The Bulletin Debate Poems
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History Walk
History Walk HENRY LAWSON’S already a highly urbanised nation by the time the colonies Federated in 1901. The ‘Legend of the NORTH SYDNEY Bush’ had great resonance in the city. A walking tour from McMahons And yet Lawson, too, spent much of his time in Point to Balls Head Sydney – and North Sydney. He lived in numerous dwellings between 1885, when he Distance: Approx. 3 Km stayed with Mrs Emma Brooks in East Crescent Approximate time: 2.5 hours Street, and 1920. You will pass by some of his Grading: High (there are residences on this walk. Other dwellings and several sets of places of significance include: Strathmere, Lord steep inclines and Street in 1899; rooms above the Coffee Palace stairs to negotiate) in Miller Street run by Mrs Isabel Byers who would care for Lawson for many years after this; Chaplin Cottage, Charles Street where Lawson’s second child Bertha was born in 1900; and Dind’s Hotel at the bottom of Alfred Street Milsons Point – the subject of the very funny poem ‘Dinds Hotel’ – … We hurried out of Campbell Street, and round to Dind’s hotel Where after two long beers apiece, we found the world “orright”… Curiously while Australia’s rural landscape was being well-interpreted and mythologised in poetry and prose, the communities around Sydney’s by-then famous Harbour were rarely explored in writing. Lawson’s portraits of life near Henry Lawson, c.1910. North Sydney Heritage the North Sydney waterfront are among the most Centre Collection/ Stanton Library, PF592/6 intimate and rare portrayals of ‘harbour people’ written. -
Public Place Names (Lawson) Determination 2013 (No 1)
Australian Capital Territory Public Place Names (Lawson) Determination 2013 (No 1) Disallowable instrument DI2013-228 made under the Public Place Names Act 1989 — section 3 (Minister to determine names) I DETERMINE the names of the public places that are Territory land as specified in the attached schedule and as indicated on the associated plan. Ben Ponton Delegate of the Minister 04 September 2013 Page 1 of 7 Public Place Names (Lawson) Determination 2013 (No 1) Authorised by the ACT Parliamentary Counsel—also accessible at www.legislation.act.gov.au SCHEDULE Public Place Names (Lawson) Determination 2013 (No 1) Division of Lawson: Henry Lawson’s Australia NAME ORIGIN SIGNIFICANCE Bellbird Loop Crested Bellbird ‘Bellbird’ is a name given in Australia to two endemic (Oreoica gutturalis) species of birds, the Crested Bellbird and the Bell-Miner. The distinctive call of the birds suggests Bell- Miner the chiming of a bell. Henry Kendall’s poem Bell Birds (Manorina was first published in Leaves from Australian Forests in melanophrys) 1869: And, softer than slumber, and sweeter than singing, The notes of the bell-birds are running and ringing. The silver-voiced bell-birds, the darlings of day-time! They sing in September their songs of the May-time; Billabong Street Word A ‘billabong’ is a pool or lagoon left behind in a river or in a branch of a river when the water flow ceases. The Billabong word is believed to have derived from the Indigenous Wiradjuri language from south-western New South Wales. The word occurs frequently in Australian folk songs, ballads, poetry and fiction. -
Whatever Season Reigns
Whatever Season Reigns... Reflection Statement 24 Whatever Season Reigns... 25 In primary school I discovered “Land of the Rainbow Gold”, a collection of Classic Australian Bush Poetry compiled by Mildred M Fowler. As a child growing up in the homogenised landscape of suburban Australia I was captured by the romantic notion of Australia’s bush heritage. It was a national identity seeded in our rural beginnings; and much like Banjo Patterson wistful musings I always rather fancied I’d like to “change with Clancy, like to take a turn at droving where the seasons come and go”1; Many seasons later I returned to these poems for inspiration for my major work “Whatever Season Reigns...”2 On revisiting the works of writers such as Paterson and Lawson I was struck with how little I actually shared with these voices that were deemed to have forged Australia’s “literary legend” and our national identity3. The Australian narrative was one shaped by male experiences. There was no room for women. Only the token “drovers wife”4 or “army lass”5 proved anomalous to the trend but were not afforded the same complexity as their male counterparts. According to Kijas “Despite their invisibility in much nationalist and historical narrative, women in their diversity have been active historical protagonists across outback landscapes.” 6My work, appropriating the short 1 Paterson, AB. “Clancy of The Overflow.” Land Of The Rainbow Gold. Ed. Fowler, Mildred M. Melbourne: Thomas Nelson, 1967. Print. 2 Moore, JS. (1864) Spring Life - Lyrics. Sydney: Reading and Wellbank. 3 Simon, C. (2014). Banjo Paterson: is he still the bard of the bush?. -
