Sekigahara 1600. Illustrationby Angus McBride,from Elite23-TheSamurai,© Osprey PublishingLtd.www.ospreypublishing.com Painting your Sengoku-era Warriors tips and tricks ForP ainting your By JasonBuyaki

Highlight BleachedBone Rice rations: Grey/Skull White (50/50) Pants/shirt: HighlightShadow Skin: HighlightDwarfFlesh Armor: ChaosBlack Rice rations:BleachedBone Pants/shirt: ShadowGrey Skin: DwarfFlesh Boltgun Metal Brown/Bleached Bone(50/50) Spear Shaft:HighlightBestial Skull White (75/25) Skin: HighlightDwarfFlesh/ Painting a Tokugawa Ashigaru T ip/ T ang: 5 3 1 Lacing onwrists/ankles/calves would makeanice Shadow Grey(Skull White contrast color) Helmet Strap Mustache: ChaosBlack Brown/Bleached Bone(50/50) Scabbard: HighlightScorched Highlight Skull White Helm cloth/belt Black/Shadow Grey(50/50) Armor: HighlightwithChaos Scabbard: ScorchedBrown Spear Shaft:BestialBrown Helm cloth/belt : FortressGrey : : FortressGrey

: Highlight Skull White Rice rations: Skull White (75/25) Skin: HighlightDwarfFlesh/ Vermin Brown Rice rations: Wash with Grey/Skull White (75/25) Pants/shirt: HighlightShadow Skin: Wash w/Vermin Brown Helmet Strap Gray/Chaos Black(50/50) Mustache: HighlightCodex Spear T ip/T ang: MithrilSilver : Skull White All paintsare from theCitadelColour, Note: Modelsinthisarticleare from Perry Miniatures’ Ageof Wars range. Foundation, andWash ranges. GF9 rangeofHobby Scenics. 6 4 2 Basing materialis from the by alayerofBestialBrown thinned ChaosBlackfollowed Sandals: Blacklinewith Brown/Bleached Bone(75/25) Spear Shaft:HighlightBestial Brown/Bleached Bone(75/25) Scabbard: HighlightScorched FG/Skull White (50/50) Helm cloth/belt Black/Shadow Grey(75/25) Armor: HighlightChaos Lacing onwrists/ankles/calves Chaos Black and finallyaverticalstripof horizontal stripofSkull White, thinned ChaosBlack,a Eyes: Painteyeareawith Skull White (50/50) Highlight ShadowGrey/ : Highlight

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Napoleonic Wars 1803-1815 the lacingonmodel. of lacinginadifferent colorthanmostof by paintingoneofthehorizontalsections color. The armorcanbecomemoreornate Then Ipaintthelacingwithmychosen carefully linetheedgesoflacing. the segmentsofarmorplatesand of blackpainthorizontallytoclarify After highlightingIpaintathinnedlayer highlight theplateswithchosencolor. momentarily ignorethelacingand be dauntingtopaintbutitisbest black, brown,andredappearsto majority ofSamuraiarmoriscolored on mostSamuraimodels. The vast components thatwillneedtobepainted Armor platesandlacingarethekey different, addingalotofcharacter. creates depthandissomethingalittle pattern ontheclothingofthiswarrior by Aarom Loomis. The simplestriped The Samuraionthefarrightwaspainted pattern andhisredpants. create morecontrastbetweentheflower applying Golden Yellow toallthedots Brown, surroundedby5petals,the by firstapplyingacentraldotofBubonic I’ve appliedaflowerpatternto Tokugawa in streetclothinghere. fast andeasytoapply, asontheSamurai detailing clothing.Simpledotpatternsare effort. Thinned paintsareessentialwhen that bestresultsfortheleastamountof geometric shapesontoclothingyields I’ve foundthatpaintingonsimple The LastSamurai,amongcountlessothers. highlighted insuccessive layersofthinnedSunburst Yellow. the sashimonowaspaintedfirst withBubonicBrownandthen Green withCamomixedin forhighlights. The monon the colorbackup. The pantswerepaintedwithCatachan Once dry, successivelayersofBloodRedwereusedtobuild Red andwashedwithamixofBlood Red/ChaosBlack(75/25). The redarmor, ,and strapswerepaintedwithBlood Bleached Bonemixedinforhighlights Yellow, andthesaddlepaintedwithBestialBrown blanket waspaintedinLichePurple,thetrimSunburst with amixofChaosBlackandFortressGrey. The saddle 25/75. The maneandtailwerepaintedblackhighlighted followed byahighlightmixof50/50,andfinallyratio with amixtureofScorchedBrown/BestialBrown(75/25), The horsewasbasecoatedwithScorchedBrownandhighlight draw inspirationfromsuchasthe“classics” series ofbookswithfantasticcolorplates. There arealsoalarge numberofgreatfilmsthatyoucanuseto researching Samuraihistory, tryingtoabsorbasmuchinformationIcould.OspreyPublishinghasagreat a seriesofskirmishwargames. After purchasinganumberofmodelsfromPerryMiniatures,Ibegan For quitesometime,I’vebeeninterestedinbuildingasmallforceofopposingSamuraimodelstoplay Painting Armor Samurai Samurai CavalrySamurai Painting cloth patterns Painting Samurai

Seven Samurai,HeavenandEarth , Zatoichi , Ranandeven Tokugawa Ieyasu,onallofhisflags used by Aoki Shigekane,whoserved representation ofMountFujithatwas The sashimonoonthefarrightisa square, andbroadenthedotsintoacircle. extend thelinespastcornersof I widenthelinestoformasquareand grey sashimonotobemyguide. Then series ofevenlyspacedotsontheblue- of asquareonthered White andcarefullytracedoutanoutline to dry. I’veusedthinneddownSkull quickly beforethepainthashadachance layers. Any mistakescanbewipedaway and buildupthedesignwithmultiple designs, Ialwaysthindownmypaints When paintinganykindoffreehand (icons) aresimplegeometricdesigns. individual, unit,orarmy. Mostofthemon to thebackofacuirassidentifyan narrow flagsthataremostoftenattached displayed onthe identify anindividualorfamilythatare The monaretheheraldryemblemsthat are thousandsofcataloguedexamples. elements ofmedievalJapanandthere Samurai Heraldyisoneofthemostvivid on theprevious spread. McBride artworkfeatured and clothingtothe Angus for thedistinctivearmor matching thecolorscheme set from thePerry’s, up theT Right: Jasonhaspainted Jason’s forces growing samurai Painting Heraldry okugawa Ieyasu sashimono, thetall, sashimono anda amount ofred. a considerable tabletop wearing will taketothe opposing force “loyalists”, Jason’s to hisT a strong contrast Left: T o provide okugawa

variety ofweapontypes. Jason planstofielda T of warriorsloyalto start ofJason’s force uniforms, are the in theirblue-grey Above: These Ashigaru. okugawa Ieyasu.

Napoleonic Wars 1803-1815