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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Phased School Reopening Health and Safety Plan Template
Phased School Reopening Health and Safety Plan Template Each school entity must create a Health and Safety Plan which will serve as the local guidelines for all instructional and non-instructional school reopening activities. As with all emergency plans, the Health and Safety Plan developed for each school entity should be tailored to the unique needs of each school and should be created in consultation with local health agencies. Given the dynamic nature of the pandemic, each plan should incorporate enough flexibility to adapt to changing conditions. The templates provided in this toolkit can be used to document a school entity’s Health and Safety Plan, with a focus on professional learning and communications, to ensure all stakeholders are fully informed and prepared for a local phased reopening of school facilities. A school entity’s Health and Safety Plan must be approved by its governing body and posted on the school entity’s publicly available website prior to the reopening of school. School entities should also consider whether the adoption of a new policy or the modification of an existing policy is necessary to effectively implement the Health and Safety Plan. Each school entity should continue to monitor its Health and Safety Plan throughout the year and update as needed. All revisions should be reviewed and approved by the governing body prior to posting on the school entity’s public website. Page 1 of 44 Table of Contents Health and Safety Plan ........................................................................................................... -
AUDITION for FOUR COMPANIES in One Great Workshop
Serious High School, College & Conservatory Dancers AUDITION for FOUR COMPANIES in One Great Workshop June 29, 2020 - August 2, 2020 Only 32 Dancers Accepted Classes with these Directors... Hope Muir Robert Curran Charlotte Ballet Louisville Ballet James Sofranko Adam Sklute Grand Rapids Ballet West Ballet PLUS other fantastic faculty! SUMMER 2020 INTENSIVE PERFORMANCE WORKSHOP June 29, 2020 – August 2, 2020 Study with Artistic Directors: Hope Muir, Charlotte Ballet Robert Curran, Louisville Ballet Adam Sklute, Ballet West James Sofranko Grand Rapids Ballet Monday - Saturdays 10am – 6pm (6 days per week) Tuition: $1,995 Cincinnati Ballet’s Victoria Morgan during a “Meet the Director” Lunch/Lecture • Use class as an Audition for these four companies. • Meet and ask questions of these Directors during the “Meet the Director” lecture series. • Classes in ballet technique, pointe technique, variations, together with jazz and modern will be included. Additional classes in Pilates and hip-hop will also be included. • Dance enrichment sessions of the workshops will include: question-and-answer ses- sions with professional dancers, technical theater production, video critique of his- toric ballet performances, plus discussions on resume, make-up and audition skills. • In the [Performance Intensive Workshop], you will learn what it is to be a member of a Corps de Ballet dancing with some of the finest professional dancers in the world. • All Performance Workshop Participants will be cast in a full-length production, La Bayadère. Performance: La Bayadère July 31, August 1 & 2, 2020 with Pennsylvania Ballet’s Sterling Baca and Nayara Lopes and San Francisco Ballet’s Sasha de la Sola! About Boca Ballet Theatre: Founded in 1990, Boca Ballet Theatre’s mission is to enrich the cultural landscape of our community and to educate our youth in classical ballet and concert dance through focused training, interaction with professional dancers and participation in full length ballets and contemporary choreog- raphy. -
An Exciting Year Ahead How Your Generosity Gives Ballet Arizona the Ability to Strive for Continued Excellence
BALLET ARIZONA DONOR IMPACT Corporate Spotlight: Donor Spotlight: Letter From the Q&A: Wells Fargo Mary and David Patino Executive Director: Artistic Director REPORT Samantha Turner Ib Andersen TURNING POINTE An Exciting Year Ahead How your generosity gives Ballet Arizona the ability to strive for continued excellence Ballet Arizona dancers Nayon Iovino and Jillian Barrell in Romeo & Juliet. Choreography by Ib Andersen. Photo by Rosalie O’Connor. WINTER 2017 I thank you for your continued generosity, support and passion ... Happy New Year! Welcome to 2017. On behalf of everyone at Ballet Arizona, I wish you good health and happiness coupled BEHIND THE SCENES with some spectacular ballet performances. I hope you’ll join with Ib Andersen us this February as we celebrate the return of Romeo & Juliet. Accompanied by The Phoenix Symphony, you have a unique opportunity to hear the Prokofiev score performed in its entirety. Q: What is your experience and history with In this issue, Executive Director Samantha Turner shares the Romeo & Juliet? news about an incredible legacy gift endowed to us by the A: I danced Romeo in Romeo & Juliet at the Royal Danish Ballet with late Hazel A. S. Hare. This gift is the largest one-time gift ever Mette-Ida Kirk. We were about 20 years old. It was choreographer received in the history of Ballet Arizona. We are deeply honored John Neumeier's premiere and it became such a huge success, to be the beneficiaries of such a transformational gift and to they are still doing that version today. This ballet was very crucial be among the few beneficiaries of such a generous woman. -