Henry Lawson and the Salvation Army – Stuart Devenish
Vol. 2 No. 1 (November 2009) Henry Lawson and the Salvation Army – Stuart Devenish. On February 19, 2009 Salvation Army Major Bob Broadbere (retired) presented a lecture entitled 'Henry Lawson and his place in Salvation Army History' to an audience of approximately 70 people, mainly Salvation Army officers and soldiers at the Salvation Army’s Booth College campus at Bexley North, Sydney. The connection between Lawson and the Salvation Army has held an enduring fascination for Broadbere who has amassed a comprehensive personal library on Henry Lawson and his association with the Salvation Army. Having corresponded with the late Prof. Colin Roderick (editor of the 3 volume Henry Lawson, Collected Verse, A & R, Sydney, 1966-8) Broadbere is something of a specialist in the field. His interest in Henry Lawson sprang to life when Broadbere himself lived and worked in the St Leonards-North Sydney areas where Lawson had lived. Permission was obtained from Major Bob Broadbere to reproduce here some of his research as presented in his lecture. The ‘Army’ in Lawson’s Poetry The connection between Henry Lawson and the Salvation Army remains largely unknown in any of the contexts relevant to it, e.g., the Salvation Army, the Christian community, or the wider Australian population. In part this is because writers such as Banjo Paterson and Henry Lawson are not so well known nor so carefully read as they once were. Our understanding of the connection between Lawson and the Salvation Army is not helped by the oblique nature of Lawson’s writing about the Army. According to private correspondence between Roderick and Broadbere, Lawson never threw himself on the mercies of the Army despite his alcoholism and illness later in life. -
La Trobe University Margaret Hickey a Return to the Land
Hickey A return to the land La Trobe University Margaret Hickey A return to the land Abstract: In his 2002 Australia Day address, author and ecologist Tim Flannery said Australians could only become a 'true people' by developing 'deep, sustaining roots in the land'. He said the land was 'the only thing that we all, uniquely, share in common. It is at once our inheritance, our sustenance, and the only force ubiquitous and powerful enough to craft a truly Australian people.' This paper will explore how landscape in Australian literature has moved from being a source of anxiety and distrust into one of redemption. By examining themes within the popular novels Dirt Music (2001) by Tim Winton, The Broken Shore (2005) by Peter Temple, The World Beneath (2009) by Cate Kennedy and referencing early writers Barbara Baynton and Henry Lawson, I will discuss how this shift is taking place and what it means for the rediscovery of Australian literature through the lens of landscape and Flannery’s vision. Biographical note: Margaret Hickey is a lecturer in Student learning at La Trobe University. She is currently undertaking a PhD in Creative Writing. A published playwright, Margaret’s work has been performed in Australia and overseas. Keywords: Australian literature – landscape – Flannery – Winton – Lawson – Kennedy – Baynton Writing the Ghost Train: Refereed conference papers of the 20th Annual AAWP Conference, 2015 1 Hickey A return to the land In 1790 Watkin Tench, first officer with the first fleet and a member of the fledging British colony wrote of his experience in Sydney: Here on the summit of the hill, every morning from daylight until sun sunk, did we sweep the horizon in hope of seeing a sail. -
Jim Grahame – Henry Lawson
50 JIM GRAHAME Henry Lawson The following memoir of Henry Lawson was written by his friend, Jim Grahame (Jim Gordon), shortly after Lawson’s death in Sydney in September 1922. The version published here is held in the Cyril Goode Papers in State Library Victoria and is one of three memoirs of Lawson by Grahame. The text has been transcribed by John Barnes. I first met him in the main street of Bourke. I was lonely, and somewhat frightened and home sick, and he was alone pacing the footpath up one side and down the other. I watched him for a while, he seemed different to all the others, busy tradesmen or bush town loafer[s]: and after following the full length of the square I met him as he turned to retrace his steps. I said ‘Good day mate’ and he looked up suddenly and had in his face the look of one who was embarrassed at being caught day dreaming. After a searching look at me, he replied ‘Hello have you been shanghaied too?’ and chuckled softly. I guessed that it was my untanned skin, heavy winter clothing, and light laced up boots, that gave him his cue. After I had explained to him that I was looking for a job and that I had little or no money he said [‘]There are a couple of us camped in a place just across the billabong [,] there’s room for you if you care to come.[’] I did care to go, and that was the friendship that lasted a life time – As we were passing a grocery store I went in and bought some tinned food and half a loaf of bread. -
