Tigh Me LP' Tigh Me Oo*Ll , --., (Previouiiy Known As

Total Page:16

File Type:pdf, Size:1020Kb

Tigh Me LP' Tigh Me Oo*Ll , --., (Previouiiy Known As "TighMe LP' TighMe Oo*ll 'secrets Lles,--., ) (Previouiiyknown as and White Prod Draft iulY 9, 2004 Written bY jeff Vlamtng Episode#9 BATTLESTARGALACTICA ''TIGHME UP,TIGH ME DOWN'' Episode#9 Writtenby Jeff Maming WHITE ProdDraft July 9, 2004 EXECUTI\E,PRODUCERS: RonaldD. Moore DavidEick CO-EXECPRODUCER: Toni Graphia PRODUCEDBY: HarveyFrand DIRECTOR: EdwardJames Ohnos Copyright 2004Stanford Pictures inc & Porrt of VrewProds. This materialis the property of StanfordPictures Inc & Pointof View Prodsand is rntendedand restncted soiely for useby its personnei.Distribution or disclosureof the materialto unauthorizedpersons is prohibited.The saie.copying or reproductionof this materialin any form is alsoprohibited. BATTLESTAR GALACTICA ''TIGHME UP,TIGH ME DOWN'' Episode#9 WHITE ProdDraft 719104 CAST CommanderWilliam Adama PresidentLaura Roshn Capt Lee Adama Lt Kara Thrace Col SaulTigh GaiusBaitar Chief GalenTyrol Lt SharonValerii Number Six Helo Bill-vKeikeya Gaeta Dualla Doral Deck lland BATTLESTAR GALACTICA "TIGH lv1EUP, TIGH ME DOWN', Episode#9 WHITEProd Draft 719104 SE'TS BATTLESTARGAI..ACTICA CAPRICA Adama'sQuarters Corridors Exteriors HangarDeck StormDrain Junction Baltar'sLab Obsen'ationDeck CIC CIC - CommandObservation Room (COR) Tigh'sQuarters PilotRec Room COLoNIAL ONE Inner Office SPACE Exteriorq ColonralOne Vipers Cylon Raider Interiors Lee'sViper rAfr?^r lJA.L IIrIib fAl1 9fllrAt-^n? I ILfr 'Tigh Me Up, Tigh l'le Down' 'rEl{Dlitl FADE TN ON: i INT. GAI,ACTTCA- CIC _ COMMANDOBSERVATION ROOM 1 On the upper leve1 of CIC, the COR is a command area from where the CO. the XO or the Officer of the Deck can get a brrd's eye vr-ew of the activity in CIC. Even though Adama, Tigh and the OOD typically work on the lower level, the COR is equrpped with dedlcated computer screens and a modicum of privacy that's otherwise hard to find in CIC. At the moment, LAURA ROSLIN is in the COR, looking down at COMMANDERADAMA as he talks with GAETA and other officers down on the lower leveI. Laura watches him silently, intently, her gaze never wandering from Adama as he moves about the room -- Leoben's words of warninq in "Flesh a Bone" still rrnqinq rn her ears. Adama glances up at her -- she smiles pleasantly. He indicates he'Il be up in a moment. She nods and he goes back to work. The second he 1ooks away/ her expression once again becomes one of concern and suspiclon. 2 EXT. SPACE - TWOVIPERS 2 Srde by srde, raci-ng through the varrous shrps of the fleet, heading RIGHT TOWARDTHE BOWof Galactica. PrLOT (WTRELESS) F:-ve seconds. PrLOT 2 (WTRELESS) Roger, I'rTr wrth you leacier... The two Vrpers are ciosing, closing, ciosing... seeming to head right for the shtp... PILOT (WTRELESS) Have fun in there, D. Okay, burners and. break-break-breakl The two Vipers kick in their AFTERBURNERSand SPLIT away right in front of the ship, heading down the port and starboard sides. CAMERASNAPS ZOOI1Si-nto -- -- the OBSERVATIONDECK, set right into the bow of Galactica. 'Tigh Me Up, Tie Me Down' Prod Draft 7/9/04 2. 3 INT. GALACTICA - OBSERVATIONDECK 3 The CROWDGASPS, then APPLAUDSas the Vipers (silently) roar just past the glass. One entire side of t.he room is dominated by a large floor-to-ceiling WfNDow which gives an unobstructed view of the heavens. There are chairs for abou+. 