Medallists of the Genée International Ballet Competition 2018 Announced
PRESS RELEASE: 12 August 2018 Medallists of the Genée International Ballet Competition 2018 Announced Joshua Green, from Australia & Monet Hewitt, from New Zealand awarded coveted gold medals Silver medals awarded to Caitlin Garlick, from Australia & Basil James, from the UK Bronze medals awarded to Enoka Sato, from Japan & Jordan Yeuk Hay Chan, from Hong Kong Genée 2019 will take place in Toronto, Canada Download video content here Discover more on the Genée Facebook page The Royal Academy of Dance (RAD) is pleased to announce the medallists of the prestigious Genée International Ballet Competition 2018, held at Hong Kong City Hall on 12 August. After a week of intensive coaching from world-renowned teachers and choreographers the competitive Final saw the coveted gold medal awarded to Joshua Green, aged 17 from Australia, trained by Karen Ireland & Monet Hewitt, aged 16 from New Zealand, trained by Joye Lowe. Silver medals were awarded to Caitlin Garlick, trained by Karen Ireland & Basil James, trained by Anthony Dowson and Jennifer Hale. Enoka Sato, trained by Annette Roselli & Jordan Yeuk Hay Chan, trained by Yui Man Cheung, were awarded the bronze medal. Joshua Green started dancing in 2016 under the watchful eye of Karen Ireland at Karen Ireland Dance Centre. In April 2018, he travelled to New York and was selected as a top 20 dancer at the Youth America Grand Prix finals. He also received a scholarship to The John Cranko Schule. After completing the Genée, he stays in Hong Kong as one of the selected finalists of the Asian Grand Prix. Monet Hewitt from Auckland, New Zealand, began dancing when he was 8 years old at Philippa Campbell School of Ballet under the tutelage of Joye Lowe, Jane Turner and Geordan Wilcox. -
Audition Guidelines & Frequently Asked
AUDITION GUIDELINES & FREQUENTLY ASKED QUESTIONS Explore Your Potential and Realize Your Dream Patricia Lavoie, Artistic Director ABOUT SOUTHERN NH YOUTH BALLET Welcome to Southern NH Youth Ballet (SNHYB), the official performing company of Southern NH Dance Theater. The Youth Ballet has been educating dancers and inspiring audiences throughout New Hampshire since 1998. For more than 15 years the Youth Ballet has also been the resident Nutcracker Performing Company at the historic Palace Theatre in Manchester, NH. By providing young dancers with unique performance opportunities, intensive dance training and individual coaching, the Youth Ballet continues to inspire the youth in our community by fostering their artistic growth and enriching their lives. EXPLORE YOUR POTENTIAL AND REALIZE YOUR DREAM There are many benefits for company members of Southern NH Youth Ballet. Some of those opportunities include: • Participation in several performing opportunities • Perform with a live orchestra in The Nutcracker at the Palace Theatre in downtown Manchester • Work with some of the industry’s leading choreographers • Dance alongside professional dancers • Exposure to the dance community on a national level HOW DO I BECOME A MEMBER OF THE YOUTH BALLET? By attending the company auditions held in the fall of each year. Participation in the Youth Ballet is voluntary and open to all Southern NH Dance Theater students enrolled in ballet levels 5 through 7. There are no age requirements for students in ballet levels 5-7. It is very important to remember that the Youth Ballet is designed for the serious dancer. A commitment of this level is viewed by our staff as a family commitment. -
The Shubert Foundation 2020 Grants
The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company -
Parent-Student Handbook 2020-2021
Parent-Student Handbook 2020-2021 The Rankin 1004 Broadway, 2nd floor Columbus, GA. 31901 TABLE OF CONTENTS Welcome and Mission 2 Instructors 2-4 NEW Covid Protocol 5-6 Dance Year & Holidays ____________________________________________________6 Summer Intensives and Summer Classes 6 Performance Opportunities 5 Student Placement 6 Promotions 7 Pointe Training 7 Student Evaluations 7 Parent Observation 7 Conservatory Etiquette 8 YDC Dress Code 8 Ballet Bun 9 What to Have in a Ballet Bag 9 Conservatory Policies ______________________________________________________9-10 Absences/Tardiness 10 Video Recording/Social Media Policy _________________________________________10 Studio and Office Hours ____________________________________________________10 Registration Information 11 Payment Plans ____________________________________________________________11 Withdrawals 12 1 | Page ~Welcome: The CSU Youth Dance Conservatory (YDC) is one of many programs offered under Continuing & Professional Education at The Rankin. The YDC partners with The Columbus Ballet to offer the best classical ballet training and performance opportunities to aspiring dancers in our community. An air of tradition and discipline fills an atmosphere of intense, yet fun learning from our youngest dancers to advanced levels. In addition, the Conservatory offers training in jazz, contemporary, modern, and stretch. Our advanced students have been accepted to many well-recognized summer intensive programs such as: Atlanta Ballet, Montgomery Ballet, American Ballet Theatre, Boston -
Roberto Muñoz
