Aspen Santa Feballet

TWENTY YEARS OF ASPEN SANTA FE BALLET ASPEN SANTA FE BALLET twentieth anniversary season

Dancing faces you towards Heaven, whichever direction

you turn. – T. Guillemets

Thank you, all. You make our spirits soar.

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ASPEN SANTA FE BALLET FROM THE DIRECTORS THE DATEJUST The archetype of the modern watch has spanned generations since 1945 with its enduring functions and aesthetics. It doesn’t just tell time. It tells history. Dear Friends, If this is your first time seeing Aspen Santa Fe Ballet, welcome! We are thrilled you are here to discover one of America’s foremost contemporary ballet companies. If you are one of our many seasoned fans, we are eternally grateful for your loyal patronage. In addition to hours of rehearsal, talent, passion, and creativity, you are the driving force that makes this performance possible.

It is with tremendous momentum that we are celebrating ASFB’s 20th anniversary. Our long history of creating innovative new work continues this season with our latest choreographic discovery, Cherice Barton. Canadian-born and based in Los Angeles, Barton is pushing our dancers in new directions for her ASFB choreographic debut. We are proud to be the first American dance company to commission this talented choreographer. Also new this year will be a second work by the Brazilian choreographer Fernando Melo, whose strong creative voice continues to gain notoriety in dance and theater circles. Last season’s Re:play –Melo’s first work for ASFB – garnered unanimous critical acclaim around the country.

Aspen Santa Fe Ballet maintains a high profile nationwide and this upcoming touring season is no exception. With performances in 15 cities this year, from Philadelphia to Los Angeles, Miami to New York City, ASFB remains at the forefront of American dance.

Not only do we bring innovative contemporary dance to audiences across the country and the world, The School of Aspen Santa Fe Ballet and Aspen Santa Fe Ballet Folklórico impact the lives of children in our home communities. Over 600 students from Aspen to Rifle and throughout the greater Santa Fe area take advantage of our educational programs and performance opportunities.

We truly appreciate your loyalty and enthusiasm and we thank you for your applause and support over the last two decades. If you are not already a donor, we invite you to join the many individuals and foundations that support ASFB. Your valuable support allows us to continue producing high-quality dance performances while serving as a proud arts ambassador for the cities of Aspen and Santa Fe around the world and changing the lives of children through dance education and outreach at home.

OYSTER PERPETUAL DATEJUST 31

Tom Mossbrucker Jean-Philippe Malaty PHOTO: ROSALIE O’CONNOR

rolex oyster perpetual and datejust are ® trademarks. Cover photo by Rosalie O’Connor 14 | www.aspensantafeballet.com OPEN YEAR- ROUND

aspenartmuseum.org

Admission to the AAM is free courtesy of Amy and John Phelan Admission to the AAM is free courtesy of Amy and John Phelan nadelbachphoto.com

61 Old Santa Fe Trail Santa Fe, NM 87501 505.983.9241 maloufontheplaza.com Online Shopping Now Available ASPEN SANTA FE BALLET ASPEN SANTA FE BALLET PUSHING THE BOUNDARIES OF BALLET ASFB secures its legacy in contemporary dance

Aspen Santa Fe Ballet. Now more than twenty years old. In the lives of some institutions, this is still an upstart. In the dance world, to have made it this long, this far, and especially, this well, is a significant accomplishment. To put the work of this company into perspective, it is useful to consider the audacity it takes to found a ballet company. Or better yet, what does it mean to form a dance company of any kind at all? In the early days of concert dance in the United States, starting a dance company meant creating a place where the artistic vision of a dancer-turned-choreographer could be shared with dancers who were trained in the image of the founder. Isadora ASPEN SANTA FE BALLETDuncan had her Isadorables; Ted Shawn had his Men Dancers; and Martha Graham taught generations of dancers to contract and release. Their dancers typically worked ATwith only thatTWENTY one choreographer, only in that one style. This is markedly different from the way ballet companies were traditionally created in Memories and Arts AdventuresWestern Europe in where the the form was American first developed. Typically, a ballet West company would be housed in a national theater, under the protection of the royal family. Companies like the Royal Swedish Ballet and the Royal Danish Ballet have functioned like this literally for centuries. Here in the United States, ballet companies didn’t have the luxury of royal patronage, but the 20th and 21st centuries saw the creation of formidable dance institutions. Typically such institutions thrive under the leadership of an artistic director who has a particular aesthetic perspective for the company (think of George Balanchine and New York City Ballet). Aspen Santa Fe Ballet is different from that model. Rather than a singular artistic voice, what this company has is a commitment to an artistic vision, or perhaps one might even call it a mission. Rather than stage classic ballets or well-known repertory, almost from the outset Aspen Santa Fe Ballet decided that it would rather work with choreographers perhaps not yet recognized in the United States and build the Story by Maura Keefe company’s reputation on the dancing. The company, under the leadership of artistic Photos by Rosalie O’ConnorBy Debra Levine director Tom Mossbrucker and executive director Jean-Philippe Malaty, is dedicated to

PHOTO: ROSALIE O’CONNOR commissioning new works and setting diverse repertory. 18 | www.aspensantafeballet.com www.aspensantafeballet.com | 19 AA FP Company Ad Fall 2016—ASFB.pdf 1 10/13/16 11:49 AM

ASPEN SANTA FE BALLET

A DREAM PERFORMANCE Like the ballet, our repertoire consists of preparation, devotion, style and dedication, but our stage is quite different. PHOTO: ROSALIE O’CONNOR

Looking at the dancing background of Mossbrucker with the Joffrey hit of the summer season at Jacob’s Pillow Dance Festival, returns Ballet, this breadth of aesthetic interests makes perfect sense. He for a second year in a row, an unusually fast re-engagement for the performed in a large range of roles by choreographers such as company. Fredrick Ashton and George Balanchine, to Laura Dean and Twyla This commitment to boundary-pushing repertory, developing Tharp. In dancing those roles and seeing that company operate, he new choreography, and nurturing relationships with emerging learned about experimentation and risk taking. Malaty, in his training choreographers is part of what makes Aspen Santa Fe Ballet so and dancing in France and with Joffrey II, similarly has a vast appetite exciting as a company. The other part is the dancing itself. for dance. Aspen Santa Fe Ballet dancers’ understanding of and training in While Aspen Santa Fe Ballet has in its repertory works by master ballet is apparent, but none of the works seen this season feel like the artists such as William Forsythe, Twyla Tharp, and several by Jiří crafting of a series of familiar steps. Rather, the balletic sensibility has Kylián (including the new addition this season with Sleepless), the been expanded with a sense of investigation. ERIN HARRIS DEAN GRESK TONY DILUCIA real impact they have had on American contemporary ballet is their commissioning of new works. The company gives choreographers What do we traditionally expect from ballet? Codified technique. JONATHAN FEINBERG SCOTT DAVIDSON PJ BORY substantial time to work with the dancers, allowing everyone to Series of steps. Classes around the world taught with the same words. CARLIE UMBARGER CHRIS FLYNN ASHLEY CHOD focus on the creative process. Choreographic commissions are in- A sense of verticality. Formal organization of the stage space. But LAUREN BULLARD COLTER SMITH RYAN THOMPSON depth residencies, not quick visits. Being present in the making of the what do we mean by contemporary ballet? dance allows the dancers to know the work from the inside, delving NICK LINCOLN RYAN ELSTON MONICA VIALL Contemporary ballet has sometimes been more defined by what it’s far deeper than simply reproducing steps. The time with the dancers not than what it is – it’s not classical ballet and it’s not modern dance. allows the choreographers room to identify and build on individual Arts scholar Carrie Gaiser Casey asks: “Now this question of labels Our real estate knowledge and expertise will help strengths and characteristics in the dancers. and aesthetic rubrics is, some might argue, totally beside the point. guide you through all movements of this intricate dance. In addition to Cayetano Soto’s Huma Rojo (2016) and Alejandro As long as the performance offers compelling choreography and Cerrudo’s Silent Ghost (2015), this season will highlight new works by astounding dancing, who cares what we call it?” Fernando Melo and Cherice Barton. Barton, best known for her work Just as the company shifts easily between Aspen and Santa Fe, so do on Cirque productions in Las Vegas and collaboration on Broadway’s these dancers move between the worlds created with the diverse AspenAssociatesRealty.com Spider-Man, Turn Off the Dark, pushes the dancers into new discoveries choreographers of this new season. Each leap a beginning of a in their movement vocabularies. Melo, whose Re:play (2016) was the journey, and each landing bringing us home. 970.544.5800 BUY | SELL | LUXURY RENTALS

20 | www.aspensantafeballet.com Joshua Habermann Music Director

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ASPEN SANTA FE BALLETHISTORY

Ballet’s dynamic story in the American West New commissions In 1996 Aspen Santa Fe Ballet Founder Bebe Schweppe ASFB’s mission places highest priority on developing new invited Tom Mossbrucker and Jean-Philippe Malaty to create choreography and nurturing relationships with emerging a ballet company in Aspen. A unique multidimensional choreographers. The company fostered the early careers of arts organization developed rapidly from the ballet school now in-demand global dance makers like Nicolo Fonte (nine Schweppe had established in the Rocky Mountains. commissioned Fonte works in the ASFB repertoire), Jorma Elo (three commissioned Elo works), Edwaard Liang, Jacopo “Bebe’s vision for Aspen to have its own ballet company Godani, Helen Pickett, Cayetano Soto, Alejandro Cerrudo and was the project of a lifetime,” says Malaty, ASFB’s Executive others. Works by late 20th century masters – William Forsythe, Director. “We embarked together on a serendipitous Jiří Kylián, Twyla Tharp – round out the repertoire. adventure. Twenty years later, the connection between the dancers and our two communities is “We value building relationships with choreographers who deep and inextricable.” become integral to the company. The natural beauty of our surroundings has a profound impact on creativity and Forging a new frontier our choreographers find it inspiring to create here,” says The company began modestly with Mossbrucker, ASFB’s artistic director. seven dancers. Growth was organic. Friends in the field – Gerald Arpino, Trey McIntyre, Septime National reputation Webre, Dwight Rhoden – offered start-up repertoire. Moses Based for twenty years in the American West, ASFB now sits Pendleton’s highly popular Noir Blanc was a seminal event for at the vanguard of its field, brandishing a strong national the young ASFB. It launched a tradition of commissioning new reputation. Repeat engagements at the American Dance works. An open, exploratory style emerged as Mossbrucker Festival, Harris Theater for Music and Dance, Jacob’s Pillow and Malaty tapped the creative scene in Europe where Dance Festival, Joyce Theater, The Kennedy Center, Saratoga classical ballet was breaking from its boundaries. The athletic Performing Arts Center, and Wolf Trap testify to the company’s and adventurous American dancers found themselves at a popularity and ability to please audiences. Overseas crossroads of dance history. The divide between ballet and invitations arrived and ASFB embarked on international tours modern dance was dissolving. to Brazil, Canada, France, Greece, Guatemala, Israel, Italy and Russia. Premier funders – National Endowment for the Innovative business model Arts, New England Foundation for the Arts / National Dance In 2000 the Aspen, Colorado-based ballet company forged a Project, Joyce Foundation, Shubert Foundation, Wolf Trap dual-city relationship with Santa Fe, New Mexico, broadening Foundation, Jerome Robbins Foundation and Princess Grace its scope and lending crucial revenue diversification. Under Foundation – have supported ASFB’s growth. this hybrid business model, a roster of arts activities takes wing, year-round, in both cities. Performance, education, Accolades into the future