12 people, and every seat is filled. Some are sketch:.ng the vj-ew, some are praying, and of course, there are COUPLES}ike BILLY and DUALLA cuddling and enjoying the view. The mood is much like a movie theater. BILLY They always do that? DUAI,LA They're just showrng off 'cause they know I'm in here. BILLY unr DUALLA You date a specl-a1 assistant to the president, word gets around. BILLY So this is officiallv a date? She snuggles up close to him, while the others in the room settle back into thelr ov.rn, prrvate pursuits. DUALLA Jurv's still out. She reaches up and kisses him. BILLY You must be awfully popular with the pilots for thern to put on a show. DUAI,LA You better beli-eve I'm popular. I'm the voice that tel}s'em when i-t's time to come home. BILLY How do f compete with that? He kisses her. ( coNTTNUED) 'Tigh Me Up, Tie Me Down' prod Draft j/9/04 3 CONTTNUED: DUAI,LA You're doing okay so far. Another kiss, then there's a LfGHT in the room as a door OPENSO.S. and there's a quiet voice from the back. vorcE(o.s. ) One minute. One minute, people. BILLY I don't think we sot our hatf hour. DUA],LA You could puIl rank. TeII,em you're on official business for the President of the Colonies. BTLLY Your boss carries more weight around here than mine. TeIl'em Adama wants vou to... nltnT T l : --:-.- ( grl-nnt-ng ) Yeah, wants me to what? What? BILLY Lost my train of thought. She chuckles and snuggles up next to him. DuaIIa can,t see :--', but BrIIy's expressron now changes. He seems uncomfor*uable with what he's abour to say, even though he makes an effort to keep his tone lighc and playful. BfLLY (cont'd) How rs he these days, by the way? He doinq all riqht? DUALLA The OId Man? Sure. He's fine. I yuuJp. BILLY You guess? DUAI,LA Yeah. He's. been act:-ng kinda funny lately. f don't know... BTLLY RealIy. ( coNTTNUED) 'Tigh Me Up, Tie Me Dovrn' Prod Draft 7 /9/04 3 CONTINUEDz (2\ DUAILA Seems. di,fferent. Distracted or something. Been making these weird wireless calls from his quarters. Scrambler. Super-secret. BILLY Probablv a securitv issue... DUA],LA probably. (belt ) But he told me not to log the calls. No trace file. Nothinq. BILLY Kinda weird. DUAI,LA It's agarnst regs -- and more than that, the Ol-d Man's a f anatic about deck logs. Everv call gets logged, no matter what. BILLY Huh. And thrs just started...? DUALLA Yeah, just a few days ago -- and Billy Keikeya are you pumping me for information on the OId Man? The door OPENS agar-n, retting in a frood of LrGHT and a DECK HANII qtonq i n DECK HAND .Fima / q t ltltg u rrnuIJ , Peopie start to reluctantly get up anci file out the door. BILLY No. 'Course not. ntti Y ? n lJ U.H,J-J!f{ ( Iaughrng ) You are. You're a spy, that,s what you are. She's joking and laughing, but there,s an element of truth rn what she's saying and Billy tries to deflect it_ as thev file out with the others. ( CoNTTNUED) 'Tigh Me Up, Tie Me Down' Prod Draft 1/9/04 3 CONTINUED: (3) BILLY No really, c'mon D... DUALLA Uh-huh. .. 4 INT. CORRIDORS. CONTINUOUS 4 Billy and DuaIIa ENTER into the Corridor, where a LONG LINE of people are waiting for their turn in the observatron deck. DUAI,LA I don't think this counts as a date a n \ttnlf ro BILLY I was just asking a few guestt_ons. DUALLA Hope you liked the ans\^rers. Last ones you're gonna get for a while. 5 INT. CIC _ COR 5 Adama has now joined Laura in the CoR. Laura's }ooking over a file Adama has given her. lnnf,tt Baltar's reaciy to begin widespread tesi- i no f or Cwl onq hrrtH4v thefe'S I- One serious linitation -- he can only test one person at a time and verification takes several- hours. LAURA Still, that's better than where we were yesterday. At least we have one now. Anci ;ust as Dualla said, Adama seems different somehow. Drstracted, unfocused. Almost nervous. Without seeming to, Laura watches hrm closely throughout. LAURA (cont'd) So who's qoinq to qo first? He looks biankly at her for too long a beat. ( coNTTNUED) 'Tigh Me Up, Tie Me Down' prod Draft 1/9/04 5 CONTINUED: ADAMA Oh. The test. Right. We should test the people in the most sensitive positions fi-rst LAURA I completely agree. ( beat ) How about vou? He looks at her in surprise. She smj"les. LAURA (cont'd) ,d If you're a Cylon f like to know. ADA]"1A ff I'm a Cylon then you,re real1y screwed. He says it wrth a smile and they both laugh. Laura,s isn,t quite as genuine as his. LAURA Seriously -- you should probably be the first one tested. Show everyone in