Roberto Muñoz Mr. Munoz has been teaching and coaching young dancers for over 30 years, both in the USA and abroad. Mr. Munoz served as Director of the Conservatory of Dance and Music Point Park College (now University) from 1983-1995. There, he created two successful programs for young aspiring dancers, The Pre-Professional Division and the International Summer Dance Program. During this time, he assembled an impressive faculty of world-renowned Master Teachers, including Laura Alonso, Barbara Sandonato, Karen Brown, Magda Aunon, Eva Evdokimova, Willy Burmann, Michael Uthoff, John McFall and Jose Molina. In the summer of 1993, Mr. Munoz, was invited to be part of the faculty at Pro Danza in Havana Cuba, where he taught classes at the Historical Theater Garcia Lorca. In the year 1995, was invited to teach at The Baltimore High School for the Performing Arts. From 1997-2005, Mr. Munoz was Ballet Master/Coach for both Pittsburgh Ballet Theater’s Company and its school. In 2005, he became Executive Director and Ballet Master at Gulfshore Ballet in Florida. Mr. Munoz’s former students are recognized for their high level of professionalism and their artistic and technical achievements. Most have gone on to successful careers with major companies across the US and Europe. Mr. Munoz has been a guest Master Teacher at a number of Ballet Companies, including Atlanta Ballet, Ballet Arizona, Ballet Met, Boston Ballet, Houston Ballet, Pittsburgh Ballet Theater and Colorado Ballet, among others. He has also taught master classes at Central Pennsylvania Youth Ballet, Magda Aunon Classical Ballet School, Wexford Dance Academy, Ballet Academy of Pittsburgh, Dmitri Kulev Classical Ballet Academy, Colorado Conservatory of Dance, Aspen Santa Fe Ballet School, both in Aspen and Santa Fe, Vail Valley Dance Academy, Ballet Conservatory of South Texas, Dance Conservatory of Maryland, Takeuchi Ballet Studio in Japan and the Kenny Wang Ballet School in Taiwan.. -
Dance Majors
Ready to take the leap? DANCE MAJORS: Supporting positioned for success Dance studies at Walnut Hill provide a solid foundation for the continuation of artistic pursuits while also developing skills like YOUNG ARTISTS confidence, collaboration, and persistence that will serve you well in any number of future endeavors. We couple those skills We’re guessing that you already have a passion for dance with a rigorous academic program, and as a result, you are in one (or several) of its many forms: ballet, modern dance, poised for success. jazz. Maybe you’ve been a “dance kid” for years and gravitate Walnut Hill Dance students have continued their studies toward other like-minded kids, or maybe it’s something that at some of the world’s best colleges, conservatories, and has more recently taken hold of you. companies including: Whether your love for dance is long-standing or somewhat more recent, we thought we’d start from first position to give Alberta Ballet The Juilliard School you an idea of what it’s like to be a Dance major at Walnut Hill Alvin Ailey Dance Theater Kansas City Ballet School for the Arts, and show you where an education here at Barnard College Nashville Ballet Walnut Hill can take you. Ballet Austin National Ballet of Canada Boston Ballet New York City Ballet The Boston Conservatory Orlando Ballet Boston University Pacific Northwest Ballet Ballet Hispanico Pennsylvania Ballet Ballet San Antonio Princeton University Butler University Purchase College (SUNY) Colorado Ballet Richmond Ballet Complexions Contemporary Royal -
Dance Theatre of Harlem
François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin -
Aspen Santa Feballet
Here’s a snapshot of ASFB today: Aspen Santa Fe Ballet An extraordinary contemporary ballet company with a broad national and international reach Juan Siddi Flamenco Santa Fe A vibrant company of 14 flamenco dancers and musicians serving as a proud ambassador of Santa Fe’s diverse cultural heritage Aspen Santa Fe Ballet Presents Bringing a wide variety of internationally recognized dance companies to our home communities The School of Aspen Santa Fe Ballet A rich network of schools offering premiere dance instruction to hundreds of local students Aspen Santa Fe Ballet Folklórico Impactful community outreach benefiting local youth through Mexican folk dance TWENTY YEARS OF ASPEN SANTA FE BALLET www.aspensantafeballet.com PHOTO: MICHELE CARDAMONE APPLAUSE MATTERS ASPEN SANTA FE BALLET ASPEN SANTA FE BALLET PRESENTS A steadfast commitment to creating new work is a building block An embrace of fellow dance companies across many genres reflects It gives voice to audience passion. of ASFB. After 20 years, the company’s repertory boasts 80 ballets passion for the art of dance and the value of cultural diversity. This But other feedback — generous, ongoing support by 40 choreographers, a remarkable 31 of them commissioned and calculation led to the formation of Aspen Santa Fe Ballet Presents. — funds the mission. created for ASFB. The result has been the showcasing of more than 50 stellar dance Choreographers such as Alejandro Cerrudo, Norbert de la Cruz III, companies in our home communities. Since 1999 ASFB has YOUR SUPPORT BRINGS THE ART FORM TO LIFE Jorma Elo, Nicolo Fonte, Helen Pickett, Dwight Rhoden, and presented some of the world’s great dance companies: Alvin Ailey Cayetano Soto were nurtured by ASFB, each creating multiple II, Ballet West, Complexions Contemporary Ballet, Dance Brazil, It underwrites innovative dance programming.