PHOTO: ROSALIE O’CONNOR presentation and community outreach all join in the mix. Celebrating its 20th anniversary, Aspen Santa Fe Ballet Within this innovative structure, ASFB celebrates its 20th enters a third decade with an undiminished creative drive. anniversary season. New dancers, new dance voices, and a solid infrastructure characterize the company. The ever-evolving Aspen Santa Fe Ballet looks to a bright future with energy and optimism.

26 | www.aspensantafeballet.com www.aspensantafeballet.com | 27 1 2

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“Dance is a celebration of the human spirit, and not a celebration of magic steps. Here at Aspen Santa Fe Ballet, we foster the spirit and the love of dance.” Margot Fonteyn – Jean-Philippe Malaty

TOM MOSSBRUCKER, ARTISTIC DIRECTOR has been artistic director of Aspen Santa Fe Ballet since 1996. For the past twenty years Tom has built a prestigious arts organization sharing two homes in Aspen and Santa Fe. In his role as artistic director, Tom cultivates highly sophisticated and challenging works of contemporary ballet. His shining achievement is ASFB’s roster of 31 ballets created on commission by leading global choreographers. Tom began to dance at age four, studying tap in his hometown of Tacoma, Washington. He pursued classical ballet training at the School of American Ballet and Joffrey Ballet School. His twenty years as a principal dancer with the Joffrey Ballet, performing in over 70 ballets under the direct coaching of founders Robert Joffrey and Gerald Arpino, coincided with a period of high artistic achievement for the company. Tom danced in ballets by great twentieth century choreographers: Fredrick Ashton, George Balanchine, Laura Dean, Image: Jocelyn Montoya at The Santa Fe William Forsythe, Jiří Kylián, Mark Morris, Paul Taylor, and Twyla Tharp. Signature roles included Opera wearing Atelier Zobel. Iago in Jose Limon’s The Moor’s Pavane; Champion Roper in Agnes DeMille’s Rodeo; Billy in Wigs and make-up by David Zimmerman, SFO. Photo: Peter Ogilvie. Eugene Loring’s Billy the Kid; and Romeo in John Cranko’s Romeo and Juliet. It is this rich dance background that Tom brings to coaching dancers today. In 2013, Tom shared an honor with Executive Director Jean-Philippe Malaty when the Santa Fe Community Foundation bestowed its Piñon Award on the company. In 2010, in recognition of ASFB’s contribution to the field PROUD TO BE A SUPPORTER OF of dance, Tom and Jean-Philippe were honored with the Joyce Theater Foundation Award. A ASPEN SANTA FE BALLET former board member of Dance USA, Tom currently serves on the board of The Gerald Arpino and Robert Joffrey Foundation. Patina Gallery is the international destination for soul-stirring “We strive for continuity and enjoy bringing choreographers back to works of contemporary jewelry, fine art, and design. create second and third works...to us that is success.” Follow us on: – Tom Mossbrucker 131 W. Palace, Santa Fe, NM. +001 (505) 986-3432 patina-gallery.com

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This exhibition has been made possible in part by Lead Corporate Sponsor El Farol, with additional support from the International Folk Art Foundation and the Museum of New Mexico Foundation’s Exhibition Development Fund. Pictured: María Benítez and Vicente Romero, Tesuque, New Mexico, c. 1970. Photograph courtesy Lili del Castillo and Luís Campos.

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3037221333 9709262322 9709270700 JINJOO CHO International Violin Competition of Indianapolis Gold Medalist, joining us for Glazunov & Mahler, Our 2016–2017 season is funded in part by the Santa March 19, 2017, 4:00 pm at The Lensic Fe Arts Commission and the 1% Lodgers’ Tax; New Decorative Materials proudly supports Friends of the Aspen Animal Shelter. Mexico Arts, a Division of the Office of Cultural Affairs; and the National Endowment for the Arts. PHOTO: WOO RYONG CHAE

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ASPEN SANTA FE BALLET

FOUNDER Bebe Schweppe Join the conversation! THE DENIM COLLECTIONS

DIRECTORS Tom Mossbrucker Artistic Director  Jean-Philippe Malaty Executive Director www.aspensantafeballet.com ADMINISTRATIVE STAFF Zander Higbie Business Development  Robin Cole Development Manager Jessica Moore Marketing Manager facebook.com/aspensantafebal Sarah Evans Operations Manager Berry Hurst Controller MEN’S & WOMEN’S AG Jeans Stacey Simon Administrative Associate  AMO Sam Chittenden Graphic Designer* @aspensantafebal APC *Melville Hankins Family Foundation Mentored Position Citizens of Humanity Current Elliott Frame Denim STAFF TECHNICAL  J Brand Danny Bacheldor Technical Director Mother Seah Johnson Lighting Designer @aspensantafeballet John Elliott PT05 THE SCHOOL OF ASPEN SANTA FE BALLET Rag & Bone ASPEN Simon Miller Melanie Doskocil School Director S.M.N Francisco Nevarez-Burgueño Folklórico Director Eric Chase Faculty, School Administrator - Glenwood Springs Katie Dehler Faculty Marisa Gorst Faculty Stephen Straub Faculty Alessandra Strickland Faculty

THE SCHOOL OF ASPEN SANTA FE BALLET SANTA FE Gisela Genschow School Director Karen Brettschneider Faculty, School Administrator Tina Anderson Faculty Carol LaRue Liebmann Faculty Joan Lombardi Faculty Mauricio Lopez-Marquez Folklórico Faculty, Program Administrator Alexander Manzanares Folklórico Faculty CLOTHING • JEWELRY • ACCESSORIES REPRESENTED BY North America: CATHY PRUZAN, Artist Representative 4709 Paradise Drive, Tiburon, CA 94920 415-789-5051 · [email protected] 520 East Cooper Ave. • Aspen • 970.925.1681 International: CAMI SPECTRUM, LLC: Margaret Selby 1790 Broadway, 16th Floor, New York, NY 10019-2226 212-841-9884 · [email protected]

For more information: www.aspensantafeballet.com PHOTO: ROSALIE O’CONNOR

44 | www.aspensantafeballet.com WINNER OF 8 HENRY AWARDS! The Most Honored Theatre in Colorado

featuring the Tony Award-winning hit

Strength Aspen 400 East Main Street, Suite 2 | Aspen, CO 81611 Carbondale 0326 Hwy 133, Suite 200 | Carbondale, CO 81623 phone 970.925.3979 fax 970.925.3979 www.reesehenry.com BalanceTrustPHOTO: LOIS GREENFIELD

PAIGE PRICE Before the Show After the Show Executive Artistic Director 970-710-7120 | Hopkins & Monarch | 970-710-7275 theatreaspen.org www.meatandcheese.com Facebook “f” Logo RGB / .eps Facebook “f” Logo RGB / .eps Open Until 1:00 am Tix: 970-300-4474 www.hoochaspen.com ASPEN SANTA FE BALLET ASPEN SANTA FE BALLET

MELANIE GISELA FRANCISCO DOSKOCIL GENSCHOW NEVÁREZ- SCHOOL SCHOOL BURGUEÑO SCHOOL DIRECTOR DIRECTOR FOLKLÓRICO Melanie directs The School Gisela is the director and DIRECTOR of Aspen Santa Fe Ballet principal teacher of The Francisco (Paco) Nevárez- +OUTREACH in Aspen and teaches the School of Aspen Santa Burgueño became part advanced division ballet Fe Ballet in Santa Fe. A of Compania de Danza classes. She brings over 20 years of professional native of Hamburg, Germany, she trained with the Folklórica in Chihuahua, Mexico at the age of 14, dance and teaching experience to the students of Hamburg State Opera under Peter van Dyk and dancing from 1978 to 1990 under the direction of Aspen Santa Fe Ballet. Melanie danced professionally Victor Gsovsky. She danced professionally with the Leonor Avalos Zaragoza. During this time, he learned with ballet companies such as the Aspen Santa Fe Hamburg State Opera, Ballet de Wallonie, Opera de a large repertoire of traditional and popular Mexican Ballet, the Oakland Ballet Company, Ballet Arizona, Lyon, Ballet Theatre Contemporain, Ballet du Rhin, dances, costume design, choreography, lighting and Nevada Ballet Theatre. She continued her career and Tanzforum Koln. Throughout her career she and set design. After immigrating to the US in 1990, transitioning into contemporary and modern dance toured Europe performing classical ballets as well Nevarez-Burgueño founded his own Folklórico with Odyssey in Utah, A. Ludwig Dance Theatre as contemporary works. She had the opportunity dance company for adults and children in the New in Arizona, and the internationally acclaimed Mia to work directly with George Balanchine as well York City metro area, Mexico: Images and Traditions Michael’s R.A.W. Melanie began teaching in 1995 as other renowned choreographers such as Pierre Folkloric Group. He was also the Princeton University for the City Ballet of San Diego under the direction Lacotte and Lois Falco. After moving to the United Ballet Folklórico Artistic Director from 2000 to 2002. of Steven and Elizabeth Wistrich. She continued States, Gisela was a faculty member of Fort Worth ASFB recruited Nevárez-Burgueño in 2002 to direct her professional dance career while teaching at the Ballet, Pittsburgh Ballet Theatre under company the Folklórico after-school program; the program nationally recognized Center Stage Performing Arts director Patricia Wilde, and the New World School has won numerous awards and accolades under Studios in Utah, where she created and directed a of the Arts in Miami. In 1992, she moved to Santa his leadership. In 2016 Colorado Creative Industries pre-professional ballet program. Melanie is thrilled Fe and took over the directorship of Santa Fe Dance recognized Nevárez-Burgueño with its Governor’s to now call Aspen her home and cherishes every Foundation, now The School of Aspen Santa Fe Creative Leadership Award. moment she spends teaching. Ballet.

