Masterlist for Press FY20
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JULIA ATKIN Height: 5’8” | Hair: Dark Brown | Eyes: Dark Brown
JULIA ATKIN Height: 5’8” | Hair: Dark Brown | Eyes: Dark Brown www.juliaatkin.com FILM/TV Bug Bites (short) Lead Independent Daniel DelPurgatorio neXt Co-star 20th Century Fox Tim Hunter Chicago Med Co-star NBC Charles Carroll THEATRE Hershel and the Hanukkah Goblins³ Fanny Strawdog Theatre Co. Spencer Ryan Diedrick The Neighbor³ Neighbor Small Hours/Prop Thtr Brynne Frauenhoffer Over Easy²/³ Taylor SheNYC Arts Festival Margaret Baughman Mad Girls² Eileen Rhinofest/Prop Thtr Jen Sloan Mad Girls¹ Eileen Chicago Dramatists Evalena Friedman SITP: Romeo and Juliet Benvolio (u/s) Chicago Shakespeare Theater Marti Lyons The Merry Wives of Windsor Anne Page The Arc Theatre Mark Boergers Puddin ‘N Pete¹ Ariel Court Theatre Ernest Perry, Jr. Trouble in Mind¹ Judy Sears Court Theatre Sydney Chatman The Electronic N——r¹ Sue Court Theatre Cedric Mays Twelfth Night Viola TTS/DePaul University Stuart Carden Middletown Mrs. Swanson Conservatory Theatre Ensemble Gus Heagerty ¹ Staged Reading ² New Work ³ Virtual Production COMMERCIAL Hallmark Principal Hallmark Cards Dac McCabe KUDO Principal Flightless Bird Creative Kevin Conway Walmart Principal The Ruckus Billy Federighi, Brett Snider Dyson Principal The Mill Ben Hansford DePaul University Principal Quriosity Productions Christopher Tovo EDUCATION Shakespeare & Company – Rhythm and Structure with Tina Packer, Gwendolyn Schwinke, Rory Hammond A Red Orchid Theatre – What They Want/Who You Are with Lance Baker Chicago Shakespeare Theater – Folio I & II with Larry Yando The Theatre School at DePaul University -
2019-2020 Season Overview JULY 2020
® 2019-2020 Season Overview JULY 2020 Report Summary The following is a report on the gender distribution of choreographers whose works were presented in the 2019-2020 seasons of the fifty largest ballet companies in the United States. Dance Data Project® separates metrics into subsections based on program, length of works (full-length, mixed bill), stage (main stage, non-main stage), company type (main company, second company), and premiere (non-premiere, world premiere). The final section of the report compares gender distributions from the 2018- 2019 Season Overview to the present findings. Sources, limitations, and company are detailed at the end of the report. Introduction The report contains three sections. Section I details the total distribution of male and female choreographic works for the 2019-2020 (or equivalent) season. It also discusses gender distribution within programs, defined as productions made up of full-length or mixed bill works, and within stage and company types. Section II examines the distribution of male and female-choreographed world premieres for the 2019-2020 season, as well as main stage and non-main stage world premieres. Section III compares the present findings to findings from DDP’s 2018-2019 Season Overview. © DDP 2019 Dance DATA 2019 - 2020 Season Overview Project] Primary Findings 2018-2019 2019-2020 Male Female n/a Male Female Both Programs 70% 4% 26% 62% 8% 30% All Works 81% 17% 2% 72% 26% 2% Full-Length Works 88% 8% 4% 83% 12% 5% Mixed Bill Works 79% 19% 2% 69% 30% 1% World Premieres 65% 34% 1% 55% 44% 1% Please note: This figure appears inSection III of the report. -
Dracula Media Kit R3
FOR IMMEDIATE RELEASE October 11, 2011 Contact: Erika Overturff, (402) 541-6946 ROMANTIC, CHILLING 'DRACULA' OPENS BALLET NEBRASKA'S SECOND SEASON OMAHA -- He's evil, drinks blood, and sleeps in a coffin. Could there really be more to Count Dracula than those Halloween clichés? Yes, says Ballet Nebraska in Dracula, its season-opening performance at 8 pm October 28 at Omaha's Orpheum Theater. The ballet portrays the vampire count as both a monster and as a man with emotions and vulnerabilities, choreographer Winthrop Corey said. Corey, artistic director of Alabama's Mobile Ballet, said he began the creative process by reading both Bram Stoker's classic 1897 horror novel and scholars' commentaries about it. His research raised a question in his mind: What made Dracula who he was? "Bram Stoker never told us how Dracula got to be a vampire," he said. "I say that he is a man who, through circumstances we don't know, is turned into a monster. Yet he is still a man inside this monster's body, who can kill, but who can also fall in love. And therein lies the ballet; I designed it around that." To develop the choreography, Corey said, he started with the relationship between Count Dracula and the novel's two key female characters: the flirtatious Lucy and her more insightful best friend, Mina. "What I did was narrow it down to three characters -- Lucy, Mina and Dracula -- and the difference between his relationship with Lucy and his relationship with Mina," he said. "One of them he kills and makes a vampire bride; the other one he actually falls in love with. -