the fleet that they can rrust the people at the top. ADAMA (a beat) Maybe you should go first. Laura's stirl smiling, but there's ;ust the srrghtest bit of tenslon rn the room. LAURA What say we flip for it? ADAMA Why not? Adama purrs a corN from his uniform pocket. He praces it atop hrs thumbnail. LAURA Heads. And ZrNG. The coin goes up, frips a few times and Adama smacks i-t down on the back of hi-s hand. Adama stares at the corn f or a iong tl_me. ( coNTTNUED) 'Tigh Me Up, Tie Me Dovrn' Prod Draft 7/9/04 7, 5 CONTINUEDT (2\ ADA,l,lA Tails . Okay. Fine. I 'lI go first. Adama puts the coin away and Laura can't help f eehng slightly uneasy at the way he reacted -- like he was about to back out. 5 EXT. SPACE - COLONIAL ONE Establishinq. 7 INT. COLONIAL ONE - INNER OFFICE Billy ENTERS; his tie loose, his jacket over his shoul-der. LAURA rs waiting for him, alone in the office for once.
Recommended publications
  • 6821191 the Bsg Forum Time Capsule.Pdf
    #6821191 … The bsg forum time capsule. Posted by midshiftbrigwatch on 27 July 2010 - 08:21 PM in Battlestar Galactica Wow. I haven't been on here since 2007. I was part of the big wave of Mansquitos that showed up on the forum after the excitement of the 'bucket drop' in S2.5. Hung out with Cafsiopeia, ViperChic, Chewbekah, WakaWaka, Wahaa! (thirty iterations of Wahaa! that is...), GoonSquad, Dickie Hertz, Viper1, Wingnut622, Sephiroth144, CobraCommander, Frackitall, LurkerKing, JungleBoot, Archimedes, PubliusClaudius, Boozy, Ambrosia Stims, Wolfpack, Zorya, elbe, Goliath, Raymond Shaw (Sean, R.I.P. brother- you inspired me to learn to wield the power of the animated GIF. Can't believe it.), eternalkerri, Malcolm XII, and tons of other good folks who had fun watching this crazy thing for a while. I also was cordial with most of the TOSsers and Moist board "trolls", who in fairness wanted something specific that just wasn't going to happen, but took a Browncoats' stand to get it anyway, and I salute that. It was a furious campaign, but it wasn't exactly ugliness- it was opposing opinion, strong and uncompromising- and no forum since Rome has been without that. Nor should it. Sure, Languatron was a nutjob, sworn by himself to destroy NBC/Universal by any quixotic means necessary, but even the other "trolls" thought he was a nightmare; he made his own board where only he was able to join, post, or read posts for crying out loud! Most of the above mentioned went and played on Moctezuma's Frakheads! for a while after we got fed up with this board's constant banhammerization and the show's increasingly wayward direction in S3 & 3.5.
    [Show full text]
  • The Women of Battlestar Galactica and Their Roles : Then and Now
    University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2013 The women of Battlestar Galactica and their roles : then and now. Jesseca Schlei Cox 1988- University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Cox, Jesseca Schlei 1988-, "The women of Battlestar Galactica and their roles : then and now." (2013). Electronic Theses and Dissertations. Paper 284. https://doi.org/10.18297/etd/284 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE WOMEN OF BATTLESTAR GALACTICA AND THEIR ROLES: THEN AND NOW By Jesseca Schleil Cox B.A., Bellarmine University, 2010 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degre:e of Master of Arts Department of Sociology University of Louisville Louisville, Kentucky May 2013 Copyright 2013 by Jesseca Schlei Cox All Rights Reserved The Women of Battlestar Galactica and Their Roles: Then and Now By Jesseca Schlei Cox B.A., Bellarmine University, 2010 Thesis Approved on April 11, 2013 by the following Thesis Committee: Gul Aldikacti Marshall, Thesis Director Cynthia Negrey Dawn Heinecken ii DEDICATION This thesis is dedicated to my mother and grandfather Tracy Wright Fritch and Bill Wright who instilled in me a love of science fiction and a love of questioning the world around me.
