Observing Protest from a Place
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The Master of the Unruly Children and His Artistic and Creative Identities
The Master of the Unruly Children and his Artistic and Creative Identities Hannah R. Higham A Thesis Submitted to The University of Birmingham For The Degree of DOCTOR OF PHILOSOPHY Department of Art History, Film and Visual Studies School of Languages, Art History and Music College of Arts and Law The University of Birmingham May 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis examines a group of terracotta sculptures attributed to an artist known as the Master of the Unruly Children. The name of this artist was coined by Wilhelm von Bode, on the occasion of his first grouping seven works featuring animated infants in Berlin and London in 1890. Due to the distinctive characteristics of his work, this personality has become a mainstay of scholarship in Renaissance sculpture which has focused on identifying the anonymous artist, despite the physical evidence which suggests the involvement of several hands. Chapter One will examine the historiography in connoisseurship from the late nineteenth century to the present and will explore the idea of the scholarly “construction” of artistic identity and issues of value and innovation that are bound up with the attribution of these works. -
CALIFORNIA DEPARTMENT of INSURANCE Holocaust Era
CALIFORNIA DEPARTMENT OF INSURANCE Source: AXA, Dutch Insurance Assn., MONY Life, European archive Holocaust Era Insurance Registry Insurer Certification Policyholder / Policyholder Named Insured Insurer Which Insurer Current Distribution Amount Name Address Named Insured Named Beneficiary Policy Type Issued Policy Currently Responsible Status of Proceeds Unpaid Payment to Other Pd Q., Guiseppe (Named Insured) Not Available, Genoa, Italy Q., Guiseppe Not Available, Life Mutual Of New York Mony Life Insurance Company Paid Bene/Heir/Owner - - Quadagnini, Aug (Named Pd Insured) Not Available, Vienna, Austria Quadagnini, Aug Not Available, Not Available Mutual Of New York Mony Life Insurance Company Paid Bene/Heir/Owner - - Quadrelli, Luigi (Named Pd Insured) Not Available, Genoa, Italy Quadrelli, Luigi Quadrelli, Elvira Imperatori Endowment Mutual Of New York Mony Life Insurance Company Paid Bene/Heir/Owner - - Quagliero, Antonio (Named Pd Insured) Not Available, Genoa, Italy Quagliero, Antonio Wife And Children, Life Mutual Of New York Mony Life Insurance Company Paid Bene/Heir/Owner - - Quaglietti Fu Luigi, Gini Pd (Named Insured) Not Available, Genoa, Italy Quaglietti Fu Luigi, Gini Self, Life Mutual Of New York Mony Life Insurance Company Paid Bene/Heir/Owner - - Transfer To 10 Rue De La Liberte Cachan Generales Quanon, (Named Insured) Seine, Paris, France Quanon, Not Available, Not Available Mutual Of New York Mony Life Insurance Company Vie Not Available - Quarti, Eugenio (Named Pd Insured) Not Available, Genoa, Italy Quarti, Eugenio -
ED063516.Pdf
DOCUMENT RESUME ED 063 516 VT 015 725 TITLE ItalyThe gklucation, Training and Functions of Technicians. Scientific and Technical Personnel. INSTITUTION Organisation tor Economic Cooperation and Development, Paris (France). Directorate fur Scientific Aifairs. PUB DATE 29 Sep 70 NOTE 113p. EDRS PRICE MF-$0.65 HC-$6.58 DESCRIPTCRS Articulation (Program); Economic Development; *Foreign Countries; Job Analysis; Vcb Training; Manpower Development; *Manpower Utilitation; *National Surveys; Tables (Data); Teacher Education; *Technical Education; Vocational Education IDENTIFIERS Italy ABSTRACT To identity problems regarding eccnonic development, the Committee for Scientific and Technical Personnelconducted an educational and occupational survey of each membercountry of the Organisation for Economic Cooperation and Development(Olim). The specific purpose of the surveys was to gather comparativedata on the training and utilization of technicians in each membercountry. Major sections of each survey are:(1) The Structure of the Educational System,(2) Training of Technicians and Other TechnicalManpower, and (3) Functions of Technicians. Relatedsurveys for each of the following countries, Canada, Denmark, Spain,France, Netherlands, Switzerland, Yugoslavia, United Kingdom, and Portugal,are available in this issue as VT 015 716-VT 015 724 respectively* CIS) ; - , . 