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2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
Roberto Muñoz
Roberto Muñoz Mr. Munoz has been teaching and coaching young dancers for over 30 years, both in the USA and abroad. Mr. Munoz served as Director of the Conservatory of Dance and Music Point Park College (now University) from 1983-1995. There, he created two successful programs for young aspiring dancers, The Pre-Professional Division and the International Summer Dance Program. During this time, he assembled an impressive faculty of world-renowned Master Teachers, including Laura Alonso, Barbara Sandonato, Karen Brown, Magda Aunon, Eva Evdokimova, Willy Burmann, Michael Uthoff, John McFall and Jose Molina. In the summer of 1993, Mr. Munoz, was invited to be part of the faculty at Pro Danza in Havana Cuba, where he taught classes at the Historical Theater Garcia Lorca. In the year 1995, was invited to teach at The Baltimore High School for the Performing Arts. From 1997-2005, Mr. Munoz was Ballet Master/Coach for both Pittsburgh Ballet Theater’s Company and its school. In 2005, he became Executive Director and Ballet Master at Gulfshore Ballet in Florida. Mr. Munoz’s former students are recognized for their high level of professionalism and their artistic and technical achievements. Most have gone on to successful careers with major companies across the US and Europe. Mr. Munoz has been a guest Master Teacher at a number of Ballet Companies, including Atlanta Ballet, Ballet Arizona, Ballet Met, Boston Ballet, Houston Ballet, Pittsburgh Ballet Theater and Colorado Ballet, among others. He has also taught master classes at Central Pennsylvania Youth Ballet, Magda Aunon Classical Ballet School, Wexford Dance Academy, Ballet Academy of Pittsburgh, Dmitri Kulev Classical Ballet Academy, Colorado Conservatory of Dance, Aspen Santa Fe Ballet School, both in Aspen and Santa Fe, Vail Valley Dance Academy, Ballet Conservatory of South Texas, Dance Conservatory of Maryland, Takeuchi Ballet Studio in Japan and the Kenny Wang Ballet School in Taiwan.. -
Dance Theatre of Harlem
François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin -
Balletx Program
GENEVA CONCERTS presents Saturday, October 19, 2013 • 7:30 p.m. Smith Opera House 1 GENEVA CONCERTS, INC. 2013-2014 SEASON Saturday, 19 October 2013, 7:30 p.m. BalletX Still@Life / Silt / The Last Glass Friday, 8 November 2013, 7:30 p.m. Rochester Philharmonic Orchestra Christoph Campestrini, conductor Barry Snyder, piano (1966 Van Cliburn Silver Medalist) Stravinsky: The Fairy’s Kiss: Divertimento Mozart: Piano Concerto No.23 in A Major, K.488 Tchaikovsky: Symphony No. 5 Friday, 31 January 2014, 7:30 p.m. Rochester Philharmonic Orchestra Fabien Gabel, conductor Philippe Quint, violin (four-time Grammy Award nominee) Debussy: Prelude to the Afternoon of a Faun Saint-Saëns: Violin Concerto No. 3 Ravel: Une barque sur l’océan (A Boat on the Ocean) Ravel: Tzigane Stravinsky: Firebird Suite (1919) Saturday, 1 March 2014, 7:30 p.m. Michael Hashim’s New York All-Stars! An elegant quintet of piano, bass, guitar, drums, and Geneva’s own Michael Hashim on saxophone. Friday, 28 March 2014, 7:30 p.m. River City Brass The 17-piece ensemble has delighted audiences with its signature style, building upon the tradition of brass bands popularized in Great Britain and the U.S. Programs subject to change. Performed at the Smith Opera House 82 Seneca Street, Geneva, New York These concerts are made possible by generous underwriting from the Williams Family Foundation and by a continuing subscription from Hobart and William Smith Colleges. 2 GENEVA CONCERTS, INC. Saturday, October 19, 2013 at 7:30 p.m. STILL@LIFE (2008) Choreographer: Annabelle Lopez Ochoa Music: J.S. -
DANCING ABOUT ART “I Had Only Just Come to Ireland and They Made Me Feel More at Home Here, I Related Very Much to His Way of INTERVIEW: Looking at the World