WHERE THE ALLURE OF POSSIBILITIES ARE ENDLESS

The School of Aspen Santa Fe Ballet operates at the core ASFB Folklórico enriches the lives of children through free, afterschool of a multifaceted arts organization. From its beginning when Founder Bebe instruction in Mexican folkloric dance. ASFB founded Folklórico in 1998 with a Schweppe taught ballet in a small Aspen studio, the school has expanded to goal of engaging the community with high quality arts outreach. Folklórico now year-round classes in Aspen, Basalt, Carbondale, Glenwood Springs, Santa Fe, and directly impacts the lives of 380 students, grades K-12 in Basalt, Carbondale, Eldorado, teaching more than 485 students of all ages. Glenwood Springs, Rifle, and Santa Fe public schools. The award-winning Offering a curriculum of ballet, jazz, and modern dance, The School of Aspen Folklórico ensemble performs regularly across the region. Santa Fe Ballet provides quality training for the pre-professional student as well With remarkable success Folklórico transcends cultural barriers through the as the recreational dancer, and has guided many young dancers into professional art of dance. Folklórico teaches artistic excellence, promotes positive youth careers. The school fosters a supportive environment that enhances confidence development, and encourages the crossing of cultural boundaries by students ellina restaurant + bar

and accomplishment as well as technique and artistry. Students perform in an and their families. It represents ASFB’s firm commitment to engage and inspire 970 925 2976 I 430 E HYMAN AVE. ASPEN, CO 81611 I ELLINAASPEN.COM annual spring recital and alongside ASFB’s professional dancers in The Nutcracker. new generations of creative thinkers and artists. RESERVATIONS RECOMMENDED To ensure that every child who wishes to dance can do so, ASFB awards over $30,000 in financial need-based scholarships every year. PHOTO: ROSALIE O’CONNOR 48 | www.aspensantafeballet.com www.aspensantafeballet.com | 49 THE 35TH ANNIVERSARY SEASON

2 016 – 2 017 A BAROQUE CHRISTMAS Santa Fe Pro Musica Baroque Ensemble December 19 – 24, 2016 RHAPSODY IN BLUE Santa Fe Pro Musica Orchestra December 29, 2016 BRENTANO STRING QUARTET January 15, 2017 MOZART’S BIRTHDAY Santa Fe Pro Musica Orchestra Proud to Support The Aspen Santa Fe Ballet January 28 and 29, 2017 CALIDORE STRING QUARTET Neil-Garing Insurance is your resource for customized insurance solutions. We offer March 5, 2017 local representation and will recommend an insurance program that best ﬁ ts your BAROQUE HOLY WEEK lifestyle, while maximizing your insurance value. Santa Fe Pro Musica Baroque Ensemble April 13 – 14, 2017 We offer exemplary service and expertise to help protect your property and possessions. BEETHOVEN PIANO CONCERTOS (PART I) Call today for a complimentary review of your personal or business insurance program. Santa Fe Pro Musica Orchestra April 29 and 30, 2017 970-945-9111

201 Centennial Street, 4th Floor Representing Glenwood Springs, CO 81601 The 2016-2017 Season is partially funded Neil-Garing by New Mexico Arts (a Division of the 970-945-9111 Department of Cultural Affairs) and the INSURANCE National Endowment for the Arts. www.neil-garing.com E-mail: [email protected] ASPEN SANTA FE BALLET ASPEN SANTA FE BALLET

Your gift ensures that RAISING Aspen Santa Fe Ballet continues to THE BARRE Raise the Barre annual fund campaign DONATE TODAY www.aspensantafeballet.com

Your investment helps maintain the vital role of dance in the cultural fabric of Aspen and Santa Fe!

ASFB’s pioneering spirit arises from a dual set of home cities: A SNAPSHOT OF ASFB Aspen, nestled in the Rocky Mountains, and Santa Fe, gracing the Southwestern plateau. ASPEN SANTA FE BALLET a world-class contemporary ballet company Shaping the cultural landscape of these communities for two For 20 years, ASFB has served as a prestigious incubator and a decades, our hybrid arts business model – encompassing dance showcase for choreographic invention. performance, presentation, education, and outreach – serves as our foundation. We believe it is a strong underpinning for our ASPEN SANTA FE BALLET PRESENTS future, providing revenue diversity and creative synergies. But bringing top dance companies to Aspen and Santa Fe ASFB’s continued success depends upon ongoing support from our ASFB’s critically acclaimed dance presentations enhance the cultural and artistic richness of our communities. generous and loyal donors.

ASPEN SANTA FE BALLET FOLKLÓRICO ASFB operates with a dancer’s discipline. Our financial goals are community outreach benefiting local youth realistic with an annual $4 million operating budget divided equally With remarkable success Folklórico transcends cultural barriers between earned and contributed income. and impacts youth through the art of dance. Your support helps us maintain artistic excellence. It underwrites THE SCHOOL OF ASPEN SANTA FE BALLET innovative dance programming. It spurs the creation of new ballets a center for quality dance education that influence the art form. It facilitates scholarships for families in ASFB makes ballet accessible to all with awards of over $30,000 in need-based scholarships every year. need. It introduces children to the arts.

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Downtown Aspen 616 East Hyman Ave. 970-925-1808 For a complete listing of our 80th Season performances, visit: www.PerformanceSantaFe.org. PHOTO: ROSALIE O’CONNOR PHOTO: Tickets: PerformanceSantaFe.org | 505 984 8759 TicketsSantaFe.org | 505 988 1234 Vacations are essential to “ your health and well-being. In fact, people who vacation “regularly are twice as likely to feel satisfied with their life.* VILLAS DE SANTA FE

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Craig Black is in his sixth season Katherine Bolaños, a native of Sadie Brown, now in her fourth Jenelle Figgins joins Aspen Santa Anna Gerberich began her Emily Proctor, a graduate of The Seia Rassenti Watson danced Evan Supple, a native of Toronto, with Aspen Santa Fe Ballet. The Oklahoma City, is in her thirteenth season with Aspen Santa Fe Ballet, Fe Ballet from Dance Theatre of training at Central Pennsylvania Juilliard School, is marking her tenth with Flamenco Y Mas as a youngster Ontario, trained at Elite Danceworx California native was captain of his season with ASFB. Katherine began began to dance in her hometown of Harlem. The Washington D.C. native Youth Ballet with Marcia Dale season with Aspen Santa Fe Ballet. in Arizona, then trained in classical before moving on to earn a B.F.A. San Jose high school’s nationally her professional career with Ballet Evansville, Indiana. She also studied began training at the historic Jones- Weary. In 2004, she was invited by A native of Raleigh, Emily trained ballet with Linda Walker at the Tucson from Marymount Manhattan ranked dance team. Craig received Oklahoma where she remained for at the Boston Ballet School, The Harid Haywood School of Ballet and Duke Jean-Pierre Bonnefoux and Patricia at the North Carolina School of the Regional Ballet. After graduating College, Class of 2016. While at his BFA from The Juilliard School, seven years performing mostly Conservatory, and the Walton School Ellington School of the Arts. She McBride to apprentice with the Arts. Prior to joining ASFB, she had from the Kirov Academy of Ballet in Marymount, he danced in works by where he was awarded the 2010 classical roles. As a guest artist with for Girls in Grantham, England. Sadie then won a full scholarship to Dance Charlotte Ballet. In 2005 she was the opportunity to tour with Hell’s Washington, DC, she danced with Dwight Rhoden, Paul Taylor, Aszure Princess Grace Award in Dance. He the Los Angeles Ballet Ensemble, performed for three seasons with the Theatre of Harlem’s Kennedy Center hired into the company and was Kitchen Dance in Aszure Barton’s North Carolina Dance Theater where Barton, Desmond Richardson, and won the 2011 Lorna Strassler Award she toured extensively in Taiwan and Grand Rapids Ballet and as a guest residency. After earning a B.F.A. promoted to Principal within four Come In, which starred Mikhail she worked with Dwight Rhoden. Alexandra Damiani. He also toured for Student Excellence at Jacob’s China. “I love the partnering in artist with Evansville Dance Theater, with honors from SUNY Purchase, years. After 11 years with Charlotte Baryshnikov. Emily was selected Seia is in her eighth season with internationally as a member of the Pillow Dance Festival. Craig’s summer contemporary work and moving in a Evansville Ballet, and Michigan she attended Springboard Danse Ballet, Anna accepted a position as one of Dance Magazine’s “25 to ASFB. “I feel most comfortable in Nikolais-Louis Dance Theatre in 2013. programs were at Springboard Danse way that’s very slow, expressive, and Classic Ballet. Her guesting with Montreal. Jenelle is a 2014 recipient with the Joffrey Ballet. Anna received Watch” in 2010. “I had career-saving the contemporary mode. I trained Additionally, Evan was a featured Montreal, Nederlands Dans Theater, creature-like. I enjoy rehearsing in Ballet Bratislava took her to Slovakia of the Princess Grace Award. “I want the Pointe Magazine NERDA foot surgery that went well. I’m so classically because I knew it would soloist in the closing ceremony and the Pillow. “We are all super the studio as much as performing and Austria. “The dancers have been to continue to learn by pairing Award of Promise in 2001. In 2014 grateful to be back doing what I help me become a better dancer. of the 2015 Pan-Am Games. He involved. We all love what we do. At on stage. The studio gives the extremely welcoming and it’s a movement with aspects of humanity. Anna had the pleasure to appear love, which gives my life a wonderful But I really love the freedom and spent summers with Complexions, first, a new piece is overwhelming. I freedom to grow artistically. On wonderful work environment. Some There is so much self-discovery in in the Kennedy Center Honors, sense of purpose.” personal expression of the work we Canada’s National Ballet School, and love the challenge in that. It gives me stage I feel like I’m in a different days it feels like you aren’t even collaboration – and being part of a performing Balanchine’s Who Cares do here. I found my niche.” Springboard Danse Montreal. This is the push I need to step it up to the world.” coming to work; you’re just showing creation process makes me happy.” in acknowledgment to Patricia Evan’s first season with Aspen Santa next level.” up with a group of people who love McBride. This is Anna’s first season Fe Ballet. to dance.” with Aspen Santa Fe Ballet.