    [Show full text]
  • BATTLESTAR GALACTICA and PHILOSOPHY:Knowledge Here
    BATTLESTAR GALACTICA AND PHILOSOPHY The Blackwell Philosophy and PopCulture Series Series editor William Irwin A spoonful of sugar helps the medicine go down, and a healthy help- ing of popular culture clears the cobwebs from Kant. Philosophy has had a public relations problem for a few centuries now. This series aims to change that, showing that philosophy is relevant to your life—and not just for answering the big questions like “To be or not to be?” but for answering the little questions: “To watch or not to watch South Park?” Thinking deeply about TV, movies, and music doesn’t make you a “complete idiot.” In fact it might make you a philosopher, someone who believes the unexamined life is not worth living and the unexamined cartoon is not worth watching. Edited by Robert Arp Edited by William Irwin Edited by J. Jeremy Wisnewski Edited by Jason Holt Edited by Sharon M. Kaye Edited by Jennifer Hart Weed, Richard Davis, and Ronald Weed BATTLESTAR GALACTICA AND PHILOSOPHY:Knowledge Here Begins Out There Edited by Jason T. Eberl Forthcoming the office and philosophy: scenes from the unexamined life Edited by J. Jeremy Wisnewski BATTLESTAR GA LACTICA AND PHILOSOPHY KNOWLEDGE HERE BEGINS OUT THERE EDITED BY JASON T. EBERL © 2008 by Blackwell Publishing Ltd blackwell publishing 350 Main Street, Malden, MA 02148–5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Jason T. Eberl to be identified as the author of the editorial material in this work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988.
    [Show full text]
  • Downloaded,” and Galen Tryol Has a Son, Nicholas, with His Human Wife, Cally, When the Couple Lives on the Planet New Caprica
    DISTRIBUTION AGREEMENT In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in who or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation ____________________________________ July 16, 2014__________ Sarah Toton Date From Mechanical Men to Cybernetic Skin-Jobs: A History of Robots in American Popular Culture By Sarah Toton Doctor of Philosophy Graduate Institute of the Liberal Arts ________________________________________________ Cristine Levenduski, Ph.D. Co-Chair ________________________________________________ Kevin Corrigan, Ph.D. Co-Chair ________________________________________________ Ted Friedman, Ph.D. Outside Co-Chair ________________________________________________ Karla Oeler, Ph.D. Committee Member Accepted: ________________________________________________ Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies _______________________ Date ! From Mechanical Men to Cybernetic Skin-Jobs: A History of Robots in American Popular Culture
    [Show full text]
  • And Battlestar Galactica (2003)
    Evil, Dangerous, and Just Like Us: Androids and Cylons in Do Androids Dream of Electric Sheep? (1968) and Battlestar Galactica (2003) A Project Submitted to the College of Graduate Studies and Research in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Department of English University of Saskatchewan Saskatoon By Chelsea Catherine Cox © Copyright Chelsea Catherine Cox, September 2011. All Rights Reserved. PERMISSION TO USE In presenting this project in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for the copying of this project in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my project work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this project or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my project. Requests for permission to copy or to make other uses of materials in this project in whole or part should be addressed to: Head of the Department of English University of Saskatchewan 9 Campus Drive Saskatoon, Saskatchewan S7N 5A5 Canada OR Dean College of Graduate Studies and Research University of Saskatchewan 107 Administration Place Saskatoon, Saskatchewan S7N 5A2 Canada i ABSTRACT The nature of humanity and what it means to be human has long been the focus of science fiction writers in all media.