Saturday November 13, 2010 Brocquy’s that she ever saw were his white faces and ancestral heads. “I found them deeply inspiring,” she says. DANCING ABOUT ART “I had only just come to Ireland and they made me feel more at home here, I related very much to his way of INTERVIEW: looking at the world. Morleigh Steinberg has devised a dance homage to Louis “Having got to know Louis I asked him had he ever seen le Brocquy. Róisín Ingle met her at a break in rehearsals his paintings danced. He didn’t say yes, he didn’t say no, he said ‘that’s such a good idea’ so I took it upon myself HALFWAY THROUGH INTERVIEWING dancer to do it. There is a lot of movement and energy in his Morleigh Steinberg, a U2 song comes on the stereo, a paintings so it felt very natural and a lot of fun.” barely audible elephant in the back room of the Dún Laoghaire pub where we meet to discuss her latest The paintings reminded her of the dancing style of her co- project, a dance interpretation of Louis le Brocquy’s choreographer Oguri – a Japanese dancer who is married paintings. When I point out the musical “coincidence”, to her sister Roxanne (also a dancer) – and of the work dark haired, dark eyed Steinberg, who also happens to be they do together. “We dancers are very incestuous,” she Mrs The Edge of U2, doesn’t miss a beat. “Yes, I heard laughs at one point. “Louis wasn’t just painting the face, that when it came on,” she says in her soft voice. -
Aspen Santa Feballet
Here’s a snapshot of ASFB today: Aspen Santa Fe Ballet An extraordinary contemporary ballet company with a broad national and international reach Juan Siddi Flamenco Santa Fe A vibrant company of 14 flamenco dancers and musicians serving as a proud ambassador of Santa Fe’s diverse cultural heritage Aspen Santa Fe Ballet Presents Bringing a wide variety of internationally recognized dance companies to our home communities The School of Aspen Santa Fe Ballet A rich network of schools offering premiere dance instruction to hundreds of local students Aspen Santa Fe Ballet Folklórico Impactful community outreach benefiting local youth through Mexican folk dance TWENTY YEARS OF ASPEN SANTA FE BALLET www.aspensantafeballet.com PHOTO: MICHELE CARDAMONE APPLAUSE MATTERS ASPEN SANTA FE BALLET ASPEN SANTA FE BALLET PRESENTS A steadfast commitment to creating new work is a building block An embrace of fellow dance companies across many genres reflects It gives voice to audience passion. of ASFB. After 20 years, the company’s repertory boasts 80 ballets passion for the art of dance and the value of cultural diversity. This But other feedback — generous, ongoing support by 40 choreographers, a remarkable 31 of them commissioned and calculation led to the formation of Aspen Santa Fe Ballet Presents. — funds the mission. created for ASFB. The result has been the showcasing of more than 50 stellar dance Choreographers such as Alejandro Cerrudo, Norbert de la Cruz III, companies in our home communities. Since 1999 ASFB has YOUR SUPPORT BRINGS THE ART FORM TO LIFE Jorma Elo, Nicolo Fonte, Helen Pickett, Dwight Rhoden, and presented some of the world’s great dance companies: Alvin Ailey Cayetano Soto were nurtured by ASFB, each creating multiple II, Ballet West, Complexions Contemporary Ballet, Dance Brazil, It underwrites innovative dance programming. -
Aspen Santa Feballet
TWENTY YEARS OF ASPEN SANTA FE BALLET NEWSnewsnewsnewsnewsnewsnewsnews WINTER 2017 PHOTO: ROSALIE O'CONNOR ASPEN SANTA FE BALLET WINTER 2017 NEWS 04 New Work: Cherice Barton 06 Sponsor Profile 07 Wedding Bells 08 2017 Winter Season 10 Dancer Spotlight 11 ASFB On Tour PHOTO: ROSALIE O'CONNOR ASPEN SANTA FE BALLET NATIONAL COUNCIL Celeste and Jack Grynberg Carol Prins and John Hart Henrietta and Terence Hall Mara Robinson Bebe Schweppe, Founder National Council co-chairs: Bessie Hanahan Nancy and Richard Rogers Tom Mossbrucker, Artistic Director Sarah Broughton & Nicholas DuBrul Julia Hansen Philip Rothblum Jean-Philippe Malaty, Executive Director Rita and Jeffrey Adler Tracy and Dennis Albers Robin and Carl Hardin Mary and Patrick Scanlan BOARD OF TRUSTEES Karin Bannerot Cindi and Daniel Hart Lorraine and Mark Schapiro Kelley Purnell, President Susan Beckerman Michael Hauger Beth and Rick Schnieders Jay R. Lerner, Vice President Linda Bedell Barbara and Peter Hearst James Seitz Leigh Moiola, Vice President Barbara and Bruce Berger Lita Warner Heller Deborah and Bob Sharpe Denise Jurgens, Treasurer Karen and Steven Berkowitz Bobbie and Tat Hillman Isa Catto Shaw and Daniel Shaw Michael Hauger, Assistant Treasurer Rita and Irwin Blitt Janie Hire Lois Siegel A. Charles Forte, Secretary Rod Boren Jessica Hite Susan Sparks Barbara Gold, Assistant Secretary Mark A. Bradley Sharon and John Hoffman Orli and Bill Staley Judith Zee Steinberg, Past President Patricia and Charley Brewer Peggy and Alan Hunt Vickie and Gaines B. Stanley, Jr. Geri and -