68 | www.aspensantafeballet.com www.aspensantafeballet.com | 69 ASPEN SANTA FE BALLET ASFBBIOGRAPHIES DANCER DEDICATION. CREATIVITY. PRECISION.

Those are just some of qualities of a great dancer. Likewise, a great Realtor. Which probably explains why Carrie Wells is currently Top 7 in the world for Coldwell Banker and has been the ANTHONY PETE JOSEPH leading Coldwell Banker broker in Colorado TIEDEMAN LEO WALKER WATSON for over seventeen years. She has the sponsored by sponsored by sponsored by dedication needed to help you find Maja and Nic DuBrul Soledad and Bob Hurst Jessica and John Fullerton your Aspen dream, and the creativity necessary to turn that Anthony Tiedeman, a graduate of Pete Leo Walker , is in his second Joseph Watson, now in his eighth dream into a reality. So, if you’re interested The Juilliard School, brings to Aspen season with Aspen Santa Fe Ballet season with Aspen Santa Fe Ballet, Santa Fe Ballet his exposure to works following five seasons with Charlotte began formal dance training at in Aspen, give Carrie a call. by master choreographers Merce Ballet, where he performed a diverse TWIGS (To Work In Gaining Skills), a Just like the Aspen Santa Fe Ballet, Cunningham, Paul Taylor, and José repertoire of neoclassical and respected after-school program in she’s dedicated to creating a space Limón. Training in Lar Lubovitch’s contemporary works. A native of his home town of Baltimore. After choreography led Anthony to join Lar Jacksonville, FL, Pete began training graduating from the Baltimore where your spirit can flourish. Lubovitch Dance Company for its Fall at Dansations Performing Arts Center School for the Arts, Joseph attended 2014 Joyce Theater season. A New and continued at the Nutmeg The Juilliard School, earning his BFA Jersey native, Anthony has traveled Conservatory for the Arts. Pete is a in dance. He was a member of North abroad for summer intensives at 2011 recipient of the Princess Grace Carolina Dance Theatre prior to Springboard Danse Montreal and Award. In 2013 he was featured as joining ASFB. “I try not to overthink Nederlands Dans Theater. “When one of Dance Magazine’s “Top 25 a performance. I just tell myself that I first saw Aspen Santa Fe Ballet at to Watch.” “My mom was a part of I’m about to go on stage to do what I Carrie Wells the Joyce, I was blown away by the the Rock Steady Crew in Brooklyn. love. I love the zen feeling I get when intense physicality and strong, yet She taught me to pop and lock, so I’m out there.” beautiful, technique. It’s a balance I contemporary classical ballet is the try to bring to my own dancing.” closest to my heart—with a technical element.”

Carrie Wells • 970.948.6750 Coldwell Banker Mason Morse Real Estate Biography portraits by Jana Cruder 514 East Hyman Avenue • Aspen [email protected] www.carriewells.com

70 | www.aspensantafeballet.com It’s a his house is the great time envy of theatres for the big and small WHEELER! around the world. Aspen's historic opera house is host to over 250 performances and community events each year and is proud to be a partner and supporter of the Aspen Santa Fe Ballet.

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ASFB.indd 1 10/20/16 5:16 PM ASPEN SANTA FE BALLET SPONSOR PROFILES PRESENTING SPONSOR SPONSORS In 1983, at the request FOUNDATION of Lita Warner Heller, At the Embrey Family President of the Board Foundation we feel art can and of Ballet Aspen, board should lead the way to opening Les Dames d’Aspen, Ltd. member Christine Aubale Gerschel organized, ASPEN SEASON PRESENTING SPONSOR hearts and minds. Our work is infused with the arts, from founded and was elected president of a group Alpine Bank, proud 2016-2017 Aspen season dance, to theatre, to spoken of dynamic and energetic women that became presenting sponsor, has been locally owned and word, to filmmaking, music, and a fundraising auxiliary for Ballet Aspen, called operated since 1973. With 38 convenient locations, mural making. We are driven by Les Dames de Ballet. In 1985, Gerschel and Joan we serve more than 130,000 customers with retail, our passion for advocacy, racial Bracken Bain restructured the group into an business, trust, asset management, mortgage, equity, human rights awareness, gender equity, autonomous organization with its own 501 (c)(3), and electronic banking services. We opened our and social justice: all of these can be explored and renamed Les Dames d’Aspen, Ltd. In 2002, Gerschel first Front Range locations in Denver’s Union transformed through art. Our mission is to expand once again became president of Les Dames Station and Cherry Creek neighborhoods. While awareness, explore possibilities, and elevate d’Aspen and broadened its reach. Now in its 34th we are proud to be a part of these historic districts consciousness. We are proud to partner with Aspen year, this prestigious organization has contributed and look forward to the new opportunities and Santa Fe Ballet. more than $3.9 million to local arts organizations friends these ventures will bring, we’re also forever and scholarships for local students pursuing committed to remaining the true community bank university art degrees. we’ve always been. www.lesdamesdaspen.com We understand the important role we should Melville Hankins Family Foundation play in our communities. Alpine Bank’s financial In a place commitment to the communities we serve is famous for so substantial, and our employees give generously of The Melville Hankins Foundation upholds its much else, their time and talent. mission to promote arts, music, education, animal the Aspen For more information on all that Alpine Bank offers, services and welfare as well as religious causes community is a philanthropic example to the go to www.alpinebank.com related to the Episcopal or Anglican Churches. world. It seems that for every cause, there is an organization full of dedicated people making a difference in the way we live, and in the future CORPORATE SPONSORS The Morgridge we are creating. For more than 35 years, Aspen Family Foundation Community Foundation has worked continuously is a private family to support nonprofit organizations by connecting donors to community needs, building permanent MorgridgeMFF Family Foundation foundation that invests in the charitable funds, and bringing people and transformation of education for both students organizations together to solve community and educators. The Morgridge Family Foundation problems. During that time, more than $80 million OFFICIAL HEALTH CLUB AND SPA OF supports educational initiatives in the areas of has been granted to nonprofit organizations ASPEN SANTA FE BALLET science, technology, engineering and mathematics serving the Roaring Fork and Colorado River valleys. The Aspen Club Campus - Moving riverfront (STEM), environmental stewardship, broadband ACF isn’t doing good to feel good. The need is setting. Groundbreaking health facilities and access, educational inclusion for hospitalized real. Colorado’s state education spending is in the programming. Experiential destination where children, innovative instructional practices and bottom 10% nationally. Service workers commute mind, body, and spirit live. educator development. The Foundation leads the to Aspen hours each day leaving their families in outlying areas where support services are lacking. The Aspen Club Residences - Three and Four nation in teacher training specific to technology And, our greater community is challenged with Bedroom Townhomes and Four Bedroom Club integration in the classroom. poverty, language barriers, educational inequity Residences. Offering a desirable twist on second and feelings of hopelessness. home shared ownership. Own exactly what you want, when you want it. Enlightened lifestyle per www.aspencommunityfoundation.org square foot. The Private Residence Club, curated. www.aspenclubliving.com NEFA builds The Shubert Foundation is dedicated to connections sustaining and advancing the live performing arts among artists, arts in the United States. In service of this mission, the organizations, and Foundation provides general operating support funders, powering the to not-for-profit, professional resident theatre and arts to energize communities in New England, the dance companies across the country, and to some nation, and the world. NEFA is a nonprofit 501(c) arts-related organizations that help support their (3) that operates in partnership with the National development. Endowment for the Arts and the New England The Foundation’s Board of Directors believes that state arts agencies, with additional funding from the most effective way to encourage the artistic foundations, corporations, individuals and other process is by providing the general operating government agencies. support that reinforces the structure that NEFA’s work is accomplished through grantmaking, nurtures creative development. Grant recipients services, and initiatives that strengthen and must have track records of artistic achievement, advance the national arts infrastructure. administrative strength and fiscal responsibility.

www.aspensantafeballet.com | 81 ASPEN SANTA FE BALLET SPONSOR PROFILES PREFERRED HOTEL SPONSORS GOVERNMENT SPONSORS In July 2010, Colorado’s new For more than 125 The City of Aspen supports Creative Industries Enjoy the Show! years, Hotel Jerome arts and community nonprofit Division merged the has defined the true organizations through former Council on the character of Aspen, annual grants and in-kind Arts and Art in Public Places program to capitalize drawing visitors from contributions totaling close on the immense potential for our creative sector around the world with its to $1 million. Our community benefits from non- to drive economic growth in Colorado. A division exquisite accommodations, acclaimed dining and profit agencies that add vibrancy and texture to the of the Colorado Office of Economic Development genuine hospitality. With the help of partnerships quality of life in Aspen. The City of Aspen recognizes & International Trade, Colorado Creative Industries like the Aspen Santa Fe Ballet the hotel has once the on-going partnerships that we have had with sees a future where Colorado is a premiere “Creative again regained its foothold as Aspen’s social hub. non-profits through the years. Additionally, The Economy.” We strive to create a strong brand Join us at Prospect, an upscale American Bistro, the City of Aspen provides and operates over 30 public identity, a Top 10 reputation, and create significant new Living Room and Lobby Bar or The J-Bar which parks, the Wheeler Opera House, an 18-hole golf and sustained investment in the creative sector continues to wow locals and visitors alike with its course, tennis courts, ball fields, an ice-skating where creative entrepreneurs and enterprises will casual menu featuring The J-Burger and Jerome’s facility, and KidsFirst (childcare resources) along flourish. It’s our goal for Colorado to “grow its own” signature drink, the Aspen Crud. with traditional government services. creative workforce. hoteljerome.aubergeresorts.com