SPRING AWAKENING Directed by Damon Kiely
Contact: Andrea Tichy Manager of Public Relations and Special Events (773) 325-7819, [email protected] FOR IMMEDIATE RELEASE September 12, 2012 The Theatre School Showcase: Contemporary Plays and Classics Presents: SPRING AWAKENING directed by Damon Kiely The Theatre School at DePaul University’s Showcase Series of Contemporary Plays and Classics presents Spring Awakening, book & lyrics by Steven Sater, music by Duncan Sheik, based on the play by Wedekind, with musical direction by Mark Elliot, and directed by Damon Kiely. This rock musical premieres on Friday, September 28, and runs through Sunday, October 7, 2012, at DePaul’s historic Merle Reskin Theatre. Performances are Wednesdays through Saturdays at 7:30 PM and Sundays at 2 PM. Previews are on September 26 and 27, at 7:30 PM. 1890s Germany. Winner of eight Tony Awards, this rock musical adaptation proves that Wedekind’s coming-of-age tragedy still has the power to shock. Spring Awakening pits the radiance of youth against the apathy of adulthood with a powerful score by Duncan Sheik. Due to adult situations and content, parental supervision is recommended for ages 17 and younger. Tickets are $15. Subscriptions and group rates (6 or more people) are available at (312)-922-0999. Seniors (over 60), DePaul employees and alumni, and college students receive a discount (with ID). Previews are FREE for any college student (with ID). Tickets are available by calling the Box Office at (312) 922-1999. DePaul’s historic Merle Reskin Theatre is located at 60 E. Balbo Drive at Michigan, Chicago. There are several parking lots near the theatre, and the theatre is also accessible via numerous CTA bus and train routes. -
Adapting Piano Music for Ballet: Tchaikovsky's Children's Album, Op
Adapting Piano Music for Ballet: Tchaikovsky's Children's Album, Op. 39 Item Type text; Electronic Dissertation Authors Stavrianou, Eleni Persefoni Citation Stavrianou, Eleni Persefoni. (2021). Adapting Piano Music for Ballet: Tchaikovsky's Children's Album, Op. 39 (Doctoral dissertation, University of Arizona, Tucson, USA). Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 06/10/2021 04:39:03 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/660266 ADAPTING PIANO MUSIC FOR BALLET: TCHAIKOVSKY’S CHILDREN’S ALBUM, OP. 39 by Eleni Persefoni Stavrianou ____________________________________ Copyright © Eleni Persefoni Stavrianou 2021 A DMA Critical Essay Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2021 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Doctor of Musical Arts Creative Project and Lecture-Recital Committee, we certify that we have read the Critical Essay prepared by: titled: and recommend that it be accepted as fulfilling the Critical Essay requirement for the Degree of Doctor of Musical Arts. _________________________________________________________________ Date: ____________ _________________________________________________________________ Date: ____________ _________________________________________________________________ Date: ____________ submission of the final copies of the essay to the Graduate College. I hereby certify that I have read this Critical Essay prepared under my direction and recommend that it be accepted as fulfilling the Critical Essay requirement. -
The Shubert Foundation 2020 Grants
The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company -
C 170112 ZSM: 242 West 53Rd Street Parking Garage
