNO A SIENA Una sola giornata è decisamente poco per scoprire la Città. Siena merita più tempo ma, sicuramente, un primo “assaggio” vi lascerà con tanta voglia di tornare. Vi suggeriamo un itinerario breve, che vi consentirà di vedere l’”imprescindibile”. Partite da Piazza del Campo, il cuore della città. Qui il 2 luglio e il 16 agosto di ogni anno si corre il Palio: la corsa di cavalli preceduta da uno splendido corteo storico. Alla fine del Duecento, i Nove Signori, che governavano la città, fecero costruire il Palazzo Pubblico che fu inaugurato, secondo la tradizione, nel 1310. Tutti gli altri edifici che si affacciavano sulla Piazza dovevano seguire una regola (1297) che vietava di costruire balconi e prevedeva finestre bifore o trifore. Si tratta di uno dei primi documenti di urbanistica del mondo. Dal numero dei governanti derivano i nove spicchi della Piazza che assume una suggestiva forma a conchiglia. Fermatevi davanti a Fonte Gaia che ha portato l’acqua al centro della città nel 1346, dopo quasi dieci anni di scavo per creare un “bottino” cioè un lunghissimo acquedotto sotterraneo voltato a botte. All’inizio del Quattrocento la fonte trecentesca fu sostituita da quella di Jacopo della Quercia, i cui marmi originali sono ora nel Complesso Museale di Santa Maria della Scala. L’attuale Fonte Gaia è una copia di Tito Sarrocchi (1869). Se, nonostante il poco tempo a disposizione, volete entrare in un museo, vi suggeriamo senz’altro il Museo Civico, in Palazzo Pubblico, l’imponente Palazzo, che domina la Piazza ingentilito dall’eleganza della Torre del Mangia.
    [Show full text]
  • N. 14 COP 1,2,3,4 Prova 2.Ai
    14 2016 IL CAPITALE CULTURALE Studies on the Value of Cultural Heritage JOURNAL OF THE SECTION OF CULTURAL HERITAGE Department of Education, Cultural Heritage and Tourism University of Macerata Il Capitale culturale Fiorella Dallari, Stefano Della Torre, Maria Studies on the Value of Cultural Heritage del Mar Gonzalez Chacon, Maurizio De Vita, Vol. 14, 2016 Michela Di Macco, Fabio Donato, Rolando Dondarini, Andrea Emiliani, Gaetano Maria ISSN 2039-2362 (online) Golinelli, Xavier Greffe, Alberto Grohmann, Susan Hazan, Joel Heuillon, Emanuele Invernizzi, Lutz Klinkhammer, Federico © 2016 eum edizioni università di macerata Marazzi, Fabio Mariano, Aldo M. Morace, Registrazione al Roc n. 735551 del 14/12/2010 Raffaella Morselli, Olena Motuzenko, Giuliano Pinto, Marco Pizzo, Edouard Pommier, Carlo Direttore Pongetti, Adriano Prosperi, Angelo R. Pupino, Massimo Montella Bernardino Quattrociocchi, Mauro Renna, Orietta Rossi Pinelli, Roberto Sani, Girolamo Co-Direttori Sciullo, Mislav Simunic, Simonetta Stopponi, Tommy D. Andersson, Elio Borgonovi, Michele Tamma, Frank Vermeulen, Stefano Rosanna Cioffi , Stefano Della Torre, Michela Vitali Di Macco, Daniele Manacorda, Serge Noiret, Tonino Pencarelli, Angelo R. Pupino, Web Girolamo Sciullo http://riviste.unimc.it/index.php/cap-cult e-mail Coordinatore editoriale [email protected] Francesca Coltrinari Editore Coordinatore tecnico eum edizioni università di macerata, Centro Pierluigi Feliciati direzionale, via Carducci 63/a – 62100 Macerata Comitato editoriale tel (39) 733 258 6081 Giuseppe Capriotti,
    [Show full text]
  • L'acqua Nel Campo