MEDIA SPONSORS If you were to describe to a friend Diamond Resorts International® is one of the largest The National Endowment for the Arts was everything that you vacation ownership companies in the world, with established by Congress in 1965 as an independent love about Aspen, destinations throughout the continental United agency of the federal government. To date, the here’s what you might say: It has world-class States and Hawaii, Canada, Mexico, the Caribbean NEA has awarded more than $5 billion to support cultural offerings, stunning natural beauty, a big- and Europe. Offering simplicity, choice and comfort artistic excellence, creativity, and innovation for city array of dining choices, a rich history, and, of to more than 370,000 owners and members the benefit of individuals and communities. The course, an amazing tapestry of locals that make up through the branded service of more than 5,500 NEA extends its work through partnerships with its community. Aspen is all of those things, and so team members worldwide, Diamond Resorts state arts agencies, local leaders, other federal is each issue of Aspen Sojourner. A winner of the International® is dedicated to providing its guests agencies, and the philanthropic sector. Through its Western Publishing Association’s Maggie award for with effortless and relaxing vacation experiences Art Works grants, the NEA support the creation of editorial excellence in 2016, 2011, 2010, 2008, and every time, for a lifetime. art that meets the highest standards of excellence, 2000 and a finalist for the past ten years in row, public engagement with diverse and excellent art, Aspen Sojourner is Aspen’s only award-winning lifelong learning in the arts, and the strengthening magazine, the publication that best reflects the full of communities through the arts. range of amazing experiences here. It’s about the Aspen you’d be proud to show your friends. Book your luxurious stay at Denver’s Hotel Teatro and visit the city’s one and only premier boutique The City of Santa Fe Arts hotel, as well as The Nickel – a new Denver restaurant Commission provides located in our iconic property. Hotel Teatro is a leadership by and for City As Aspen’s oldest newspaper, The Aspen Times 4-diamond hotel featuring exquisite Downtown government in supporting covers the town — and its vibrant arts scene — Denver accommodations and amenities, certain arts and cultural affairs. better than anyone. The late Stewart Oksenhorn to create a most memorable stay. The Nickel chefs It creates programs and made it his life’s work to share the passion leverage their relationships with farmers, ranchers recommends policies to develop and promote and professionalism of artists, dancers, writers, and craft producers across Colorado to bring it all artistic excellence in the community. The Arts musicians and others with readers. Today, that back home to The Nickel kitchen. Commission is a proud supporter of Aspen Santa tradition is carried on by Arts Editor Andrew Travers www.hotelteatro.com Fe Ballet and many other members of Santa Fe’s because the arts — including Aspen Santa Fe Ballet arts and cultural community. — remain a cornerstone of the Aspen community Set on 57 unspoiled and a backbone of The Aspen Times. acres tucked gently into the Sangre The Aspen de Cristo foothills, is the state arts agency and a Daily News Four Seasons division of the Department is the Resort Rancho of Cultural Affairs. The Roaring Encantado Santa Fe is just 10 minutes from 15-member governor- Fork Valley’s only locally owned and operated downtown Santa Fe. The Resort offers 65 casita appointed New Mexico Arts Commission serves as daily newspaper. Published daily and on-line at guest rooms and suites, each with its own fireplace its advisory body. The Agency’s primary function is www.aspendailynews.com, the Aspen Daily News and private terrace. Terra, our AAA Four-Diamond to provide financial support for arts services and provides locals and visitors hard hitting and forward fine dining restaurant, is also a Wine Spectator programs to non-profit organizations statewide thinking news through the daily print publication, Best of Excellence Award winner. The Resort’s and to administer the 1% public art program for an online version of the paper as it appears in 10,000-square-foot luxury spa features a variety the state of New Mexico. of healing arts, from Native American rituals to print, the Aspen Daily News Online, and through ayurveda and Chinese medicine. targeted market publications, including Time Out (a weekly entertainment and event publication). www.fourseasons.com/santafe or (505) 946-5700 PHOTO: ROSALIE O’CONNOR www.aspensantafeballet.com | 83 ASPEN SANTA FE BALLET SPONSOR PROFILES

Roots run deep at The Santa Fe Les Dames d’Aspen, Ltd. New Mexican — the West’s oldest Les Dames d’Aspen proudly supports the arts in Aspen. Beneficiaries include Aspen Santa Fe Ballet, newspaper. Founded in 1849, an Jazz Aspen Snowmass, Aspen Words, Theatre Aspen, Aspen Music Festival and School, Aspen Film, enduring commitment to the Santa Fe community’s “right to know” has Aspen Historical Society, Robert J. Harth Conductor Prize, Art Base, and The Red Brick Center for the Arts. Les Dames d’Aspen also awards college scholarships to students from the Roaring Fork now kept ink on paper for more than 165 years. Today, The New Mexican Valley pursuing degrees in the arts. serves one of the largest media audiences in New Mexico, with 50,000 daily readers in print and a monthly average of more than 300,000 readers online. In Les Dames d’Aspen's 34 year history, this group of dynamic, philanthropic ladies has contributed more than $3.9 million to local arts organizations and scholarships. Les Dames members enjoy In addition to publishing Pasatiempo, Santa Fe’s weekly magazine of arts, many social events throughout the year including dinners, hikes, ski days, bicycling, golf outings, entertainment, and culture, The New Mexican also produces several seasonal luncheons, cooking demonstrations, wine tastings, art gallery lectures, concerts, performances, activity and event guides, including: Bienvenidos Summer Guide, Winterlife plays and more. Guide, International Folk Art Market Magazine, Spanish Market Magazine, and SWAIA Indian Market Official Guide. Through print, digital, and the eNewMexican mobile app, the daily newspaper offers multiple avenues for those in the community, and beyond, to stay informed. To subscribe: www.santafenewmexican.com | 505-986-3010. To advertise: [email protected] | 505-995-3852

Members of Les Dames d'Aspen Executive Board (several members not pictured)

Culture. History. Art. The Lifestyle of Santa Fe. President/Executive Director Giselle Leal Madeleine Vera Janoe For over 40 years, Santa Fean magazine has Christine Aubale Gerschel Rose Ann Leiner Oliver Beau Gerschel reflected the area’s sophisticated lifestyle Vice Presidents Marlene A. Malek Sebastien André Gerschel and is proud to be a media partner with the Bridget Badon Patsy Malone Nelson Avery Lamb Billie Pierce Erwin Patricia Marquis Les Bébés esteemed Aspen Santa Fe Ballet. Santa Fean captures the internationally Nancy Mayer Susan Miller Talia Mae Bonan acclaimed arts community, breathtaking landscapes and architecture, and Martha Meagher Terry Murray Richard Norman Borne IV rich cultural history extraordinarily unique to northern New Mexico. An Macey Morris Amy Phelan Nicholas Marcel Brown Kelley Purnell Treasurer Gold Sponsors abundance of world class cuisine is also featured in every issue, as is the local Sara Minton Poag Leslie Curley Elisha and Jeff Zander design scene—whether wearable art or ancient pottery piques your interest! Victoria Ranger-Nunez Published 6 times per year, Santa Fean offers a thematic editorial calendar Social Secretary Holly Reed Bronze Sponsors Elizabeth Janet Bonan Lynda Resnick Vectra Bank Colorado that includes History, Indian Market, Home & Design, The Arts, People, and Recording Secretary Angela Ross Les Dames Holiday celebrations. Santa Fean is part of a multi-media company that Shirley Millard Judith Sarna Beneficiary Liaisons includes Su Casa Magazine, The Official Santa Fe Guide, Haciendas, and NOW Trustees Emeriti Kirsten Schmit Robin Cole/Zander Higbie Joan Bracken Bain Joyce Shenk Aspen Santa Fe Ballet Magazine, Santa Fe’s Weekly Arts and Entertainment Calendar Publication. Jennifer S. Sickler Christine Aubale Gerschel Holly Upper Subscribe today at (818) 286-3162. Please visit www.santafean.com or Lita Warner Heller Rebecca Steere Nancy Snell Knutson Jazz Aspen Snowmass contact us directly at 505-983-1444. Trustees Marie Torreano Jamie Kravitz Evelyne Balboni MarGwen Townsend Aspen Words Dominique Badon Jesse Vieira da Rocha The Aspen Institute Adrienne Brandes Sherry Wachs Paige Price Shy Badon Brown The Santa Fe Reporter continues the proud Elisha Zander Theatre Aspen tradition as the city’s source of alternative Meagan Bonan Suanne Bonan Special Advisors Alexander Brose/Emily Burr news and culture since 1974, reporting on Anna Badon Borne Kenneth E. Badon Aspen Music Festival community issues as well as celebration and Barbara Carroll James P. Barber and School Anthony P. Bonan Tina DeSalvo Callais John Thew criticism of local music, visual arts, film and performing arts. We believe in the Pierre A. Bonan LUXURY Pat Cooper Aspen Film independence of the fourth estate, in critical examination of the government, Edouard R. Gerschel Yoly Davis Kelly Murphy and in the value of helping active citizens understand each other. We take Barbara Fodor Ron Krajian Bryan Leitch III Aspen Historical Society seriously our role to shine a light in dark places and to push for greater Anne Foster-Duldner Brooke Gerschel William J. Stolz Jolaine Pfeifer transparency. And we also have fun! Our weekly print events calendar and its Karen Goldman John Werning Aspen High School & lifestyle perpetual online companion are indispensable. Our newspaper and website Jo Ann Grimes Frederick Jack Windle Liz Penzel are free and we’re committed to keeping them that way thanks to support Janet Guthrie Les Enfants Basalt High School Lisa Haisfield Sylvie Odette Badon Brown from our advertisers and readers. Angie Callen Margot Hampleman Benjamin Ethan Bonan Red Brick Center for the Arts Lita Warner Heller Catherine Elizabeth Bonan www.sfreporter.com Genna Moe Joanne U. Holcomb Pierre Alexander Bonan The Art Base Katie Thompson Holton Sean Jonathan Bonan Liba Icahn Cecilia Louise Borne Honorary Trustees Jennifer Kay Alexis Dionne Janoe Marian L. Davis Cari Kuhlman Amelia Grace Janoe Mary Jane Garth Karyn Gerschel Lamb Dominique Avery Janoe Mary Eshbaugh Hayes SAVE THE DATE! 2017 Les Dames d’Aspen Fleur de Lis Fête