The Light from the Southern Cross’
A REPORT AND RECOMMENDATIONS ON THE GOVERNANCE AND MANAGEMENT OF DIOCESES AND PARISHES IN THE CATHOLIC CHURCH IN AUSTRALIA IMPLEMENTATION ADVISORY GROUP AND THE GOVERNANCE REVIEW PROJECT TEAM REVIEW OF GOVERNANCE AND MANAGEMENT OF DIOCESES AND PARISHES REPORT – STRICTLY CONFIDENTIAL Let us be bold, be it daylight or night for us - The Catholic Church in Australia has been one of the epicentres Fling out the flag of the Southern Cross! of the sex abuse crisis in the global Church. But the Church in Let us be fırm – with our God and our right for us, Australia is also trying to fınd a path through and out of this crisis Under the flag of the Southern Cross! in ways that reflects the needs of the society in which it lives. Flag of the Southern Cross, Henry Lawson, 1887 The Catholic tradition holds that the Holy Spirit guides all into the truth. In its search for the path of truth, the Church in Australia And those who are wise shall shine like the brightness seeks to be guided by the light of the Holy Spirit; a light symbolised of the sky above; and those who turn many to righteousness, by the great Constellation of the Southern Cross. That path and like the stars forever and ever. light offers a comprehensive approach to governance issues raised Daniel, 12:3 by the abuse crisis and the broader need for cultural change. The Southern Cross features heavily in the Dreamtime stories This report outlines, for Australia, a way to discern a synodal that hold much of the cultural tradition of Indigenous Australians path: a new praxis (practice) of church governance. -
A Critical Biography of Henry Lawson
'From Mudgee Hills to London Town': A Critical Biography of Henry Lawson On 23 April 1900, at his studio in New Zealand Chambers, Collins Street, Melbourne, John Longstaff began another commissioned portrait. Since his return from Europe in the mid-1890s, when he had found his native Victoria suffering a severe depression, such commissions had provided him with the mainstay to support his young family. While abroad he had studied in the same Parisian atelier as Toulouse Lautrec and a younger Australian, Charles Conder. He had acquired an interest in the new 'plein air' impressionism from another Australian, Charles Russell, and he had been hung regularly in the Salon and also in the British Academy. Yet the successful career and stimulating opportunities Longstaff could have assumed if he had remained in Europe eluded him on his return to his own country. At first he had moved out to Heidelberg, but the famous figures of the local 'plein air' school, like Tom Roberts and Arthur Streeton, had been drawn to Sydney during the depression. Longstaff now lived at respectable Brighton, and while he had painted some canvases that caught the texture and tonality of Australian life-most memorably his study of the bushfires in Gippsland in 1893-local dignitaries were his more usual subjects. This commission, though, was unusual. It had come from J. F. Archibald, editor of the not fully respectable Sydney weekly, the Bulletin, and it was to paint not another Lord Mayor or Chief Justice, First published as the introduction to Brian Kiernan, ed., The Essential Henry Lawson (Currey O'Neil, Kew, Vic., 1982). -
The Collected Verse of A.B. Paterson : Containing the Man from Snowy
The Collected Verse of A.B. ^^ Banjo^^ Paterson First published in 1921, The Collected Verse of A. B. Paterson has won and held a large and varied audience. Since the appearance of The Man from Snoiuy River in 1895, bushman and city dweller alike have made immediate response to the swinging rhythms of these inimitable tales in verse, tales that reflect the essential Australia. The bush ballad, brought to its perfection by Paterson, is the most characteristic feature of Australian literature. Even Gordon produced no better racing verse than "The Ama- teur Rider"' and "Old Pardon, the Son of Reprieve"; nor has the humour of "A Bush Christening" or "The Man from Ironbark" yet been out- shone. With their simplicity of form and flowing movement, their adventu- rous sparkle and careless vigour, Paterson's ballads stand for some- thing authentic and infinitely preci- ous in the Australian tradition. They stand for a cheerful and carefree attitude, a courageous sincerity that apart from is all too rare today. And, the humour and lifelikeness and ex- citement of his verse, Paterson sees kRNS and feels the beauty of the Australian landscape and interprets it so sponta- neously that no effort of art is ap- parent. In this he is the poet as well as the story-teller in verse. With their tales of bush life and adventure, their humour and irony "Banjo" Paterson's ballads are as fresh today as they ever were. (CoiUinued on back flap) "^il^ \v> C/H-tAM ) l/^c^ TUFTS UNIVERSITY LIBRARIES nil 3 9090 014 556 118 THE COLLECTED VERSE of A. -