    [Show full text]
  • Battlestar Galactica Rules Summary And
    The Esoteric Order of Gamers www.orderofgamers.com High quality materials for the dedicated devotee of immersive, thematic tabletop games. Game rules summaries, foamcore box plans, articles, interviews, reviews, videos, tutorials, forums – and lots more. @EOGamers gplus.to/EOGamers facebook.com/EOGamers EsotericOrderGamers v4.4 Jul 2015 Game: BATTLESTAR GALACTICA Publisher: Fantasy Flight Games (2008) Page 1: Rules summary front Page 2: Rules summary back Page 3: Player reference front x2 Page 4: Player reference back x2 Page 5: Pegasus rules summary front Page 6: Pegasus rules summary back Page 7: Exodus rules summary front Page 8: Exodus rules summary back Page 9: Exodus play reference x2 Page 10: Daybreak rules summary front Page 11: Daybreak rules summary back Page 12: Daybreak play reference x2 Page 13: Combining Expansions summary Page 14: Revised Lines of Succession x2 Print on card (ensure you are printing at 100% scale) laminate and trim to size. These sheets are intended only for the personal use of existing owners of the game for additional reference. Universal Head makes no claim whatsoever to the rights of the publisher and copyright holder, and does not benefit financially from these player aids. Artwork from the original game is copyrighted by the publisher and used without permission. This PDF may not be re-posted online, sold or used in any way except for personal use. GAME TURN TITLE CARDS Some allow a player to repair vipers and Galactica locations. Players take complete turns, starting with the first player and The President can draw Quorum cards using the President Title If you have more than 10 Skill cards in hand (not including proceeding clockwise.
    [Show full text]
  • Battlestar Galactica: Season Three Checklist
    Battlestar Galactica: Season Three Checklist Base Cards # Card Title [ ] 01 Title Card/Checklist [ ] 02 Title Card/Checklist [ ] 03 Title Card/Checklist [ ] 04 Occupation [ ] 05 Occupation [ ] 06 Occupation [ ] 07 Precipice [ ] 08 Precipice [ ] 09 Precipice [ ] 10 Exodus: Part 1 [ ] 11 Exodus: Part 1 [ ] 12 Exodus: Part 1 [ ] 13 Exodus: Part 2 [ ] 14 Exodus: Part 2 [ ] 15 Exodus: Part 2 [ ] 16 Collaborators [ ] 17 Collaborators [ ] 18 Collaborators [ ] 19 Torn [ ] 20 Torn [ ] 21 Torn [ ] 22 A Measure of Salvation [ ] 23 A Measure of Salvation [ ] 24 A Measure of Salvation [ ] 25 Hero [ ] 26 Hero [ ] 27 Hero [ ] 28 Unfinished Business [ ] 29 Unfinished Business [ ] 30 Unfinished Business [ ] 31 The Passage [ ] 32 The Passage [ ] 33 The Passage [ ] 34 The Eye of Jupiter [ ] 35 The Eye of Jupiter [ ] 36 The Eye of Jupiter [ ] 37 Rapture [ ] 38 Rapture [ ] 39 Rapture [ ] 40 Taking a Break from All Your Worries [ ] 41 Taking a Break from All Your Worries [ ] 42 Taking a Break from All Your Worries [ ] 43 The Woman King [ ] 44 The Woman King [ ] 45 The Woman King [ ] 46 A Day in the Life [ ] 47 A Day in the Life [ ] 48 A Day in the Life [ ] 49 Dirty Hands [ ] 50 Dirty Hands [ ] 51 Dirty Hands [ ] 52 Maelstrom [ ] 53 Maelstrom [ ] 54 Maelstrom [ ] 55 The Son Also Rises [ ] 56 The Son Also Rises [ ] 57 The Son Also Rises [ ] 58 Crossroads: Part 1 [ ] 59 Crossroads: Part 1 [ ] 60 Crossroads: Part 1 [ ] 61 Crossroads: Part 2 [ ] 62 Crossroads: Part 2 [ ] 63 Crossroads: Part 2 Significant Seven (1:8 Packs) # Card Title [ ] SS1 Brother Cavil [ ]
    [Show full text]
  • Battlestar Galactica Rewatch Plan
    The "Tigh" Manuever Ep Per Week Episode Title Ep. # Series Timeline Week of April 6th 4 Mini-series Part 1 1 Mini-series Mini-series Part 2 2 Mini-series "33" 1 Season One "Water" 2 Season One Week of April 13th 3 "Bastille Day" 3 Season One "Act of Contrition" 4 Season One "You Can't Go Home Again" 5 Season One Week of April 20th 3 "Litmus" 6 Season One "Six Degrees of Separation" 7 Season One "Flesh and Bone 8 Season One Week of April 27th 3 "Tigh Me Up, Tigh Me Down" 9 Season One "The Hand of God" 10 Season One "Colonial Day" 11 Season One Week of May 4th 3 "Kobol's Last Gleaming" (Part 1) 12 Season One "Kobol's Last Gleaming" (Part 2) 13 Season One "Scattered" 1 Season Two Week of May 11th 3 "Valley of Darkness" 2 Season Two "Fragged" 3 Season Two "Resistance" 4 Season Two Week of May 18th 3 "The Farm" 5 Season Two "Home" (Part 