“Rollingat Hotel Stone Jerome Bash” Wednesday, July 26th, 2017 For information on joining or supporting Les Dames d’Aspen please visit www.lesdamesdaspen.com or contact Christine Aubale Gerschel at 970-925-9028 or [email protected]. Membership: $1,200 for Trustees and Special Advisors. 1100 Fourteenth Street, Denver Colorado 80202 | hotelteatro.com | 303-228-1100 Les Dames d’ Aspen is a 501(c)(3) organization. 84 | www.aspensantafeballet.comLes Dames d’Aspen, Ltd. ASPEN SANTA FE BALLET BOARD OF TRUSTEES Kelley Purnell Barbara Gold Keith Gorges TRUSTEES EMERITI President Asst. Secretary Toni Kaplan Bebe Schweppe Jay R. Lerner Judith Zee Steinberg Mona Look-Mazza Betty Weiss † Vice President Past President Jean-Philippe Malaty Leigh Moiola Rita Adler Tom Mossbrucker Vice President Barbara Berger Leah Paalman Denise Jurgens Sarah Broughton Treasurer Melinda Payson Tony DiLucia Michael Hauger Esther Pearlstone Nicholas DuBrul Asst. Treasurer Billy Stolz Laurie Farber-Condon A. Charles Forte Rachel Zimmerman Secretary John Galante NATIONAL COUNCIL Sarah Broughton Betsy Fifield Pamela Levy and Rick Crandall Dana and Andrew Stone National Council Co-Chair Sistie Fischer Melony and Adam Lewis Jon Stryker and Nic DuBrul Robin Fitzpatrick Toby Devan Lewis Slobodan Randjelović National Council Co-Chair Charles Forte Margot and Robert Linton Marianna and Mark Tanguay Sarah Kennedy Flug Mona Look-Mazza and Tony Mazza Michiko and Gary Tarna Rita and Jeffrey Adler Mary Ann Frenzel Nance and Ramon Jose Lopez Jackie and Glenn Tilton Tracy and Dennis Albers Jessica and John Fullerton Diane and Charles Lott Cheryl Towning Karin Bannerot Betty Davis Gates Catherine and John Maas Donna Treadwell Newton Bartley and Eric Calderon Connie and David Girard-diCarlo Barbara Martell Sherry and Eddie Wachs Susan Beckerman Mira and Donald Glen Mary Martin Margie and Keith Weber Linda Bedell Andi and Jim Gordon Mary McAlpin Patti and Jay Webster Barbara and Bruce Berger Dolly Gray-Bussard Linda McCausland and Carrie and Joe Wells Karen and Steven Berkowitz Celeste and Jack Grynberg Peter Nicklin Marilyn Hodges Wilmerding Rita and Irwin Blitt Henrietta and Terence Hall Gary Mihalik and Frank Pieri Stephanie and David Wirt Rod Boren Will Halm and Marcellin Simard Charlotte Moss and Tamara and Frank Woods Mark Bradley Bessie Hanahan Barry Friedberg Tita and Gene Zeffren Patricia and Charley Brewer Robin and Carl Hardin Jane and Marc Nathanson Kevon Zehner and Ron Ritchhart Geri and Steve Briggs Cindi and Daniel Hart David Newberger Paula Brodin Michael Hauger Janet and Tom O’Connor Sarah Broughton and Barbara and Peter Hearst Melinda and Norman Payson John Rowland Lita Warner Heller Amy and John Phelan Virginia Browning and Joseph Illick Bobbie and Tat Hillman James Posch Kay Bucksbaum Janie Hire Carolyn Powers Merrilee Caldwell and Jessica Hite Carol Prins and John Hart Marcus Randolph Sharon and John Hoffman Mara Robinson Ruth Carver Karen and Bayard Hollins Nancy and Richard Rogers Bunni and Paul Copaken Peggy and Alan Hunt Philip Rothblum Susan Crown and Bill Kunkler Soledad and Robert Hurst Mary and Patrick Scanlan Frances D’Alessio and Liba Icahn Lorraine and Mark Schapiro Jason Saslow Laura and Michael Kaplan Beth and Rick Schnieders Scott Davidson Reenie Kinney and Scott Hicks James Seitz Yoly and Mark Davis Marianne and Richard Kipper Deborah and Bob Sharpe Claire Dewar Anabel and John Konwiser Isa Catto Shaw and Daniel Shaw Gary Dontzig Carolyn Landis Teena and George Shaw Melanie Doskocil Mary Anne and Bruce Larsen Lois Siegel Maja and Nicholas DuBrul Leonard A. Lauder Susan Sparks Gayle Embrey Lawrence Lazarus Orli and Bill Staley Zoe Eskin Katherine LeMieux-Rodman and Vickie and Gaines B. Stanley, Jr. Anthony Fama and Scott Brown Bill Rodman Judith Zee Steinberg and Sherry and Joe Felson Bobette and Jay R. Lerner Paul Hoenmans

www.aspensantafeballet.com | 87 ASPEN SANTA FE BALLET SUSTAINERS CIRCLES The following individuals and organizations have earmarked their annual giving to a specific area of interest. Their continued extraordinary commitment provides the foundation for Aspen Santa Fe Ballet’s vision, growth, and sustainability. We are grateful for their most generous and loyal support. For more information on supporting Aspen Santa Fe Ballet’s future as part of a Sustainers Circle, contact Jean- Philippe Malaty, Executive Director.

PRODUCERS CIRCLE DANCERS CIRCLE EDUCATION CIRCLE Innovation and creativity are the hallmarks Aspen Santa Fe Ballet dancers make up Education and outreach lie at the core of of Aspen Santa Fe Ballet. Producers Circle the heart and soul of our organization. our mission. We thank the following indi- donors underwrite the creation of new Our Dancers Circle donors allow us to care viduals and foundations for supporting works by some of the world’s top choreog- for and nurture our greatest assets. They our passion to provide high quality, year- raphers, ASFB performances, and presen- allow Aspen Santa Fe Ballet to retain some round arts education for students of all tations of visiting dance companies. Their of the top talent in the field and contrib- abilities and socio-economic back- contributions are crucial to Aspen Santa ute to making our communities havens in grounds. Their gifts allow Aspen Santa Fe Fe Ballet’s unwavering commitment to which artists can live and create. Their Ballet’s school and Folklórico program to providing inimitable programming of the contributions specifically support our provide scholarships and free, after- highest caliber to its home communities dancers’ competitive salaries, retirement, school outreach, enabling local children to and beyond. health benefits, and physical therapy. experience the art of dance.

Alpine Bank DANCER SPONSORS: Aspen Community Foundation Les Dames d’Aspen Maja and Nic DuBrul Gayle Embrey / Embrey Family Foundation The Grinspoon Family, in Jessica and John Fullerton honor of Harold Grinspoon Janie Hire / Hire Family Foundation Barbara Gold Jacob’s Pillow Dance Festival Nance and Ramon Jose Lopez Soledad and Robert Hurst Toni and Jim Kaplan Melville Hankins Bobette and Jay Lerner Toby Devan Lewis Family Foundation Catherine and John Maas New England Foundation for the Arts Carrie and John Morgridge Mary and Patrick Scanlan / Morgridge Family Foundation Melinda and Norman Payson Bebe and David Schweppe Kelley and Mark Purnell Esther Pearlstone Judith Zee Steinberg and Nancy and Richard Rogers Carolyn Powers Paul Hoenmans Jon Stryker and Slobodan Randjelović Bebe and David Schweppe Sherry and Eddie Wachs Michiko and Gary Tarna DANCER SUPPORTERS: The Thrift Shop of Aspen Barbara Allen Paula Brodin Tony DiLucia Diane and Charles Lott Leigh Moiola and Charles Dale David Newberger Orli and Bill Staley