1, 1,0 s .. .1 p. N4.it N 47.11'TN1' re\ 3,41i ;." ..i:f.to' e 11 , :C T ?V4Cej%11;..."'l : If -/ .. 4*'" .S.11 LIP - 7'.3 3 ff .g1 .:1M1 , e ,-. .. -,4 - , ..,4 ,,,,,,,V. (36,.. nfr ' ,, ..4..sfnt . ft... ,.',(;.,..:. -,-,....,t-- -v ., ...,,,+Z., :..-F,.': F. .? 1. -4 0 ..--t - -e- ,- ''--- ..., -..1.;.-.-/Y.,,v: , .....s. '''.-'-t ",--W:, 9-e..o,( ' 0.1 ' ' ". ' -. 2-..,4;'{ :-".'-`-ritr''';. , le ,. -..e. i:t.: 41; .1.--"'A 1 -e- --, V -, .,- -,-,-.4,- %,,,,,-,,--#4-,'-- .>,;',-.."- ,-*- -.. -
The Evolution of Landscape in Venetian Painting, 1475-1525
THE EVOLUTION OF LANDSCAPE IN VENETIAN PAINTING, 1475-1525 by James Reynolds Jewitt BA in Art History, Hartwick College, 2006 BA in English, Hartwick College, 2006 MA, University of Pittsburgh, 2009 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by James Reynolds Jewitt It was defended on April 7, 2014 and approved by C. Drew Armstrong, Associate Professor, History of Art and Architecture Kirk Savage, Professor, History of Art and Architecture Jennifer Waldron, Associate Professor, Department of English Dissertation Advisor: Ann Sutherland Harris, Professor Emerita, History of Art and Architecture ii Copyright © by James Reynolds Jewitt 2014 iii THE EVOLUTION OF LANDSCAPE IN VENETIAN PAINTING, 1475-1525 James R. Jewitt, PhD University of Pittsburgh, 2014 Landscape painting assumed a new prominence in Venetian painting between the late fifteenth to early sixteenth century: this study aims to understand why and how this happened. It begins by redefining the conception of landscape in Renaissance Italy and then examines several ambitious easel paintings produced by major Venetian painters, beginning with Giovanni Bellini’s (c.1431- 36-1516) St. Francis in the Desert (c.1475), that give landscape a far more significant role than previously seen in comparable commissions by their peers, or even in their own work. After an introductory chapter reconsidering all previous hypotheses regarding Venetian painters’ reputations as accomplished landscape painters, it is divided into four chronologically arranged case study chapters. -
Il Caso Di Don Tonino Bello
CORSO DI LAUREA IN SCIENZE POLITICHE L’ANTIMAFIA ETICA: IL CASO DI DON TONINO BELLO Elaborato finale di: Valeria Biasco Relatore: Prof. Fernando dalla Chiesa Anno Accademico 2014 / 2015 ! 1! A Seba, il mio angelo biondo. ! 2! “L’etica è il primo argine all’illegalità. Nei contesti professionali non può mai essere vista come un <<di più>>: non è un obiettivo fra gli altri, ma ciò che deve fare da sfondo a ogni progetto, a ogni investimento e scelta strategica. Essa è il fine di un’attività professionale, raggiungibile solo se le persone che coinvolge (i dipendenti, i collaboratori) sono a loro volta fine, e mai strumento. Il nostro lavoro è <<etico>> quando non presta il fianco ai compromessi, alle scorciatoie, alle prepotenze di chi vuole calpestare i diritti in nome del privilegio. Dunque, non solo <<etica delle professioni>>, ma etica come professione di tutti” don Luigi Ciotti ! 3! Indice 6 INTRODUZIONE Capitolo primo: 10 IL RAPPORTO TRA DON TONINO BELLO E LA SOCIETÀ: UN APOSTOLATO SENZA CONFINI 11 1.1: Il rapporto tra la chiesa e la comunità 23 1.2: L’impegno quotidiano con i più deboli 29 1.3: L’attenzione costante ai giovani Capitolo secondo: 37 LA TESTIMONIANZA LOCALE DI DON TONINO BELLO 37 2.1: La responsabilità dell’impegno: continuità, condivisione e corresponsabilità 42 2.2: Tre casi di impegno civile e sociale: 42 • Casa per la Pace e La Meridiana 46 • Comunità di Accoglienza, Solidarietà e Amicizia Capitolo Terzo: 50 DAVANTI ALLA CRIMINALITA’ PUGLIESE 53 3.1: La criminalità pugliese fino agli anni Ottanta 59 3.2: La nascita -
When the Rabbi's Soul Entered a Pig: Melchiorre Palontrotti and His