Balletx Winter Series 2014 Two World Premieres, 1 Company Premiere and the Return of Delicate Balance
Media Contact: Mari Kraske, Communications Manager 215- 893-9456 x128(o) 410-960-2512 (c) [email protected] FOR IMMEDIATE RELEASE December, 2013 “BalletX regularly conceives scintillating programs – mysterious, sexy, funny, and surprising.” –The Philadelphia Inquirer BALLETX WINTER SERIES 2014 TWO WORLD PREMIERES, 1 COMPANY PREMIERE AND THE RETURN OF DELICATE BALANCE Philadelphia, PA--BalletX, PhiladelpHia’s premier contemporary ballet and tHe Resident Dance Company of The Wilma Theater, announces Winter Series 2014 (February 12-16). From tHree distinguisHed cHoreograpHers comes a diverse program that will take audiences on a journey througH a myriad of landscapes set to an eclectic mix of world, pop and classical music. A compelling compilation of botH established work as well as two world premieres, tHis Valentine’s Day Winter Series will bring an astounding array of virtuosic contemporary dance to the Wilma stage. The program features the work of Joshua L. Peugh, James Gregg and Jodie Gates, all establisHed artists influenced by a variety of genres including classical, contemporary, modern and hip hop. A program designed to highlight the musical and technical prowess of the BalletX dancers, Winter Series includes a world premiere pas de deux by Peugh as well as the company premiere of his 2012 work Slump, the return of Gates’ Delicate Balance (BalletX world premiere 2012) and a world premiere by James Gregg. WINTER SERIES 2014 Joshua L. Peugh makes His BalletX debut witH the company premiere of his 2012 work Slump. Set to Klezmer, mambo and jazz music, Slump is “a comedy of frivolous, sexually provocative manners” (Dallas Morning News). -
Ballet Technique Demi Pointe- High on the Balls of the Feet
Ballet Unit Guide Name:_________________ Pd. ____ Ballet Technique Demi Pointe- High on the balls of the feet. Demi Plie- Half bend of the knees. Port de Bras- Carriage of the arms. Tendu- Stretched, to point. En Bas- Low (arms). Degage- To disengage. En Haut- High (arms). Devant- Front. Rond de Jambe- Round of the leg, circular movement. A la Seconde- To the second (side). Derriere- Behind, back. Fondu- To melt. In a cross (front, side, back, side). En Croix- Developpe- To develop, developing movement. Reverence- Curtsey. Grand Battement- Large beat. Passe- To pass, passed. Releve- To rise to the balls of the feet from plie. Pirouette- Spin or whirl. Cou de pied- “Neck” of the foot, wrapped. ● En dedans- Inside. Sous Sous- Over, under. ● En dehors- Outside. Saute- to jump, jumped. Chaines- Series of rapid turns, chain, link. Attitude- Position on one leg, other lifted in back, Chasse- Chased. the knee bent at an angle of 90 degrees so that the Tombe- To fall, falling down. knee is higher than the foot. Pas de Bourre- Back, side, front. Bourre step. Arabesque- The position of the body supported on Grand Jete- Large throw. one leg with the opposite leg extended (straight) behind the body. Pas de Chat- Step of the cat. Saut de Chat- Jump of the cat. A series of slow, fluid exercises to develop the dancer’s balance, strength and grace. *Adagio- Support of the skeletal system. Moving in a safe and healthy way Dynamic Alignment- for your body. Turn Out- Rotation of the leg which comes from the hips, causing the knee and foot to turn outward , away from the center of the body. -
Colorado Ballet Donation Request
Colorado Ballet Donation Request Kaspar is preparatively apprehensive after faltering Beck intenerating his system dizzily. Nummary Ossie insculp joylessly, he corroded his Hobbist very sidearm. Clarence is exponentially load-bearing after congealed Madison rescales his halters gibingly. Basketball practices for myself, san francisco meeting daniel came from every donation request a whole crab apple varieties and the new If done as we are able to request is ideal for people back in order to procure the donation request using the department of payment that may be paid primarily from the instructions. Critical Acclaim Ballet West. Heather Waldon trained at Colorado Ballet School San Fransisco Ballet School and Pacific. Colorado Ballet boasts record-breaking season Ibotta CEO and closet donate millions to remote school CSU former