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$5,000 AND ABOVE Eli Weiss, in memory of Betty Weiss Kathy Weiss, AMAN Resorts LIST in memory of Betty Weiss DONOR Alan and Audrey Bell Rachel and Paul Zimmerman November 1, 2015 - October 31, 2016 Scott Bickford We offer our sincere gratitude to the following Rita and Irwin Blitt $2,500 AND ABOVE Paula Brodin / Anonymous Fund at donors for their generous contributions: Mountain Management of Aspen Community Foundation Aspen, Inc. Tracy and Dennis Albers $100,000 AND ABOVE The Grinspoon Family, Sabrina and Jay Brown Pamela Alexander in honor of Harold Grinspoon Butterfield & Robinson Karin Bannerot Melville Hankins The Lauder Foundation, Terri and Tony Caine Susan Beckerman Family Foundation Leonard & Judy Lauder Fund Ruth Carver Karen and Steven Berkowitz Melinda and Norman Payson Mona Look-Mazza and Tony Mazza Bunni and Paul Copaken Rod Boren Family Fund, Kelley and Mark Purnell Diane and Charles Lott Claire Dewar Fund of Santa Fe Community Nancy and Richard Rogers Laurie Michaels Advised Fund at The Dallas Foundation Foundation $50,000 AND ABOVE Aspen Community Foundation Frances D’Alessio and Mark A. Bradley Dick Butera National Endowment for the Arts Jason Saslow Patricia and Charley Brewer The City of Aspen Amy and John Phelan David Morris International/ Merrilee Caldwell and The Fullerton Family Rowland + Broughton A-ROSA Cruises Marcus Randolph Charitable Trust Architecture and Urban Design Scott Davidson Susan Cedar and Gary Lowenthal Barbara Gold The Santa Fe New Mexican Gayle Embrey Pamela and Rick Crandall Maison Ullens The Shubert Foundation Laurie Farber-Condon and Gary Dontzig Carolyn Powers Michiko and Gary Tarna Michael Condon Melanie Doskocil Bebe and David Schweppe Bill Thornton / Betsy Eberle Fifield El Pomar Foundation Advised Fund at Aspen Grace & John T. Harrington Fine Estates from Spain Sandra (Zoe) Eskin / Community Foundation Foundation Sistie Fischer Eskin Family Foundation A. Charles Forte Judith Zee Steinberg and $10,000 AND ABOVE Anthony Fama and Scott Brown Paul Hoenmans Mary Ann Frenzel Fiasco Fine Wines Aspen Daily News Jon Stryker and Keith Gorges Robin and John Fitzpatrick Rita and Jeffrey Adler Slobodan Randjelović Jeff Grinspoon and Jon Foley Sarah Kennedy Flug Kay Bucksbaum Sherry and Eddie Wachs Charitable Fund, in honor of The Barry Friedberg and Colorado Creative Industries Harold Grinspoon Charlotte Moss Family AND ABOVE $25,000 Susan Crown and Bill Kunkler Steven K. Grinspoon, Foundation Alpine Bank Donna Di Ianni and Peter Rispoli in honor of Harold Grinspoon Golda and Sheldon Friedstein Judi and Alan Altman Tony DiLucia Henrietta and Terence Hall Jacqueline Frischknecht The Aspen Club and Spa Michael A. Hauger Cindi and Daniel Hart Betty Davis Gates Barbara and Bruce Berger Janie Hire / Barbara and Peter Hearst Connie and David Girard-diCarlo Sasha Camacho Hire Family Foundation Lita Warner Heller Mira and Donald Glen The City of Santa Fe Hotel Teatro Jocelyn and Richard Herig Andi and Jim Gordon Arts Commission Denise Ann Jurgens and Bobbie and Tat Hillman Dolly Gray-Bussard Yoly and Mark Davis Kevin Messerschmidt Peggy and Alan Hunt Celeste and Jack Grynberg Maja and Nicholas DuBrul Melony and Adam Lewis Mike and Laura Kaplan Robin and Carl Hardin Soledad and Bob Hurst Advised Fund at Aspen Advised Fund at Aspen Jessica Hite Toni and James Kaplan Community Foundation Community Foundation Hotel Jerome Bobette and Jay R. Lerner L’Hostaria Ristorante Pearl and Howard Klein Liba Icahn Les Dames d’Aspen Nance and Ramon Jose Lopez Alissa and Steven Korn Family Reenie Kinney and Scott Hicks Toby Devan Lewis Nancy and Robert Magoon Charitable Fund, in honor of Marianne and Richard Kipper / Catherine and John Maas Fredericka and David Middleton Harold Grinspoon The Richard E. & Marianne B. Leigh Moiola and Charles Dale New England Foundation Anne and Philip May Kipper Foundation Esther Pearlstone Advised Fund at for the Arts Mary McAlpin Anabel and John Konwiser Aspen Community Foundation David Newberger Gary Mihalik and Frank Pieri Carolyn Landis Mary and Patrick Scanlan Beverle and Marc Ostrofsky Julie Weiss Murad Langham Place New York, Advised Fund at Aspen Leah and Thomas Paalman New Mexico Arts Fifth Avenue Community Foundation Santa Fean Rozanne and Billy Rosenthal Mary Anne and Bruce Larsen Jackie and Glenn Tilton The Santa Fe Reporter Lorraine and Mark Schapiro Fund, Santa Fe Community The St. Regis Aspen Resort Deborah and Bob Sharpe Foundation $15,000 AND ABOVE James R. Seitz, Jr. Thornburg Investment Lawrence Lazarus Anonymous Mary Sloane and Management Katherine LeMieux-Rodman and Barbara Allen Andrew Wallerstein Donna Treadwell Bill Rodman Aspen Community Foundation Bill and Orli Staley Foundation Diane Troderman and Barbara Martell Aspen Sojourner Van Cleef & Arpels Harold Grinspoon Mary Martin The Aspen Times Amy, David, Kayli and Danny Weiss Marx Family Advised Fund at Embrey Family Foundation in memory of Betty Weiss Aspen Community Foundation

90 | www.aspensantafeballet.com ASPEN SANTA FE BALLET

Linda McCausland and Susan and Conrad De Jong Fund, Richard Hertz and Doris Meyer Joyce and Bill Gruenberg Peter Nicklin Santa Fe Community Fund, Santa Fe Community in memory of Betty Weiss Jane and Marc Nathanson Foundation Foundation Bessie Hanahan We’re not like most craft distillers. Gael Neeson and Stefan Edlis Sara Dodd Ocean Munds-Dry and Randy Dry Virginia Harlow and Janet and Tom O’Connor Mary Dominick and Sven Coomer Moncler Steve Kaufman For example, we have a distillery. Dorothy and Aaron Podhurst Heather and Todd Duboef Marcie and Robert Musser Sheila and Ed Heighway James Posch Diana Duffey Advised Fund at Aspen Lisa and Roger Hill Prince de Galles Hotel, Paris Leatrice and Melvin Eagle Community Foundation George Hincapie There are a lot of so-called “craft distillers” out there these days, many of whom are distillers in Carol Prins and John Hart Clare Evert-Shane and The Mark & Nedra Oren Bill Hussey name only. They buy industrial alcohol from big manufacturers, blend it with a small amount Southwest Plastering Co. Steven Shane Family Philanthropic Fund Italian Wine Merchants they make from a contract distiller and call it their own. But, of course, their label sure does Beth and Rick Schnieders Ruth Anne and Halley Faust The Pierre, New York Diane and Patrick Jack look pretty. Woody Creek Distillers, however, is the real deal. We make and bottle our spirits in The Phillip and Terri Schrager The Richard and Deborah Felder Paige Price and Nevin Steinberg Debbie and Richard Jelinek Foundation Foundation Reese Henry & Company, Inc. Samantha A. Johnston our own distillery. And we grow most of our ingredients ourselves. So if you want a truly craft Isa Catto Shaw and Daniel Shaw, Darla and Tom Fellman Rosewood Hotels & Resorts Mary and Norm Kaczmarek distilled spirit, drink Woody Creek. Catto Shaw Family Foundation Susan and George Fesus John Schnatter Sandy and George Kahle / Lois Siegel James Fifield Kathleen Ann Schulman and The Kahle Foundation Susan Sparks, Georgia Foulard Gerald Greyson Roberta and Teddy Katz Points of Interest Travel Kazukuni Sugiyama and Judy and Paul Schur Ambassador Robert Holleyman, II Vickie and Gaines B. Stanley, Jr. David Frank Louise and Robert Schwab and Bill J. Keller Dana and Andrew Stone Jean and Gregg Frankel Phyllis and David Scruggs Linda and Richard Kendall Marianna and Mark Tanguay Karen and Marc Friedberg Karen Setterfield and Barbara Koval Mary Ann and Ray Tittle Sallie Golden David Muckenhirn Ellen and Charles Lacey Cheryl A. Towning Angel and Aaron Goldman Teena and George Shaw Michael Landrum Keith and Margie Weber Roberta and Harvey Golub Nancy and Bruce Stevens Rebecca and Doug Leibinger Foundation Arthur N. Greenberg Fund of John D. Stoller Joan Lombardi and Lee Nash Patti and Jay Webster The Jewish Community Curt Strand Karen and Courtney Lord Joseph and Carrie Wells Foundation of Los Angeles Tracy Straus and Joel Kipnis Randi Lowenthal Advised Fund at Aspen The Gritti Palace Hotel Venice Julia Strickland and Timothy Wahl Susan and Dan Luedke Community Foundation Anna Hansen and Bob Teitler Clayton Maebius Dorothy Wildman and Lance Armstrong Valentino Joe McGuire Albert Sanford Julia Hansen Doug Pearson and Rosemary and Bernie Minard Marilyn Hodges Wilmerding Irving Harris Foundation Leelee von Stade Beth and Josh Mondry vodka whiskey GIN Stephanie and David Wirt Carolyne Heldman and Ruth Winter / Herbert & Ruth Mountain Chalet Tamara and Frank Woods Doug Rovira Winter Foundation Nicole Nagel-Gogolak Tita and Eugene Zeffren Alan Fleischauer and AnneAdare Wood Sara and Don Nelson Thomas Higley Woody Creek Distillers Maureen and Robert Oxenberg $1,000 AND ABOVE Sharon and John Hoffman Jan and Jim Patterson $500 AND ABOVE Mone Anathan Gayle and Woody Hunt Hensley and James Peterson Satsuki Annino Fern Hurst Anonymous Doren Pinnell Jill and Paul Aschkenasy Lynni Hutton Deborah and Charles Adelman Maria and Stephen Pope Aspen Skiing Company Family Sally B. Kaplan Nadine Asin and Tom van Straaten Sara Ransford / Fund at Aspen Community Cathy and John Koplovitz Jeanne Bailey The Arches Foundation Foundation Carol and Tom Kurt Town of Basalt Olivia and Stephen Rassenti Cori and Seth Berger Julie M. Lampton Judy and Sam Berger Margaret and Dwayne Romero Elizabeth Bonan Dorothy J. Lebach Traci Bouza Maria and David Rosenfield John Bossard Elaine and Robert LeBuhn Matt Brown Cynthia Ross and Marsha and Michael Bourque Jody Guralnick and Michael Lipkin Jessica and Bill Budinger Martin Hauer-Jensen Ginny and Charles Brewer Charmaine Locke and James Surls Matt Bunkowski James R. Rothschild Mark Brown and Stephen Brint Karen and Walter Loewenstern Samantha and Nick Campanile Elexa Ruth Joseph M. Bryan Jr. / The Loewenstern Fund at Caribou Club Zoe Ryan The Burlington Capital Group Community Foundation Santa Barbara and Herschel Cravitz Sally Sakin Bunny and Charles Burson Cruz County Steven Dehler Carla and Wido Schaefer Elaine and Harris Cahn Loro Piana Richard Depippo and Gloria Scharlin The Carneros Inn Charles Lucarelli Douglas Howe Kathy Schepps Rona and Jeffrey Citrin Ali MacGraw Muffy and Andy DiSabatino Ashley Schiff Quarrier and Philip Cook, Marlene and Fred Malek Bernice and Loyal Durand Patty and Adam Schwartz Santa Fe Community Nicola and Jeffrey Marcus Darlynn Fellman Mary Hugh Scott Foundation Arlena and Martin Markinson Marcy and Peter Franz Maria and Gary Shapiro The Compound Susan and Shawn McCoy Pat and Michael French in honor of Sherry and Heather Cramer Katherine and David McLellan Seth Lolich Gardner Eddie Wachs Liza Culick and Geri Migielicz Jamie and Glen McLeod Madeleine Gehrig Jill Shore Leslie Curley Barbara and Pat MacMahon Kim and Brody Glenn Katie and Michael Solondz Simon B. Daniels Robin Merlo and Annalee Gooding Tami Solondz Michael Lescander Merle Gross

WCD_MasterBrand_Print_SantaFe_Dec2016.indd 1 11/15/16 3:35 PM

Job Number: WOODY16003 Date: 11.15.16 Project/Pub: 5280 / November 2016 Headline: We’re not like most craft distillers. Trim/Safe/Bleed: Trim: 8.375”W x 10.875”H / Safe: 7.875”W x 10.375”H / Bleed: 8.625”W x 11.125”H Sign-offs: CREATIVE/ART DIR. COPYWRITER ACCOUNT PROOFREADER PRODUCTION ASPEN SANTA FE BALLET ASPEN SANTA FE BALLET