CITY PLANNING COMMISSION May 24, 2017 / Calendar No. 12 C 170112 ZSM IN THE MATTER OF an application submitted by Roseland Development Associates LLC pursuant to Sections 197-c and 201 of the New York City Charter for the grant of a special permit pursuant to Section 13-45 (Special Permits for Additional Parking Spaces) and Section 13-451 (Additional parking spaces for residential growth) of the Zoning Resolution to allow an attended public parking garage with a maximum capacity of 184 spaces on portions of the ground floor, cellar, and subcellar levels of a proposed mixed-use building on property located at 242 West 53rd Street (Block 1024, Lots 52 and 7), in C6-5 and C6-7 Districts, within the Special Midtown District (Theater Subdistrict), Borough of Manhattan, Community District 5. This application for a special permit was filed by Roseland Development Associates LLC on September 30, 2016. The special permit would facilitate the provision of an additional 95 parking spaces, for a total of 184 parking spaces, within a public parking garage in a mixed-use development at 242 West 53rd Street within the Theater Subdistrict of the Special Midtown District in Manhattan Community District 5. BACKGROUND 242 West 53rd Street is a through lot consisting of two tax lots on one zoning lot (Block 1024, Lots 52 and 7) located in the middle of the block bounded by Eighth Avenue, Broadway, West 52nd Street and West 53rd Street. The development site (Lot 52) is a “U”-shaped lot that totals 29,196 square feet in area and has 225 feet of frontage on West 53rd Street and 65.75 feet of total frontage, in two parts, on West 52nd Street. -
New Bebe Winans Musical 'BORN for THIS', Kathleen Turner and More Among Arena Stage's 2016-17 Lineup
broadwayworld.com http://www.broadwayworld.com/article/New-BeBe-Winans-Musical-BORN-FOR-THIS-Kathleen-Turner-and-More-Among-Arena-Stages- 2016-17-Lineup-20160215 New BeBe Winans Musical 'BORN FOR THIS', Kathleen Turner and More Among Arena Stage's 2016-17 Lineup by BWW News Desk Arena Stage just announced an exciting, starry 2016/17 season, which will showcase the theater's mission of American voices and artists. Spurred by its role as one of the seven originating theaters of D.C.'s Women's Voices Theater Festival, Arena Stage has embraced a commitment to inclusion with a season featuring seven titles by women, six playwrights of color and five female directors. On assembling the lineup Smith shares, "Arena has such a smart and diverse audience, so it is always a challenge to ensure everyone is energized. This season we leaned into that challenge and are welcoming a host of extremely talented artists both returning and new. This season is a celebration of Arena's broad shoulders, from our Lillian Hellman Festival, a Lorraine Hansberry classic and the gold-standard musical to world-premiere political dramas, a comedy and a new musical. The Mead Center was designed to have these different audiences unite in our flowing lobby, and I'm eager to experience this throughout our dynamic season." The season kicks off in July with the original world-premiere musical Born for This: The BeBe Winans Story by six- time Grammy Award winner BeBe Winans and veteran Arena Stage playwright/director Charles Randolph-Wright. Featuring new music by BeBe, the musical chronicles the early days of his career with sister CeCe and will star their niece and nephew, siblings Deborah Joy Winans and Juan Winans. -
For Immediate Release for Immediate
FOR IMMEDIATE RELEASE FOR IMMEDIATE RELEASE Contact: Renée Littleton/Lauren McMillen [email protected], 202-600-4055 December 15, 2020 For additional information, visit: arenastage.org/2021winterclasses ARENA STAGE ANNOUNCES NEW VIRTUAL CLASSES FOR WINTER SEASON *** Arena’s virtual series expands with family creativity workshops, classes for theater lovers, masterclasses and Voices of Now Mead Ensemble *** (Washington, D.C.) Arena Stage at the Mead Center for American Theater announces its lineup of Winter classes featuring classes catered to families, theater lovers, students, adults and emerging theater artists. The Voices of Now Mead Ensemble for young artists will begin this winter, meeting virtually to contribute to a new original film. Just in time for the holidays, this robust line of programming has something for everyone and makes the perfect unique gift for the theater lover in your family. “We are finding that people of all ages are responding with joy and energy to our virtual classes. There are so many ways to be engaged