    Un evento di Con il patrocinio di In collaborazione con Sponsor i Associazione ai giovan SIENA 22 MARZO 2019 L’ACQUA NEL CAMPO Giornata mondiale dell’acqua VI Centenario Fonte Gaia (1419-2019) 22 MARZO 26 MARZO - ORE 17 L’ACQUA NEL CAMPO PALAZZO SANSEDONI, Banchi di Sotto 34 Seminario Valentina Niccolucci e Federico Maria Pulselli ORE 16.30 Dai bottini medievali all’acqua nella plastica: PALAZZO SANSEDONI, Banchi di Sotto 34 contabilità ambientale e analisi di sostenibilità Gabriele Fattorini Saluti istituzionali 600 anni della Fonte Gaia: Jacopo della Quercia, FONDAZIONE MONTE DEI PASCHI DI SIENA Tito Sarrocchi e il destino di una fontana pubblica Carlo Rossi, Presidente COMUNE DI SIENA 27 MARZO - ORE 17 Sara Pugliese, Assessore alle Politiche Giovanili PALAZZO SANSEDONI, Banchi di Sotto 34 ACQUEDOTTO DEL FIORA Emilio Landi, Presidente Seminario Marco Giamello ASSOCIAZIONE LA DIANA Mura, fonti e valli verdi: un progetto condiviso Enzo Cortonesi, Presidente Bernardo Giorgi e Pietro Romano Interventi di Orti urbani, due esperienze a confronto tra Gabriele Fattorini, Università di Messina innovazione e sperimentazione Fonte Gaia: passato e futuro Claudia Angiolini, Federica Palazzo, Tiberio Fiaschi, Marco Giamello, Università di Siena Paolo Castagnini e Massimo Nepi Il bottino maestro e la Fonte Gaia di Jacopo della Le valli verdi di Siena: un patrimonio naturalistico- Quercia. Conoscenza e conservazione ambientale da conoscere, preservare e valorizzare Stato dell’arte e prospettive Simone Bastianoni, Università di Siena Acqua: un’ emergenza planetaria...e mediterranea 28 MARZO - ORE 15, 16.30 E 21 ORE 18 SANTA MARIA DELLA SCALA, Piazza Duomo, 1 IL CAMPO Il Santa Maria della Scala tra acqua e terra OMAGGIO A FONTE GAIA Visite guidate a più voci all’interno del Complesso museale Performance di del Santa Maria della Scala con Marco Giamello, Enzo Corto- Corps Rompu - Gli Uomini Blu nesi, Enrico Tavarnelli, Debora Barbagli.
    [Show full text]
  • Giovanni Dupr
    UNIVERSITY OF CALIFORNIA. i OF" Class FROM THE LIBRARY OF THE t UNIVERSITY OF MICHIGAN ARBOR, MICHIGAN PLEASE EXCHANGE GIOVANNI DUPR GIOVANNI Frontispiece. GIOVANNI DUPRE BY HENRY SIMMONS FRIEZE II WITH TWO DIALOGUES ON ART FROM THE ITALIAN OF AUGUSTO CONTI SECOND EDITION Hontion SAMPSON LOW, MARSTON, SEARLE, & RIVINGTON CROWN BUILDINGS, 188 FLEET STREET, E.G. 1888 All rights resen>ed 9 PREFACE TO THE SECOND EDITION ' THE ' Two Dialogues on Art which form the second part of this volume were published several years ago among the minor works of Augusto Conti, now Professor of Philosophy in the University of Florence, President of the Academy della Crusca, and author of an important series of works, embrac- 1 ing the whole field of philosophy. My attention was first called to the sculptor 1 The following are the titles of these works : i, Storia della Filosqfia (History of Philosophy; published also in French); il Buono nel Vero ; 2, il Bella nel Vero (Esthetics) ; 3, (Ethics) FArmenia delle Cose 4, il Vero nel Ordine (Dialectics) ; 5, Rational Evi- (Cosmology, Anthropology, and Theology) ; 6, denza, Amore, e Fede (Evidence, Love, and Faith). Besides an these, some works of an elementary character, including Elementary Philosophy (by Conti and Santini) extensively used in the schools of Italy. 1A842G iv PREFACE TO THE SECOND EDITION Giovanni Dupre by the reading of these Dialogues of on Conti. They constitute in fact a valuable essay una cosa Art, theoretical and practical ; stupenda they are called by some of the Italian critics. Having translated them into English for the benefit of some young friends interested in the study of art, and, looking for some brief account of Dupre's life as an introduction, I found, what is very rarely found in the life of an artist, material in his own writings, abundant and interesting, for the complete portraiture of his life and character.
    [Show full text]