Roslyne Paige Stern and Holly Hunt UP TO $249 The Cook Family Rita Hunter Margaret Page and Michael Pearce Jane Gray and Byron Treaster Robert Stern Kay and David Ingalls Suzanne and Darren Cowan Nina and Don Huntsman Lynda Palevsky Jennifer and Michael Tullar Anonymous (3) D. Scott Stuart Chonnie and Paul Jacobson Tiffany Craven Kristin Jensen Jennifer Palmer Holly and Steve Tullar Katherine Abraham Tracye Tackbary Rusty and John Jaggers Alicia and Jon Creyts Ann and Josef Jindra Joanne and Kurt Papenfus Maggie Van Ert Sally and Barry Abramson Adrianna Thompson and The Jillana School Krys and Philip Custer Marla Johnson Merle and Dennis Passis Sandra Waks Sherry Achi / Skin Therapy Clinic David Ledingham Katrina Johnson and Custom Tours by Clarice, Inc. Sandy and Peter Johnson Andrea Wendel and Kevin Patrick Alexandra and Michael Ward Acquolina Trattoria & Pizzeria James Valerio Francisco Solis Hailey Dart Juliet and Martin Jones Tim Blose and Janine Pearson Donna and Tom Ward Brooke Allen Joan H. Vernick Kathryn Jordan Kim DeCarlo Tiia Kari McLaughlin and Lucinda Pennington Michael Werner Doug Allen Christopher English Walling Kiyoshi and Yasuko Kimura, Suzanne and Robert Decker George McLaughlin Clarisse Perrette and Larry Freed William P. White Jennifer Allen Victoria and Brian Windle in memory of Betty Weiss Suzanne Denning and Gideon Kaufman Tammy Pfeifer Kay and Bill Whitman Jackie Judd and Woods Design Builders, Inc. Irena and Michael Landman Russell Bonin Susan Kayser Jane E. Phillips-Conroy Meghan and Jason Winokur Dr. Lawrence Allen Nancy Zeckendorf Paige Lane Linda DeSoto Stacy Keating Susan Philp Sandra L. Witbeck Andy Anderson Kevon Zehner and Ron Ritchhart Marian and Leonard Lansburgh Linda DeWolf The Kerr Foundation, Inc. Yosefa and Craig Platt Suzanne Wolff Fiona Andrulaitis / Aspen Lashes Joany Lebach Becky and Dean Dombrowski Laura and Joseph Kiser Christy and Bill Pope Jane and Daniel Yohalem $250 AND ABOVE Richard Antopol Bruce Lee at John Donaldson Anna Marie and Mike Klanac Marcia Kaplan and Lilliana and Carlos Zacarias Lindsay Archuleta Aspen Productions Rockwood Charitable Trust Marsha and David Dowler Mona and Chad Klinger Michael Privitera Patricia and Nolan Zisman Sigrid Aufterbeck-Benton Michael C. Abramson Rose Ann and Michael Leiner Nancy and John Eberle and Family Lisa and Michael Puder Janet Zlatoff-Mirsky Sam R. Bacon Ruth C. Abramson Lucy and J. David Levy Janet and Joseph Eigner Knights of Columbus Council Kathryn and Richard Rabinow Sharon and Elliot Zucker Melissa and Paul Bagwell Jane and Jene Alexander Mary and Tom Lile Audrey Ellis Janet Korenblat Gaby and Bob Rafelson Fran and Craig Barton Debra Ayers and Greg DePrince Nicholas Lincoln Shirley and David Emin Ruth and Paul Kovnat Seia Rassenti Watson and Caroline and Everet Beckner Paul and Vernon Barnes-James Dave Lusk and Dirk Schultz Jane Engel Sue Ellen Krause Joseph Watson Tami and Dan Bender Michael Behrendt and Ivan Cassar Laurie MacCaskill Geoff Erwin in honor of Betty Weiss Sarah Reynolds and Jason Lasser Megan Bentzin Susan Bell and Peter Ogilvie Maialino and Marta Restaurants, Diana and Jared Ettlinger Blake Kuwahara Amy and John Riley Beverly Berger Wendy and Jack Bergstrom New York Rick Fabian Alfred Lafave Ronald Rinker and Jay Geiger Greg Betts Alexandra Betts Joan and Michael Marek Ashley Feddersen Marilyn and Earl Latterman Marilynn and Charles Rivkin Nicolette Bianchi Elisa Spungen Bildner and Jeffrey A. Marks Abigail Ferrin Marc Sekula and Theodore Lee Denise M. Roberts Jesse Bouchard Robert Bildner, in honor of Daniel N. Martin Patty and Peter Findlay Neda Lejevardian Heather Robertson Megan and Ken Boucher Harold Grinspoon Marjory Musgrave and Gail and Douglas Fine Richard Lemon Noelle Rohde Craig Branton Elaine and Robert Blatt Frank Peters Joan B. Firman David and Alison Levin Christine Romero Sarah C. Brett-Smith and Andrea Booher George Newell Justin Fisher Debra Levine The Romeyn Family Stephen L. Adler Cara and David Borchers Ricki and Kerry Newman Ronald Schiller and Alan Fletcher Lynne and Dan Levinson Ed Ronk / GRW Advertising Jan Brewer Emily Burr Jessica and Brad Nichol Lindsay Forster Janet Sabel and Jim Liebman Polly Ross Geri and Steve Briggs Nancy and Cal Busch Wendy and Ray Orley Barbara Fretz Diane Lighthall Carolyn Sackariason Suzanne Broadbent Lisa and David Caldwell Jean and Allen Parelman Sandra and Harold Friedman Linda and Lee Loeschen Shelby and Ryan Salmon Alex Brose Michele Cook and John Camp Jim M. Patton III Phyllis and Jim Frier The Long Family Veronica Encinas and Edward R. Brown Tracey Cheatham Mary and George Perstein Amalie Frischknecht Katherine and Jeff Love Didier Saumon Jo Brumet Judy and Tom Christopher Ali and David Phillips John Galante Nova Andrea Loverro Susan and Sheldon Schneider Jane and Bill Buchsbaum Elaine and Ken Cole Edie and Donn Resnick Ginni Galicinao Jenny and Charlie MacArthur Judith Schramm The Buddy Program Pam and Kevin Collins Elizabeth Rivera-Dirks Risoun and Scott Gallagher Heather and Chris MacDonald Merry and John Schroeder Ruth and Tom Buhl Kaitrin Cooper Elaine and Marvin Rosenberg Emily and Isaac Garcia Robert Mang Marlene Schroeder Ann Burns Beth and Rea Coulter Irina and James Ross Georgia Restaurant Dr. Frank C. Marino Foundation Robyn and Craig Scott Cherryl D. Busch Angela and Charles Cunniffe Santacafe Linda Gerdenich, Julia Marshall / Tracy and Jeff Sgroi Campo De Fiori Barrett Cyr Sue and John Shaffer in honor of Mary Hayes Mt. Daly Enterprises Joan and Laurence Shandler LaRae Cantave / Merry and Rick Davis Marina and Oliver Sharpe DeeDee and Herb Glimcher Katherine Sand and Scott Martin Brook and Shane Sherick Aspen Valet Services Lynn and Jude Deason Sally Shiekman-Miller Thorey and Barry Goldstein Abby and Brendan Matthias Stacey and Chad Simon Susanna Carlisle and Marci and Joe DiSalvo Trudy Strassburger Nanette and Irvin Greif, Jr. Margaret Mavretich and Susan and Veree Simons Bruce Hamilton Kimberly Edwards Merle and Franklin Strauss Teresa and Darryl Grob Robert Walko Robin Smith Jennifer and Zach Carlson Marja Engler Leisa Street Britta Gustafson Lyra Mayfield and Charlie Stein Miriam and Thomas Snider Amy and Richard Carr Bruce Etkin Mike Tanguay / Barbara Hadley and John Burke William L. McDuffey Marilyn and Gilbert Spiegel Toni Case Wendy and Jerry Feinstein Aspen Constructors, Inc. Margaret and Adam Hancock Mia McMahon Tracy Stanfield Iris Cassidy Anne Foster Taylor Foundation, Inc. Michael Hassig / A4 Architects Christina Medved Sandy and Stephen Stay Lani Cayot and John Oosterhout Cynthia Fowler and Anne and Bill Tobey Courtney Hehre Miller Family Ginger Bowe Sullivan Philip Chapman John A. Meligeni Tamara Tormohlen and Sue and Bob Helm Ana and Tommy Mineo Benjamin Swan Phyllis Chavez Frette Marc Breslin Janis Hetrick Mary Ann and J. Brent Moore Katherine and Keith Teahen Caroline Christensen Dorothy Frommer Barbara and Richard Van Dongen Maureen K. Hill Sonya Taylor Moore, Jennifer and George Tempest Kristeen Church Daryl and Henry Gelender Pepper Weinglass and Cynthia Hirschfeld The Yellow Canary Melissa J. Temple Margo A. Clark Sarah Gercke Soffia Wardy Mitzi and Bernard Hlavac Lora Morton Hanne and George Thatcher Lance Clarke John Giovando Lena and James Wockenfuss David Holmer Joan T. Muhlfeld John Thew Marge H. Closson Barbara and Gary Goldstein Maureen Brooks and Meghan Holmes Meghan and Delvon Nemechek Thornely Family The Club at Las Campanas Gabrielle Greeves Peter Wurzburger Shirley and Jack Holst Sam Novgorodoff Molly and Zeke Tiernan Katherine and James Cochran Bunny and John Harrison David E. Houggy, Jr. Ryan O’Donnell Allison Tiller Richard Collins Lyndsey and Eric Haynie Deirdre Howley and Ira Eisenstadt Candice Oksenhorn Phyllis Townsend Collins Family Paul Heath Katrina and Greg Huffaker Shirley G. Orbeck Erika Tramm Leslie Cook Joseph Todd Heimel Jeanene and Ron Hulsey Evita and Andrew Ortega Baylor H. Trapnell

94 | www.aspensantafeballet.com www.aspensantafeballet.com | 95 We are proud to support Aspen Santa Fe Ballet.

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