The Man from Snowy River and Other Verses
The Man From Snowy River and Other Verses Paterson, Andrew Barton (1864-1941) University of Sydney Library Sydney 1997 http://setis.library.usyd.edu.au/ © Copyright for this electronic version of the text belongs to the University of Sydney Library. The texts and Images are not to be used for commercial purposes without permission Source Text: The Man From Snowy River and Other Verses Andrew Barton Paterson Angus and Robertson Sydney 1917 Includes a preface by Rolf Boldrewood Scanned text file available at Project Gutenberg, prepared by Alan R.Light. Encoding of the text file at was prepared against first edition of 1896, including page references and other features of that work. All quotation marks retained as data. All unambiguous end-of-line hyphens have been removed, and the trailing part of a word has been joined to the preceding line. Author First Published 1895 Australian Etexts 1910-1939 poetry verse Portrait photograph: A.B. Paterson Preface Rolf Boldrewood It is not so easy to write ballads descriptive of the bushland of Australia as on light consideration would appear. Reasonably good verse on the subject has been supplied in sufficient quantity. But the maker of folksongs for our newborn nation requires a somewhat rare combination of gifts and experiences. Dowered with the poet's heart, he must yet have passed his ‘wander-jaehre’ amid the stern solitude of the Austral waste — must have ridden the race in the back-block township, guided the reckless stock-horse adown the mountain spur, and followed the night- long moving, spectral-seeming herd ‘in the droving days’. -
'Banjo' Paterson and an Irish Racing Connection
Australia’s Bard, ‘Banjo’ Paterson and an Irish Racing Connection By James Robinson M. Phil. Andrew Barton Paterson, through his writings, has come to symbolize the Australian outback. His poetry, ballads and novels reflect the spirit of rural Australia. The vast distances, the harsh climate and the beauty of the landscape are the background to his stories, which invariably reference horses. Paterson’s characters never give in, but endure with stoic determination and laconic humour to survive and often succeed. Banjo Paterson loved horses and horseracing and was himself an accomplished horseman and student of horse breeding. His best known works include ‘The Man from Snowy River’, ‘Clancy of the Overflow’ and inevitably ‘Waltzing Matilda’. The latter is known worldwide as the unofficial anthem of Australia. This paper references his life and times and an Irish racing connection - The Kennedys of Bishopscourt, Kill, Co. Kildare. Born on February 17 1864 at Narrambla, near Orange, New South Wales, A. B. Paterson was the eldest of seven children born to Andrew Bogle Paterson (1833-1889), a Scottish migrant who married Rose Isabella Barton (1844-1903), a native born Australian. ‘Barty’, as he was known to family and friends, enjoyed a bush upbringing. When he was seven, the family moved to Illalong in the Lachlan district. There, the family took over a farm on the death of his uncle, John Paterson, who had married his mother’s sister, Emily Susanna Barton. Here, near the main route between Sydney and Melbourne, the young Paterson saw the kaleidoscope of busy rural life. Coaches, drovers, gold escorts and bullock teams together with picnic race meetings and polo matches were experiences which formed the basis for his famous ballads. -
Saltbush Bill, JP, and Other Verses</H1>
Saltbush Bill, J.P., and Other Verses Saltbush Bill, J.P., and Other Verses Saltbush Bill, J.P., and Other Verses By A. B. Paterson [Andrew Barton ("Banjo") Paterson, Australian poet & journalist. 1864-1941.] [Note on text: Italicized lines and stanzas are marked by tildes (~). Italicized words or phrases are CAPITALISED. Lines longer than 78 characters are broken and the continuation is indented two spaces. Some obvious errors have been corrected (see Notes).] Saltbush Bill, J.P., and Other Verses By A. B. Paterson Author of "The Man from Snowy River, and Other Verses", "Rio Grande, and Other Verses", and "An Outback Marriage". Note page 1 / 122 Major A. B. Paterson has been on active service in Egypt for the past eighteen months. The publishers feel it incumbent on them to say that only a few of the pieces in this volume have been seen by him in proof; and that he is not responsible for the selection, the arrangement or the title of "Saltbush Bill, J.P., and Other Verses". Table of Contents Song of the Pen Not for the love of women toil we, we of the craft, Song of the Wheat We have sung the song of the droving days, Brumby's Run It lies beyond the Western Pines Saltbush Bill on the Patriarchs Come all you little rouseabouts and climb upon my knee; The Reverend Mullineux I'd reckon his weight at eight-stun-eight, page 2 / 122 The Wisdom of Hafiz My son, if you go to the races to battle with Ikey and Mo, Saltbush Bill, J.P.