president honored by. Requests for qualifications to guiding the selection and approval. Donation Requests Schools and non-profit organizations may submit one request one a charitable donation by type New York Hall life Science NYSCI. Colorado Absentee Ballots Voteorg. Events Colorado Ballet. For more information please to call 303339-1637 or email ticketscoloradoballetorg Group Sales for the 20202021 Season On end Try something will for. Colorado Symphony cancels all concerts through Dec 31. Virtual Little University Creative Movement Workshop with. If female are requesting a donation for a 501c3 recognized charitable organization please condition your reply through our online form below Donation. Colorado Ballet furloughs its dancers reduces staff salaries. Donate blood Thank you for beauty gift to Colorado Ballet Questions or concerns Contact Colorado Ballet Advancement Department at 3033391629 Colorado. Significant financial donations to similar mental health organizations across his Front Range. -
Guide to Dance 2018-2019 Study Guide
GUIDE TO DANCE 2018-2019 STUDY GUIDE Learn about the art of dance and go behind-the-scenes with a professional dance company. Written and compiled by Ambre Emory-Maier, Director of Education, and other contributors l ©2018 BalletMet Columbus TABLE OF CONTENTS Behind the Scenes ............................................................................................................................................. 2 Brief History of BalletMet ................................................................................................................................. 3 BalletMet Offerings ........................................................................................................................................... 4 The Five W’s and H of Dance .......................................................................................................................... 5 Brief History of Ballet ..................................................................................................................................... 6-7 Important Tutu Facts ......................................................................................................................................... 8 Important Pointe Shoe Facts .......................................................................................................................... 9 Glossary of Dance Terms ......................................................................................................................... 10-12 Ballet Terminology.......................................................................................................................................... -
Chapter 9 Ballet Edited.Ppt.Pdf
C H A P T E R 9 Ballet Chapter ?? Chapter 9 Ballet Enduring understanding: Ballet is a classic, Western dance genre and a performing art. Essential question: How does ballet help me express myself as a dancer? Learning Objectives •Recognize major ballet works, styles, and ballet artists in history. •Execute basic ballet technique, use ballet vocabulary, and perform barre exercises and center combinations. •Apply ballet etiquette and dance safety while dancing. •Evaluate and respond to classical and contemporary ballet performances. Introduction Ballet began as a Western classical dance genre 400 years ago and has evolved into an international performing art form. The word ballet comes from the Italian term ballare, meaning to dance. Chapter 9 Vocabulary Terms adagio allegro à la seconde à terre ballet ballet technique barre center derrière stage directions Devant turnout en l’air Ballet Beginnings Ballet moved from Italy to France when Catherine de’ Medici married the heir to the French throne, King Henry II. She produced what has become known as the first ballet, La Comique de la Reine, in 1588. Ballet at the French Court Louis XIV performed as a dancer and gained the title The Sun King after one of his most famous dancing roles. A patron of the arts, Louis XIV established the Academy of Music and Dance. In the next century the Academy would become the Paris Opéra. Court Ballets • During the 17th century, court ballets were dance interludes between dramatic or vocal performances or entire performances. • Sometimes ballets were part of themed balls such as pastoral or masquerade balls.