1) 6 Season Two "Home" (Part 2) 7 Season Two Week of May 25th 2 "Final Cut" 8 Season Two "Flight of the Phoenix" 9 Season Two Week of June 1st 3 "Pegasus" 10 Season Two "Resurrection Ship" Part 1 11 Season Two "Resurrection Ship" Part 2 12 Season Two Week of June 8th 3 "Epiphanies" 13 Season Two "Black Market" 14 Season Two "Scar" 15 Season Two Week of June 15th 3 "Sacrifice" 16 Season Two "The Captain's Hand" 17 Season Two "Downloaded" 18 Season Two Week of June 22nd 2 "Lay Down Your Burdens" (Part 1) 19 Season Two "Lay Down Your Burdens" (Part 2) 20 Season Two The Resistance webisodes Optional Week of June 29th 2 "Occupation" 1 Season Three "Precipice" 2 Season Three Week of July 6th 3 "Exodus" (Part 1) 3
    [Show full text]
  • Umeå University
    Umeå University This is an accepted version of a paper published in Extrapolation. This paper has been peer-reviewed but does not include the final publisher proof-corrections or journal pagination. Citation for the published paper: Leavenworth, V. (2012) "Utopia, Relationality and Ecology: Resurrecting the Natural in Battlestar Galactica" Extrapolation, 53(1): 61-81 URL: http://dx.doi.org/10.3828/extr.2012.5 Access to the published version may require subscription. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-54048 http://umu.diva-portal.org 1 Utopia, Relationality and Ecology: Resurrecting the Natural in Battlestar Galactica1 Van Leavenworth The re-imagined television series Battlestar Galactica features few natural environments and Earth is only a half-conceived idea in the human characters’ minds for the bulk of the narrative. However, in this article I examine how the dream of Earth supports belief in an ideological boundary between humans and Cylons and, simultaneously, how affective relationships between humans and humanoid Cylons increasingly function to subvert the foundation of this boundary. Within the context of these conflicts, which I examine from an ecological perspective, I demonstrate how the discovery of a utopian Earth resurrects an ideological distinction between organic humans and “artificial” Cylons. There are two interrelated conceits in the re-imagined television series Battlestar Galactica (BSG) that are the foundation for its popular and critical appeal. The first is the ongoing conflict between humanity and the Cylons that makes even mundane events implicitly a matter of surviving until a better future. The second is the series’ ambivalent presentation of the humanoid Cylons.
    [Show full text]
  • Battlestar Galactica: the Board Game – Exodus Expansion Rulebook
    Humanity has escaped from the Cylons and renewed its • 110 Large Cards consisting of quest for the legendary planet Earth. But their former captors – 40 Crisis Cards will never relent. For the human race to survive, the mighty Battlestar Galactica must protect the handful of ships – 35 Ally Cards carrying humanity on their journey through space. – 20 Loyalty Cards – 7 Crossroads Cards And yet, even if the men and women who serve on Galactica – 3 Quorum Cards can elude the Cylons, can they outrun their own flaws? When put to the test, will they be able to overcome their own painful – 3 Super Crisis Cards secrets and stand together against their enemies? What if – 1 CAG Title Card one of these individuals were to discover that his memories – 1 Alternate Admiral Title Card of a human life were a lie, and that he was instead one of the mysterious final five Cylon models? • 28 Small Cards consisting of – 4 Leadership Skill Cards – 4 Tactics Skill Cards Expansion – 4 Politics Skill Cards Overview – 4 Piloting Skill Cards With the Exodus expansion for Battlestar Galactica: The – 4 Engineering Skill Cards Board Game, players can make decisions based on the – 7 Destination Cards conflicted loyalties of their characters, face tenacious attacks – 1 Ionian Nebula Objective Card by the Cylon Fleet, encounter allies on Galactica and Colonial One, and potentially undergo an unforgettable trial. • 8 Plastic Ships consisting of – 4 Viper Mark VIIs The new characters, Quorum, Destination, and Skill Cards – 4 Cylon Raiders included in this expansion, as well as most of the new Crisis and Super Crisis Cards, are designed to be used every time • 4 Plastic Character Stands players use the Exodus expansion.
    [Show full text]
  • Your Most Personal Book. CERANDOR
    Your Most Personal Book. CERANDOR 2 Contents 1 2008 7 1.1 January . 7 1.1.1 Farewell to All That (2008-01-01 15:00) .................. 7 1.1.2 The Days to Come (2008-01-03 14:28) ................... 8 1.1.3 I Am Unimpressed (2008-01-04 10:47) ................... 9 1.1.4 The Joy of Editing (2008-01-08 14:28) ................... 11 1.1.5 Unwarranted Speculation (2008-01-11 23:17) . 11 1.1.6 So How’d I Do? (2008-01-16 12:30) ..................... 13 1.1.7 Making Up For Lost Time (2008-01-20 23:59) . 15 1.1.8 Temporal Displacement (2008-01-25 10:20) . 16 1.1.9 Rewrites (2008-01-31 00:09) ......................... 17 1.2 February . 18 1.2.1 Catching Up With Myself (2008-02-06 23:47) . 18 1.2.2 Mr Crankypants (2008-02-10 22:06) .................... 19 1.2.3 What Happens When the Lights Go Out? (2008-02-12 13:43) . 20 1.2.4 Credibility Gap (2008-02-15 12:51) ..................... 20 1.2.5 On the Merits of Scaring Small Children (2008-02-18 16:43) . 21 1.2.6 Public Transport Pleasure (2008-02-20 23:20) . 22 1.2.7 TV’s Next Generation (2008-02-21 23:15) . 23 1.2.8 Internet Issues (2008-02-26 23:24) ..................... 24 1.2.9 iPhone in iReland (2008-02-28 15:03) ................... 25 1.3 March . 27 1.3.1 This is How Hollywood Works (2008-03-06 10:01) .
    [Show full text]
  • “Occupation” Full Collated May 11, 2006 Written By
    “Occupation” Full Collated May 11, 2006 Written by Ronald D. Moore Season 3 / Episode #1 301-03001 BATTLESTAR GALACTICA "OCCUPATION" Episode #301 - 03001 Written by Ronald D. Moore Full Collated May 11, 2006 EXECUTIVE PRODUCERS: Ronald D. Moore David Eick CO-EXEC PRODUCERS: Mark Verheiden M ichael Angeli SUPERVISING PRODUCERS: Harvey Frand M ichael Taylor PRODUCERS: Bradley Thompson David Weddle DIRECTOR: Sergio Mimica-Gezzan Copyright 2006 GEP Production Inc. ALL RIGHTS RESERVED. NOT TO BE DUPLICATED WITHOUT PERMISSION. This material is the property of GEP Productions Inc. and is intended solely for use by its personnel. The sale, copying, reproduction or exploitation of this material in any form is also prohibited. Distribution or disclosure of the material to unauthorized persons is also prohibited. BATTLESTAR GALACTICA "OCCUPATION" Episode #301 - 03001 REVIS ION HIS TORY DATE COLOR PAGES 4/1/06 White 1-49 4/6/06 Blue Revisions 4, 5, 6, 7, 9, 12, 17, 18, 26, 29, 30, 31, 32, 33, 35, 36, 42, 43, 44, 46 4/8/06 Full Pink 1-49 4/11/06 Yellow Revisions 34, 39 4/12/06 Green Revisions 9, 9A, 17A, 48 4/19/06 2nd White Revisions 49 4/20/06 2nd Blue Revisions 29, 30-31 5/3/06 2nd Pink Revisions 22, 22A BATTLESTAR GALACTICA "OCCUPATION" Episode #301 - 03001 Full Collated 5/11/06 CAST Commander William Adama President Laura Roslin Capt Lee Adama Lt Kara Thrace Col Saul Tigh Gaius Baltar Lt Sharon Valerii Number Six Chief Galen Tyrol Lt Karl 'Helo' Agathon Felix Gaeta Dualla Cally Ellen Tigh Dr.
    [Show full text]