Jewish History (2020) 33: 351–375 © The Author(s) 2020 https://doi.org/10.1007/s10835-020-09367-y When the Rabbi’s Soul Entered a Pig: Melchiorre Palontrotti and His Giudiata against the Jews of Rome MARTINA MAMPIERI Lichtenberg-Kolleg, Georg-August-Universität Göttingen, Göttingen, Germany E-mail: [email protected] Abstract This essay analyzes an unpublished manuscript of a giudiata, a poem mocking Jew- ish funerals that was written and performed in Rome in the mid-seventeenth century. Mel- chiorre Palontrotti, the author of the composition, was a Roman polemist and author of other published works against Italian Jews, including, among others, the Venetian rabbi Simone Luzzatto, between 1640 and 1649. After furnishing information on the author and the histor- ical background in which the song was written, and following an analysis of the origins of giudiate and their diffusion in early modern Rome, this paper explores the content, language, and style of the giudiata text. The appendix includes a bibliography of Palontrotti’s writings and a transcription of the manuscript. Keywords Jewish-Christian Relations · Jewish History · Anti-Jewish Polemics · Early Modern Polemics · Seventeenth Century · Rome In the rich manuscript collection belonging to Giovanni Pastrizio (ca. 1636– 1708),1 a lecturer in theology at the Collegio Urbano de Propaganda Fide and scriptor hebraicus at the Vatican Library from 1695, there is a brief but extremely interesting rhymed composition.2 This text, handwritten by Pas- trizio, consists of a canzone contro gli ebrei (“song against the Jews”) in 1On Pastrizio, also known as Ivan Paštric,ˇ and his activity in Rome from the first half of the seventeenth century until his death, see Notizie istoriche degli Arcadi morti, tomo secondo, in Roma, nella Stamperia di Antonio de Rossi, 1720, f. -
In Questo Numero
ACCADEMIA PROPERZIANA DEL SUBASIO - ASSISI SUBASIO Anno XIX - N. 3 QUADRIMESTRALE DI INFORMAZIONI CULTURALI DEL TERRITORIO 1 Settembre 2011 L UIGI MASI In questo numero: Luigi Masi e Colomba Antonietti Giovanni Pennacchi e Antonio Cristofani Le visite di Pio IX e di Garibaldi ad Assisi L’anno scolastico 1861-1862 Una poesia di Luigi Mercantini Il dibattito sul coro della Basilica di S. Francesco Una tesi sul Teatro Metastasio Fanny Mendelssohn e l’Italia SOMMARIO EDITORIALE ..............................pag. 1 PERSONAGGI Da Petrignano un protagonista del Risorgimento: Luigi Masi (A. Cianetti) ..................... » 20 STORIA L’Unità d’Italia nel pensiero e nell’azione di due testimoni umbri: il bettonese Giovanni La visita di Pio IX ad Assisi e il “bacio del piede” Pennacchi (1811-1883) e l’assisano Antonio (P. M. Della Porta) ......................... » 3 Cristofani (1828-1883) (P. Tuscano)............ » 23 L’anno scolastico 1861-1862 per le classi elementari dell’Umbria (A. Mencarelli) . » 6 RECENSIONI E SEGNALAZIONI Fanny Mendelssohn e l’Italia: innovativa ricerca LETTERATURA della studiosa Paola Maurizi (F. Tuscano) ........ » 27 Il poeta risorgimentale Mercantini autore di un Il Teatro Metastasio di Assisi dal 1840 al 1861 canto su “Rivo Torto” (F. Santucci)............. » 9 (Red.) ................................... » 28 ARTE MEMORIE Un Coro che ‘stona’ (D. Abbati) ................» 10 Il generale a teatro (G. Fortini) ............... » 34 Iconografia di Colomba Antonietti (1826-1849) (F. Guarino) .............................. » 13 Direttore Responsavbile: GESUINO BULLA Direttore Editoriale: DAMIANO FRASCARELLI Vice Direttore: FRANCESCO GUARINO In redazione: FRANCO CALDARI, PIER MAURIZIO DELLA PORTA, ALESSANDRO PIOBBICO, DANIELE SINI, FRANCESCA TUSCANO Subasio. Quadrimestrale di informazioni culturali del territorio, edito dall’Accademia Properziana del Subasio. Autorizzazione del Tribunale di Perugia, n. -
AATI Newsletter
AMERICAN ASSOCIATION OF TEACHERS OF ITALIAN SPRING 2011 AATI Newsletter Messaggio del presidente Care colleghe e cari colleghi, Innanzitutto a nome di tutta la nostra associazione vorrei esprimere la nostra solidarietà al popolo giapponese, assieme alle nostre condoglianze e a nome dei credenti dell’AATI anche le nostre preghiere. Vorrei anche incoraggiare tutti quelli che leggeranno questo messaggio, di essere generosi e mandare aiuti e denaro per le vittime di questa immane catastrofe. Le donazioni possono essere inviate all’American Red Cross. Grazie di cuore a tutti. Dall’ultimo messaggio molti eventi si sono succeduti. Insieme a Bancheri e a Nuessel si è fatto molto per definire il convegno in programma ad Erice che dalle partecipazioni si presenta stimolante e interessante. Stiamo anche per dar inizio alla votazione per apportare dei cambiamenti alla costituzione e per nominare nuovi Regional Representatives e prego tutti gli iscritti di partecipare. Colgo l’occasione di ringraziare tutti i Regional Representatives uscenti per l’ottimo lavoro svolto. Sabato 12 marzo si è tenuto al Calandra Institute di New York l’AP Workshop sponsorizzato dalla nostra associazione, appuntamento dedicato ai cambiamenti che il College Board ha apportato all’esame AP e ai corsi. Vorrei IN THIS ISSUE ringraziare tutti gli insegnati d’italiano che si sono iscritti, abbiamo ricevuto 95 richieste ma abbiamo potuto accoglierne 67. Grazie anche a tutti i docenti, al 1. Messaggio del presidente Console Generale di New York, al Primo consigliere dell’Ambasciata Italiana, a 4. Details on reinstated AP Italian Joseph Sciame, Chairman of the Conference of Presidents of Major Italian 6. -
Society for Seventeenth-Century Music Twelfth Annual Conference
Society for Seventeenth-Century Music A SOCIETY DEDICATED TO THE STUDY AND PERFORMANCE OF 17TH-CENTURY MUSIC Twelfth Annual Conference La Jolla, California 1517 April 2004 ABSTRACTS OF PRESENTATIONS * Index of presentations * Abstracts * Program Committee Index of Presentations Antonia L. Banducci (University of Denver), “Staging Music: The Dramatic Role of Preludes and Ritournelles in French Baroque Opera” Gregory Barnett (Rice University), “Church Music, Musical Topoi, and the Ethos of the Sonata da chiesa” Grey Brothers (Westmont College) and the Westmont Chamber Singers, “The Polyphonic Passion in Mexico City: The Passio secundum Mattheum of Antonio Rodríguez de Matta (d. 1643)” Michele Cabrini (Princeton University), “From the Visual to the Aural: Tempête and the Power of Instrumental Sound in the French Cantata” Stuart Cheney (Goucher College), ”Transcriptions for Solo Viol of the Music of Jean- Baptiste Lully” Michael R. Dodds (Southern Methodist University), “Plainchant at Florence Cathedral in the Late Seicento: Unwritten Sharps and Shifting Concepts of Tonal Space” David Dolata (Eastern Washington University), “Bellerofonte Castaldi’s Extraordinary Capricci a due stromenti” Don Fader (Indiana University), “Marin Mersenne and the French View of Musical Rhetoric” Alex Fisher (University of British Columbia), “Approaching Music and Religious Identity in Early Modern Germany: Sacred Music in Augsburg during the Thirty Years’ War" Wendy Heller (Princeton University), “I pianti d’Apollo: Desire, Melancholy, and the Power of Song” -
Approaching the Altar: Art, Agency and Appreciation at the Cathedral of the Blessed Sacrament, Christchurch a Thesis Submitted I
Approaching the Altar: Art, Agency and Appreciation at the Cathedral of the Blessed Sacrament, Christchurch A Thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in Art History and Theory at the University of Canterbury by Alison Ruth Flett University of Canterbury 2016 i Dedicated to the memory of the late Bishop Barry Jones, D.D., ninth Roman Catholic Bishop of Christchurch (28.08.41 - 13.02.16), worthy successor of the first bishop, John Joseph Grimes, D.D., S.M. In thanks for his wise leadership after the earthquakes. ii Table of Contents Acknowledgements ......................................................................................................... viii Abstract ............................................................................................................................... x Introduction ......................................................................................................................... 1 Chapter One ....................................................................................................................... 12 The predecessors of the cathedral altar: the Henley and Kimbell/Button altars in context .................................................................................. 12 Chapter Two ...................................................................................................................... 22 1900 - 1905: The Altar in the Mind of the Bishop and the Architect ........................... 22 Chapter Three ................................................................................................................... -
Antonio Ghini and Andrea Di Francesco Guardi: Two 15Th-Century Tuscan Artists in the Service of Local Governments
Antonio Ghini and Andrea di Francesco Guardi: Two 15th-century Tuscan Artists in the Service of Local Governments Sandra Cardarelli Although the medieval and renaissance artist dwelled within a rigidly structured society whereby his life and work were strictly related to his affiliation to a guild, a confraternity, a political faction or some other form of corporate association that could grant him identity and protection, his world was far from restricted by the geographical boundaries of his city.1 Maginnis argued that early Sienese painters enjoyed great fame outside their native city thanks to foreign patrons.2 Simone Martini left Siena at the apex of his career as favourite painter of the commune to work for mendicant orders in Pisa, Orvieto and Assisi, and then at the service of the Angevins in Naples before moving to the papal court in Avignon.3 Likewise, the case of the Florentine sculptor Donatello, who worked in the rival city of Siena by request of a petition of the Balia in 1457,4 demonstrates that the wish to commission art This paper draws from material researched for my doctoral thesis: Siena and its contado: Art, Iconography and Patronage in the Diocese of Grosseto from c. 1380 to c. 1480, University of Aberdeen, PhD, 2011. A specific section in the thesis discusses the work of travelling artists in the diocese of Grosseto, and this first approach to the notion of artists and travel was later developed further and resulted in the session ‘Travelling artists in medieval and Renaissance Europe’ at the 38th annual conference of the Association of Art Historians, Milton Keynes, 29-31 March 2012. -
Bilancio Di Missione 2016 Organization of the Governing Bodies Fondazione Accademia Musicale Chigiana Onlus
BILANCIO DI MISSIONE 2016 ORGANIZATION OF THE GOVERNING BODIES FONDAZIONE ACCADEMIA MUSICALE CHIGIANA ONLUS Board of Directors seated on 12.21.2016 President Nominating entity Prof. Avv. Marcello CLARICH Presidente Fondazione Monte dei Paschi di Siena Vice President Prof. Marco COMPORTI Società Esecutori Pie Disposizioni Councillors Dott. Davide USAI Direttore Generale Provveditore Fondazione Monte dei Paschi di Siena Dott.ssa Marco FANFANI Fondazione Monte dei Paschi di Siena Dott. Miriam GROTTANELLI DE SANTI Fondazione Monte dei Paschi di Siena Dott. Mario Luigi TORSELLO Fondazione Monte dei Paschi di Siena Prof. Michele NAPOLITANO Ministero per i Beni e le Attività Culturali e del Turismo Dott. Bruno VALENTINI Mayor - Comune di Siena Dott. Riccardo BACCHESCHI Comune di Siena Dott. Claudio FERRARI Università degli Studi di Siena / Università per Stranieri di Siena Dott. Sergio ASCOLANI Chigiana Honorary Board Board of Auditors Dott. Marco BAGLIONI Fondazione Monte dei Paschi di Siena presidente Dott. Giuseppe MASTRANDREA Comune di Siena Rag. Fabio COVIELLO Ministero per i Beni e le Attività Culturali Dott.ssa Lucia MANGANI Fondazione Monte dei Paschi di Siena supplente Dott.ssa Donatella GAVIOLI Ministero per i Beni e le Attività Culturali supplente PRINCIPAL RESULTS OF 2016 (vs. 2015) Summer Academy Courses 19 (+6%) Students 306 (+16%) Local Impact 2.9 € M Concert Attendance 11.425 (+16%) Choir Members 124 (+226%) Total Users 17.237 Communication (+33%) Followers +475% (+9.419 total) Palazzo Chigi Saracini, Salone dei Concerti 1. INTRODUCTION 7 2. ACCADEMIA CHIGIANA 2.1 History, Objectives and Scope 2.2 Governing Bodies 2.3 Organization 9 2.4 Stakeholders 3. TEACHING 3.1 Advanced Level Summer Music Courses (Summer Academy) 19 3.2 Workshop - Tell me Chigiana 4.