in these programs — whether you are a theater lover or a theater practitioner, there is something for you,” shares Director of Community Engagement and Senior Artistic Advisor Anita Maynard-Losh. Arena is excited to debut two new categories of classes: Family Creativity Workshops and Classes for Theater Lovers. Family Creativity Workshops are designed to connect family members through the means of theatrical games, visual art and imagination. These classes are led by Arena’s Director of Education, Ashley Forman and friends. These exhilarating classes are the perfect opportunity for families to engage and explore creative expression and collaboration. -
Parent-Student Handbook 2020-2021
Parent-Student Handbook 2020-2021 The Rankin 1004 Broadway, 2nd floor Columbus, GA. 31901 TABLE OF CONTENTS Welcome and Mission 2 Instructors 2-4 NEW Covid Protocol 5-6 Dance Year & Holidays ____________________________________________________6 Summer Intensives and Summer Classes 6 Performance Opportunities 5 Student Placement 6 Promotions 7 Pointe Training 7 Student Evaluations 7 Parent Observation 7 Conservatory Etiquette 8 YDC Dress Code 8 Ballet Bun 9 What to Have in a Ballet Bag 9 Conservatory Policies ______________________________________________________9-10 Absences/Tardiness 10 Video Recording/Social Media Policy _________________________________________10 Studio and Office Hours ____________________________________________________10 Registration Information 11 Payment Plans ____________________________________________________________11 Withdrawals 12 1 | Page ~Welcome: The CSU Youth Dance Conservatory (YDC) is one of many programs offered under Continuing & Professional Education at The Rankin. The YDC partners with The Columbus Ballet to offer the best classical ballet training and performance opportunities to aspiring dancers in our community. An air of tradition and discipline fills an atmosphere of intense, yet fun learning from our youngest dancers to advanced levels. In addition, the Conservatory offers training in jazz, contemporary, modern, and stretch. Our advanced students have been accepted to many well-recognized summer intensive programs such as: Atlanta Ballet, Montgomery Ballet, American Ballet Theatre, Boston -
Roberto Muñoz
Roberto Muñoz Mr. Munoz has been teaching and coaching young dancers for over 30 years, both in the USA and abroad. Mr. Munoz served as Director of the Conservatory of Dance and Music Point Park College (now University) from 1983-1995. There, he created two successful programs for young aspiring dancers, The Pre-Professional Division and the International Summer Dance Program. During this time, he assembled an impressive faculty of world-renowned Master Teachers, including Laura Alonso, Barbara Sandonato, Karen Brown, Magda Aunon, Eva Evdokimova, Willy Burmann, Michael Uthoff, John McFall and Jose Molina. In the summer of 1993, Mr. Munoz, was invited to be part of the faculty at Pro Danza in Havana Cuba, where he taught classes at the Historical Theater Garcia Lorca. In the year 1995, was invited to teach at The Baltimore High School for the Performing Arts. From 1997-2005, Mr. Munoz was Ballet Master/Coach for both Pittsburgh Ballet Theater’s Company and its school. In 2005, he became Executive Director and Ballet Master at Gulfshore Ballet in Florida. Mr. Munoz’s former students are recognized for their high level of professionalism and their artistic and technical achievements. Most have gone on to successful careers with major companies across the US and Europe. Mr. Munoz has been a guest Master Teacher at a number of Ballet Companies, including Atlanta Ballet, Ballet Arizona, Ballet Met, Boston Ballet, Houston Ballet, Pittsburgh Ballet Theater and Colorado Ballet, among others. He has also taught master classes at Central Pennsylvania Youth Ballet, Magda Aunon Classical Ballet School, Wexford Dance Academy, Ballet Academy of Pittsburgh, Dmitri Kulev Classical Ballet Academy, Colorado Conservatory of Dance, Aspen Santa Fe Ballet School, both in Aspen and Santa Fe, Vail Valley Dance Academy, Ballet Conservatory of South Texas, Dance Conservatory of Maryland, Takeuchi Ballet Studio in Japan and the Kenny Wang Ballet School in Taiwan.. -
Dance Theatre of Harlem
François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin